#1825 - Ali Siddiq

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Ali Siddiq

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Ali Siddiq is a stand-up comic, writer, and public speaker. His new special, "The Domino Effect II: Loss," is available now on YouTube. www.alisiddiq.com

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Timestamps

0:17Exclusivity, luxury scams, and fake status symbols
19:58School shootings, domestic priorities, and investing in people
29:58Comedy greatness, peer respect, and the craft of stand-up specials

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Transcript

0:00

Joe Rogan Podcast, check it out.

0:03

The Joe Rogan Experience.

0:05

Train by day, Joe Rogan Podcast by night, all day.

0:09

The drones are the cigar choice, a short story.

0:17

And smoking cigars with D.L. so much.

0:23

I know a good cigar, Oliver.

0:27

That's a good cigar.

0:30

Yeah, this is solid.

0:32

I've had Cuban cigars, and I know they're supposed to be better,

0:35

and I believe they're good.

0:37

But I do not know if they're better.

0:40

I can't tell you.

0:41

You could lie to me.

0:41

You know, you could give me a good Dominican cigar,

0:45

and I'd be like, damn, Cuban, nice.

0:47

I don't know.

0:48

You know what you like when you like it.

0:51

Yeah.

0:51

Like, I like, I drink Cabernet,

0:55

and, you know, how they come to the table

0:57

when they tell you this valley and this and this is from this.

1:00

Yeah.

1:01

And I just said, eh, nine ounce.

1:04

And then, I like it, I like it, you know.

1:08

Yeah.

1:09

But, you know, other than that.

1:10

There was a documentary, I've talked about this before,

1:13

but there's a documentary called Sour Grapes,

1:16

and it's all about wine connoisseurs getting hustled by this dude

1:19

who figured out how to mix wine to make it taste like old wine,

1:23

and he put fake labels on them,

1:26

and he sold them for hundreds of thousands of dollars,

1:28

millions of dollars worth of wine this guy sold,

1:30

like bottles for a couple hundred thousand dollars.

1:34

And, unfortunately, he sold a fake bottle to the Koch brothers.

1:37

Oh.

1:38

And one of the Koch brothers,

1:39

someone was, like, going through their collection,

1:41

going, what the fuck is this?

1:42

And he's like, oh, that's a rah, rah, rah.

1:44

And they're like, no, it's not.

1:46

And then the next thing you know it,

1:48

he gets his wine examined,

1:50

and he's like, bro, you have a bunch of fake wine in here.

1:53

And then they find out this one dude

1:55

had been making these fake labels

1:58

and blending these cheaper wines together

2:00

to try to create a taste that's similar

2:03

to a really expensive wine.

2:04

That's ridiculous.

2:06

Everything that he went through,

2:09

he could have just made a wine.

2:14

You'd think so, but he made millions.

2:16

Millions and millions and millions of dollars.

2:18

To hustle people.

2:19

But he come from a criminal family.

2:22

Like, when they went into the whole family of it.

2:24

Like, the family, one of the brothers

2:26

had stolen a bunch of money out of a bank

2:29

and, like, hundreds of millions of dollars, right?

2:33

Wasn't it, like, some insane amount of money?

2:34

Do you remember that part?

2:36

And, you know, he's on the run.

2:37

He's hiding somewhere.

2:38

So, it's like the whole family's been con artists

2:42

their whole life.

2:44

And this guy just figured out a way

2:45

to get in with these wine people.

2:47

Because the way he did it was pretty genius.

2:49

First, he went and started going to auctions

2:51

and buying up really expensive wine.

2:53

So, he became known in the wine community

2:55

as this guy, like, oh, he knows.

2:57

He knows the wines.

2:58

He knows.

2:59

And then he said,

3:01

I'm going to get rid of some of my wines.

3:02

You know, I don't have too much wine.

3:04

Nowhere to store it.

3:05

So, I'm going to sell some of my choice wines

3:07

to, like, Sotheby's.

3:08

So, they would auction off some of his choice wines.

3:10

And then the winery found out.

3:12

And the winery's like,

3:13

we never made that label on that year.

3:16

Like, this is all fake.

3:17

It's wild, though, dude.

3:19

Because it's that thing.

3:20

It's like, people want exclusive shit.

3:22

Ah, Cuban cigars.

3:24

Ah.

3:25

With sneakers.

3:26

They find out some people are selling fake sneakers.

3:29

That makes sense.

3:30

It's like, I don't know.

3:32

You can make a sneaker, so.

3:35

Yeah, it's leather.

3:35

I mean, once you get past the printing of the soles,

3:39

everything else seems like you could kind of do.

3:42

The only way that you can make a shoe exclusive,

3:46

and this would be just utterly ridiculous,

3:50

if your shoe was put on the foot of the person that's buying it.

4:02

Right, formed.

4:04

Like, Ken Griffith Jr. stepped in your shoe,

4:08

or at least tried to put it on,

4:10

held it in his hand,

4:11

and then they sold it to you in Essex.

4:15

Because he dealt with the shoe.

4:16

Like, all these Ken Griffiths over here are regular Ken Griffiths,

4:21

but these are handheld Ken Griffith Jr. sneakers.

4:25

And you would have to have, like, chain of custody.

4:28

From Ken to you.

4:30

Where he's seen, where it's a photo of him with your, a video of him touching

4:35

your shoe,

4:35

putting it in the box, and then it's coming to you.

4:38

And maybe, like, signing his name on the inside lip.

4:42

Right, on the tongue, just a little bit?

4:44

Not, I wouldn't, I wouldn't even tell him what it was.

4:47

It would be something, like, they know when your shoe is authentic,

4:52

that you don't even know that it has.

4:54

Like, but you know, this is authentic, you got paperwork on it,

4:57

but what makes it authentic?

4:58

I don't know, let me see your shoe.

5:00

And then they turn around and they put some light on it.

5:02

And they're like, nope, nope, don't have it.

5:05

Like, then, yes.

5:07

Because people, I don't know.

5:09

I don't know.

5:10

It's like, what is exclusive?

5:15

What is exclusive?

5:16

Like, if you're sitting in first class on a plane,

5:21

are you really getting anything other than...

5:24

Getting a bigger seat.

5:25

Eh.

5:25

But you're paying sometimes, like, way more.

5:29

Like, what is it?

5:30

A coach seat can be $400.

5:31

A first class might be $2,000.

5:33

Yeah.

5:34

It's, and you go in the same place.

5:36

So if the plane went down,

5:38

like, do you live?

5:41

No, you're more likely to die.

5:42

The people in the back live.

5:44

Like, do people say,

5:46

ah, Joe, I thought you was,

5:48

I heard you was in a plane accident.

5:51

Everybody's like, yeah, I was in first class.

5:53

Like, why would I, why would I be dead?

5:54

Like, what?

5:55

There are bags everywhere.

5:56

It's like, like, you and eight people,

5:59

like, the plane had done all type,

6:01

all type of flips,

6:02

and it's on fire,

6:05

but y'all have no idea.

6:06

Y'all still in the, y'all still in the front.

6:07

Huh.

6:08

Something's going on out there, I think.

6:10

And then you, you get out,

6:14

you get out of a box,

6:16

a first class box,

6:17

and you're like, wow.

6:20

Didn't know all that was going on.

6:22

Everyone's gone,

6:23

and thank goodness this first class seat was available.

6:26

People love exclusivity, though.

6:28

They love to be above the herd,

6:29

above the crowd.

6:32

Look at me with my fancy clothes.

6:35

I said courtside once,

6:37

and realized that I had to walk up to get out,

6:44

and was pissed.

6:45

Like, all these days,

6:50

the further I started going down,

6:51

I was like, man, shit!

6:53

Like, I gotta walk back up that way to get out?

6:56

God damn it!

6:57

Why don't they have a courtside exit?

6:59

They do it!

7:00

Right?

7:01

That would be exclusive.

7:01

Real exclusive.

7:03

You go through the locker room.

7:04

Yeah.

7:04

Man, it was insane,

7:07

all the steps that I had to take to go do anything.

7:11

I was like, damn it!

7:12

I haven't gone to see a sporting event live in forever.

7:16

And then I went the other night

7:17

to an Austin FC soccer game,

7:20

and it's like 22,000 people in the arena.

7:23

It was great.

7:23

I never seen soccer live.

7:25

It was great.

7:26

Like, I appreciate it now.

7:27

I watched it on TV.

7:28

I'm like, eh, not enough action.

7:29

But when you're there live,

7:31

and you see how fast those guys run,

7:32

and how much skill involved,

7:34

and tactics, and strategy.

7:35

But God damn leaving is a pain in the dick.

7:38

When there's 22,000 people

7:40

trying to get out of the same two lanes,

7:41

you're like, oh, Christ.

7:43

And then there's a light up ahead.

7:45

You got to wait for the light to turn green.

7:46

Oh, fuck.

7:47

It's, um,

7:49

I thought of this.

7:51

Because I had this new special that just came out.

7:55

I thought as soon as it came out

7:57

that they was going to invite me

7:58

to a sporting event,

8:00

like to shoot the free throw if I'm on the list.

8:03

Throw the first pitch?

8:05

Throw the first pitch, shoot.

8:06

Because in Houston,

8:08

I see other people,

8:09

I see lesser celebrities,

8:11

shooting the free throw from the line for charity,

8:14

and I'll just be pissed.

8:15

Like, why haven't they called me yet to,

8:19

I'm on like special number four.

8:21

Like, what's the holdup?

8:23

Like, what's the holdup on,

8:24

who is not picking up the phone

8:28

for me to shoot this damn shot?

8:30

Do you have a publicist that calls people for that?

8:32

No.

8:33

I think that's what it is.

8:34

That's what it is.

8:35

The people that get that chase it.

8:37

They chase that shit.

8:38

Yeah.

8:38

They, yeah.

8:40

It's like Hollywood Walk of Fame,

8:41

like the star.

8:42

You could get a star.

8:43

You just have to pay for it

8:44

and have someone set it up.

8:45

Like, there's a lot of people

8:47

that have stars that are just,

8:48

you've never heard of them before.

8:49

They just paid for it.

8:51

Like, you just walk in like,

8:53

Yeah.

8:53

Who is Rudy Jackson?

8:55

Exactly.

8:56

Exactly.

8:57

It's not a joke.

8:58

Like, what did he do?

9:00

And he like right by the Starbucks.

9:02

You just, you see?

9:03

Walk down Hollywood Boulevard.

9:06

And then you find out

9:07

that the homeless person down the way

9:09

is Rudy Jackson.

9:10

You're like,

9:10

I used to be great, man.

9:12

And then back,

9:14

back in the day,

9:15

I was Samuel Jackson stunt double.

9:17

Exclusivity is a thing, man.

9:21

It's like,

9:21

people pay for fake exclusivity.

9:23

There was just a bust.

9:24

They busted,

9:25

they said it was

9:26

$10 million worth of fake Rolexes.

9:29

And I'm like,

9:30

well, if they're fake,

9:31

how,

9:32

they should be worth nothing.

9:33

Right?

9:35

Like,

9:37

what you,

9:37

are you busting me for trying?

9:39

Right?

9:39

I'm the real loser here, sir.

9:43

The thing about a fake Rolex is though,

9:45

they can make a fake Rolex

9:47

exactly like a real Rolex.

9:49

Exactly.

9:50

Because they use 3D printing.

9:52

So what they do is

9:53

they'll take a model,

9:55

like a,

9:55

they'll do a computer model

9:57

of every single part in a Rolex.

9:59

They'll take it apart

10:00

and then they make

10:01

a duplicate version of it.

10:02

Every part.

10:04

Everything.

10:04

Every screw.

10:06

Every little wheel.

10:07

Every little mechanical piece

10:08

inside that moves.

10:09

And then they put it all together.

10:11

Yeah,

10:11

this is it right here.

10:12

U.S. Customs

10:13

Border Protection

10:14

said it seized

10:14

460 counterfeit Rolexes

10:17

shipped to the U.S.

10:18

from Hong Kong.

10:19

You won't even be able

10:20

to tell the difference, man.

10:21

First of all,

10:21

my eyesight sucks anyway

10:23

because I can't like,

10:24

I have to put reading glasses on.

10:26

So it's a Rolex

10:28

that I'm looking for

10:30

that they say

10:31

that people,

10:33

it's hard to find.

10:34

It's the silver one

10:36

with the green face.

10:37

It's a Oyster 41.

10:39

if anybody in Hong Kong

10:41

making one of them

10:43

just, you know,

10:44

and shit and talk

10:45

until I get the one I want.

10:47

I'm like,

10:48

you know,

10:48

I'll be hearing

10:49

about women

10:52

getting gifted things

10:53

that's on their wish list.

10:55

Oh, yeah.

10:55

And I'm like,

10:56

that shit never,

10:57

if I put a wish list together,

10:59

they'd be like,

11:00

you fucking bummed.

11:01

You a fucking beggar, Ali.

11:03

Women can do it.

11:05

They always complain about,

11:08

not always,

11:09

but sometimes they complain about,

11:11

it's a double standard.

11:13

It fucking is.

11:14

Of course it is.

11:15

If I go on the internet

11:18

and put on a halter top

11:20

and put a wet halter top on

11:24

and put it right up

11:27

underneath my chest,

11:28

I get no money.

11:30

As a matter of fact,

11:31

I get complaints.

11:32

The people,

11:33

hey, I need $10

11:34

for the shit you put on in there.

11:36

People are requesting money from me,

11:39

but you do it.

11:41

Let a woman put on a wet halter top

11:44

right beneath her breast

11:45

and just put on there,

11:47

donate.

11:47

I guarantee you

11:49

you could be a millionaire.

11:50

For sure.

11:51

Easily.

11:51

There was a woman

11:52

who was working for

11:53

a friend of mine.

11:54

She was just in production

11:55

of his podcast

11:56

and she would take photos

11:57

of her feet

11:58

and put her feet

12:00

on OnlyFans

12:00

and she was making

12:01

$100,000 a month

12:04

showing her feet.

12:06

The lady who does my feet

12:09

has taken videos of my feet

12:12

and I've seen them

12:13

on her page

12:15

of other Korean ladies

12:17

laughing.

12:17

Look at that toy.

12:21

Look at that baby toy.

12:22

I think it's work.

12:25

You get your toes done?

12:26

You get pedicure?

12:27

Hell yeah,

12:27

I go get a pedicure.

12:28

I took one of the toughest dudes.

12:33

I always take some hood dude

12:36

to something

12:37

that they deem

12:39

as some non-manly shit.

12:41

I'm like,

12:42

yo, listen, my man.

12:43

My man, Papa Doc.

12:45

He said his feet

12:47

has been hurting.

12:48

I said,

12:48

yo, listen,

12:49

you got to get you

12:50

a pair of hokas.

12:51

You know what I'm saying?

12:52

So he went and got them.

12:53

I'm like,

12:54

yo, I feel like

12:54

I'm walking on

12:55

fucking pillows.

12:56

I'm like,

12:57

hokas is the shit.

12:58

Hoka like running shoes?

12:59

Yeah.

12:59

They're great.

13:00

Oh my goodness.

13:01

Great.

13:01

Best shoe ever made.

13:02

So I said,

13:03

man,

13:04

you got plantar fasciitis

13:05

and I said,

13:08

man,

13:08

you got to get your feet done.

13:09

That's a part of

13:10

mental health,

13:12

health care,

13:12

you know,

13:13

getting your feet.

13:14

He's like,

13:14

man,

13:15

I ain't fucking with it.

13:16

I'm scared.

13:17

I'm not doing it.

13:18

I don't know about,

13:18

and I'm ticklish.

13:19

I don't know about

13:19

touching my goddamn feet.

13:20

I'm like,

13:22

I'm going to go with you.

13:24

And he's like,

13:25

I don't give a shit who go.

13:27

I'm not fucking with it.

13:28

I said,

13:28

listen,

13:28

I got you.

13:29

I'm going to go with you.

13:30

I'm going to take you to my place.

13:31

And he said,

13:32

all right.

13:33

And I said,

13:34

listen,

13:34

before we get in here,

13:35

we getting a deluxe.

13:38

We getting the highest package.

13:39

The lady going to put

13:40

all types of shit on your feet.

13:41

Mayonnaise,

13:42

cucumbers,

13:42

all type of buttermilk.

13:45

She's going to boil

13:45

the motherfuckers in acid.

13:46

She's going to do everything

13:47

to your feet.

13:47

Trust me.

13:48

One of the toughest dudes,

13:51

I'm like,

13:52

I've had situations

13:53

I've called him

13:54

and he showed up

13:54

with no problem.

13:56

Like,

13:57

yo,

13:57

what's up?

13:57

I'm killing everybody.

13:58

But you would think

14:03

that I was taking him

14:04

to the electric chair.

14:05

I'm like,

14:08

yo,

14:08

man,

14:09

are you going to come

14:09

into place?

14:10

Nothing.

14:10

I ain't fucking with it.

14:11

He looking in there

14:12

like it's a setup,

14:12

like it's a mob hit.

14:14

Who are all in there?

14:15

Man,

14:16

listen.

14:16

Elderly people come here.

14:19

Women come here.

14:19

Women feed me fucked up.

14:21

You know what I'm saying?

14:21

Listen.

14:23

So he sits down,

14:24

takes his shoes off.

14:25

And as soon as he put

14:27

his feet in the water,

14:28

I'm talking to him

14:29

the whole time,

14:30

just trying to get

14:30

his mind off of it.

14:32

And he's like,

14:32

man,

14:33

fucking water.

14:33

The water bubbling.

14:35

He's like,

14:36

I see him easing up.

14:38

Then she comes out

14:39

with this tray

14:40

of all sorts of fruit

14:42

and oranges.

14:43

Put them on his legs.

14:44

He's like,

14:44

man,

14:44

type of fucking fruit salad

14:46

shit is this?

14:46

I'm like,

14:47

right when he getting

14:53

the cucumber rub

14:54

between his toes

14:56

and all that,

14:56

he look over at me

14:57

as he's drinking.

14:58

Because they bring you drinks.

15:00

I'm having a mimosa.

15:01

He's having an orange juice

15:02

because he's telling me,

15:03

I got to stay on my toes

15:04

when I'm fucking going.

15:04

You can't stay

15:05

on your toes in here,

15:06

man.

15:06

Your toes in the water.

15:07

He's on high alert.

15:12

This whole experience

15:13

is not,

15:13

it's supposed to be relaxing.

15:15

The lady come in

15:17

and she put his massage chair on.

15:21

And he,

15:22

you can see it easing up on him.

15:26

Before I know it,

15:27

he in that sleep.

15:28

Lady doing everything

15:31

to his feet.

15:31

She sawing him.

15:33

She taking off his toes.

15:34

She doing everything.

15:35

I'm talking about it.

15:36

The lady took his feet off

15:37

and just took him

15:38

to the back with her.

15:39

She was like,

15:39

yo,

15:39

there's a lot of shit going on.

15:41

He walked out.

15:43

He walking out

15:45

and he turns to me

15:46

and said,

15:47

man,

15:47

God damn.

15:48

That shit was amazing, man.

15:50

Got me some new feet.

15:52

You converted him.

15:55

I'm like,

15:57

he'll be back without me.

15:58

He'll be back in there

16:00

without me.

16:00

He know where to go.

16:01

Yeah, but maybe.

16:02

Sometimes it's hard.

16:04

It's like going to the movies

16:05

by yourself.

16:05

It's a big leap.

16:07

Is it?

16:08

Some people.

16:09

Man, I go to the movies

16:10

by myself in a heart.

16:11

But you're a comic

16:12

and you go on the road.

16:13

When you go on the road,

16:14

especially if you've got

16:15

an annoying opening act.

16:16

Oh.

16:17

You know,

16:17

if you go on the road

16:19

and you're going to Cincinnati

16:20

and you've never been

16:20

to Cincinnati before

16:21

and they've got a local guy

16:22

opening for you

16:23

and he's annoying,

16:24

you know,

16:25

and you wake up

16:26

and it's 11 a.m.

16:27

and you're like,

16:27

fuck,

16:27

what am I going to do today?

16:28

I'll go to the gym.

16:29

Well,

16:31

it's playing in the movies.

16:32

Fuck it,

16:32

I'm going to go to the movies

16:33

by myself.

16:34

And I commandeer

16:36

both seats

16:38

on the side of me

16:39

with vittles.

16:42

I mean,

16:43

because if I'm going to the movies,

16:45

this is not a healthy experience.

16:46

I'm eating all the bullshit

16:48

that's in it.

16:49

I want...

16:49

Sour Patch Kids.

16:50

Sour Patch Kids.

16:52

I want the Twistlers.

16:53

I want...

16:55

This is the only time

16:56

I eat a box

16:57

of fucking thin mints,

16:59

them junior mints.

17:00

I eat a box of them shits

17:01

in the course of the movies

17:04

with nachos.

17:05

I need my nachos

17:06

with jalapenos.

17:07

I need my popcorn jalapenos.

17:09

I put jalapenos

17:10

in my popcorn.

17:11

Ah, man.

17:13

I just...

17:14

I'm just going to have

17:15

so much bad shit.

17:16

And I need it in both chairs.

17:17

And I'm going to sit back

17:20

and I'm going to watch.

17:20

And I'll be on high alert, too,

17:24

in the movies sometimes.

17:25

But most of the time,

17:26

I'm just in there relaxing.

17:27

And I already have

17:28

an exit plan, though.

17:29

Somebody coming in

17:30

with some bullshit,

17:31

I got an exit plan.

17:32

This fucking kid shooting

17:34

yesterday

17:35

is just...

17:37

That's when you think

17:38

about exit plans.

17:39

Like, people always

17:40

want to think,

17:41

you know,

17:42

what would I do?

17:43

What would I do

17:45

if something happened

17:46

like that?

17:46

Like this elementary

17:48

school shooting.

17:48

This elementary school,

17:50

the more I'm reading about

17:51

it, the more fucked it is.

17:52

They saw him go in.

17:53

The cops didn't stop him.

17:55

They didn't go in

17:56

after him.

17:57

He was in there

17:58

for 40 minutes.

17:58

For 40 minutes.

18:00

The parents are outside.

18:00

This video of the parents

18:01

screaming at the cops,

18:03

trying to get the cops

18:04

to go in.

18:05

Finally, Border Patrol

18:06

gets there.

18:07

Border Patrol goes in

18:09

and they kill him.

18:09

I talked about it

18:14

the day of

18:15

because it was...

18:17

I'm on the radio

18:18

in Houston

18:19

and it said

18:21

it comes across

18:22

shooting on

18:24

Uvalde

18:27

is what it said.

18:29

So immediately

18:31

we start

18:32

trying to correct

18:33

people

18:34

because in Houston

18:35

we have a street

18:36

Uvalde.

18:38

And

18:40

that's what people

18:41

heard.

18:42

So we went in

18:42

correcting it

18:43

and

18:43

it's in

18:45

Uvalde, Texas.

18:46

And

18:48

I'm

18:52

the first thing

18:53

I'm like

18:53

this

18:54

who

18:56

went to the school

18:57

like

18:58

and why

18:59

and

19:01

why are we

19:02

still in this

19:03

same position

19:04

over and over again?

19:05

We

19:05

the level of

19:07

concern

19:08

that we have

19:09

for children

19:09

is really

19:11

lackluster

19:11

in this country

19:12

because

19:12

why is this

19:13

continuing to happen?

19:14

Why is it no security?

19:16

Why is it

19:16

why was he able

19:17

to even get

19:18

in the school

19:19

if you're looking at him

19:20

and you know

19:20

he doesn't go

19:22

you don't want to

19:23

stop him

19:24

to even ask

19:25

a question?

19:26

I'm

19:29

confused

19:31

of why

19:32

people with

19:34

these issues

19:35

go to

19:37

the most

19:38

like what

19:39

and it's

19:40

like why

19:41

this place?

19:42

Because it's horrific

19:43

they do it

19:44

because it's

19:45

the worst thing

19:45

you can do

19:46

they're shooting

19:46

little kids

19:47

they're going to

19:48

an elementary school

19:49

kid

19:50

you're getting

19:51

like 8 year olds

19:52

10 year olds

19:52

it's the most

19:53

horrific thing

19:54

the most innocent

19:54

and we know

19:55

and we know

19:55

this is a possibility

19:57

right

19:58

and we know

19:58

this has happened

19:59

so why

20:01

don't lawmakers

20:02

make

20:02

the law

20:05

a law

20:06

to be

20:06

if you commit

20:07

this horrific crime

20:08

if you

20:10

if you go

20:11

anywhere

20:11

the consequence

20:14

is so dire

20:15

that we

20:18

that this is

20:19

time

20:19

this is a

20:20

like you

20:21

get beheaded

20:22

this is

20:22

once again

20:23

this back

20:23

off to like

20:24

yeah but

20:24

these guys

20:24

want to die

20:25

like

20:26

it's a death

20:27

sentence

20:27

they know

20:28

like if that

20:28

guy's in there

20:29

for 40 minutes

20:29

he's not trying

20:30

to live

20:30

he's waiting

20:31

for someone

20:31

to come in

20:31

and kill him

20:32

that's a lot

20:33

of these guys

20:33

it's a suicide

20:34

run

20:35

run

20:35

I think

20:36

I think

20:36

I think

20:36

some of them

20:37

feel like

20:37

they're gonna

20:38

live

20:38

and somebody

20:39

gonna make

20:39

a movie

20:39

about them

20:40

I think

20:40

that you

20:41

you

20:41

because

20:44

if

20:45

I would

20:47

kill you

20:47

before you

20:48

even got

20:49

is you

20:50

you walking

20:50

up

20:51

it's gonna

20:51

be a problem

20:52

cause you

20:52

as soon as

20:53

you walking

20:53

up to the

20:54

school

20:54

it's gonna

20:55

be

20:55

it's gonna

20:56

be some

20:56

resistance

20:57

because they

20:58

know that

20:58

you

20:58

there's no

20:59

resistance

21:00

to these

21:00

to these

21:01

places

21:01

so

21:02

you

21:03

we have to

21:05

put up

21:05

some walls

21:06

of safety

21:06

when we

21:07

know

21:07

that these

21:08

things happen

21:08

in this

21:09

country

21:09

and people's

21:10

mental health

21:10

and people

21:11

I'm not even

21:11

blaming on

21:12

mental health

21:12

a lot of

21:13

these things

21:13

it's this

21:14

desire of

21:16

sensationalism

21:17

that a lot

21:18

of these

21:18

people have

21:19

and you

21:22

should combat

21:23

it at all

21:23

angles of

21:24

it

21:24

prior to

21:26

it

21:26

protection

21:27

is preventive

21:28

yeah

21:29

well

21:30

somebody

21:31

pointed out

21:32

and it's

21:32

a good

21:33

point

21:33

how do

21:33

we have

21:34

40 billion

21:34

dollars

21:35

to send

21:35

to Ukraine

21:36

and we

21:37

don't have

21:37

40 billion

21:38

dollars

21:38

to protect

21:38

the schools

21:39

okay

21:40

exactly

21:40

how do

21:41

we

21:41

where's

21:42

the money

21:43

getting

21:43

allocated

21:43

but I

21:43

said this

21:44

about every

21:44

single

21:44

problem

21:45

they have

21:45

in this

21:45

country

21:45

every time

21:46

there's

21:46

like

21:47

a report

21:47

on the

21:48

shootings

21:48

in Chicago

21:49

like how

21:49

do we

21:50

have

21:50

money

21:50

to

21:51

send

21:52

to other

21:53

countries

21:53

when we

21:53

don't have

21:54

enough

21:54

money

21:54

to fix

21:55

whatever's

21:55

going on

21:55

on the

21:56

south side

21:56

of Chicago

21:56

or Baltimore

21:57

or Detroit

22:00

if we have

22:00

if we have

22:01

this money

22:02

how does

22:02

how's it

22:03

poverty

22:03

right

22:04

in this

22:05

right

22:05

okay

22:06

so you find

22:06

money for

22:07

for other

22:08

things but you

22:09

don't find

22:09

money to

22:10

correct the

22:11

problems here

22:11

exactly

22:12

exactly

22:13

it's almost

22:13

like

22:14

well it has

22:16

to be

22:16

it's almost

22:17

like it has

22:17

to be

22:17

profitable

22:18

like you

22:19

remember

22:19

when we

22:20

invaded Iraq

22:21

and Halliburton

22:22

got these

22:23

no-bid

22:23

contracts

22:24

to fix

22:24

all the

22:25

shit

22:25

we blew

22:25

up

22:25

give them

22:28

a no-bid

22:28

contract

22:29

to fix

22:30

Chicago

22:30

go in

22:31

there

22:32

fix it

22:32

go in

22:33

there

22:33

set up

22:33

set up

22:33

community

22:34

centers

22:35

set up

22:35

whatever you

22:36

can do

22:36

to protect

22:36

people

22:37

set up

22:37

whatever

22:37

you can

22:38

do

22:38

to

22:38

educate

22:38

people

22:39

set up

22:39

whatever

22:40

you can

22:40

do

22:40

to

22:40

provide

22:40

people

22:41

with

22:41

better

22:41

housing

22:42

give them

22:43

hope

22:43

the

22:43

whole

22:45

country

22:45

if you've

22:47

got that

22:47

much

22:48

money

22:48

to

22:48

go

22:48

into

22:48

these

22:48

other

22:49

countries

22:49

and fix

22:50

things

22:50

and this

22:51

whole idea

22:52

of us

22:52

being the

22:52

police

22:53

of the

22:53

world

22:53

how the

22:53

fuck

22:54

can we

22:54

be the

22:54

police

22:54

of the

22:54

world

22:55

we can't

22:55

even

22:55

police

22:55

our own

22:55

backyard

22:56

how do

22:57

I have

22:57

a plan

22:58

to eradicate

23:00

homelessness

23:00

but the

23:02

smartest

23:03

people in

23:03

this world

23:04

don't have

23:05

a plan

23:05

what's

23:06

your plan

23:06

simple

23:07

so

23:07

in most

23:08

cities

23:09

you have

23:10

these

23:10

abandoned

23:10

buildings

23:11

you have

23:12

a lot

23:12

of

23:12

abandoned

23:12

buildings

23:13

you go

23:13

in

23:13

you refurbish

23:14

this

23:15

building

23:15

and you

23:15

start

23:16

people

23:16

right

23:17

at the

23:18

top

23:18

and it's

23:19

a tear

23:19

system

23:20

that

23:20

as you

23:21

tear out

23:23

the door

23:23

so

23:24

whatever your

23:25

situation is

23:25

whether it's

23:26

mental health

23:26

you get that

23:28

fixed there

23:28

whether it's

23:29

financial literacy

23:30

you get that

23:30

fixed there

23:31

whatever your

23:31

situation is

23:32

you get fixed

23:32

in this

23:33

building

23:33

that this

23:34

is what

23:35

this recovery

23:36

center is

23:36

for

23:36

then you

23:38

put them

23:38

in jobs

23:39

within the

23:40

building

23:41

because it's

23:42

ran by

23:43

grants

23:43

within the

23:44

building

23:44

to heighten

23:45

the skills

23:45

that they

23:46

already have

23:46

and you ask

23:47

people

23:47

what are

23:48

their interests

23:48

what do

23:49

they want

23:49

to be

23:49

what were

23:50

you before

23:50

this happened

23:51

to you

23:51

how did

23:52

this happen

23:52

you get

23:52

all that

23:53

back

23:53

information

23:53

and as

23:54

they are

23:56

tearing

23:56

out

23:57

the money

23:58

that's

23:58

allocated

23:58

for each

23:59

particular

23:59

client

24:00

through this

24:01

grant

24:02

half of that

24:03

money

24:03

is being

24:04

put to the

24:05

side

24:06

getting ready

24:07

to come

24:07

out

24:07

you're not

24:08

letting them

24:09

out of this

24:10

program

24:10

just naked

24:12

with just

24:12

the skills

24:13

that they

24:13

acquired

24:13

in this

24:14

program

24:14

you're giving

24:15

them a

24:16

new lease

24:17

on life

24:17

this is

24:18

the money

24:18

that you

24:18

acquired

24:19

by being

24:20

through this

24:20

program

24:20

let's help

24:21

you start

24:22

your life

24:23

from this

24:24

point

24:24

and you

24:24

invest

24:25

in the

24:25

businesses

24:26

that they're

24:27

starting

24:27

you invest

24:28

in their

24:28

life

24:28

whether it's

24:29

a trade

24:29

center

24:29

you invest

24:30

in these

24:30

people

24:30

and with

24:31

the notion

24:32

of they

24:32

going to

24:33

reinvest

24:33

a percentage

24:34

back into

24:35

the building

24:36

to help

24:36

more people

24:37

and you

24:37

keep recycling

24:38

people back

24:39

into the

24:39

world

24:39

in that

24:40

manner

24:41

so when you

24:42

see somebody

24:42

homeless

24:43

they're like

24:43

I'm homeless

24:44

I can't help

24:44

myself

24:44

they're like

24:44

bullshit

24:45

it's a building

24:46

right there

24:47

that helps

24:47

every single

24:48

person that

24:49

even falls

24:49

on hard times

24:50

and then you

24:50

give people

24:51

free health care

24:52

I bet if you

24:53

did that for

24:53

several generations

24:54

you could put

24:55

a massive debt

24:56

in it

24:56

I don't think

24:57

you'd ever

24:57

totally fix it

24:58

because you're

24:58

never going to

24:59

fix abusive

25:00

parents

25:00

sexual abuse

25:02

drug abuse

25:03

when you're young

25:03

you get people

25:04

out of there

25:05

you get people

25:05

out that

25:06

situation

25:06

because

25:06

I was in a

25:08

I had an abusive

25:09

stepfather

25:10

the only way

25:12

to remedy this

25:13

is to get out

25:15

of this

25:15

because you can't

25:16

fix him

25:17

you got to

25:17

you got to

25:18

focus on me

25:19

yeah

25:20

and get me

25:21

to safety

25:22

but if you

25:23

cripple somebody

25:24

thinking that

25:24

somebody

25:25

you put a person

25:27

in a position

25:27

where they feel

25:27

like they need

25:28

that person

25:29

and so you

25:30

make excuses

25:30

for their

25:32

behavior

25:32

when I see

25:33

this all the

25:34

time and people

25:34

like why

25:35

why did this

25:35

person stay

25:36

why did this

25:37

person do this

25:38

because if they

25:39

were handicapped

25:40

they was crippled

25:40

and when you

25:41

feel like you

25:41

have no other

25:42

place to go

25:43

you stay in

25:44

positions that

25:45

that's abusing

25:46

you

25:46

that's what

25:48

people do

25:48

that's definitely

25:50

true but the

25:51

amount of

25:51

resources you

25:52

would have to

25:52

have to take

25:53

care of every

25:53

family where

25:54

every person

25:55

is being abused

25:56

we have it

25:57

because we can

25:57

give it

25:58

we can give

25:58

we throw

26:00

away more

26:00

food in

26:00

this country

26:01

than most

26:03

countries produce

26:03

in a year

26:04

our waste

26:05

our waste

26:06

ratio

26:07

if our waste

26:07

ratio change

26:08

then our

26:09

condition change

26:10

because if you

26:12

allocate funds

26:14

to the right

26:14

thing instead

26:15

of wasting

26:16

funds

26:16

like even

26:18

with this

26:19

people say

26:22

it's a

26:23

misinformation

26:23

in certain

26:24

things

26:24

yes it is

26:25

when the

26:26

federal government

26:27

doesn't allocate

26:27

funds

26:28

to certain

26:29

people

26:29

to eradicate

26:31

the misinformation

26:31

in media

26:33

in media

26:35

it's federal

26:35

funds that

26:36

go out to

26:37

media companies

26:38

why you don't

26:38

give that to

26:39

some of the

26:39

black media

26:40

outlets that

26:41

you say

26:41

that don't

26:42

know what's

26:42

going on

26:43

because you're

26:43

not helping

26:44

you're not

26:44

helping the

26:44

situation

26:45

either

26:45

you're hurting

26:45

the situation

26:46

you're saying

26:47

that

26:47

people's

26:48

number

26:48

if you know

26:49

that the

26:49

number one

26:50

thing that

26:50

cripples

26:50

people

26:51

in this

26:52

country

26:52

is health

26:53

and then

26:55

you don't

26:56

make it

26:56

where they

26:57

can have

26:58

quality

26:59

free health

27:00

care

27:00

in this

27:01

country

27:01

then you

27:01

don't feel

27:02

like the

27:02

consumer

27:03

that you're

27:04

you're

27:05

you're

27:05

the human

27:08

being

27:09

is the

27:11

most

27:11

important

27:12

commodity

27:12

on this

27:14

planet

27:14

if you

27:16

invest in

27:17

the human

27:17

being

27:18

and the

27:20

human being

27:20

does

27:21

the good

27:23

works that

27:24

he's supposed

27:25

to do with

27:25

that investment

27:26

and they invest

27:27

in more human

27:28

beings you

27:28

create this

27:29

utopia

27:30

of

27:30

helping

27:32

and learning

27:33

and not

27:34

being and

27:34

not having a

27:35

phobia of

27:36

hey Joe

27:37

I need your

27:37

help

27:38

that doesn't

27:38

make me less

27:39

than a man

27:39

because I need

27:40

your help

27:40

with something

27:41

you're supposed

27:43

to give your

27:43

fellow man

27:44

a leg up

27:46

that's what

27:46

you're supposed

27:47

to do

27:47

but we live

27:49

in the

27:50

what I'm not

27:51

supposed to do

27:52

yeah and helping

27:53

people feels good

27:54

it's good for you

27:55

too

27:55

that's one thing

27:57

we have to get

27:57

into people's heads

27:58

helping people

27:59

feels good

28:00

it's good for you

28:01

too

28:01

it's like people

28:02

are selfish

28:03

they don't want

28:03

to help themselves

28:04

they feel like

28:04

if I'm helping

28:05

someone else

28:05

it's taken away

28:06

from me

28:07

but that's not

28:08

the case

28:08

what does that

28:10

mindset come from

28:11

they just

28:12

they just need

28:13

a better

28:13

well it's a

28:14

it's a famine

28:15

mindset

28:15

the famine mindset

28:16

is there's not

28:17

enough to go around

28:18

but there's enough

28:18

to go around

28:19

there's enough

28:19

for everybody

28:20

you know

28:21

this is one thing

28:22

that I always try

28:22

to instill in

28:23

comedians

28:23

because comedians

28:25

are like notoriously

28:26

selfish

28:27

they think about

28:27

themselves

28:28

want to get ahead

28:28

narcissists

28:29

I want to get ahead

28:30

I want to get ahead

28:31

why is he doing that

28:32

why am I not

28:32

doing that

28:33

I want to get

28:33

I want to get it

28:34

if you can help

28:35

the people around you

28:36

develop a community

28:37

when you develop

28:38

a community

28:38

everybody wants

28:39

everybody to do good

28:41

in our community

28:42

if one of us

28:43

is killing it

28:44

everybody's happy

28:45

if one of us

28:48

has a special

28:48

and that special

28:49

is killing it

28:49

like your special

28:50

which is out

28:50

on YouTube

28:51

right now

28:51

when that happens

28:53

people get excited

28:54

like god damn

28:55

look at him

28:55

look at this guy

28:56

look at her

28:57

everybody's killing it

28:58

that's good for everybody

28:59

and it gives the people

29:00

coming up hope

29:01

like I'm entering

29:02

into a community

29:02

if I work hard

29:03

and if I continue

29:05

to like honor

29:06

the craft

29:06

of stand-up comedy

29:07

I'm a part of this

29:08

very small

29:09

and tight-knit

29:10

community of people

29:11

there's not that many

29:12

of us

29:13

and if we do that

29:14

and we help each other

29:15

it's good for everybody

29:16

that's the

29:17

I think that's why

29:19

Rodney Dangerfield

29:20

was one of the

29:22

ones for me

29:23

like yes

29:24

when people say

29:25

who are your influences

29:26

I'm influenced

29:27

by more than just

29:29

what you did on stage

29:31

you know

29:33

it's

29:34

how you

29:36

your character

29:36

how you were

29:37

as a person

29:39

yes

29:39

and when

29:40

he was

29:41

not selfish

29:43

like

29:43

hey man

29:44

I got a platform

29:45

everybody is welcome

29:48

to this platform

29:49

if you funny

29:51

let's do it

29:51

think about the people

29:52

that he blew up

29:53

Sam Kinison

29:54

Dice Clay

29:55

Bill Hicks

29:56

Dom Herrera

29:56

Roseanne

29:57

Lenny Clark

29:58

Roseanne Barr

29:59

down the line

30:00

Seinfeld

30:01

man

30:02

dude

30:03

so many people

30:05

it's

30:06

and why not

30:08

why not want to be that

30:10

in comedy

30:12

or why leave that

30:13

to another entity

30:15

oh

30:16

I'm on

30:17

I'm on

30:18

the all stars of this

30:19

I'm on

30:19

the actors of that

30:22

like

30:22

why leave it to

30:23

other people

30:23

and other crafts

30:24

to heighten

30:26

your craft

30:26

why leave it

30:27

to other people

30:28

from other cities

30:28

to say

30:29

my biggest thing

30:31

is to get the

30:32

recognition

30:33

from

30:34

my peers

30:35

like

30:37

when a comic

30:38

calls me

30:38

and says

30:39

man your special

30:40

classic

30:43

like

30:44

I'm putting it

30:45

in this space

30:46

yeah

30:47

this is because

30:48

they know

30:48

the craft

30:49

there's not

30:50

you're not a

30:50

you're not a spectator

30:51

because

30:52

to spectators

30:55

everybody looks good

30:57

to spectators

30:59

but when the people

31:01

who know the craft

31:02

are looking like

31:03

nah

31:04

you don't know

31:05

what you're looking at

31:06

like

31:06

you don't know

31:07

how special this is

31:08

yeah

31:09

because the special

31:10

is supposed to be

31:11

special

31:12

is supposed to be

31:12

a piece of the person

31:13

like

31:14

and when

31:15

the people

31:17

that call

31:17

and say

31:18

hey man

31:18

this is

31:19

timeless

31:20

it's like

31:21

yo

31:21

you really

31:22

put a piece

31:24

of

31:24

like

31:25

man

31:25

you did it

31:28

it's insane

31:29

yeah

31:29

and that's what

31:30

we work towards

31:31

you think about that

31:32

when you're putting

31:32

your bits together

31:33

you're editing them

31:34

when you're going over

31:35

them

31:35

maybe that's a little

31:36

too long

31:36

or maybe I need

31:37

a little something there

31:38

maybe I need to

31:39

trim that up

31:40

or maybe I need

31:40

to explain that

31:41

a little bit better

31:42

you want that thing

31:43

to when it gets released

31:45

you get those phone calls

31:46

like

31:46

dude

31:47

that thing was awesome

31:49

that thing was awesome

31:50

and then

31:51

and then you get

31:51

thank you

31:52

thank you man

31:52

appreciate it

31:53

appreciate it

31:53

and then you want to do

31:54

that to other people too

31:55

you want to be able

31:56

to call them up

31:56

and go dude

31:57

you're special

31:57

it was amazing

31:59

it was

32:00

and that

32:01

I remember watching

32:04

I remember watching

32:05

Dan Soba's

32:06

Son of Gary

32:08

and I'm sitting there

32:10

in fucking amazement

32:12

I'm like

32:12

this shit is good

32:13

yeah

32:14

I'm like yo

32:15

this shit is fucking good

32:16

like

32:16

I'm gonna call him

32:18

yeah

32:18

feels good

32:19

I'm sitting there like

32:20

this shit is good man

32:23

it feels good to call

32:24

somebody and tell them that too

32:25

and I'm like

32:26

god damn it

32:29

Dan Soba you

32:30

are fucking amazing

32:31

and that's the thing

32:35

you know

32:36

I've watched

32:39

I watched earthquakes

32:40

and I felt good for quake

32:42

yes

32:43

and

32:44

that's the thing

32:46

that you want to do

32:47

in this business

32:49

I remember

32:49

I remember

32:49

writing

32:51

with Bill Bellamy

32:53

on his special

32:54

and

32:55

when he's

32:57

getting ready to go out

32:58

and we talking

33:00

and I'm like

33:01

my last words

33:02

was like

33:02

yo man

33:03

just go

33:04

and just do what you do

33:06

and when it came together

33:08

I called him

33:09

like yo

33:10

I watched it live

33:12

I was there

33:13

through the whole process

33:14

and this shit

33:15

is still good

33:17

DL with Clea

33:19

I was like

33:20

and you

33:21

and

33:21

I think that comics

33:23

don't understand

33:23

I'm

33:24

I'm not chasing

33:25

other comics

33:27

in an aspect

33:31

of the new guys

33:32

I'm chasing

33:33

the class

33:36

like I'm chasing

33:37

Carlin

33:38

and Cosby

33:39

and Pryor

33:40

and Eddie

33:41

I'm

33:42

I'm chasing

33:43

them

33:44

so

33:45

what you're doing

33:47

doesn't

33:48

affect me

33:50

or change

33:50

how I'm doing it

33:51

because

33:51

man

33:54

Sinbad

33:55

like the memorable

33:57

things

33:58

that I'm like

33:58

I want my

33:59

I want my special

34:00

to be

34:01

in that

34:03

when people say

34:03

hey man

34:04

live from Sunset Strip

34:06

elephant in the room

34:07

domino effect

34:09

Ali's stick

34:10

like

34:11

I want to be mentioned

34:12

amongst that

34:13

and I tell people

34:14

I'm not playing the game

34:15

for

34:16

riches

34:17

and all that

34:17

I'm playing for that

34:19

yellow jacket

34:19

you know

34:21

a lot of people

34:22

they

34:23

they satisfaction

34:24

as you play

34:24

football

34:25

and

34:26

you

34:26

you play

34:27

through high school

34:27

you win a high school

34:28

championship

34:28

great

34:29

then some people

34:30

want to go to college

34:31

win a high

34:32

college championship

34:33

great

34:33

some people want to

34:34

go to the NFL

34:35

and get to the NFL

34:37

they want to go to

34:38

the all-star games

34:39

and that's fine

34:41

some people want to

34:42

win a Super Bowl

34:42

but some guys

34:44

are playing the game

34:46

to

34:48

at the end of that

34:49

receive a yellow jacket

34:51

they're not cool

34:52

with just being there

34:53

right

34:53

they want

34:54

the jacket

34:55

they want greatness

34:56

yeah

34:57

yeah

34:57

aspire always to greatness

35:00

because even if you don't get there

35:01

you get pretty fucking excellent

35:03

because if you're trying to get pretty good

35:06

you'll get pretty good

35:08

but if you're trying to achieve excellence

35:10

like real true excellence

35:13

where you can be proud of something

35:15

you know

35:16

even if you get

35:17

don't get to where you wanted to go

35:19

you get a lot further than where you would go

35:21

if you have low expectations

35:23

this is the first

35:25

piece of work that

35:27

actually changed my mind on something

35:30

how so

35:31

people ask me

35:33

hey man

35:33

when it comes to storytelling

35:35

who is your top people

35:36

who the best storytellers in comedy

35:38

to you

35:39

I used to say just like this

35:42

I say it would be Cosby

35:44

Carlin

35:46

Joey Diaz

35:49

Eddie Murphy

35:51

me

35:53

and I say

35:55

me

35:55

Joey

35:56

and Eddie

35:56

all threes

35:57

me and we third

35:59

and then other people

36:01

I looked

36:03

when I put the special together

36:05

and I looked at it

36:06

and I looked at the craft

36:08

of the

36:09

the ability to bring people

36:11

into the story

36:12

this is the first time

36:14

somebody asked me after that

36:15

and I said

36:16

me

36:18

Cosby

36:20

then everybody else

36:23

after that can sort that shit out

36:24

but

36:26

I can't deny myself

36:29

no more

36:30

and put myself behind

36:31

somebody

36:33

when it comes to

36:34

a story

36:35

to like bringing you into a story

36:37

it's a different kind of art

36:39

yeah it's a different art

36:40

and I've gotten pretty goddamn good

36:42

that's the thing where Ari

36:44

when he put together that storyteller show

36:47

that was his idea

36:48

he was like

36:48

these stories are too hard to develop

36:51

when you're doing a 15 minute set

36:52

on like a stacked comedy store lineup

36:55

you know

36:56

you got 10 fucking killers

36:58

you want to kill too

36:59

and if you're trying to develop a story

37:01

and it's a story about going to the park

37:02

with your dad

37:03

it's a long ass story

37:05

like people are like

37:06

where are you going with this

37:07

but if you could do it on a show

37:09

that's just people telling stories

37:11

then you could develop it

37:13

and tighten it

37:13

and then get to the point

37:14

where it might be your closing bit

37:16

man

37:17

we said me and Ari talked yesterday

37:20

about

37:20

this is not happening

37:21

yeah

37:22

and he was like

37:24

out of all them stories

37:27

all the shows I've done

37:31

Mexican Got on Boots

37:34

is still my favorite

37:36

goddamn story

37:37

he said

37:38

I didn't know you

37:39

we was going to put you

37:41

on the digital side of it

37:43

and

37:44

we was looking at the story

37:45

and we was like

37:46

god

37:47

damn it

37:48

it's like

37:50

and he was like

37:50

I didn't even know

37:51

what you were talking about

37:53

and I was hanging on

37:54

every

37:55

goddamn word

37:56

and then it was like

37:56

oh shit

37:58

he's

37:58

this shit's crazy

37:59

and I'm like

38:00

no I appreciate it

38:02

then he said

38:02

the next one

38:03

was even more

38:05

like Mitchell

38:06

it's like

38:07

then I started

38:07

like he

38:08

his goddamn ability

38:10

to tell his story

38:11

he's seeing it

38:13

through a different lens

38:13

like whatever lens

38:15

he's seeing it through

38:15

he's making me see it

38:17

through that same lens

38:18

and I have no goddamn idea

38:19

what he's even talking about

38:20

that's the beautiful thing

38:21

about someone

38:21

when they're really locked in

38:23

on stage

38:23

I've always said this

38:24

I feel like I'm thinking

38:25

through their mind

38:26

like I'm allowing them

38:27

to take over my mind

38:28

take me on a journey

38:29

that's why when someone's

38:31

shitty or hacky

38:33

or it's like

38:34

ah

38:35

why are you using my mind

38:36

why are you bothering

38:37

why are you borrowing my mind

38:38

you know

38:39

like I gotta get the fuck out of here

38:41

I can't watch this

38:42

I'm super sensitive

38:43

to bad comedy

38:44

I

38:44

what

38:45

like

38:46

I can't watch it

38:46

like

38:47

I'm not

38:48

it's like

38:49

it's like

38:51

if I see you

38:52

and I

38:52

and I never

38:53

I never thought this before

38:54

until somebody said

38:56

hey man

38:57

this dude

38:57

did a bad set

38:59

and then he tried

39:00

to shake my hand

39:00

I didn't

39:01

I didn't want him to touch me

39:02

like I didn't

39:02

I didn't want the shit on me

39:04

like

39:04

don't put that shit on me

39:05

it's contagious

39:06

and I was like

39:07

oh that's rude as shit

39:08

and then

39:09

somebody did a bad set

39:10

and he

39:11

and they walked up to me

39:12

I was like

39:12

and I start walking

39:13

the other way

39:13

like

39:14

ah

39:14

don't fucking touch me

39:15

don't do that shit

39:16

you gonna

39:17

you gonna give me COVID

39:18

I don't want

39:18

Wednesday night

39:20

Ron White

39:21

had his friend

39:22

that he claims

39:24

he claims she's funny

39:25

I'm sure

39:26

she's a nice lady

39:27

and uh

39:28

anyway

39:28

she just didn't belong

39:29

you can't follow Ron White

39:31

when you're an amateur

39:32

you just can't

39:33

you can't

39:34

you can't

39:35

you gotta be a fucking

39:35

touring

39:36

rock solid

39:37

like set up punchline

39:39

bam bam bam

39:40

good premises

39:41

you gotta be good

39:42

to follow Ron

39:43

fucking White

39:44

she

39:45

was not

39:46

and

39:47

she

39:47

not only did she

39:48

eat dick

39:49

but then she came

39:50

and hung out with us

39:50

in the green room

39:51

I'm like fuck

39:52

I gotta go up next

39:53

so Tony's on stage

39:54

killing

39:55

and first five minutes

39:56

he's just roasting her

39:57

and I'm back there

39:59

and she's like

39:59

making excuses

40:00

and talking

40:01

I'm like

40:01

oh my god

40:02

I gotta get out

40:02

of this room

40:03

he dragged her

40:04

into the green room

40:05

now she's back there

40:06

just

40:06

just coughing

40:08

bad comedy at us

40:09

like oh no

40:15

I'm like oh no

40:17

so I start playing

40:18

music loud

40:19

I'm moving around

40:20

I'm shadow boxing

40:22

I wanted to leave

40:23

you wanted to leave too right

40:25

Chester A.J.B. was there

40:26

I'm not exaggerating right

40:29

no no

40:29

and everybody felt it

40:31

even Ron felt

40:31

he's like well

40:32

you know

40:32

it wasn't the best set

40:33

man

40:35

it's weird

40:37

cause

40:37

me listening

40:40

first

40:42

big up to Ron White

40:44

classy

40:45

very classy man

40:46

he's the man

40:47

Ron

40:48

just imagine

40:49

getting this phone call

40:51

I'm getting ready

40:52

to do Orlando

40:53

Improv

40:54

my agent

40:56

Joe Eschema

40:56

who I love dearly

40:58

Joe calls me

41:00

and says

41:00

hey

41:01

just wanna run

41:02

this by you

41:02

someone wants

41:05

to

41:05

wants to feature

41:06

for you

41:07

I'm like

41:08

nah I'm cool

41:09

I got my feature

41:11

Marcus Wiley

41:11

I'm cool

41:12

he's like

41:13

just hear me out

41:14

he's working on

41:16

some new stuff

41:17

he's coming back

41:18

he just wants to

41:19

be around

41:20

a comic

41:21

who

41:21

is a good comic

41:23

I'm like

41:24

Joe

41:24

who is this

41:26

you're taking too long

41:27

he's like

41:29

Ron White

41:30

I was like

41:33

I'm not

41:33

fucking with some guy

41:35

that has stole

41:36

Ron's white name

41:37

like Ron White

41:38

from Orlando

41:38

get the fuck out of here

41:39

he's like

41:40

no

41:41

Ron White

41:42

White

41:43

and I was like

41:48

and I doubled down

41:50

and I'm like

41:50

Ron White

41:51

White

41:51

like

41:51

like

41:53

the fucking man

41:54

Ron White

41:55

he's like

41:56

yes

41:56

I'm like

41:57

I can't even

41:58

get my yes

41:59

together

42:00

I'm like

42:00

fucking yes

42:01

like

42:01

yeah

42:02

I get to

42:03

work with Ron White

42:04

hell yeah

42:04

I said

42:05

he wants to

42:05

he wants to

42:06

metal

42:07

he's like

42:08

yeah he's got like

42:09

20-25 minutes

42:10

I said

42:10

do he want a headline

42:11

like I

42:12

I'll let him headline

42:13

just to fucking like

42:16

relinquish my weekend

42:17

to Ron White

42:18

just come feature

42:19

or do some

42:20

host shit

42:20

or whatever

42:21

he's like

42:21

no he says

42:22

he just wanna

42:23

so I

42:24

I get there

42:25

and I'm

42:27

I'm already anticipating

42:28

he's a legend

42:29

he's gonna be in the green room

42:31

doing the shit

42:32

and everybody knows

42:33

like I like to be

42:34

in my green room first

42:35

and invite you in

42:37

but I'm relinquishing

42:39

all that shit

42:39

because it's Ron White

42:40

I get there

42:41

Ron White

42:42

is the fucking

42:43

constant professional

42:44

not in the green room

42:46

he comes to the green room

42:47

he knocks on the door

42:49

hey what's wrong

42:51

I'm like

42:51

and I'm sitting there

42:52

all like

42:52

fucking Ron White

42:54

fucking Ron White

42:55

wait

42:55

he got his bus outside

43:00

he's hanging in his bus

43:02

then he came up

43:03

and saw I hang in the green room

43:03

with us

43:04

and he's like

43:05

look I'm gonna go out here

43:06

and do the raggedest

43:07

20 minutes

43:08

that I just put together

43:09

and trying to get this shit together

43:10

now I'm

43:11

I'm going out

43:12

and I'm finna watch

43:13

this fucking Ron White

43:14

stellar

43:17

20 minutes

43:18

fucking killing

43:20

I'm so caught up

43:23

in what he

43:24

they about to introduce me

43:25

and I'm in the back

43:26

to him

43:26

look

43:27

shit was amazing

43:28

and we talking

43:29

and he's like

43:30

I'll leave you

43:31

you gotta go up

43:32

I'm like

43:32

oh shit

43:33

so I go up

43:34

and he comes in the showroom

43:37

and he's watching

43:38

from the beginning

43:40

and I'm doing my thing

43:44

after the show

43:45

he comes in

43:45

and he's like

43:46

look here kid

43:47

you are fucking incredible

43:51

like I tried to give it to you

43:54

I tried to rattle you

43:56

cause his shit was so crisp

43:59

like

43:59

it was still a class

44:01

like

44:01

he's like man

44:03

so the rest of the weekend

44:04

we just chatting it up

44:05

and just

44:06

I'm like

44:06

I'm fucking kicking it

44:08

with Ron White

44:11

and then my mom

44:12

like man

44:13

these places

44:13

and every night

44:16

he's just giving me

44:17

a little more

44:17

something about

44:18

yo you can go

44:19

a little deeper

44:20

in that story

44:20

you know

44:21

cause you had me

44:21

you had me give

44:22

everything

44:23

and he

44:24

he noticed

44:25

that I would start a story

44:26

and stop

44:28

and start doing

44:29

another story

44:30

and he said

44:31

you keep leaving me kid

44:33

like

44:33

I'm still trying to figure out

44:35

what happened

44:35

with your uncle

44:36

like

44:36

I didn't go back

44:39

you're like

44:40

no you fucking

44:40

didn't go back

44:41

like

44:41

and I'm like

44:43

oh shit

44:43

I gotta start going back

44:44

and I'm like

44:45

like if she knows him

44:48

like why are you not

44:49

picking up the jewels

44:51

from him

44:52

like

44:53

she can't

44:54

you gotta watch

44:55

if you saw

44:55

you can't

44:56

when did you come

44:57

Wednesday night

44:58

when

44:59

what time did you get to

45:00

the club

45:00

right when I

45:01

right when I walked in

45:02

okay

45:02

you missed the chaos

45:03

it's impossible

45:05

you can't fix it

45:06

it's like me breathing

45:07

underwater

45:08

it's not gonna happen

45:09

it's not gonna happen

45:10

there's nothing to do

45:11

you can't fix it

45:12

I mean maybe

45:13

on another time

45:14

in another

45:14

state of mind

45:16

with different material

45:17

maybe she could do well

45:18

but in that moment

45:19

there was no fixing it

45:21

there's no advice

45:22

to be given

45:23

she came up with a notebook

45:24

oh

45:25

yeah

45:26

you came up with notes

45:27

and panicked

45:28

didn't have the mic

45:30

close to her mouth

45:30

it was

45:30

everything was wrong

45:31

everything

45:32

and I don't think

45:33

she knew

45:33

she was gonna go up

45:34

until like

45:35

right before

45:36

Ron went up

45:36

Ron told her

45:37

he's gonna bring

45:38

I'm gonna bring you up

45:39

I'm gonna bring you up

45:40

cause he come in the background

45:41

this was the first problem

45:43

he goes

45:44

she's a really good writer

45:45

oh

45:46

don't say that

45:48

this is what I wanna hear

45:49

she's fucking hilarious

45:51

she's fucking hilarious

45:52

can she do a guest set

45:53

okay

45:54

I didn't

45:54

a friend of mine

45:56

is a really good writer

45:57

I'm like

45:57

ooh

45:58

okay

45:59

what else

46:01

how is she at delivering

46:02

this writing

46:03

yeah

46:03

I don't think

46:04

any of my

46:05

any of my friends

46:06

I've ever said

46:08

that they

46:08

Bryson Brown

46:10

is from Austin

46:11

he's fucking hysterical

46:13

like I'm like

46:14

that's how I introduce him

46:15

like

46:15

yo this is Bryson Brown

46:16

he's fucking hysterical

46:17

yeah you wanna

46:17

grab a guest

46:18

an overall assessment

46:19

of their ability on stage

46:21

not

46:22

like

46:23

of a

46:23

little tiny

46:24

area

46:25

that they're good at

46:26

it's an important area

46:27

being a good writer

46:28

very important

46:29

but without

46:30

delivery

46:31

and timing

46:31

and presence

46:32

and everything

46:32

it's

46:33

are you good

46:34

hey

46:35

she's a good setup

46:37

she set up jokes

46:38

excellent

46:39

she set up Tony

46:40

Tony destroyed that lady

46:42

that ruthless

46:43

little motherfucker

46:43

there is no one alive

46:45

that you want to bomb

46:47

in front of

46:47

when you're gonna bring up

46:48

like Tony

46:50

cause he will

46:51

he roasted her

46:52

I mean he had

46:53

seven or eight

46:54

solid minutes

46:55

just killing her

46:56

when he went on stage

46:57

yeah

46:59

that's

47:00

it was amazing

47:01

that's what you do

47:02

you have to

47:03

you have to acknowledge

47:04

the elephant in the room

47:05

and I hate

47:07

I used to hate doing it

47:08

I used to hate doing it

47:10

especially

47:10

I used to hate doing it

47:12

period

47:12

but

47:13

Bill Bellamy

47:15

he's a nice guy

47:16

but he has a mean streak

47:17

in him

47:18

that is

47:19

outstanding

47:21

on the tour

47:22

with him

47:22

I used to host this tour

47:24

and somebody would ask

47:25

for a guest spot

47:25

and he would come in

47:26

and be like

47:26

Ali triple seven

47:27

I'm like

47:28

oh shit

47:29

who just asked

47:30

for a god damn

47:30

guest spot

47:31

so now

47:34

people don't know

47:35

what we about to do

47:36

to you

47:36

like

47:37

I'ma come out

47:39

and usually I would do 15

47:41

I'd just skate into it

47:42

but I'm coming out

47:43

with seven minutes

47:45

of straight

47:46

fucking home runs

47:47

I'm stacking this shit

47:53

on these people

47:54

so

47:54

people still laughing

47:56

at the first joke

47:57

I'm on joke number five

47:58

I'm fucking stacking it on

48:01

and when I leave them

48:02

I'm bringing

48:03

people gonna be still laughing

48:04

when I bring you up

48:05

they not even fucking

48:06

gonna think about shit

48:07

you saying

48:07

cause they still laughing

48:08

from joke number three

48:09

and

48:11

I'ma bring you up

48:13

and I'ma leave

48:15

I'ma sit you right

48:16

in that fucking pressure

48:17

cook them

48:18

you know what I'm saying

48:19

and

48:20

you're gonna

48:21

I don't give a damn

48:23

you're gonna die

48:24

if you can't

48:25

fucking

48:26

surf

48:27

cause I put

48:27

I put a hundred foot wave

48:29

on your ass

48:29

yes

48:30

and

48:30

then you die

48:32

and then I go up

48:34

and I put another

48:35

seven minutes of your

48:36

dying

48:36

on top of it

48:38

and Bill's like

48:40

I hate when people

48:41

ask us for guest spots

48:42

I'm like

48:43

ah you a fucking evil man

48:44

you sit there

48:47

the fucking

48:48

junkyard dog

48:49

to destroy somebody

48:50

I'm like

48:50

eh

48:51

but for that person

48:52

that did that set

48:53

and bombed

48:54

if they can figure out

48:55

how to follow you

48:56

when you're crushing

48:58

if they can figure out

48:59

how to ride that wave

49:00

that is so important

49:02

for that lady

49:03

Mitzi Shore

49:04

that's what she did

49:05

every fucking time

49:07

if you were a good comic

49:08

cause she thought

49:09

you had some potential

49:10

and you were young

49:10

she would throw you on

49:12

after a killer

49:13

who's on

49:13

who's on the lineup

49:14

for me it was

49:15

Martin Lawrence

49:16

in the 90s

49:17

dude

49:18

you never saw anybody

49:19

eat it

49:19

like seeing me

49:20

going on after

49:21

Martin Lawrence

49:22

when he was in

49:22

the leather jumpsuit days

49:23

people don't remember

49:25

they don't remember

49:27

95 Martin Lawrence

49:29

1995

49:29

my god

49:31

my god

49:32

his timing

49:33

his facial expressions

49:34

the power

49:35

Chris Rock

49:36

to this day

49:37

talks about a time

49:38

where he bombed

49:39

going on after

49:39

Martin Lawrence

49:40

and it changed

49:40

his career

49:41

cause he had been

49:42

doing too many

49:43

easy shows

49:44

he'd been too many

49:45

doing too many

49:45

of those New York City

49:46

like seller spots

49:48

like everybody's

49:49

so happy to see you

49:50

you can kind of

49:51

be casual

49:52

and he's headlining

49:53

and Martin Lawrence

49:54

is throwing

49:55

lightning bolts

49:56

just

49:57

the whole room

50:00

just

50:00

he was so good

50:02

he was so dynamic

50:03

he would pace

50:04

the stage

50:05

he had so much

50:06

energy

50:07

when he would

50:07

hit his punchlines

50:08

and hold

50:09

his facial expressions

50:10

he would be like

50:11

god

50:12

I can't even

50:12

watch this

50:13

I'm going to

50:13

I'm going to

50:14

my death

50:14

I'm going to

50:15

my death

50:15

I went to

50:16

my death

50:16

I followed

50:17

Martin Lawrence

50:18

dozens of times

50:19

dozens

50:20

you know what

50:21

I

50:21

let me tell you

50:22

what I

50:22

what I love

50:25

about an

50:27

honest comic

50:28

you know

50:31

how many comics

50:31

wouldn't say

50:33

that they went

50:35

behind somebody

50:36

that was just

50:36

fucking

50:37

a

50:38

absolute

50:39

monster

50:40

like yo man

50:40

this shit is a problem

50:42

like

50:43

how am I going to

50:44

match this shit

50:45

like

50:46

I can imagine

50:49

going up after

50:50

Martin

50:50

Martin's still hungry

50:52

he out there

50:53

fucking

50:53

getting it

50:54

who's in his 30s

50:55

Martin Lawrence in his 30s

50:57

with a leather jumpsuit on

50:59

you're fucked

50:59

you're fucked

51:02

people don't remember man

51:03

if you go back to

51:04

you so crazy

51:05

god damn he was good

51:07

in my mind

51:08

he's like

51:09

you know

51:09

when you talk about

51:10

the greats

51:11

cause you know

51:12

he went and did the TV show

51:13

and didn't tour as much

51:14

and didn't put out

51:15

as much comedy material

51:16

so a lot of people

51:17

that weren't around

51:18

in the 90s

51:18

forget how good he was

51:19

dude I eat dick

51:21

going after that guy

51:22

but it taught me

51:23

it taught me how to

51:25

ride the wave

51:26

it taught me how to

51:27

start strong

51:28

it taught me how to

51:29

cut all the bullshit out

51:31

all the

51:31

and to look at your act

51:32

like scrutinize it

51:34

look at it with a microscope

51:35

get rid of some of that shit

51:37

that's not that good

51:38

fix the setup

51:39

you better

51:40

do it right

51:41

you better sound like

51:42

a fucking professional

51:43

you're going on after

51:44

one of the best comedians

51:45

walking the face

51:46

of the planet

51:47

and back then

51:48

he might have been

51:48

number one

51:49

he might have been

51:50

number one in 95

51:51

he might have been

51:51

number one

51:52

he was murdering

51:53

I mean I would be

51:54

in the back room

51:55

terrified

51:56

just hearing the roars

51:58

I remember times

52:00

being places

52:03

and you going up

52:06

behind people

52:06

that fucking assassins

52:08

Tony Roberts

52:13

I don't know

52:14

if you know Tony Roberts

52:15

but he is so quick

52:18

it's just

52:20

rapid fire shit

52:22

and I used to

52:24

and people used to be like

52:25

hey man you can't

52:25

can't nobody follow Tony

52:26

there's nobody

52:28

in the planet

52:28

can follow Tony

52:29

and I remember being

52:31

at a spot

52:32

and people was like

52:33

yo

52:33

Tony's up right now

52:35

you going up next

52:36

I'm like cool

52:38

I had already

52:40

been able to

52:41

ride the wave

52:44

of

52:44

like I'm not going up

52:45

to compete with Tony

52:46

I'm going up to do

52:47

my shit

52:48

and I remember being

52:50

offended

52:50

during this show

52:52

that

52:52

a person thought

52:54

that I couldn't

52:55

follow Tony

52:55

and they switched up

52:56

the lineup

52:56

and I was

52:58

fucking pissed

52:59

and I said okay

53:01

and I went out

53:03

and I got a standing

53:04

ovation

53:05

and Tony Roberts

53:07

was the person

53:08

that said

53:09

he was

53:09

he said he was

53:10

right there

53:10

when the production

53:11

person said

53:12

so the first comic

53:13

got a standing ovation

53:14

what the fuck

53:15

do we do now

53:16

it was like

53:18

cause you thought

53:18

that I was

53:20

like they

53:20

they had played me

53:21

like I was some

53:22

fucking

53:22

throw on

53:24

on the show

53:24

and they was

53:26

like yo

53:26

Ali just got

53:27

a standing ovation

53:28

and DL opened

53:29

the door

53:30

of his green room

53:31

and said

53:31

what did y'all

53:33

think he was

53:34

gonna do

53:34

you fucking

53:35

disrespected him

53:36

cause he's like

53:39

yo he don't

53:40

it doesn't matter

53:42

where I go

53:44

because I know

53:46

what I'm going

53:47

to do

53:47

when I get there

53:48

and I learned

53:49

very early on

53:50

because I was

53:51

going up

53:52

behind people

53:52

that

53:53

Benji Brown

53:54

at the

53:55

Coconut Grove

53:56

Improv

53:56

he had motherfuckers

53:57

laughing so hard

53:58

that a dude

53:59

came in the

54:00

green room

54:00

and sat down

54:02

and was laughing

54:02

he was on his

54:03

way from the

54:04

bathroom

54:04

he just

54:05

busted the

54:06

green room

54:06

and he said

54:06

man this

54:07

motherfucker

54:07

killing me

54:08

and he sat down

54:08

in the green room

54:09

cause it was

54:12

on the way

54:12

and you could

54:14

hear it

54:14

you could hear

54:15

it

54:15

cause the

54:16

green room

54:16

was like

54:17

right behind

54:18

the stage

54:19

and you could

54:20

hear it

54:20

like Benji Brown

54:22

is fucking

54:23

destroying

54:24

this room

54:24

and he's

54:25

doing this

54:26

this character

54:26

Kiki

54:27

and he was

54:28

like yo

54:29

and it's

54:29

loud pitched

54:30

ghetto girl

54:31

and he's

54:32

fucking

54:33

destroying

54:34

this room

54:35

and then

54:36

he stops

54:36

and says

54:37

let me bring up

54:38

the next comic

54:39

you like

54:39

god damn

54:40

it's people

54:41

it's people

54:42

dead in here

54:43

like

54:43

it's like

54:43

you gotta

54:45

go out

54:46

the Coconut Grove

54:47

Improv

54:47

is where I saw

54:48

Joey Diaz

54:49

put people

54:49

in their grave

54:50

cause Joey Diaz

54:51

would go up there

54:52

and do half

54:52

his punchlines

54:53

in Spanish

54:54

and you would

54:55

have like

54:55

a 40%

54:56

Cuban audience

54:57

and Joey Diaz

54:58

would have

54:59

la binga

54:59

and he would

55:00

hit some

55:00

fucking

55:01

Spanish punchlines

55:02

and people

55:03

would just

55:03

throw their

55:03

chairs up

55:04

in the air

55:04

they were

55:04

falling down

55:05

to the ground

55:05

knocking over

55:06

tables

55:06

it was chaos

55:07

and then

55:08

Joey was

55:10

middling

55:10

so Joey

55:12

this was back

55:12

in the day

55:13

when Joey

55:13

was coming up

55:14

and they would

55:14

have like

55:15

some road act

55:16

who's

55:17

you know

55:18

did HBO

55:19

in 1984

55:20

and you know

55:21

kind of

55:21

still has the

55:22

same material

55:23

and they would

55:24

have to go on

55:24

after Joey

55:25

I saw people

55:25

quit

55:26

yes

55:27

quit

55:27

that shit

55:28

is

55:28

fantastic

55:30

when you

55:31

like yo man

55:32

this shit

55:33

is

55:34

Damon Wayans

55:35

Damon Wayans

55:36

I'm middle

55:37

for Damon Wayans

55:38

cause

55:38

whatever his

55:39

middle of the act

55:40

was fucking up

55:41

and he said

55:41

it was too dark

55:42

so they called

55:43

me

55:44

and

55:46

at the end

55:48

of the weekend

55:49

Damon

55:50

I never went

55:51

in the green room

55:51

he called me

55:52

in the green room

55:52

on Sunday

55:53

come in

55:54

I sat down

55:54

I said

55:55

hey how you

55:55

doing this

55:55

he said

55:57

how does

55:59

it feel

56:00

to be

56:01

a fucking

56:01

assassin

56:02

I said

56:05

what

56:05

he said

56:05

I used

56:06

to do

56:06

this

56:07

to people

56:08

I used

56:09

to fucking

56:09

go on stage

56:10

and destroy

56:11

people

56:12

you're a

56:14

fucking

56:14

assassin

56:14

are you

56:14

moving to

56:15

LA

56:15

I'm like

56:16

no

56:16

I'm right

56:17

he's like

56:18

fucking

56:19

assassin

56:19

that's a

56:21

nice feeling

56:21

Bobby Lee

56:22

Bobby Lee

56:24

I'm hosting

56:26

the show

56:27

Bobby Lee

56:28

had a lady

56:28

that was

56:29

his middle

56:29

of that

56:30

and

56:31

after the

56:32

first show

56:32

Bobby

56:32

we had the

56:33

Houston Improv

56:33

Bobby called

56:34

me in the

56:35

room

56:35

in the green

56:35

room

56:35

and said

56:36

hey

56:36

I'm not

56:38

gonna fire

56:38

you

56:38

not gonna

56:39

fire

56:39

you

56:40

just want

56:41

you to be

56:41

honest

56:41

with me

56:42

are you

56:44

a host

56:45

I'm like

56:47

I'm the

56:48

host

56:48

he's like

56:48

are you

56:49

you know

56:50

what the fuck

56:50

I'm saying

56:50

are you

56:52

a host

56:53

I'm like

56:53

nah

56:54

I

56:55

he's like

56:56

I fucking

56:57

knew it

56:57

Improv

56:58

always doing

56:59

this shit

56:59

to me

56:59

giving me

57:00

the strongest

57:00

motherfucker

57:01

in the city

57:01

he's doing

57:03

30 minutes

57:04

and I'm like

57:04

I'm feeling

57:05

the rest

57:05

of the time

57:05

he's like

57:06

I fucking

57:07

knew it

57:07

and Bobby

57:08

was going

57:09

out

57:09

doing his

57:10

clothes

57:10

of first

57:11

he's like

57:11

he's so

57:11

fucking

57:12

insane

57:12

wow

57:13

he's like

57:15

you

57:16

come to the stage

57:17

Bobby Lee

57:17

next thing

57:18

Bobby Lee

57:18

pants are

57:19

off

57:19

like

57:19

dicks out

57:21

dicks out

57:22

I'm

57:23

starting

57:23

with this

57:24

like

57:24

not fucking

57:26

finna bury me

57:26

behind the fucking

57:27

host

57:27

I'm not doing

57:28

it

57:28

like

57:29

sometimes

57:30

you have

57:30

to do that

57:31

you have

57:31

to go out

57:32

with your

57:32

your strongest

57:32

shit first

57:33

you can't

57:34

dilly dally

57:35

when someone

57:36

murders

57:36

you better

57:37

take them up

57:38

to the same

57:39

RPMs

57:39

and the thing

57:40

is

57:40

I want

57:42

the young

57:43

guys out there

57:43

that's listening

57:44

probably

57:44

don't think

57:45

that you murder

57:46

in a headliner

57:46

with the local

57:47

shit

57:47

like if it's

57:48

local

57:49

that's different

57:50

that's

57:50

man

57:50

you're not

57:51

I'm on

57:53

Martin Luther King

57:54

get the fuck

57:55

out of here

57:55

everybody got

57:56

if you murder

57:58

you gotta murder

57:58

with your shit

58:00

real shit

58:00

real shit

58:01

it can't be

58:02

the fluff

58:03

you know

58:04

I lived in Boston

58:05

and there was

58:05

some of the best

58:06

comics alive

58:07

back then

58:07

but they all

58:08

had local shit

58:09

and when they

58:10

would go on the

58:10

road

58:10

like local shit

58:11

in Boston

58:12

would kill

58:12

at 100%

58:13

you go on the

58:14

road it was

58:15

30%

58:15

it was like

58:16

the same bits

58:17

nobody knew

58:18

what the fuck

58:18

you were talking

58:18

about

58:19

nobody cared

58:19

about that accent

58:20

nobody cared

58:21

about those

58:21

references

58:22

to like

58:22

the Red Sox

58:23

nobody gave a fuck

58:24

and all those bits

58:25

were useless

58:26

and those guys

58:27

just stayed

58:27

some of the best

58:28

comics I've ever

58:29

seen in my life

58:30

they lived in Boston

58:31

they stayed in Boston

58:32

and they got trapped

58:33

they got trapped

58:35

by local shit

58:35

they were local

58:36

celebrities

58:37

and they got trapped

58:38

doing local shit

58:38

and they never did

58:39

the road

58:39

and I'm just saying

58:43

if you want to know

58:44

how not to be

58:47

locked into local shit

58:50

even if you

58:51

in a place

58:53

where you started

58:54

look at my special

58:56

I shot my special

58:57

in Houston

58:58

you can't tell

59:00

it's Houston

59:00

I'm talking about

59:02

things in Houston

59:04

but from a

59:04

wide eye lens

59:06

but it's not

59:08

about Houston

59:08

it's about life

59:10

it's about life

59:10

it's good

59:11

it's very good

59:12

and it's

59:13

it's very intimate

59:14

which is I like

59:15

I like a special

59:15

in a comedy club

59:16

I really do

59:17

I think there's

59:18

something better

59:18

about us

59:19

if I'm watching

59:20

at home

59:20

I'm in my living room

59:21

I want to watch

59:22

it in an intimate

59:23

environment

59:23

I want to be

59:24

in an intimate

59:25

environment

59:25

in the audience

59:26

if I'm watching

59:27

someone on stage

59:28

and they're in a

59:28

fuck

59:28

like Kevin Hart

59:29

did his shit

59:29

in like 50,000 people

59:31

it's like

59:31

Jesus Christ

59:32

how do I even

59:33

pretend I'm there

59:34

but when I'm

59:36

watching you

59:37

and I'm watching you

59:37

on stage

59:38

at a comedy club

59:38

this is a

59:39

normal sized stage

59:41

intimate with the audience

59:42

you're seeing the people

59:44

in the front row

59:44

you're smiling

59:45

you're having fun

59:45

I'm there

59:46

I'm there

59:47

you locked in the moment

59:48

you locked

59:48

where'd you do it

59:49

Houston Improv

59:50

ah

59:51

you can't tell

59:52

because of the curtain

59:53

in the background

59:54

yeah we piped

59:55

that's a great

59:56

fucking room

59:56

that's a great

59:58

fucking room

59:58

400 people and me

1:00:00

that's nice

1:00:00

and we just went on

1:00:02

and the crazy thing

1:00:05

is when people know

1:00:06

that they coming

1:00:06

to see you

1:00:07

do the journey

1:00:08

yeah

1:00:09

and it's weird

1:00:11

because the people

1:00:11

who can't

1:00:12

because I did it

1:00:12

during the weekend

1:00:13

that I was there

1:00:14

so the people

1:00:15

who saw me

1:00:15

saw the show

1:00:16

on Thursday

1:00:16

and Friday

1:00:17

is like

1:00:17

that shit

1:00:18

didn't happen

1:00:19

so then

1:00:23

the people

1:00:23

who saw it

1:00:24

on Saturday

1:00:25

got the whole

1:00:26

Hollywood

1:00:27

right

1:00:28

because you know

1:00:28

Eric Abrams

1:00:29

the same person

1:00:30

who shot my stuff

1:00:31

for Comedy Central

1:00:33

and this is not

1:00:34

happening

1:00:35

with Ari

1:00:37

I got them

1:00:39

I wanted that look

1:00:40

and Eric is a

1:00:41

fucking great

1:00:42

director

1:00:42

like

1:00:43

it's really

1:00:46

not about him

1:00:46

it's about

1:00:47

what

1:00:48

you want

1:00:50

and he just

1:00:51

suggests

1:00:52

shit like

1:00:53

what do you

1:00:55

what do you think

1:00:56

about

1:00:56

what do you think

1:00:57

about this

1:00:57

like

1:00:58

I wasn't

1:00:59

thinking about it

1:01:00

but

1:01:00

now that I am

1:01:01

you know

1:01:02

so he just

1:01:04

suggests

1:01:04

like

1:01:04

do you really

1:01:05

need that

1:01:06

and he's like

1:01:06

I don't

1:01:08

and it comes

1:01:10

together

1:01:10

him and Jordan

1:01:12

Jordan did

1:01:13

the lights

1:01:14

and

1:01:14

it looks

1:01:17

like

1:01:17

that was one

1:01:18

of the things

1:01:19

and especially

1:01:19

when somebody

1:01:20

notices it

1:01:20

when my guy

1:01:22

called me

1:01:22

and said

1:01:22

man let me

1:01:22

tell you

1:01:23

the most

1:01:23

amazing

1:01:24

shit

1:01:24

it looks

1:01:26

like

1:01:26

a class

1:01:27

it looks

1:01:27

like

1:01:27

1985

1:01:29

I'm like

1:01:31

pull it up

1:01:32

Jamie

1:01:32

let me see

1:01:33

let me see

1:01:34

the video

1:01:34

because there's

1:01:35

something about

1:01:36

get a look

1:01:38

at it

1:01:38

like look at

1:01:39

man

1:01:39

that's classic

1:01:40

classic comedy club

1:01:41

it's perfect

1:01:43

perfect size

1:01:44

stage

1:01:45

perfect intimacy

1:01:46

with the crowd

1:01:47

I was thinking

1:01:48

that man

1:01:48

because I just

1:01:49

did stand up

1:01:49

live

1:01:50

with Tony

1:01:50

I did a

1:01:51

guest

1:01:51

I was not

1:01:52

even supposed

1:01:52

to be there

1:01:53

in Phoenix

1:01:54

I fucking

1:01:55

love that club

1:01:57

I fucking

1:01:57

love that club

1:01:58

and I was there

1:01:59

and I was

1:01:59

thinking

1:01:59

god damn

1:02:00

maybe I should

1:02:00

film my

1:02:01

fucking special

1:02:01

here

1:02:02

it's so good

1:02:03

it's some

1:02:04

comedy clubs

1:02:06

that I think

1:02:08

that I've

1:02:08

set up

1:02:09

so perfect

1:02:10

man

1:02:12

stand up

1:02:13

stand up

1:02:14

live

1:02:14

in Phoenix

1:02:15

Zaney's

1:02:17

in Nashville

1:02:18

Zaney's

1:02:20

in Nashville

1:02:21

is flawless

1:02:21

oh my

1:02:22

god

1:02:23

that's a great

1:02:23

club

1:02:24

god damn

1:02:25

it's good

1:02:25

Levity live

1:02:27

in

1:02:28

West

1:02:29

Nyack

1:02:29

yep

1:02:30

yep

1:02:30

though

1:02:31

like

1:02:32

that's a great one

1:02:33

you

1:02:33

this is

1:02:34

this is what we

1:02:35

ought to do

1:02:35

I always put myself

1:02:36

in shit

1:02:37

like I just told

1:02:37

Ari that we

1:02:38

had to do

1:02:39

a festival

1:02:41

a festival

1:02:42

we travel

1:02:43

to festivals

1:02:44

around the world

1:02:45

he's Jewish

1:02:46

I'm Muslim

1:02:47

like the Muslim

1:02:47

Jew

1:02:48

festival

1:02:49

festival review

1:02:50

with me and Ari

1:02:51

just going to

1:02:52

weird ass festivals

1:02:53

we ought to

1:02:54

see

1:02:55

between me

1:02:57

and you

1:02:58

take a month

1:03:01

to go to

1:03:02

all these

1:03:02

clubs

1:03:03

and see

1:03:04

how many

1:03:05

specials

1:03:07

we can shoot

1:03:07

in these

1:03:08

clubs

1:03:09

in a month

1:03:11

you mean

1:03:13

just shoot

1:03:13

all the

1:03:13

film all the

1:03:14

shows

1:03:14

30 minutes

1:03:15

we go to

1:03:16

these clubs

1:03:17

and shoot

1:03:18

a new

1:03:19

30 minutes

1:03:20

in each one

1:03:20

you do 30

1:03:22

he does 30

1:03:22

no

1:03:23

me and you

1:03:24

this is me and you

1:03:25

you do 30

1:03:26

I do 30

1:03:26

in each one

1:03:27

of these

1:03:28

great

1:03:28

film clubs

1:03:29

and put it out

1:03:30

as the

1:03:31

as a

1:03:32

series

1:03:34

of going

1:03:35

to clubs

1:03:36

the best

1:03:37

comedy clubs

1:03:38

to shoot

1:03:38

especially

1:03:39

comedy works

1:03:40

in Denver

1:03:41

is another one

1:03:41

I've never

1:03:42

played it

1:03:43

what

1:03:43

I've never

1:03:44

played it

1:03:45

it's like

1:03:45

I'm boxed

1:03:46

into some

1:03:46

weird shit

1:03:47

that's behind

1:03:47

the scenes

1:03:48

that I'm not

1:03:49

that I don't know

1:03:49

what's going on

1:03:50

I've never

1:03:50

I mean you tried

1:03:51

to get in

1:03:51

I'm waiting

1:03:52

to get in

1:03:53

I'll get you in

1:03:54

I'll get you in

1:03:55

today

1:03:55

I won't

1:03:56

because I've heard

1:03:57

I'll call Wendy

1:03:57

today

1:03:58

I would love

1:03:59

to pick up

1:04:00

yeah I didn't

1:04:00

yeah let's do that

1:04:01

I'll fix that

1:04:02

yeah

1:04:02

yeah you need to be there

1:04:03

that's one of the

1:04:04

great clubs of the world

1:04:05

man it's a

1:04:06

what's another

1:04:07

great club

1:04:09

that like

1:04:10

these are clubs

1:04:11

that people don't

1:04:11

talk about

1:04:12

like I hear about

1:04:12

the cellar

1:04:13

and I'm not

1:04:14

knocking the cellar

1:04:15

but those

1:04:17

like you know

1:04:18

another club

1:04:18

that they remodeled

1:04:20

he remodeled it

1:04:22

and I think I was

1:04:22

the first person in

1:04:23

that when he remodeled

1:04:24

it's weird looking

1:04:26

but it's so fucking

1:04:27

intimate

1:04:28

the comedy zone

1:04:29

in Charlotte

1:04:30

never done it

1:04:31

oh

1:04:31

it's fucking

1:04:33

it's so intimate

1:04:34

and they around you

1:04:37

like improv

1:04:37

is a fucking

1:04:38

great club

1:04:38

oh

1:04:39

another club

1:04:40

DC Improv

1:04:42

oh it's an amazing club

1:04:43

amazing club

1:04:45

DC Improv's flawless

1:04:46

flawless

1:04:48

it's

1:04:48

it's no

1:04:49

it's a

1:04:50

man it's fucking

1:04:51

it's nice

1:04:52

it's flawless

1:04:53

it's perfect

1:04:53

perfect comedy club

1:04:54

yeah

1:04:55

yeah

1:04:55

there's a few of those

1:04:57

perfect height ceiling

1:04:58

perfect size stage

1:04:59

connected to the crowd

1:05:01

Rick Bronson's

1:05:03

don't look bad

1:05:04

to shoot them in

1:05:05

it's a Rick Bronson's

1:05:08

they don't look good

1:05:08

but that fucking

1:05:09

that stand up live

1:05:12

is fucking

1:05:12

stand up live

1:05:13

in Phoenix

1:05:14

is one of the great clubs

1:05:15

and it's big

1:05:16

600 seats

1:05:17

big

1:05:18

but the roar

1:05:20

the roar

1:05:21

when you're killing

1:05:22

my

1:05:23

not

1:05:24

okay

1:05:24

they moved

1:05:25

the Hollywood improv

1:05:26

to

1:05:27

I think it's

1:05:28

Dana Beach

1:05:29

it's another

1:05:31

it's an improv

1:05:32

in Florida

1:05:32

so they moved it

1:05:33

out of the hard rock

1:05:33

they moved it

1:05:34

out of the hard rock

1:05:35

it's Dana Beach now

1:05:36

that's a nice ass club

1:05:38

I haven't been

1:05:39

in a year

1:05:39

oh

1:05:39

what you think about

1:05:41

what you think about

1:05:42

Cobb City

1:05:43

which one

1:05:45

Cobb

1:05:45

Cobb Comedy Club

1:05:46

the old Cobb's

1:05:48

was amazing

1:05:49

I used to take a pay cut

1:05:50

to do the old Cobb's

1:05:51

because I used to do

1:05:53

I used to do the punchline

1:05:56

which was great

1:05:57

the punchline's still great

1:05:58

but Cobb's

1:06:00

the old Cobb's

1:06:00

was so intimate

1:06:01

it was maybe

1:06:03

140

1:06:04

150 people

1:06:06

just stuffed

1:06:07

into a room

1:06:08

and it was just

1:06:09

perfect

1:06:10

it was so intimate

1:06:11

and then the new Cobb's

1:06:13

it's like this

1:06:14

big

1:06:15

high ceiling

1:06:16

and then there's a balcony

1:06:18

but it's way in the back

1:06:19

and the balcony's

1:06:20

way in the back

1:06:21

and it's like elevated

1:06:22

it's weird

1:06:23

it's not bad

1:06:25

it's a great place

1:06:27

but it's not perfect

1:06:28

funny

1:06:29

some of these

1:06:31

some of these

1:06:32

clubs

1:06:33

I don't even think

1:06:34

maybe it's me

1:06:35

because I

1:06:36

I guess I don't have

1:06:37

a permanent audience

1:06:38

just yet

1:06:39

but

1:06:40

some of these clubs

1:06:41

when you go in

1:06:42

it's not even the club

1:06:43

the club is fucking fantastic

1:06:44

but the audiences

1:06:45

that's come there

1:06:46

you like

1:06:46

hmm

1:06:48

I don't

1:06:50

I

1:06:50

hey look

1:06:51

do I need to read

1:06:53

all the shit

1:06:53

that I read first

1:06:54

and tell y'all about it

1:06:55

so I can come do it

1:06:56

so you can be familiar

1:06:57

with some of the shit

1:06:58

that's going on

1:06:59

in the fucking world

1:06:59

like

1:07:00

like where

1:07:01

like what

1:07:02

oh man

1:07:03

um

1:07:03

right off the bat

1:07:06

um

1:07:08

Toledo

1:07:09

Toledo Ohio

1:07:11

is like

1:07:13

fucking pulling teeth

1:07:14

um

1:07:17

it sounds like a place

1:07:19

where you'd be pulling teeth

1:07:20

like

1:07:20

Toledo

1:07:21

fuck man

1:07:22

um

1:07:23

it's a

1:07:25

I'm gonna say

1:07:27

sometimes Syracuse

1:07:28

is fucking weird

1:07:29

upstate New York's

1:07:30

weird period

1:07:31

yeah

1:07:32

Syracuse

1:07:32

Albany

1:07:33

you're like

1:07:33

god damn it

1:07:34

man

1:07:35

um

1:07:36

I

1:07:38

anything outside

1:07:39

of Chicago

1:07:40

any of the clubs

1:07:41

around

1:07:42

outside of Chicago

1:07:43

you're like

1:07:43

god damn

1:07:44

y'all don't read

1:07:45

shit

1:07:45

but that Levittown

1:07:46

that

1:07:47

that

1:07:47

is that what it is

1:07:48

Levittie Live

1:07:48

no no

1:07:49

the improv

1:07:50

no

1:07:51

Shamsburg

1:07:51

that's what it is

1:07:52

Shamburg

1:07:53

yeah

1:07:53

that's kind of Chicago

1:07:55

it's uppity as shit

1:07:56

it's like

1:07:57

suburbs

1:07:57

it's like

1:07:58

I don't know

1:07:59

what the fuck you saying

1:08:00

like you don't

1:08:00

you fucking know

1:08:01

like

1:08:01

god damn it

1:08:03

Chicago though

1:08:04

Chicago's a great comedy city

1:08:05

yeah

1:08:06

fuck that's a great city

1:08:07

I miss Jokes and Notes

1:08:08

that was a place

1:08:09

that I

1:08:10

and I played

1:08:11

the Zanies there once

1:08:12

it was a great

1:08:14

it was a great experience

1:08:15

I like

1:08:15

I like some of the

1:08:16

old nostalgia clubs too

1:08:18

when I go there

1:08:19

you know that it's been here

1:08:20

for a long ass time

1:08:22

and or

1:08:23

a weird

1:08:23

like a weird spot

1:08:24

that I go to

1:08:26

the Punchline in Atlanta

1:08:27

where it's inside

1:08:29

the Landmark

1:08:30

the Landmark Diner

1:08:32

I hate the green room

1:08:35

but

1:08:36

I like

1:08:37

the fact that I walk

1:08:39

through some crowded

1:08:40

chaired room

1:08:42

and it feels like

1:08:43

they still smoking

1:08:44

in the room

1:08:45

like

1:08:45

yeah

1:08:46

like

1:08:46

yeah

1:08:46

yeah

1:08:47

the old

1:08:49

the old Punchline

1:08:49

was great

1:08:50

oh man

1:08:50

it was beautiful

1:08:51

it was amazing

1:08:52

that was amazing

1:08:53

that was an amazing room

1:08:54

and

1:08:55

they got rid of it

1:08:57

I'm like

1:08:57

fuck

1:08:57

well I think they lost

1:08:58

the lease

1:08:58

or something like that

1:08:59

it's just like

1:09:00

being a comic

1:09:01

and being a professional comic

1:09:03

being able to work

1:09:03

these places

1:09:04

and touring the road

1:09:05

when I was a kid man

1:09:07

that seemed to me

1:09:08

to be like

1:09:09

an impossibility

1:09:10

to be a headliner

1:09:12

and touring the road

1:09:13

and being able to work

1:09:14

these fucking amazing clubs

1:09:16

like the Punchline

1:09:17

like Zany's

1:09:18

it's like

1:09:18

that was always the dream

1:09:20

one of the things

1:09:21

I love about those

1:09:22

old places too

1:09:23

like Zany's

1:09:23

is you get to like

1:09:24

look in the wall

1:09:25

and you'll see like

1:09:26

old headshots

1:09:27

headshots

1:09:28

from the early 80s

1:09:29

faded

1:09:30

I think they

1:09:32

um

1:09:32

this is a room

1:09:34

that I like

1:09:35

that I'm very

1:09:36

very comfortable in

1:09:37

what is it

1:09:39

it is in

1:09:40

um

1:09:40

it's in North Carolina

1:09:42

as well

1:09:42

Charlie Goodnights

1:09:44

yes

1:09:44

that's a great room

1:09:46

I

1:09:46

I think they

1:09:47

they move in the building

1:09:48

as well

1:09:49

I think they did

1:09:49

something different there

1:09:50

I haven't been

1:09:51

to the new place

1:09:51

man

1:09:53

I

1:09:53

I like

1:09:54

cause I would go down

1:09:55

and look at the old pictures

1:09:56

and then go

1:09:57

play

1:09:58

ah

1:09:59

cause the

1:10:00

it's a nostalgia

1:10:01

to some of these rooms

1:10:03

yeah

1:10:03

man

1:10:03

and

1:10:03

I

1:10:05

I like going there

1:10:07

but when you think

1:10:08

about shooting

1:10:09

the room feels warm

1:10:11

and you feel like

1:10:12

I can do

1:10:13

some other things

1:10:14

to the room

1:10:14

to make it a little warmer

1:10:15

and just go in

1:10:16

and fucking crush it

1:10:18

yeah

1:10:18

like

1:10:18

they got good audiences

1:10:20

in certain places

1:10:21

well they have a long history

1:10:23

of having

1:10:23

like Charlie Goodnights

1:10:24

has been around

1:10:25

a long time

1:10:26

so everybody's

1:10:27

come through there

1:10:27

so all the people

1:10:28

that live in that area

1:10:29

know

1:10:30

that you go to

1:10:30

Charlie Goodnights

1:10:31

on any

1:10:32

Friday and Saturday night

1:10:33

you're gonna get great comedy

1:10:34

they only get great comedians here

1:10:36

it's like

1:10:37

if you're gonna work there

1:10:38

it's a classic club

1:10:39

yeah it is

1:10:40

oh

1:10:41

there's also a next door

1:10:42

honky tonk bar

1:10:43

and that was my first experience

1:10:45

with country western music

1:10:46

like live

1:10:47

like not even live

1:10:48

but just like

1:10:48

in a place where people

1:10:50

listen to it

1:10:50

we went over there

1:10:51

it was me and Duncan

1:10:52

and I think Joey

1:10:53

and we went next door

1:10:54

and they're playing music

1:10:56

that I've never heard before

1:10:58

but everybody knows the words

1:11:00

and they're all singing along

1:11:02

down by the river

1:11:04

you know

1:11:04

like they're all singing along

1:11:05

to these songs

1:11:05

and like fucking hooting

1:11:06

and hollering

1:11:07

and like

1:11:07

this is like I stepped

1:11:08

into another dimension

1:11:09

like what is this

1:11:10

it is

1:11:12

man it's weird

1:11:13

that I can go into

1:11:15

this same dimension

1:11:16

Alan Jackson

1:11:18

like

1:11:20

I grew up

1:11:22

I didn't listen to country music

1:11:23

but I knew about country music

1:11:26

because my granddad

1:11:27

would watch westerns

1:11:28

and you know

1:11:29

you listen to Hank Aaron

1:11:31

not Hank Aaron

1:11:33

Hank Williams

1:11:34

Hank Williams

1:11:35

and then this guy

1:11:39

Alan Jackson

1:11:40

I'm just flipping through

1:11:42

the stations

1:11:43

one time

1:11:44

and I heard

1:11:46

you know

1:11:46

like when you go

1:11:47

to another city

1:11:47

you put on scan

1:11:48

and going through

1:11:49

the radio station

1:11:50

trying to find a radio station

1:11:51

and way downtown

1:11:53

on the Chattahoochee

1:11:55

this is

1:11:57

and they called me

1:11:57

a whole bunch of loving

1:11:59

in a oochie coochie

1:12:00

and I had to find out

1:12:01

who the fuck

1:12:02

sung this song

1:12:03

I was like

1:12:06

in it

1:12:06

here look at him

1:12:07

look at

1:12:08

look at that outfit

1:12:11

what

1:12:12

when did that

1:12:13

fucking song come out

1:12:14

that must be like

1:12:15

1985

1:12:16

or something like that

1:12:17

like look at the way

1:12:18

he's dressed

1:12:18

no this is the 90s

1:12:19

no

1:12:20

can't be

1:12:21

got to be

1:12:22

seems like it's

1:12:23

from another time

1:12:24

Chattahoochee

1:12:25

way down yonder

1:12:26

on a Chattahoochee

1:12:28

way down yonder

1:12:31

I just was stunned

1:12:33

by the fact

1:12:34

that there was like

1:12:35

a whole other world

1:12:36

that I didn't know

1:12:37

about this country

1:12:37

western world

1:12:38

and all these people

1:12:39

were into it

1:12:40

and then I would do

1:12:41

local radio

1:12:41

and they'd want to

1:12:42

talk to me about NASCAR

1:12:43

did you see NASCAR

1:12:44

did you see what Dale did

1:12:46

and you're like

1:12:47

what are you talking about

1:12:48

like they were

1:12:48

everybody knew

1:12:49

they knew about NASCAR

1:12:51

the way most people

1:12:52

know about the Super Bowl

1:12:53

I've been to NASCAR

1:12:55

one time

1:12:57

one time

1:12:58

and Dana

1:13:00

was the

1:13:01

this was the first time

1:13:02

that she was the lead car

1:13:03

so get there

1:13:05

it's an amazing experience

1:13:07

like you

1:13:09

like we went into

1:13:10

the pit

1:13:12

we went into

1:13:13

the trailers

1:13:14

like

1:13:15

they have enough

1:13:16

stuff in a trailer

1:13:17

to build another car

1:13:20

like they

1:13:21

like they tell you

1:13:22

how many cars

1:13:22

they carry

1:13:23

with them

1:13:24

just in case

1:13:25

something happens

1:13:25

and they have enough

1:13:27

they have enough stuff

1:13:27

in their trailer

1:13:28

to rebuild

1:13:29

a car

1:13:30

and they

1:13:32

some of the pit crews

1:13:34

are ex-football players

1:13:35

that

1:13:36

got in this

1:13:37

just for competition

1:13:38

like I didn't know

1:13:39

they had pit crew

1:13:39

competitions

1:13:40

to see who can

1:13:42

change everything

1:13:44

the fastest

1:13:44

and a lot of these people

1:13:46

are ex-football players

1:13:47

that still need

1:13:48

the competition

1:13:49

and they

1:13:49

getting it on

1:13:51

and so

1:13:53

I never forget

1:13:56

about how

1:13:57

when the race

1:13:58

started

1:13:58

all these cars

1:13:59

take off

1:14:00

and it's so loud

1:14:01

and how I was

1:14:03

rooting for

1:14:04

the last car

1:14:06

so all these cars

1:14:06

were

1:14:06

then this one car

1:14:09

come

1:14:10

I was like

1:14:11

go

1:14:12

he like

1:14:15

he lapped

1:14:16

him

1:14:16

he's fucking

1:14:17

last last

1:14:17

but

1:14:18

the incredible

1:14:20

thing was

1:14:21

Ray Lewis

1:14:22

did the start

1:14:25

up

1:14:25

did the start

1:14:26

Walt Frazier

1:14:28

was there

1:14:30

and all

1:14:32

the attorneys

1:14:33

all the attorneys

1:14:35

for NASCAR

1:14:36

were young

1:14:36

black women

1:14:37

that graduated

1:14:39

from law school

1:14:40

and they were

1:14:40

all their attorneys

1:14:41

like they did

1:14:42

all the legal

1:14:42

so I was like

1:14:43

but the audience

1:14:45

is all

1:14:47

white

1:14:48

people just

1:14:49

everywhere's food

1:14:50

everywhere's like

1:14:51

they campers

1:14:51

and some of the

1:14:53

littlest shorts

1:14:54

you ever want to see

1:14:55

on a human being

1:14:56

like god damn

1:14:57

like all this shit

1:14:59

was exciting to me

1:14:59

I'm like yo

1:15:00

why does she have

1:15:01

on boots

1:15:01

with these shorts

1:15:02

like the shit

1:15:02

but it

1:15:04

you know what

1:15:06

I want to go to

1:15:06

that I haven't been to

1:15:07

the Kentucky Derby

1:15:08

I was in town

1:15:11

one time

1:15:11

when the Kentucky Derby

1:15:12

was out

1:15:12

I heard it's wild

1:15:13

could not find

1:15:15

I had to stay

1:15:17

in

1:15:17

across the river

1:15:20

like it was

1:15:21

no hotels in town

1:15:22

I was trying to stay

1:15:23

at the Silbach

1:15:23

and all that

1:15:24

and it was so ritzy

1:15:26

like I didn't get

1:15:27

a chance to go

1:15:29

but I would love

1:15:30

to go

1:15:30

to watch it

1:15:31

I heard it's wild

1:15:31

I had no interest

1:15:33

until I read

1:15:34

the Kentucky Derby

1:15:35

is decadent

1:15:36

and depraved

1:15:36

by Hunter S. Thompson

1:15:38

I read that

1:15:39

and I was like

1:15:40

Jesus Christ

1:15:41

and his depiction

1:15:42

of all these

1:15:43

rich fucked up

1:15:44

people gambling

1:15:45

and betting

1:15:47

on these horse races

1:15:48

and what the scene

1:15:50

is like

1:15:50

that it's this

1:15:51

wild social scene

1:15:53

of these decadent

1:15:54

depraved people

1:15:55

all getting together

1:15:57

and I was like

1:15:57

oh my god

1:15:58

I gotta go

1:15:59

I need to book

1:16:02

a gig around it

1:16:03

our interest

1:16:05

in the same thing

1:16:06

comes from

1:16:07

so far

1:16:08

different places

1:16:09

you wanna go

1:16:11

I hear all the rich

1:16:12

people doing so much

1:16:13

I wanna see the chaos

1:16:15

I wanna go to the Kentucky Derby

1:16:17

because the first 15

1:16:20

when I read about

1:16:21

the Kentucky Derby

1:16:22

how it started

1:16:22

the first 15

1:16:23

were all won

1:16:24

by African American jockeys

1:16:26

and how the purse

1:16:28

came about

1:16:29

and the history of it

1:16:30

and that's why

1:16:32

I wanna go

1:16:32

I wanna see the chaos

1:16:36

well I'm a giant

1:16:38

Hunter S. Thompson fan

1:16:39

you know

1:16:39

and so like

1:16:40

when I read his writing

1:16:41

about it

1:16:42

it just like

1:16:42

brought me there

1:16:43

like I could

1:16:43

I was appreciating

1:16:45

his appreciation

1:16:47

of the

1:16:47

just the

1:16:49

fucking scene

1:16:50

just the wild scene

1:16:52

of it all

1:16:52

and how crazy it was

1:16:53

at him as a writer

1:16:54

as a journalist

1:16:55

going there to cover it

1:16:56

and he's covering it

1:16:57

on acid

1:16:57

and he's all fucked up

1:16:58

and they're drinking all day

1:17:00

and you know

1:17:01

and Hunter's writing

1:17:02

was always like that

1:17:03

it was always this

1:17:04

wild mixture

1:17:05

of pure exaggeration

1:17:08

and fiction

1:17:08

with fact and reality

1:17:10

and like a

1:17:11

an assessment

1:17:12

of the social dynamics

1:17:13

like a psychological

1:17:15

examination

1:17:16

of the people

1:17:16

that were involved

1:17:17

when did he write about it?

1:17:19

that was one of the

1:17:21

first pieces

1:17:22

that he did

1:17:23

before

1:17:24

I believe he did that

1:17:25

before he did his

1:17:25

big Sports Illustrated piece

1:17:27

which turned out to be

1:17:28

Fear and Loathing

1:17:28

in Las Vegas

1:17:29

1970

1:17:30

yeah

1:17:30

so that was

1:17:32

yeah they had merged

1:17:33

and then Fear and Loathing

1:17:34

was when?

1:17:34

I think Fear and Loathing

1:17:38

was his breakout thing

1:17:39

they hired him

1:17:41

I feel like they hired him

1:17:42

for Sports Illustrated

1:17:43

to go and write about

1:17:45

like

1:17:45

71 is when that was published

1:17:47

yeah

1:17:47

so it was like the same time

1:17:48

and when was the first

1:17:50

Kentucky Derby ever ran?

1:17:52

oh god

1:17:53

let's take a guess

1:17:54

let's take a guess

1:17:54

I'm gonna say 1920

1:17:57

I'm gonna say 1890

1:18:00

yeah I think it's like

1:18:01

100

1:18:01

I've done 100 plus

1:18:04

1875

1:18:05

1875

1:18:06

but when a thing

1:18:07

becomes a thing

1:18:07

like a place where people go

1:18:09

and they know

1:18:10

they're gonna go get fucked up

1:18:11

and they know

1:18:12

they're gonna gamble

1:18:12

and like it becomes a thing

1:18:14

they wear the big hats

1:18:14

with feathers and shit

1:18:15

and the ladies wear

1:18:17

all their jewels

1:18:17

what is going on here

1:18:19

is this at the Kentucky Derby?

1:18:20

yeah they're just running

1:18:21

he's running across

1:18:22

port-a-potties

1:18:23

and people are cheering him on

1:18:24

like this kind of shit

1:18:25

and they're throwing bottles at him

1:18:27

yeah

1:18:27

like they

1:18:28

bing bong bong

1:18:29

there he goes

1:18:30

he's down

1:18:30

it's so far different

1:18:31

from the original Kentucky Derby

1:18:33

yeah

1:18:33

did he fall in the shit?

1:18:35

oh it looks like it

1:18:35

oh no

1:18:36

did he?

1:18:36

is he covered in shit?

1:18:37

it could have been raining

1:18:38

it could have been doing

1:18:39

like mudsliding or something too

1:18:40

he's drinking?

1:18:41

looks like he fell in the shit

1:18:42

oh god

1:18:42

Jesus Christ

1:18:43

oh Jesus Christ

1:18:46

he definitely fell in the shit

1:18:47

oh that's so unnecessary

1:18:49

that's so unnecessary

1:18:52

but that's

1:18:53

he wrote

1:18:53

I wonder if Hunter

1:18:55

like caused more people

1:18:56

to act more crazy there

1:18:58

cause his writing

1:18:59

was so influential

1:19:00

and so popular

1:19:01

I wonder if

1:19:02

he probably

1:19:03

accentuated the experience

1:19:05

for people that wanted to go

1:19:06

to just get fucked up

1:19:07

and just watch

1:19:08

but it's like

1:19:10

you have the aristocrats

1:19:11

the socialites

1:19:13

you know the people

1:19:13

that go there

1:19:14

and they wear their expensive suits

1:19:15

and their big rings

1:19:16

and they put

1:19:17

pull up

1:19:17

and chauffeured cars

1:19:18

and they get out

1:19:19

and do a bunch of debauchery

1:19:21

right after that

1:19:22

debauchery

1:19:23

it's right after that

1:19:25

just

1:19:25

I don't have no underwear

1:19:27

I don't know all this shit

1:19:31

but I don't have no underwear

1:19:32

like you think about

1:19:34

you think about these experiences

1:19:35

that people have

1:19:35

like these kind of places

1:19:36

like if you're

1:19:37

one of those people

1:19:38

you're like some oil baron

1:19:40

and you got crazy money

1:19:41

and every year

1:19:41

you go to the Kentucky Derby

1:19:43

I imagine you just get used

1:19:44

to being around

1:19:45

all those other kind of people

1:19:46

and then every year

1:19:48

everyone kind of ramps it up

1:19:49

a little bit

1:19:49

you know

1:19:50

ramp up the chaos

1:19:52

ramp up the cocaine

1:19:54

so is that how

1:19:55

Mardi Gras started

1:19:56

that's a good question

1:19:58

how did Mardi Gras get started

1:20:00

Mardi Gras

1:20:01

like

1:20:01

Carnival is a pretty intense

1:20:04

I've never been to that

1:20:06

have you been in Rio

1:20:07

yes

1:20:07

really

1:20:08

yes

1:20:08

that's wild

1:20:09

oh man

1:20:10

the

1:20:11

oh

1:20:13

it's like you're famous

1:20:15

for people

1:20:16

it's like New Year's Eve

1:20:18

on steroids

1:20:18

it's

1:20:19

I went to this club

1:20:20

called Help Disco Tech

1:20:23

and you need it

1:20:25

like

1:20:25

Help Disco Tech

1:20:29

I remember

1:20:29

I went on Adam and Eve night

1:20:31

where they give you a leaf

1:20:34

you put your clothes up

1:20:36

and they give you a leaf

1:20:37

and you in the club

1:20:38

just a leaf on

1:20:39

that's it

1:20:40

and this club holds like

1:20:42

four or five thousand people

1:20:44

all with leaves on

1:20:45

and

1:20:46

it's so crazy

1:20:48

that the

1:20:48

that

1:20:49

they know that you cannot

1:20:51

get to the bar

1:20:52

they know that you can't

1:20:53

get to the bar

1:20:53

they have

1:20:54

bartenders

1:20:56

with coolers

1:20:57

strapped to them

1:20:58

where they

1:20:59

they in the

1:21:00

like

1:21:01

on the floor

1:21:02

in different places

1:21:03

and they flip the cooler

1:21:04

up and they make your drink

1:21:05

right there

1:21:05

because they know

1:21:06

you're not going to be able

1:21:07

to get to the bar

1:21:08

it's insane

1:21:10

in this spot

1:21:11

it's a live band

1:21:12

it's like

1:21:13

twelve piece

1:21:15

live band

1:21:16

and it's fucking insane

1:21:18

and you

1:21:19

if it's five thousand people

1:21:21

it's a thousand men

1:21:23

and four thousand women

1:21:25

if it's four thousand people

1:21:27

it's three thousand women

1:21:29

and a thousand men

1:21:30

and I know

1:21:32

we went in

1:21:33

it was

1:21:33

maybe about twelve

1:21:35

I know I came out

1:21:38

it was

1:21:39

eight thirty

1:21:39

in the morning

1:21:40

I know for facts

1:21:42

it was eight thirty

1:21:43

in the morning

1:21:43

and it's right off the beach

1:21:45

and it's like

1:21:46

this shit is insane

1:21:47

and you

1:21:48

when you fall

1:21:49

it was like

1:21:49

yo

1:21:50

and you look

1:21:51

it's like people

1:21:52

you not even

1:21:52

that you didn't even see

1:21:53

and they're like

1:21:54

oh she was in there

1:21:55

I can't

1:21:55

like

1:21:56

damn

1:21:56

where was she at

1:21:57

like

1:21:57

cause you

1:21:58

and your element

1:22:00

like

1:22:00

I never left

1:22:02

once I walked through

1:22:03

upstairs

1:22:03

I never came back

1:22:05

downstairs

1:22:07

I went upstairs

1:22:07

I never came back

1:22:08

downstairs

1:22:09

until it was time to leave

1:22:10

like I never came back

1:22:11

downstairs

1:22:11

like it wasn't happening

1:22:13

I was having

1:22:13

a great goddamn time

1:22:15

like

1:22:15

I walked out of my hotel

1:22:17

and it was

1:22:18

maybe like

1:22:20

thirty thousand people

1:22:21

on the street

1:22:23

on a side street

1:22:24

dancing

1:22:24

and it was

1:22:26

people on a bus

1:22:27

people on the street

1:22:28

and I just walked

1:22:29

into this shit

1:22:30

and I was like

1:22:30

I was just

1:22:32

like

1:22:32

I was just

1:22:33

in

1:22:33

man

1:22:34

Rio was insane

1:22:36

they know how to party

1:22:37

in Brazil

1:22:37

they know how to party

1:22:39

in Brazil

1:22:39

and I went to

1:22:41

the

1:22:42

cornerback

1:22:42

where

1:22:43

I think people

1:22:44

don't understand

1:22:45

that

1:22:45

this is

1:22:46

neighborhood

1:22:47

versus neighborhood

1:22:49

the Samba team

1:22:50

is representing

1:22:51

a neighborhood

1:22:51

so it's like

1:22:53

just put

1:22:54

twelve

1:22:56

football fields

1:22:58

together

1:22:58

right

1:23:00

stack them up

1:23:01

that's how

1:23:01

they coming down

1:23:02

the street

1:23:03

and it's people

1:23:03

on both sides

1:23:05

that's cheering

1:23:06

for their Samba team

1:23:07

it's insanity

1:23:10

man

1:23:11

I've never

1:23:12

partied

1:23:12

it had to be

1:23:13

a million people

1:23:14

in one

1:23:15

like going in

1:23:17

and coming out

1:23:17

was so insane

1:23:19

like I partied in

1:23:21

I partied out

1:23:21

I partied to concessions

1:23:23

I partied in the line

1:23:24

go to the bathroom

1:23:25

man

1:23:27

I may have had

1:23:29

sex on the street

1:23:30

like

1:23:31

I don't know

1:23:31

what I was doing

1:23:32

I was fucking

1:23:33

insane over there

1:23:34

like

1:23:34

it was

1:23:35

man

1:23:36

I probably have

1:23:37

a child over there

1:23:37

I don't know

1:23:38

I got married

1:23:40

look at it

1:23:41

yes

1:23:42

this shit

1:23:42

holy shit

1:23:43

look at that lizard

1:23:44

I'm over there

1:23:45

I'm over there

1:23:46

on the side

1:23:47

look at the lizard

1:23:48

and the mushrooms

1:23:48

oh my god

1:23:49

that's incredible

1:23:50

this is the size

1:23:51

of that thing

1:23:52

this is a neighborhood

1:23:53

so when you win

1:23:54

your neighborhood

1:23:56

gets money

1:23:57

like for the

1:23:58

everybody that's

1:23:59

on this

1:23:59

is from the same

1:24:02

neighborhood

1:24:02

look at the fucking

1:24:03

jellyfish

1:24:04

that's insane

1:24:05

this shit

1:24:05

you got

1:24:06

people gotta see

1:24:07

this shit live

1:24:08

this shit is insanity

1:24:10

oh my god

1:24:11

and it's not one

1:24:12

altercation

1:24:13

that's amazing

1:24:14

because Brazil's

1:24:15

a wild ass

1:24:16

fucking place

1:24:16

but they put it

1:24:18

all aside

1:24:19

for carnival

1:24:20

yeah man

1:24:20

look at this

1:24:21

oh my god

1:24:22

these floats

1:24:23

are incredible

1:24:24

these people

1:24:24

on top of them

1:24:25

look at the size

1:24:25

of these things

1:24:26

and this is an

1:24:27

honored position

1:24:28

to be a part

1:24:28

of the summer team

1:24:29

look at the size

1:24:30

of that

1:24:31

yo

1:24:38

wow

1:24:39

and they represent

1:24:43

the neighborhood

1:24:43

and this shit

1:24:44

is bananas

1:24:45

wow

1:24:46

it's bananas

1:24:48

I've been to Brazil

1:24:49

a few times

1:24:49

for fights

1:24:50

they are some

1:24:52

of the wildest

1:24:53

rowdiest crowds

1:24:54

and especially

1:24:55

when Brazil

1:24:55

look at that man

1:24:56

this fucking dragon

1:24:58

holy shit

1:24:59

look at the size

1:25:00

of that thing

1:25:01

how long does it

1:25:03

take to construct

1:25:03

these things

1:25:04

man

1:25:05

this is a big thing

1:25:07

right after this

1:25:08

they start

1:25:09

for the next year

1:25:10

wow

1:25:10

this is a

1:25:12

big thing

1:25:14

they representing

1:25:15

so man

1:25:16

this shit

1:25:16

this shit

1:25:16

is incredible

1:25:17

it's incredible

1:25:18

and this is all

1:25:20

themed

1:25:20

this is all

1:25:21

themed

1:25:22

holy shit

1:25:23

like

1:25:24

I know

1:25:25

I know America

1:25:26

think they do

1:25:27

live ass parties

1:25:28

but this is

1:25:30

this is like

1:25:31

12 Super Bowls

1:25:33

happening at the same time

1:25:34

I'm like

1:25:34

who is that supposed

1:25:35

to be

1:25:36

is that Bolsonaro

1:25:37

could be

1:25:38

it could be like

1:25:38

Gulliver's Travels

1:25:40

right

1:25:40

because those people

1:25:41

were climbing

1:25:42

that is fucking insane

1:25:44

look at the size

1:25:45

of that thing

1:25:46

and they lift

1:25:46

and he was laying down

1:25:47

at first

1:25:48

look at this

1:25:48

this is what I'm saying

1:25:50

oh my god

1:25:51

oh my god

1:25:53

that's incredible

1:25:56

yeah I did a movie

1:25:57

live from Rio

1:25:58

and we was at this

1:26:00

you did a movie there

1:26:01

yeah

1:26:01

live from Rio

1:26:02

with my boy Ben Williams

1:26:04

what was it

1:26:05

we just

1:26:06

it's called

1:26:07

live from Rio

1:26:07

it was 10

1:26:08

black guys traveling

1:26:10

we were supposed

1:26:11

to just start

1:26:12

we were supposed

1:26:12

to go here

1:26:13

then we're supposed

1:26:13

to go to Tokyo

1:26:14

was it like

1:26:15

a documentary movie

1:26:16

nah we was just

1:26:17

traveling and hanging out

1:26:18

just 10 men

1:26:20

out and about

1:26:21

and so you just

1:26:23

filmed it

1:26:23

yeah

1:26:23

is that out

1:26:25

can someone see that

1:26:26

live from Rio

1:26:27

on the cover

1:26:28

is me and this guy

1:26:29

named G

1:26:30

G got killed

1:26:32

by

1:26:32

a tenant

1:26:34

like he

1:26:36

in his building

1:26:37

yeah at his house

1:26:39

like he was

1:26:39

renting his house

1:26:40

out and a tenant

1:26:40

killed him

1:26:41

and

1:26:43

weird

1:26:45

but

1:26:46

I still have

1:26:47

some of the

1:26:48

DVDs that we did

1:26:50

from that

1:26:50

and Who Kid

1:26:52

did the

1:26:53

the soundtrack

1:26:55

for it

1:26:55

he DJed the soundtrack

1:26:56

for it

1:26:56

after that

1:26:57

Snoop and Pharrell

1:26:59

went to Brazil

1:27:00

and shot

1:27:00

they video

1:27:02

shot a video

1:27:03

Brazil was

1:27:04

bananas

1:27:05

I think

1:27:06

Brazil

1:27:07

were

1:27:08

was

1:27:09

Amsterdam

1:27:12

was a wild

1:27:13

time for me

1:27:13

I had a good

1:27:15

time in Amsterdam

1:27:16

but Brazil

1:27:18

by far

1:27:18

Brazil

1:27:20

just the history

1:27:21

of Brazil

1:27:22

when it comes

1:27:22

to wild shit

1:27:23

I mean

1:27:23

that's the

1:27:24

birthplace

1:27:25

of the UFC

1:27:26

they figured

1:27:27

that shit out

1:27:27

long time ago

1:27:29

they were doing

1:27:29

no rules fights

1:27:30

in the 1940s

1:27:32

Elio Gracie

1:27:34

was fighting people

1:27:35

from Japan

1:27:35

in the 1940s

1:27:36

they would have

1:27:37

these big fights

1:27:38

where they'd come over

1:27:39

speaking of fights

1:27:42

June 12th

1:27:45

me and a comic

1:27:46

named Steve Brown

1:27:47

are supposed to

1:27:48

do something

1:27:49

he said he gonna

1:27:50

do something

1:27:51

I don't know

1:27:51

what he gonna do

1:27:52

what do you mean

1:27:52

like a boxing

1:27:53

match

1:27:53

really

1:27:54

he saw me

1:27:56

on the

1:27:56

on Instagram

1:27:57

was like

1:27:58

he thinks he can

1:27:58

box

1:27:58

I think I can

1:27:59

take him

1:28:00

oh boy

1:28:00

he told somebody

1:28:01

else and then

1:28:02

they told me

1:28:02

I was like

1:28:03

how much does

1:28:03

he weigh

1:28:03

he say

1:28:05

194

1:28:06

so he weighs

1:28:07

215

1:28:08

I said it

1:28:09

I said off

1:28:10

the top

1:28:10

I'm like

1:28:11

yo he

1:28:11

205

1:28:12

210

1:28:12

and then

1:28:13

I already know

1:28:14

it cause he don't

1:28:15

know how much

1:28:15

he goddamn

1:28:16

weigh

1:28:16

and then

1:28:17

and

1:28:18

that's my boy

1:28:20

James

1:28:21

that's my

1:28:21

that's my trainer

1:28:22

James

1:28:22

and

1:28:23

he

1:28:24

Steve Brown

1:28:25

put it on there

1:28:26

that he wanted

1:28:26

to do

1:28:26

so I'm like

1:28:27

well I come

1:28:28

in town

1:28:28

and then

1:28:29

people

1:28:29

there you go

1:28:30

Steve Brown

1:28:30

where people

1:28:31

can't

1:28:32

do this to me

1:28:33

you can't say

1:28:34

um

1:28:35

you wanna box me

1:28:36

you know my schedule

1:28:37

I'm not gonna be in town

1:28:38

until the

1:28:38

I'm in town

1:28:39

on the 10th and 11th

1:28:40

well you know

1:28:40

I'm out of town

1:28:41

I say well stay around

1:28:43

stay around

1:28:44

and then we'll

1:28:45

get it in

1:28:46

and James

1:28:48

soon as James

1:28:48

heard it

1:28:49

James was like

1:28:49

shit

1:28:50

do you want this guy

1:28:51

to lose any

1:28:51

what do you weigh

1:28:52

like 170

1:28:53

nah

1:28:53

I'm 160

1:28:55

160

1:28:56

yeah

1:28:57

I'm gonna go down

1:28:58

by the time we

1:28:59

five go down

1:29:00

10 pounds

1:29:01

and still get it

1:29:02

he is gonna

1:29:03

what

1:29:03

probably wait

1:29:04

come in at

1:29:04

310

1:29:05

and that's gonna

1:29:07

be the worst

1:29:08

day of his life

1:29:09

he come in

1:29:09

310

1:29:10

cause he's gonna

1:29:11

be exhausted

1:29:12

like I'm

1:29:12

I can move around

1:29:14

on him

1:29:14

for at least

1:29:15

the first round

1:29:15

and then start

1:29:16

punishing him

1:29:17

how many rounds

1:29:18

how many rounds

1:29:18

are you gonna do

1:29:19

he said 3

1:29:20

and I'm like

1:29:21

oh

1:29:21

make it 5

1:29:22

yeah

1:29:22

let's go a little deeper

1:29:24

that's me

1:29:25

I'm like whatever man

1:29:26

cause I know

1:29:27

I think people

1:29:28

don't understand

1:29:29

about boxing

1:29:30

this is a

1:29:32

when you fighting

1:29:33

your mental condition

1:29:36

has to be

1:29:36

physical condition

1:29:38

definitely gotta be

1:29:38

in order

1:29:39

but your mental condition

1:29:40

cause

1:29:41

this is not

1:29:42

the punching bag

1:29:42

it's not

1:29:43

the gloves

1:29:44

right

1:29:44

and are you

1:29:46

conditioned

1:29:47

for a fight

1:29:48

like sparring

1:29:49

when you spar

1:29:51

the next day

1:29:53

some shit

1:29:55

is wrong

1:29:56

like

1:29:56

why my

1:29:59

why my neck

1:29:59

don't move

1:30:00

yeah cause you

1:30:00

fucking got hit

1:30:01

somebody pushed

1:30:02

your fucking neck

1:30:02

to the side

1:30:03

that you didn't realize

1:30:04

like all

1:30:04

all this shit

1:30:05

is bad

1:30:06

yeah

1:30:06

but body shots

1:30:08

body shots

1:30:09

hurt

1:30:09

like

1:30:10

hurt a lot

1:30:11

oh yeah

1:30:12

and if you're not

1:30:13

conditioned

1:30:14

for that type

1:30:16

of punishment

1:30:16

because you're

1:30:18

gonna get hit

1:30:19

no matter how

1:30:20

big

1:30:21

and how good

1:30:22

you think you are

1:30:22

you're going

1:30:23

to get hit

1:30:25

and I'm

1:30:27

I don't

1:30:27

I'm not gonna

1:30:28

take no steam

1:30:29

off of a punch

1:30:30

for you

1:30:30

and I say

1:30:31

what we doing

1:30:32

head gear

1:30:32

no head gear

1:30:33

even the head

1:30:34

gear is a problem

1:30:35

head gear is not good

1:30:36

I'd rather have

1:30:37

no head gear

1:30:37

I'd rather have

1:30:38

no head gear

1:30:38

can't see that good

1:30:39

especially when

1:30:41

when somebody

1:30:41

keep turning

1:30:42

your goddamn head

1:30:43

gear

1:30:43

yeah

1:30:43

and there's a real

1:30:44

argument that it

1:30:45

causes more of a

1:30:46

rotation of the head

1:30:47

because it puts

1:30:48

a bigger fulcrum

1:30:49

like you have more

1:30:50

weight on the head

1:30:51

and there's more mass

1:30:52

so if somebody

1:30:53

clips you

1:30:53

and your head's

1:30:54

spinning more

1:30:55

and your brains

1:30:56

rattle around

1:30:57

inside your head

1:30:57

more

1:30:58

cause if you

1:30:59

cause you don't

1:31:00

get your head

1:31:00

gear turned

1:31:01

and now you

1:31:02

can't see

1:31:03

there's gonna be

1:31:05

some more shit

1:31:05

coming behind

1:31:06

like it's like

1:31:08

is this something

1:31:08

you wanna do a lot of

1:31:10

like is this just

1:31:10

someone talk shit

1:31:12

and you're ready

1:31:12

to do it

1:31:13

my ultimate thing

1:31:16

was I wanted Kat

1:31:17

Kat said he started

1:31:19

boxing

1:31:19

oh I know

1:31:20

we talked about that

1:31:21

last time

1:31:21

has he responded

1:31:22

he not gonna respond

1:31:24

cause he knows

1:31:25

the type of

1:31:26

fucking punishment

1:31:27

that it's going through

1:31:28

man

1:31:28

like

1:31:29

I'm not gonna lose

1:31:31

I wanna

1:31:32

I wanna beat you

1:31:34

but

1:31:34

I think I'm easing up

1:31:35

on him

1:31:36

cause

1:31:36

people

1:31:38

I was

1:31:39

Holly you need

1:31:39

to let some

1:31:40

things go

1:31:41

and I'm like

1:31:42

yo watch the special

1:31:43

it's hard for me

1:31:44

to let things go

1:31:45

it's very hard

1:31:48

for you to let

1:31:48

things go

1:31:48

but

1:31:49

it's

1:31:50

I don't mind

1:31:53

the physical

1:31:54

combat of

1:31:55

fight

1:31:56

I think it's a

1:31:56

stress reliever

1:31:57

I think

1:31:58

when you get a chance

1:31:59

to

1:31:59

go with somebody

1:32:01

that wants to go

1:32:03

that's the thing

1:32:03

you gotta be with

1:32:04

somebody who wanna box

1:32:05

and

1:32:05

who wanna fight

1:32:07

like

1:32:07

with me and James

1:32:08

James is a professional

1:32:09

fighter

1:32:09

and

1:32:11

when he wanna go

1:32:13

you know

1:32:14

let's go

1:32:15

and I know

1:32:17

this is a

1:32:17

this gonna be a hard day

1:32:18

cause he's

1:32:20

he

1:32:20

no matter

1:32:21

no matter how

1:32:22

somebody

1:32:22

how the shit starts

1:32:24

me and you

1:32:25

can start

1:32:26

and once

1:32:27

you get hit

1:32:28

the shit changes

1:32:29

like yo

1:32:30

I know I'll leave my friend

1:32:31

but I'm finna fuck him up

1:32:32

like I gotta

1:32:33

now it becomes a fight

1:32:33

I gotta get my lick back

1:32:34

I gotta get this

1:32:35

so

1:32:36

it

1:32:37

it gets chippy

1:32:38

it's hard to find

1:32:39

sparring partners

1:32:40

where you can just spar

1:32:41

where like

1:32:42

you just get hit like that

1:32:44

get hit like that

1:32:45

where you're not

1:32:45

getting lit up

1:32:46

where you're not in a fight

1:32:47

you know

1:32:48

it's just sparring

1:32:49

some guys

1:32:50

if they're cool with you

1:32:51

and you're cool with them

1:32:52

you could just spar

1:32:53

and you touch them

1:32:54

you touch each other

1:32:55

and you can do that a lot

1:32:57

and it's very beneficial

1:32:58

yeah

1:32:58

because you get your timing in

1:32:59

and you get real rounds in

1:33:01

it's not fighting

1:33:02

but it's tightening you up

1:33:04

for fighting

1:33:05

so you'll have these

1:33:06

reflexive movements

1:33:07

like you'll see

1:33:08

a check hook

1:33:09

and it just

1:33:10

it's just there

1:33:11

it just comes out

1:33:12

because you've done it

1:33:12

so many times

1:33:13

yeah like my man

1:33:14

Todd Emanuel

1:33:15

just fought

1:33:16

um

1:33:16

Victor Ortiz

1:33:17

really

1:33:18

yeah

1:33:18

Victor Ortiz is still fighting

1:33:20

yeah

1:33:20

what is he doing now

1:33:22

yeah

1:33:22

him and Todd Emanuel

1:33:23

just they did

1:33:24

I think it's on YouTube too

1:33:25

that fight with Floyd Mayweather

1:33:27

was one of the weirdest fights ever

1:33:28

he headbutted him

1:33:30

he headbutted him

1:33:31

and then he tried to apologize

1:33:32

and Floyd said

1:33:33

yeah yeah yeah

1:33:34

boom

1:33:35

dropped him with a left hook

1:33:36

he was like

1:33:37

oh no

1:33:38

and then stopped him

1:33:40

that was

1:33:41

see if you can pull that up

1:33:42

it is one of the craziest fights ever

1:33:45

he fights out of the same gym

1:33:47

um

1:33:47

main street fighting gym

1:33:48

like with um

1:33:49

so this just happened

1:33:50

Regis Provost

1:33:51

he's a fight out the same gym

1:33:53

oh this is on the Lemieux undercard

1:33:56

uh

1:33:56

who was it Benavidez

1:33:57

who fought Lemieux

1:33:58

yeah Benavidez

1:33:59

fucked up Lemieux

1:34:01

so

1:34:02

Todd was

1:34:03

he was

1:34:04

and it's

1:34:05

how did he do

1:34:06

against Victor Ortiz

1:34:07

big sigh

1:34:11

it was a good fight

1:34:13

did he lose

1:34:13

he lost

1:34:15

I think he went to the scorecard

1:34:17

Victor Ortiz was a world class fighter

1:34:19

at one point in time

1:34:20

I think

1:34:21

I think

1:34:22

um

1:34:22

Todd

1:34:24

you know when you watching the fight

1:34:25

like he

1:34:25

he'll hit me

1:34:26

and give me some tips

1:34:27

about something

1:34:28

I'm like Todd

1:34:29

I'd be like

1:34:30

yo

1:34:30

he was doing something

1:34:32

you know when you watching the fight

1:34:33

you're like

1:34:33

why the fuck

1:34:33

cause you sitting there

1:34:34

like why the fuck

1:34:35

you keep doing that

1:34:35

like

1:34:36

when they would break

1:34:37

Victor would just start

1:34:40

like as soon as they break

1:34:42

as soon as they go back in

1:34:43

he start throwing punches

1:34:44

and Todd

1:34:45

and Todd he covering up

1:34:47

and I'm like

1:34:48

fucking

1:34:49

don't do that

1:34:50

just

1:34:50

and every time

1:34:52

he didn't do that

1:34:53

like he

1:34:53

he didn't cover up

1:34:54

he

1:34:55

soon as Victor came in

1:34:56

bop

1:34:56

he hit him with one

1:34:57

like keep doing that shit

1:34:58

and I think that sometimes

1:35:00

cause it's a mental game

1:35:01

it's like

1:35:01

it's also

1:35:02

you're looking for breaks

1:35:03

guys looking to take a little break

1:35:05

let me know

1:35:05

let's cover up here

1:35:06

so here it is

1:35:07

so this is when

1:35:08

Victor Ortiz was in his prime

1:35:10

and you know

1:35:10

it was a good fucking fight

1:35:11

I mean he had tagged Floyd

1:35:13

and look at that

1:35:15

there's the head butt

1:35:15

there's the head butt

1:35:16

and I think

1:35:18

and then look at this

1:35:18

I'm sorry

1:35:19

I'm sorry

1:35:20

and then he hugs him

1:35:21

he kisses him

1:35:21

didn't see the kiss

1:35:22

then

1:35:24

and they take a point away from him

1:35:25

and he touches his gloves

1:35:26

like I'm sorry

1:35:27

I got carried away

1:35:27

and he touched it

1:35:28

and he goes

1:35:28

okay okay okay

1:35:29

boom

1:35:30

bang

1:35:31

that was crazy

1:35:34

fuck his head butt me for

1:35:36

I know

1:35:37

but it's also like

1:35:38

defend yourself at all times

1:35:40

like he thought that

1:35:40

they were gonna like

1:35:41

be friends

1:35:42

and then he just gets

1:35:43

stopped like that

1:35:44

I mean it's

1:35:45

the end of his career

1:35:46

essentially

1:35:47

because he never really

1:35:48

reached world class

1:35:49

level again

1:35:50

where people were

1:35:51

thinking about him

1:35:52

as being a world champion

1:35:53

that was the fight

1:35:54

and he had been in movies

1:35:55

right

1:35:56

yeah

1:35:56

he'd been in a couple of movies

1:35:57

wasn't he in like

1:35:58

The Expendables

1:35:59

or something like that

1:36:00

and he was in like

1:36:01

a big movie

1:36:02

yeah so

1:36:03

and that was it

1:36:04

that's the same attack

1:36:06

on Floyd

1:36:06

he was attacking Todd

1:36:08

and

1:36:09

Todd was

1:36:10

Todd

1:36:11

I think Todd

1:36:11

knocked him down

1:36:12

in like

1:36:14

the last round

1:36:15

like he got him

1:36:15

pow

1:36:16

and

1:36:17

it was

1:36:18

I think the scorecard

1:36:19

was too late

1:36:20

or something

1:36:20

I don't know

1:36:21

but

1:36:21

how old is he now

1:36:22

Victor's gotta be like

1:36:23

37, 38 years old now

1:36:25

right

1:36:25

if I'm guessing

1:36:29

35

1:36:30

35

1:36:31

man

1:36:32

so when that Floyd fight

1:36:33

happened

1:36:33

he had to be in his

1:36:34

early 20s

1:36:35

there you go

1:36:35

he got him

1:36:36

there you go

1:36:36

Todd got him

1:36:37

let me say that again

1:36:38

oh yeah

1:36:42

come on

1:36:42

hit him with it

1:36:42

pow

1:36:43

oh that left hook

1:36:45

in the right hand

1:36:46

behind it

1:36:46

yeah

1:36:46

he got him

1:36:46

oh he dropped him

1:36:47

yeah

1:36:48

shit

1:36:50

I got it there

1:36:51

35

1:36:52

he's like

1:36:54

yeah you got me

1:36:55

you know what's crazy

1:36:56

crazy is that Floyd

1:36:57

is still doing these

1:36:59

exhibitions

1:36:59

making millions

1:37:00

oh did you see

1:37:01

the one he just did

1:37:02

yeah he looked fantastic

1:37:03

I'm sorry

1:37:04

he's like

1:37:04

I ain't got no haircut

1:37:05

for this shit

1:37:06

yeah

1:37:07

scraggling

1:37:08

I think he's enjoying

1:37:09

that look

1:37:10

going out

1:37:11

whooping people's ass

1:37:12

like yo

1:37:12

for millions of dollars

1:37:13

I ain't gotta

1:37:14

promote this shit

1:37:15

I'm just showing up

1:37:16

smiling

1:37:17

ass whooping

1:37:18

like

1:37:18

it's like Floyd

1:37:20

wait to get hit

1:37:20

to see where you at

1:37:23

with your power

1:37:23

and be like

1:37:24

okay

1:37:25

now I'm gonna

1:37:26

fucking demolish you

1:37:27

he was holding

1:37:28

the ring card girl's card

1:37:29

and walking around

1:37:30

do you see what he was doing

1:37:31

oh shit

1:37:32

he held up the card

1:37:33

in between rounds

1:37:34

Floyd walked around

1:37:35

with the card

1:37:36

he put on a show

1:37:37

because he's like

1:37:38

he's

1:37:39

it's really smart

1:37:40

because he's giving them

1:37:41

the money's worth

1:37:42

it's not just

1:37:43

a boxing exhibition

1:37:44

he's putting on a show

1:37:45

he's laughing

1:37:46

and dancing

1:37:47

he's got a big smile

1:37:48

on his face

1:37:48

while the fight's going on

1:37:49

Chris and Carwell

1:37:51

and that was a guy

1:37:52

who he had sparred before

1:37:53

would you fight?

1:37:54

no

1:37:55

no

1:37:56

I'm too banged up

1:37:58

and I'm too old

1:37:59

I'm not interested anymore

1:38:00

muscle memory alone

1:38:05

you'll probably

1:38:06

take somebody out

1:38:07

just mere muscle memory

1:38:09

I'm not

1:38:10

yeah

1:38:11

I mean probably

1:38:12

I could fuck some people up

1:38:13

but I'm not interested

1:38:14

it's a man

1:38:15

it's an old man

1:38:16

in our gym

1:38:17

main street

1:38:18

he

1:38:20

he looks like a problem

1:38:22

like

1:38:23

just from

1:38:24

he's so rugged

1:38:26

and so hard

1:38:28

that

1:38:29

I would never

1:38:30

even play with him

1:38:31

like

1:38:32

just go up

1:38:34

and put your hands up

1:38:34

just for muscle memory alone

1:38:35

he'll fucking destroy you

1:38:36

just like

1:38:38

like he just does it so much

1:38:40

like the shit is a problem

1:38:41

some guys can keep it up

1:38:43

they can

1:38:43

like Floyd

1:38:44

45 years old

1:38:45

looks fucking amazing

1:38:47

the best example

1:38:48

is Tyson

1:38:48

55 years old

1:38:50

and they're still talking

1:38:51

about him fighting

1:38:52

either Logan

1:38:53

or Jake Paul

1:38:54

like that is crazy

1:38:56

and I don't know

1:38:58

what would happen

1:38:59

oh man

1:39:01

if Logan Paul

1:39:03

would beat Tyson

1:39:05

I would fucking just

1:39:06

I would die

1:39:07

I think Jake

1:39:08

would probably be the better fight

1:39:09

Jake

1:39:10

whatever the heavier

1:39:11

the better one is Jake

1:39:12

Jake's the one

1:39:13

who knocks people out

1:39:13

Logan

1:39:14

Logan's more of a boxer

1:39:16

I would fucking just

1:39:17

die

1:39:18

I can't believe

1:39:18

that would happen

1:39:19

I would just

1:39:20

I'm like

1:39:20

cause Floyd

1:39:22

when he fought Floyd

1:39:23

I think Floyd

1:39:26

was really

1:39:27

when Floyd got tired

1:39:28

of the bullshit

1:39:29

he just

1:39:29

yeah he put it on him

1:39:31

he put it

1:39:32

but he's so big

1:39:33

and I think that he

1:39:34

I think that one of them punches

1:39:35

kinda just wobbled

1:39:37

the shit out of him

1:39:38

and Floyd was holding him up

1:39:39

like yo

1:39:40

don't fuck up your money

1:39:41

I'm fighting

1:39:42

this and

1:39:43

god damn it

1:39:44

you think so

1:39:45

it's parts in that fight

1:39:47

where Floyd was like

1:39:48

yo let me show you

1:39:49

I don't give a shit

1:39:50

how big you are

1:39:50

you not on this level

1:39:52

oh he's definitely not

1:39:52

on that level

1:39:53

but I think he was too big

1:39:54

and he was

1:39:55

I'm telling you

1:39:55

it's a part in that fight

1:39:57

where Floyd

1:39:58

snapped his neck back

1:39:59

and I was like

1:40:00

oh shit he gone

1:40:01

and Floyd was like

1:40:02

you could see Floyd

1:40:03

holding him up

1:40:03

like don't fall

1:40:04

big motherfuckers

1:40:06

I didn't notice that

1:40:07

I noticed Floyd

1:40:08

was definitely

1:40:09

out boxing the shit out of him

1:40:10

but the difference

1:40:11

between Floyd

1:40:12

and Mike Tyson

1:40:13

is Floyd's

1:40:14

155 pounds

1:40:15

Mike Tyson's

1:40:17

220

1:40:18

solid as a rock

1:40:20

even if he's 55

1:40:21

he's on all the Mexican supplements

1:40:22

he's on everything

1:40:24

they use electrical muscular stimulation on him

1:40:27

you know what they do

1:40:27

you ever seen those things

1:40:28

they do to build you up

1:40:29

he does exercises

1:40:30

where they put these

1:40:31

he talked about it on the podcast

1:40:33

where they do these

1:40:34

these pads

1:40:35

connected to wires

1:40:37

and so he's doing these exercises

1:40:39

and these things

1:40:40

are like charging his muscles

1:40:42

and it makes your muscles

1:40:43

develop faster and better

1:40:45

oh shit

1:40:46

yeah so when he got back into shape

1:40:47

yeah

1:40:47

my wife does that shit

1:40:49

you slap like

1:40:51

these electrodes on you

1:40:52

and do squats and shit

1:40:53

it like stimulates your muscles

1:40:55

it's painful

1:40:55

but apparently

1:40:56

it has a big effect

1:40:58

on the way your muscles grow

1:40:59

I would love to go in the hot box

1:41:00

and talk to Tyson

1:41:02

he's great to talk to

1:41:03

he gets so high

1:41:05

just to talk to him about

1:41:07

his stay in prison

1:41:09

what was it like

1:41:10

it was different than

1:41:11

because I know

1:41:13

this is the thing about

1:41:14

what people don't understand

1:41:15

about prison

1:41:16

people are like

1:41:16

well Tyson was in there

1:41:17

like who gives a fuck

1:41:19

like in prison

1:41:20

I wouldn't be scared

1:41:23

because you can't be scared

1:41:25

of anyone

1:41:26

like

1:41:27

can't show that

1:41:28

and you have to respond

1:41:30

like I wonder what people

1:41:31

because I know people in there

1:41:33

that would be like

1:41:34

I don't give a fuck

1:41:34

this dude named Brown

1:41:35

like I never

1:41:36

I never would tell this story

1:41:37

but when Brown

1:41:38

Brown was a fucking monster

1:41:41

like I remember being an SSI

1:41:43

it's like you're a custodian

1:41:45

and I was cleaning up lockup

1:41:47

and I didn't know

1:41:48

what Brown looked like

1:41:49

I just heard him

1:41:50

he was in the cell

1:41:51

he was in close custody

1:41:52

and he would be hitting

1:41:54

this metal door

1:41:55

when like he was pissed

1:41:56

he would be hitting this door

1:41:57

boom

1:41:57

boom

1:41:58

boom

1:41:59

it was like

1:42:00

a fucking silverback gorilla

1:42:03

was in this goddamn

1:42:05

I was like

1:42:06

who the fuck is that

1:42:07

like

1:42:08

oh that's Brown

1:42:09

and when you would feed him

1:42:11

you gotta

1:42:11

you don't give people

1:42:12

they trades

1:42:12

and you can't really see

1:42:13

it's a little box

1:42:15

when they let him

1:42:16

out of close custody

1:42:18

I mean I actually

1:42:20

laid eyes on Brown

1:42:21

the day that he came out

1:42:23

he came out of the cell

1:42:26

and he ducked

1:42:27

it's like

1:42:27

the fucking Green Mile

1:42:29

and like I had never

1:42:31

even saw the Green Mile

1:42:32

like Brown

1:42:33

is a huge

1:42:35

6'8

1:42:37

man

1:42:38

that was fucking

1:42:40

he was huge

1:42:42

and it was another guy

1:42:44

on the unit

1:42:45

named Wynn

1:42:45

that was from Vegas

1:42:47

he was black and Italian

1:42:49

that's how I learned

1:42:49

about the Pink Floyd album

1:42:51

he sung every song

1:42:52

he knew every song

1:42:53

my favorite song

1:42:54

was Comfortably Gnome

1:42:55

he would sing that shit

1:42:56

all the time

1:42:57

and he's this Italian dude

1:42:59

and he's huge

1:43:01

he looked like

1:43:01

Lou Ferrigno

1:43:02

he's huge

1:43:03

and

1:43:05

I weighed by what

1:43:07

120

1:43:09

125

1:43:09

and Brown

1:43:12

and Wynn

1:43:13

fucking loved me

1:43:14

and they would always

1:43:15

be fucking me

1:43:15

I'd be playing basketball

1:43:16

and they would

1:43:17

they had universal weights

1:43:18

on this particular unit

1:43:19

and they needed

1:43:21

more weight

1:43:21

because they would

1:43:22

do the stack

1:43:23

and they needed

1:43:24

more weight

1:43:24

and I'm like

1:43:25

the perfect size

1:43:26

and Brown

1:43:29

and Wynn

1:43:30

you would see them

1:43:31

walking towards the court

1:43:31

and I'd be coming down

1:43:33

the court

1:43:33

I'm like

1:43:33

yo man

1:43:33

going on with that bullshit

1:43:34

they were like

1:43:35

man either

1:43:36

we gonna fuck up the game

1:43:37

or you gonna come over

1:43:39

and let us get a couple sets in

1:43:40

and everybody be like

1:43:40

man fuck y'all

1:43:42

y'all ain't the ones

1:43:42

gotta go

1:43:43

and stand on this shit

1:43:44

like I'm standing

1:43:45

on the universal weights

1:43:46

I'm like yo

1:43:47

two sets

1:43:48

that's it

1:43:50

I'm gonna fucking

1:43:52

step on your chest

1:43:53

and I'm on top

1:43:55

of the universal weights

1:43:55

and hold on to the USC Brown

1:43:57

yeah

1:43:57

that's what I'm fucking talking about

1:43:58

I'm standing on the way

1:43:59

I'm like I fucking hate y'all

1:44:00

and Brown used to

1:44:02

we had this thing called

1:44:03

Jack Mack

1:44:04

that we would eat

1:44:04

I mean most people

1:44:06

chopped it up

1:44:07

and put it in soups

1:44:08

and with mayonnaise

1:44:09

and all this other shit

1:44:10

to make it a spread

1:44:11

he would pull it out the can

1:44:13

and just put it on bread

1:44:15

the bones

1:44:16

the skin

1:44:16

everything

1:44:17

he would drink the juice

1:44:18

and just be like

1:44:19

yeah youngster

1:44:20

these people don't know

1:44:22

and he was so big

1:44:23

but he was like a fucking

1:44:25

tame bear

1:44:27

when he would talk to me

1:44:28

he was like man

1:44:29

my mama died

1:44:30

I ought to kill everybody

1:44:32

I'm like

1:44:32

Brown that's not the way

1:44:35

you saw that

1:44:36

and

1:44:38

how old were you?

1:44:39

I was what

1:44:40

22?

1:44:41

you were 19

1:44:42

when you went in?

1:44:42

yeah

1:44:42

and

1:44:44

what'd you go in for?

1:44:45

being a street pharmaceutical rep

1:44:47

which is very frowned upon

1:44:48

street pharmaceutical rep

1:44:49

very frowned upon

1:44:53

what a great description

1:44:56

street pharmaceutical rep

1:44:59

but meanwhile

1:45:00

being a regular pharmaceutical rep

1:45:01

you could do far more dangerous things

1:45:03

crush people's lives

1:45:06

far more destruction

1:45:08

yep

1:45:09

legally

1:45:10

sanctioned

1:45:10

legally

1:45:11

sanctioned

1:45:11

yeah

1:45:11

and not only that

1:45:12

you can hire a lobbyist

1:45:14

yeah

1:45:14

somebody to lobby for you

1:45:16

yeah

1:45:16

hey

1:45:17

the world needs to use opioids

1:45:18

yeah

1:45:19

more

1:45:19

more

1:45:20

everywhere

1:45:21

fit and all

1:45:21

I heard they're not even addictive

1:45:23

yeah

1:45:23

we gotta study

1:45:24

a street pharmaceutical rep

1:45:29

meanwhile

1:45:29

somebody's scratching

1:45:31

at your door

1:45:32

you have more fentanyl

1:45:33

it's not addictive

1:45:35

get him out of here

1:45:37

it's not addictive

1:45:39

like yeah

1:45:40

okay

1:45:41

it's a weird

1:45:42

last year

1:45:43

they had the highest number

1:45:44

of deaths ever

1:45:45

from overdoses

1:45:46

it's the number one cause of death

1:45:49

between people age 18 to 49

1:45:51

wow

1:45:53

over 100,000 people

1:45:55

I'm still thinking diabetes

1:45:56

but

1:45:57

I don't think so

1:45:58

I don't think

1:45:58

diabetes is probably like

1:46:00

number three

1:46:01

I think heart attack is number two

1:46:02

wow

1:46:04

what is the

1:46:04

cause of death

1:46:05

18 to 49

1:46:06

I believe number one

1:46:08

is opiates

1:46:09

and it's all

1:46:10

a lot of it is

1:46:11

fentanyl

1:46:12

that's getting mixed

1:46:13

into street drugs

1:46:14

like people who

1:46:15

buy ecstasy

1:46:16

they think it's just ecstasy

1:46:17

it's got fentanyl

1:46:18

buy coke

1:46:18

it's got fentanyl in it

1:46:19

it's those people

1:46:20

I

1:46:22

like that shit

1:46:23

that happened

1:46:24

those comics in LA

1:46:25

that was coke

1:46:25

with fentanyl

1:46:27

me

1:46:29

um

1:46:29

I look back

1:46:32

and I

1:46:34

and I noticed

1:46:34

that

1:46:35

I wasn't

1:46:35

that type

1:46:37

of person

1:46:37

all throughout

1:46:40

my years

1:46:42

of destruction

1:46:43

I wasn't

1:46:45

that type

1:46:46

of like

1:46:46

this special

1:46:47

is from

1:46:47

from 10

1:46:49

to 15

1:46:50

the next one

1:46:50

will be

1:46:51

from 16

1:46:52

to 19

1:46:52

but

1:46:54

in that

1:46:56

I wasn't

1:46:59

because I

1:47:00

I didn't

1:47:00

I didn't

1:47:02

when the special

1:47:03

when people watch

1:47:04

they'll know

1:47:04

that I'm not

1:47:05

this hardcore

1:47:06

criminal

1:47:07

or I came

1:47:08

from some

1:47:08

bad family

1:47:09

where you had

1:47:09

to sell drugs

1:47:11

and make it

1:47:11

like my mom

1:47:12

had a job

1:47:12

and I'm just

1:47:13

out being

1:47:14

influenced by

1:47:15

the people

1:47:16

that's outside

1:47:17

I never

1:47:19

I never

1:47:20

understood

1:47:21

a couple

1:47:22

things

1:47:23

in that

1:47:23

in this

1:47:24

in that

1:47:24

life

1:47:24

I never

1:47:26

understood

1:47:26

as I got

1:47:27

older

1:47:27

I never

1:47:27

understood

1:47:28

why I was

1:47:28

no honor

1:47:29

amongst these

1:47:29

why were you

1:47:30

making

1:47:30

these transactions

1:47:31

so dangerous

1:47:32

and so hard

1:47:33

and then I

1:47:35

never understood

1:47:36

people

1:47:37

doing things

1:47:39

to their

1:47:40

customers

1:47:40

just for

1:47:42

the

1:47:42

to stretch

1:47:43

it or

1:47:43

you know

1:47:44

like adding

1:47:45

drugs to the

1:47:46

drug that you're

1:47:46

selling

1:47:47

like

1:47:47

like I never

1:47:49

understood that

1:47:49

desire

1:47:50

in that

1:47:52

like I still

1:47:53

don't understand

1:47:53

like why would

1:47:54

you mix something

1:47:55

with something

1:47:56

else

1:47:56

it's like

1:47:58

what's the

1:47:59

like you have

1:48:00

to sell

1:48:00

like god damn

1:48:01

like what's the

1:48:02

deal

1:48:02

like

1:48:03

I just don't

1:48:04

understand

1:48:04

the concept

1:48:05

they just want

1:48:06

to get the

1:48:07

most amount

1:48:07

of money

1:48:08

you know

1:48:09

some people

1:48:10

they just

1:48:11

they get

1:48:11

caught up

1:48:12

in numbers

1:48:13

they get caught

1:48:14

up in what

1:48:14

they can do

1:48:14

and they

1:48:15

don't have

1:48:15

like a moral

1:48:16

or ethical

1:48:17

structure

1:48:17

so I'm

1:48:18

selling you

1:48:18

apples

1:48:19

because you

1:48:19

you're a

1:48:20

consumer

1:48:20

you're one

1:48:21

of my

1:48:21

customers

1:48:22

that you

1:48:22

buy my

1:48:23

apples

1:48:23

why would

1:48:26

I put

1:48:26

something in

1:48:27

the apples

1:48:27

that's going

1:48:28

to kill

1:48:28

off

1:48:29

the people

1:48:30

who buy

1:48:30

my apples

1:48:31

well there's

1:48:33

two things

1:48:33

going on

1:48:33

one

1:48:34

there's

1:48:35

cartels

1:48:35

and the

1:48:36

cartels

1:48:37

don't give a

1:48:38

fuck

1:48:38

the amount

1:48:39

of people

1:48:39

that are going

1:48:39

to buy

1:48:40

their cocaine

1:48:40

is endless

1:48:41

it's the only

1:48:42

way to get it

1:48:43

it's coming in

1:48:44

over the border

1:48:44

they're constantly

1:48:45

bringing it in

1:48:46

and if they can

1:48:47

cut it

1:48:47

and make more

1:48:48

money

1:48:48

they don't

1:48:48

give a fuck

1:48:49

if they sell

1:48:50

it to you

1:48:50

you think

1:48:51

you're gonna

1:48:51

buy what

1:48:52

you bought

1:48:52

last month

1:48:53

but you're

1:48:54

buying a

1:48:54

totally different

1:48:54

thing now

1:48:55

because they

1:48:55

decided to try

1:48:56

a new

1:48:57

formulation

1:48:57

with fentanyl

1:48:58

and maybe

1:48:59

you do

1:48:59

one bump

1:49:00

you're okay

1:49:00

maybe you do

1:49:01

two bumps

1:49:01

you're dead

1:49:02

that's the

1:49:03

fentanyl deal

1:49:04

like fentanyl

1:49:05

you've ever

1:49:05

seen the amount

1:49:06

of fentanyl

1:49:06

that'll kill you

1:49:07

like in comparison

1:49:08

to a penny

1:49:08

it's crazy

1:49:10

pull up the image

1:49:11

when you see it

1:49:12

next to a penny

1:49:13

you just go

1:49:14

what the fuck

1:49:15

it's like

1:49:15

lead in the water

1:49:16

it's the tiniest amount

1:49:17

it's the tiniest amount

1:49:18

of fence

1:49:19

and it will kill you

1:49:19

it's like a hundred

1:49:22

times stronger

1:49:23

than heroin

1:49:23

it's like

1:49:25

being okay

1:49:26

with a little water

1:49:28

a little lead

1:49:28

in the water

1:49:29

oh shit

1:49:30

I still feel like

1:49:30

it can't be right

1:49:31

because it's given

1:49:31

to people as a

1:49:32

yeah

1:49:33

so they're giving

1:49:35

them less than that

1:49:35

they're giving

1:49:36

them less than that

1:49:36

yeah

1:49:37

they really are

1:49:38

no I know

1:49:39

it seems like

1:49:39

it can't be right

1:49:40

but if

1:49:40

the folks that

1:49:41

are just listening

1:49:42

at home

1:49:42

we're looking

1:49:43

at a penny

1:49:43

from 2012

1:49:44

and the amount

1:49:45

of fentanyl

1:49:46

that'll kill you

1:49:47

will cover up

1:49:48

the number 2012

1:49:49

and that's about it

1:49:50

it's a small

1:49:51

it's Lincoln's beard

1:49:52

Lincoln's beard

1:49:54

is the amount

1:49:55

of fentanyl

1:49:55

that'll kill you

1:49:56

on a penny

1:49:56

which is crazy

1:49:57

and that's real

1:49:58

look at it

1:50:00

look at it

1:50:01

next to heroin

1:50:02

yeah

1:50:02

what is this

1:50:03

other shit

1:50:04

look at

1:50:05

carfentanil

1:50:06

oh there's one

1:50:06

that's worse

1:50:07

Jesus Christ

1:50:09

so 1.2 milligrams

1:50:11

of fentanyl

1:50:12

will kill you

1:50:12

and then 0.2

1:50:15

of carfentanil

1:50:16

you know

1:50:19

value per milligram

1:50:21

is $250

1:50:23

and you have

1:50:25

0.2 milligrams

1:50:26

I'm quite sure

1:50:27

my uncle

1:50:28

took more heroin

1:50:29

than that

1:50:30

well I think

1:50:31

you could develop

1:50:32

a tolerance

1:50:33

you know

1:50:34

Mitch Hedberg

1:50:35

had a crazy tolerance

1:50:36

apparently

1:50:37

you know

1:50:39

Hedberg

1:50:40

they tried to get him

1:50:41

to clean up

1:50:42

and he's like

1:50:42

nope

1:50:43

nope

1:50:44

I like heroin

1:50:44

damn

1:50:46

yeah

1:50:46

died on a sword

1:50:48

I think

1:50:50

I think

1:50:50

that comics

1:50:51

should be

1:50:54

the most

1:50:54

healthiest people

1:50:55

like

1:50:56

they should

1:50:56

value their health

1:50:57

a lot

1:50:58

like

1:50:58

we on the road

1:51:00

we in different

1:51:00

environments all the time

1:51:02

you traveling

1:51:02

you in different hotels

1:51:04

like

1:51:05

your health

1:51:06

should be

1:51:07

a priority

1:51:09

yeah

1:51:10

to you

1:51:11

and I know

1:51:11

some of us

1:51:11

we just fought

1:51:12

we fall

1:51:13

and you eating

1:51:14

terrible food

1:51:15

if you

1:51:15

you know

1:51:17

you in a lot

1:51:17

of these clubs

1:51:18

you eating at the club

1:51:19

you eating everything

1:51:19

chicken fingers

1:51:20

bullshit

1:51:21

but you have to have

1:51:23

energy to perform

1:51:24

if you really want

1:51:25

to be at your best

1:51:26

you want to be vibrant

1:51:27

you want to have energy

1:51:28

you know

1:51:29

if you're drinking

1:51:30

every night

1:51:32

and

1:51:32

oh shit

1:51:34

yeah

1:51:35

and if you're doing coke

1:51:37

if you look at the guys

1:51:40

who

1:51:41

who petered out

1:51:42

real

1:51:42

like Kinnison

1:51:43

petered out

1:51:44

worse than anybody

1:51:44

but he was just

1:51:45

partying every night

1:51:46

it was all coke

1:51:47

and alcohol

1:51:48

and

1:51:49

if you go and watch

1:51:50

Kinnison from like

1:51:50

86

1:51:51

and then watch

1:51:52

Kinnison in 1990

1:51:53

it's like

1:51:54

he's a shadow of himself

1:51:55

four years later

1:51:56

shadow of himself

1:51:58

not like

1:51:58

almost like a parody

1:51:59

almost like someone

1:52:00

was trying to do

1:52:01

a Kinnison impression

1:52:02

at like a

1:52:02

you know

1:52:03

one of those

1:52:04

impersonator shows

1:52:06

yeah

1:52:07

you know

1:52:07

someone does a

1:52:08

you know

1:52:08

like

1:52:09

yeah

1:52:09

Texas guy

1:52:10

yeah

1:52:11

Houston

1:52:11

yeah

1:52:12

damn

1:52:13

yeah

1:52:14

we were talking about it

1:52:15

last night

1:52:15

in the green room

1:52:16

there's a video out there

1:52:17

see if you can find

1:52:18

Kinnison doing

1:52:20

revival preaching

1:52:21

I know there's a video

1:52:23

out there of him

1:52:24

on

1:52:25

on one of those

1:52:27

in one of those tent

1:52:28

revivals

1:52:29

doing

1:52:30

doing

1:52:30

like Jesus preaching

1:52:32

it's wild man

1:52:33

it's

1:52:33

he was so powerful

1:52:35

it's

1:52:36

he

1:52:36

he was a

1:52:37

he was a dope

1:52:38

comic

1:52:38

he

1:52:39

him and

1:52:39

um

1:52:40

the other

1:52:41

used to tell me

1:52:42

stories about

1:52:42

being with him

1:52:44

at the time

1:52:44

being around

1:52:45

him at the time

1:52:46

because they

1:52:46

was all coming up

1:52:47

together

1:52:47

and sometimes

1:52:49

people forget about

1:52:50

Thea

1:52:50

Thea was a

1:52:51

fucking legend

1:52:52

she was a beast

1:52:52

fucking legend

1:52:53

here it is

1:52:54

this is a 36 minute

1:52:55

recording of it

1:52:56

without video

1:52:57

the last sermon

1:52:58

in 1982

1:52:59

yeah

1:53:00

you care about me

1:53:03

I know they

1:53:03

care about me

1:53:04

and uh

1:53:05

yeah give me a bump

1:53:06

oh my god

1:53:09

the sound is terrible

1:53:10

oh he's singing

1:53:13

been married twice

1:53:15

and I've had my heart

1:53:20

broke

1:53:20

and let people

1:53:21

disappoint me

1:53:23

I know it's like

1:53:25

to have your own home

1:53:26

drive new cars

1:53:27

off the ladder

1:53:28

and have to sleep

1:53:29

in a bar

1:53:30

with no place to go

1:53:31

but I know one thing

1:53:35

I uh

1:53:35

I've never had God

1:53:38

turn his back on me

1:53:40

every time I was alone

1:53:43

he's gone

1:53:45

every time I was convinced

1:53:48

that I couldn't help

1:53:52

no one

1:53:56

no peace

1:53:57

or love again

1:53:58

God was right there

1:53:59

I'm telling you

1:54:04

something tonight

1:54:05

you can't get away

1:54:06

from God

1:54:07

you may think

1:54:09

you uh

1:54:09

you're in a place

1:54:10

where you go well

1:54:11

my life's real secure

1:54:12

my life can't be changed

1:54:14

I've got everything

1:54:15

I want

1:54:15

but I'm finding out

1:54:17

something about age

1:54:18

and about time

1:54:19

that's it

1:54:19

you're gonna be here

1:54:21

a long time

1:54:22

who needs change

1:54:23

your personality changes

1:54:25

different aspects

1:54:27

of your life change

1:54:28

there's one thing

1:54:28

that doesn't change

1:54:29

and that's your need

1:54:30

for God

1:54:31

scoot it up

1:54:34

scoot it up

1:54:35

towards the end

1:54:36

let me hear it

1:54:36

here we go

1:54:39

by the end of this year

1:54:41

I just don't know

1:54:42

if I can do this anymore

1:54:43

it's too demanding

1:54:44

it's too draining

1:54:45

people are getting

1:54:46

the entirely wrong image

1:54:47

of what kind of person

1:54:48

I am

1:54:49

amen

1:54:50

amen

1:54:51

and now I repent for it

1:54:53

the day of that kind

1:54:54

of life out there

1:54:55

amen

1:54:56

but I tell you this

1:54:57

I know what I've been

1:54:58

commissioned to do

1:54:59

I know what God

1:55:00

called me to do

1:55:01

I know what my purpose is

1:55:02

I need your purpose

1:55:11

amen

1:55:13

if I ever cross your heart

1:55:14

it's because God's

1:55:15

laid me on it

1:55:16

amen

1:55:17

if I cross your mind

1:55:19

if I happen to just

1:55:20

you're driving sometime

1:55:21

and I happen to cross

1:55:22

your heart or your mind

1:55:23

it's because

1:55:23

I'm out there praying

1:55:24

for the body of Christ

1:55:25

to pray for me

1:55:26

because I need you

1:55:27

amen

1:55:36

amen

1:55:38

I'm telling you something

1:55:39

this world's about to be shook up

1:55:40

and I'm just glad

1:55:42

I have a part in it

1:55:43

I'm glad you have a part in it

1:55:44

because I wouldn't have made it

1:55:45

without the prayers of this church

1:55:46

without the support of this church

1:55:48

I couldn't have took it

1:55:49

amen

1:55:50

I couldn't have lasted

1:55:51

amen

1:55:52

I have one spiritual friend

1:55:54

out there

1:55:55

that's it

1:55:55

out of all the people

1:55:56

I know

1:55:57

out of all the people

1:55:58

I deal with

1:55:58

and talk to

1:55:59

I know one spiritual friend

1:56:01

you say

1:56:02

well why don't you go

1:56:02

to different churches

1:56:03

out there

1:56:04

I've tried

1:56:04

and they're nothing

1:56:05

but the law

1:56:05

I don't need to know

1:56:07

about being saved

1:56:07

I've been saved

1:56:08

I don't need to know

1:56:09

about being filled

1:56:10

with the Holy Ghost

1:56:11

honey

1:56:12

I've walked in it

1:56:12

for the last 12 years

1:56:13

it takes a lot

1:56:15

to feed me

1:56:15

amen

1:56:16

the law doesn't cut it

1:56:17

your little list

1:56:18

of rules

1:56:19

doesn't cut it

1:56:20

because you can't

1:56:21

this is why the world

1:56:22

won't accept it

1:56:23

amen

1:56:24

the priesthood

1:56:25

is going to have to

1:56:26

come to humanity

1:56:27

humanity's not going to

1:56:28

come to the priesthood

1:56:29

amen

1:56:30

this is why Jesus

1:56:31

left the temple

1:56:32

brother Marnie

1:56:33

amen

1:56:34

praise God

1:56:35

they tried to accuse him

1:56:36

of all kinds of things

1:56:37

they said he's a blasphemer

1:56:39

he's a wide member

1:56:40

he's irreverent

1:56:42

he's not a truth teller

1:56:43

he's a liar

1:56:44

he's Beelzebub

1:56:45

he's this

1:56:46

he's that

1:56:46

and Jesus said

1:56:48

listen

1:56:48

amen

1:56:49

the well

1:56:49

don't need a physician

1:56:51

I didn't come for you

1:56:52

I came for the lost

1:56:54

I came for the lives

1:56:56

without hope

1:56:57

people without an answer

1:56:58

people living on the edge

1:57:00

of their existence

1:57:01

amen

1:57:02

now I'm telling you

1:57:04

people would do their job

1:57:05

spiritually

1:57:06

if they'd walk in this

1:57:07

spiritually

1:57:07

you wouldn't have

1:57:08

the drug addiction rate

1:57:10

amen

1:57:10

you wouldn't have

1:57:11

the alcoholism

1:57:12

and the youth

1:57:13

that you have

1:57:13

in this country

1:57:14

amen

1:57:15

but it ain't gonna be

1:57:15

done by rules

1:57:16

it's gonna be done

1:57:18

by reality

1:57:18

it ain't gonna be

1:57:19

done by a little

1:57:20

program for them

1:57:21

it's gonna be done

1:57:22

by something

1:57:22

they feel in their self

1:57:24

they're not gonna

1:57:25

take your word for it

1:57:26

they're gonna have

1:57:27

to feel it

1:57:28

brother Marnie

1:57:28

it's gonna have

1:57:29

to shake them

1:57:30

and Kevin

1:57:31

I respect you

1:57:32

cause you didn't

1:57:33

listen to other people

1:57:34

you just didn't

1:57:35

accept it

1:57:35

because they told

1:57:36

you it was real

1:57:37

you had to wait

1:57:37

till you felt it

1:57:38

you had to wait

1:57:39

till it shook you up

1:57:40

but brother

1:57:41

it did

1:57:42

and you are changed

1:57:43

and you are his

1:57:45

and you can't run from him

1:57:46

amen

1:57:47

you ran into him

1:57:48

glory to God

1:57:50

I was with him

1:57:51

I saw it happen

1:57:54

wow

1:57:55

four years later

1:57:56

he was doing

1:57:56

an HBO special

1:57:57

talking about

1:57:58

getting his dick sucked

1:57:59

and dead dudes

1:58:02

getting fucked in the ass

1:58:03

by gay guys

1:58:04

four years later

1:58:06

I mean four years later

1:58:07

he was the biggest comic

1:58:08

on earth

1:58:09

look at him

1:58:11

that's four years later

1:58:13

besides you

1:58:15

that has any good to it

1:58:17

that can shine a light

1:58:18

into somebody's lost way

1:58:20

do you think

1:58:20

if you had to

1:58:21

if your soul

1:58:23

was riding on the line

1:58:25

and you had to testify

1:58:26

and you had to make

1:58:28

a commitment

1:58:28

if it was a final answer

1:58:31

what would you do

1:58:32

well

1:58:33

look at that

1:58:35

you gave him a little taste

1:58:36

that's impression

1:58:36

that's not really

1:58:37

you know

1:58:37

he's just doing himself

1:58:38

yeah

1:58:39

well he's just saying

1:58:40

well that was

1:58:40

someone asked him

1:58:42

could you do

1:58:43

could you preach again

1:58:44

do you have the lord

1:58:45

still in you

1:58:46

I mean imagine

1:58:48

if you were in that tent

1:58:49

watching that guy

1:58:49

perform like that

1:58:50

like god damn

1:58:51

what a charismatic

1:58:52

motherfucker

1:58:53

and then four years later

1:58:55

you're strumming through HBO

1:58:56

you're like hey

1:58:57

what the fuck

1:58:59

the fuck just happened

1:59:01

he I mean

1:59:03

he must have been doing

1:59:04

some comedy

1:59:05

back then

1:59:06

because if this was 82

1:59:08

and that was his last sermon

1:59:10

he must have been doing

1:59:11

sermons and comedy

1:59:12

at the same time

1:59:13

like look at that

1:59:14

he's preaching there

1:59:16

in 1975

1:59:16

so really developed

1:59:19

his act

1:59:20

preaching

1:59:21

what's the show

1:59:22

that comes on

1:59:23

it's about the preachers

1:59:25

you remind me

1:59:27

what show

1:59:27

I think it's on HBO

1:59:29

it's about

1:59:30

it's about preachers

1:59:32

god damn it

1:59:33

the name of it

1:59:34

fails me

1:59:34

but these

1:59:35

what's the guy

1:59:36

from Roseanne

1:59:37

that was the lead

1:59:37

on Roseanne

1:59:38

John Goodman

1:59:39

John Goodman

1:59:40

is in this

1:59:41

he's the head pastor

1:59:42

of this church

1:59:43

John Goodman

1:59:44

and what is

1:59:45

okay

1:59:46

I know what you're

1:59:47

talking about

1:59:47

this is the shadiest shit

1:59:49

of all times

1:59:51

come on

1:59:52

I think it's HBO

1:59:53

Righteous Gemstones

1:59:54

Righteous Gemstones

1:59:56

oh shit

1:59:57

it

1:59:59

the

2:00:00

Gemstone

2:00:01

I didn't mean

2:00:03

enough to do that

2:00:03

The Righteous Gemstone

2:00:04

it is some part

2:00:06

man

2:00:07

oh from the creators

2:00:10

of Eastbound and Down

2:00:11

is this a new show

2:00:11

oh it's

2:00:12

these motherfuckers

2:00:13

are crazy

2:00:14

Danny McBride

2:00:14

Danny McBride

2:00:16

it's hilarious

2:00:17

she's fucking insane

2:00:19

oh look at this

2:00:20

they are insane

2:00:22

oh this looks good

2:00:23

oh my

2:00:24

you can't stop

2:00:25

watching this

2:00:25

wild ass shit

2:00:26

they are

2:00:27

fucking

2:00:28

it's on HBO

2:00:30

there's a thing

2:00:32

about those

2:00:32

kind of high rolling

2:00:33

preachers

2:00:34

like

2:00:35

what's that

2:00:36

fucking dude's name

2:00:37

the dude down

2:00:38

in Houston

2:00:38

the

2:00:39

Joel

2:00:40

Joel Osteen

2:00:41

yeah

2:00:41

shit

2:00:42

Joel Osteen

2:00:44

is fucking

2:00:44

high off the heart

2:00:46

him

2:00:46

and

2:00:47

and

2:00:48

what's my guy

2:00:49

those guys make

2:00:50

so much money

2:00:51

what's

2:00:52

what's the black guy

2:00:53

um

2:00:53

Potter's house

2:00:54

um

2:00:55

out of Dallas

2:00:56

the guy with the hot dogs

2:00:58

in the back of his neck

2:00:59

the big guy

2:01:00

damn I ain't never

2:01:02

looks like he's got a stack

2:01:03

of hot dogs

2:01:04

in the back of his neck

2:01:04

I've never

2:01:05

you know that hot dog fat

2:01:06

god damn it

2:01:07

this is the guy

2:01:08

that had that guy

2:01:08

coming off the ceiling

2:01:10

like on a

2:01:11

on the ropes

2:01:12

Potter's house

2:01:13

there's a lot of those guys

2:01:14

who is the reverend

2:01:15

of a Potter's house

2:01:16

um

2:01:18

that's the dude

2:01:19

he's famous

2:01:20

he's fucking

2:01:21

that's the guy

2:01:21

I don't know why

2:01:22

his god damn

2:01:23

name

2:01:25

what is it

2:01:26

yes

2:01:27

not Joel Osteen

2:01:28

what is his name

2:01:28

um

2:01:29

shit

2:01:29

I'm looking at him

2:01:30

T.D. Jakes

2:01:31

T.D. Jakes

2:01:32

yes

2:01:32

T.D. Jakes

2:01:34

that guy could have been

2:01:36

a comic

2:01:36

yeah

2:01:37

all those guys

2:01:38

the charisma

2:01:39

the way they deliver lines

2:01:40

T.D. Jakes is fucking

2:01:41

I um

2:01:43

I haven't told this story

2:01:45

but it's a um

2:01:46

it's a guy in Houston

2:01:47

I was at a wake

2:01:48

for my friend Andre

2:01:49

Reverend Dixon

2:01:51

Junior

2:01:52

oh he

2:01:53

he told the story

2:01:54

this shit

2:01:55

was so hysterical

2:01:57

I just

2:01:57

I'm trying to find a way

2:01:58

to put it in my

2:01:59

in my show

2:02:00

cause there's a point

2:02:01

to it

2:02:02

about

2:02:03

knowing what you have

2:02:04

he said he

2:02:05

he up there

2:02:05

he preaching

2:02:06

and he said

2:02:07

he bought a horse

2:02:08

he said

2:02:09

I'm a country boy

2:02:09

I bought a horse

2:02:10

from a man

2:02:11

and

2:02:12

I

2:02:13

rode the horse

2:02:15

for the first time

2:02:16

in a parade

2:02:16

I'm in a parade

2:02:18

and

2:02:19

I get by the band

2:02:21

and

2:02:23

the band starts playing

2:02:25

and the horse starts

2:02:26

dancing

2:02:28

moving

2:02:29

I'm like

2:02:29

I can't control it

2:02:30

I'm trying to get this horse

2:02:32

under control

2:02:33

and I can't control it

2:02:34

and I'm sitting there

2:02:35

listening to the story

2:02:35

like where the fuck is he going

2:02:36

with this shit

2:02:37

like

2:02:37

and

2:02:38

he said

2:02:39

then the band was stopping

2:02:41

and then the band

2:02:42

started playing again

2:02:42

the horse

2:02:43

I can't control him

2:02:44

he's dancing

2:02:44

I called him

2:02:45

I get through

2:02:46

the parade

2:02:47

and I called the man

2:02:47

I said

2:02:48

hey man

2:02:48

this horse ain't been broke

2:02:51

he can't obey

2:02:52

he said

2:02:54

what were you doing

2:02:54

with the horse

2:02:55

he said

2:02:55

I rode him in a parade

2:02:56

he said

2:02:57

okay

2:02:58

what happened

2:02:59

he said

2:03:00

the band started playing

2:03:01

and the horse

2:03:01

started moving

2:03:03

I couldn't control him

2:03:04

he said

2:03:04

oh

2:03:05

shit

2:03:06

oh cause he used to be

2:03:08

a show horse

2:03:09

he used to dance

2:03:10

to bands

2:03:11

and

2:03:11

his whole point was

2:03:14

I didn't know

2:03:14

what I had

2:03:15

he thought that

2:03:16

the horse was bad

2:03:17

but he was a show horse

2:03:19

and when the band

2:03:20

started playing

2:03:21

he started going

2:03:22

into the routine

2:03:22

you know what I'm saying

2:03:23

and I was

2:03:24

and I'm fucking

2:03:27

everybody else

2:03:28

trying to get a message

2:03:29

I'm in there dying

2:03:30

I'm like

2:03:30

yo this shit is hysterical

2:03:32

I'm like

2:03:32

who bought a horse

2:03:33

that don't know

2:03:34

the fuck the horse

2:03:35

then it's a show horse

2:03:36

trained to dance

2:03:37

I was like

2:03:39

Reverend Dixon

2:03:40

that shit is hysterical

2:03:41

to me

2:03:42

I'm like

2:03:42

and I'm like

2:03:43

yo I gotta find a way

2:03:44

to put that in my act

2:03:45

about not having

2:03:47

oh who is

2:03:48

this floating

2:03:49

that's what I thought

2:03:50

you were talking about

2:03:50

who is this guy

2:03:52

oh this is a Mississippi

2:03:53

he's got known

2:03:54

as the floating preacher

2:03:55

oh he got

2:03:56

I think he gets stuck

2:03:56

like halfway down

2:03:57

he got the Beyonce

2:03:59

he got the Beyonce shit

2:04:00

the Janet Jackson

2:04:02

Method Man and Red Man

2:04:04

and you get stuck

2:04:07

sort of just floating

2:04:07

here for a couple seconds

2:04:08

and they're like

2:04:09

what do you do

2:04:09

what do we do

2:04:10

that's hilarious

2:04:19

there's something

2:04:23

that they have

2:04:24

a showmanship

2:04:25

yeah

2:04:25

there's a

2:04:26

entertainment value

2:04:28

to the way they present

2:04:29

that you could learn

2:04:31

something from

2:04:31

because like

2:04:32

that's one of the things

2:04:33

that always bothered me

2:04:34

about the alt comedy scene

2:04:36

the alt comedy scene

2:04:37

specifically in LA

2:04:38

they didn't want to try hard

2:04:41

and they didn't like it

2:04:42

when people tried hard

2:04:43

they would get upset

2:04:44

like if someone came on the show

2:04:45

and like

2:04:46

how's everybody doing

2:04:47

they're like

2:04:47

oh

2:04:48

what is he doing

2:04:49

he's trying

2:04:50

he's trying hard

2:04:52

it's like a lack

2:04:53

of entertainment value

2:04:54

they wanted

2:04:55

it's almost like

2:04:55

they wanted the bar

2:04:56

super low

2:04:57

and they could just go up

2:04:58

and go

2:04:59

so

2:04:59

I'm at Starbucks

2:05:00

the other day

2:05:01

and

2:05:02

so the barista

2:05:03

you know

2:05:04

there's a barista

2:05:05

at Starbucks

2:05:05

it's a

2:05:06

you know

2:05:07

fancy word

2:05:08

for

2:05:08

guy who pours your coffee

2:05:10

you know

2:05:12

there's like

2:05:12

this alt style

2:05:13

of comedy

2:05:14

that's like

2:05:14

very low energy

2:05:16

you know

2:05:17

very

2:05:17

reference oriented

2:05:20

you know

2:05:20

they put up

2:05:21

they say a lot of like

2:05:22

obscure references

2:05:24

to be clever

2:05:25

and if you're

2:05:26

like a

2:05:27

powerful comic

2:05:28

like if you're

2:05:29

like a

2:05:29

a guy who's got a lot of

2:05:30

like a Bobby Lee type dude

2:05:32

who runs up there

2:05:33

and has all this energy

2:05:33

they don't want you there

2:05:35

they don't want you there

2:05:36

you're fucking up the show

2:05:37

by being too funny

2:05:38

it's

2:05:39

it's a weird dynamics

2:05:40

terrible dynamic

2:05:41

with comedy

2:05:42

like

2:05:43

me going into the alt scene

2:05:45

because I go in there

2:05:47

and they think that I'm like them

2:05:50

because I'm slow and methodical

2:05:53

and it's like

2:05:54

I don't think he's like us

2:05:56

like

2:05:56

no I'm not

2:05:58

like

2:05:58

it's a weird

2:06:01

dynamics

2:06:02

and then

2:06:03

it's the same

2:06:05

which is crazy to me

2:06:06

it's the same dynamics

2:06:08

as me going into

2:06:10

a hood room

2:06:11

they want

2:06:13

certain things

2:06:15

and I'm not

2:06:17

giving them that

2:06:18

I'm walking up

2:06:18

I'm sitting down

2:06:19

and you'll hear

2:06:21

people say

2:06:21

you alright

2:06:23

like

2:06:24

yeah I'm alright

2:06:25

I'm just sitting down

2:06:26

there's something wrong

2:06:28

with me sitting down

2:06:29

like

2:06:29

and they mind

2:06:30

like

2:06:30

why would you be sitting down

2:06:32

in stand up comedy

2:06:33

like

2:06:34

then I go into

2:06:35

what I do

2:06:36

and I have to

2:06:37

win you over

2:06:38

because

2:06:38

I think that it's a

2:06:40

it's a thing

2:06:43

with stand up

2:06:44

that the audience

2:06:46

a person

2:06:48

goes and see

2:06:49

they're not adventurous

2:06:51

in their

2:06:52

entertainment value

2:06:53

when it comes to

2:06:54

like

2:06:54

if you like a

2:06:55

Bruce Bruce

2:06:56

or Earthquake

2:06:57

why don't you think

2:06:58

you would like

2:06:59

a R Shafia

2:07:00

and a Joe Rogan

2:07:01

like what

2:07:01

what would make you think

2:07:02

you don't

2:07:04

you wouldn't like them

2:07:05

they're not my style

2:07:06

stand up

2:07:07

so

2:07:08

you come to

2:07:10

an Ali Sadiq show

2:07:11

with a preconceived notion

2:07:14

of what you feel

2:07:16

like comedy is

2:07:17

and if I'm not

2:07:18

doing that

2:07:18

then you sitting

2:07:20

there like

2:07:21

what is he doing

2:07:22

I'm being

2:07:23

the human being

2:07:24

that I am

2:07:25

and I'm gonna deliver

2:07:26

if you

2:07:27

don't come to

2:07:28

my show

2:07:29

looking for me

2:07:31

to be

2:07:32

another comic

2:07:33

right

2:07:33

that's the thing

2:07:34

that's got

2:07:35

comedy has genres

2:07:36

but it doesn't

2:07:37

it's like

2:07:38

if you go to see

2:07:39

live music

2:07:40

you never see

2:07:41

Wu-Tang Clan

2:07:43

followed by

2:07:44

Alan Jackson

2:07:46

you know

2:07:48

it's like

2:07:48

it's a style

2:07:50

of music

2:07:51

if you go to

2:07:51

a rock concert

2:07:52

you expect rock

2:07:53

you don't expect

2:07:54

folk music

2:07:55

you know

2:07:56

and like

2:07:56

but if you go to see

2:07:57

a comedy show

2:07:58

you could see

2:07:59

it could be

2:08:00

Aerosmith

2:08:01

it could be

2:08:01

Run DMC

2:08:02

it could be

2:08:03

Whitney Houston

2:08:03

it's like

2:08:04

the styles are so different

2:08:05

but it's all under

2:08:06

the guise of comedy

2:08:07

and you kind of

2:08:08

have to adjust

2:08:09

for each individual's

2:08:11

perspective

2:08:11

and some people

2:08:12

they want to hear

2:08:13

that Kinnison shit

2:08:14

they don't want to hear

2:08:15

anything slow

2:08:15

they want to hear

2:08:16

like rapid fire

2:08:17

they have an idea

2:08:18

in their head

2:08:19

yeah

2:08:19

a myopic idea

2:08:21

of like what comedy is

2:08:22

and I don't see it

2:08:23

like that

2:08:24

I see it as

2:08:25

I'm going

2:08:25

like

2:08:26

I would

2:08:27

it's people that I've seen

2:08:29

like I watched Ari last night

2:08:31

and I died

2:08:35

several deaths

2:08:37

watching Ari

2:08:39

like yo

2:08:40

this shit is

2:08:41

fucking hysterical

2:08:42

well he's doing that

2:08:43

new Jew special

2:08:44

that special

2:08:45

that he worked on

2:08:46

for a long time

2:08:47

this is

2:08:47

that's

2:08:47

it's tight

2:08:48

this shit is

2:08:49

very good

2:08:50

hysterical

2:08:51

it's very good

2:08:52

it's very well

2:08:53

written too

2:08:54

I'm talking about

2:08:55

even the

2:08:56

the small nuggets

2:08:58

that he said

2:08:59

let me

2:09:00

let me tell you

2:09:01

the funniest shit

2:09:03

like I

2:09:03

I had to stop

2:09:04

watching

2:09:05

because it was

2:09:05

so fucking funny

2:09:06

I couldn't laugh

2:09:07

I couldn't laugh

2:09:08

another second

2:09:08

and I still

2:09:09

went in the back

2:09:10

and laughed more

2:09:11

from behind

2:09:12

watching him

2:09:12

from behind

2:09:12

the stage

2:09:13

without the audience

2:09:13

just listening to it

2:09:14

he said

2:09:16

if

2:09:17

it was a time

2:09:19

because it's so relatable

2:09:21

it was a time

2:09:22

that

2:09:22

you didn't think

2:09:25

that you could talk

2:09:26

to girls

2:09:27

and he said

2:09:29

some shit in there

2:09:30

that's so fucking hysterical

2:09:31

the thing about

2:09:32

holding girls hand

2:09:33

and he goes

2:09:35

he said

2:09:35

if I could talk

2:09:36

to my 14 year old self

2:09:37

I would go back

2:09:39

in the future

2:09:39

and look

2:09:40

I don't have much time

2:09:41

I gotta tell you

2:09:42

and then he's talking

2:09:43

and then he said

2:09:44

your 14 year old self

2:09:46

looking at your new self

2:09:47

and he says

2:09:47

he looked at it

2:09:49

and he's like

2:09:49

yo look

2:09:49

some shit fails

2:09:51

like of his hair

2:09:51

he go like

2:09:52

look

2:09:52

fuck my hair

2:09:54

fuck with you

2:09:54

what's gonna happen

2:09:55

to you

2:09:55

and then he says

2:09:56

you're an asshole

2:09:57

that's why people

2:09:57

don't like you

2:09:57

in the future

2:09:58

if I go back

2:10:04

and look at my

2:10:05

14 year old self

2:10:05

my 14 year old self

2:10:06

looking at what

2:10:07

he's going to become

2:10:08

I'm like

2:10:08

look man

2:10:09

fuck you man

2:10:09

you ain't bad

2:10:11

get the fuck out of my face

2:10:11

like man

2:10:16

it's a great set

2:10:16

it's a great set

2:10:18

and

2:10:19

my role manager

2:10:20

Dre

2:10:21

Dre's always with me

2:10:22

and Dre

2:10:23

has probably learned

2:10:25

so much about

2:10:26

comedy

2:10:26

comedy

2:10:26

just being in the room

2:10:28

and seeing

2:10:29

the different dynamics

2:10:31

and last night

2:10:33

we were

2:10:34

he was in the room

2:10:36

and he was like

2:10:37

he never knew

2:10:38

that white comics

2:10:40

talk so much shit

2:10:42

just like black comics

2:10:43

like he was like

2:10:44

y'all all the fucking same

2:10:46

like all of y'all talk shit

2:10:49

that lady

2:10:52

y'all talk so much

2:10:53

about that lady bombing

2:10:54

he was like

2:10:55

he was like

2:10:56

yo

2:10:57

this is the same

2:10:59

shit y'all would be saying

2:11:00

like yo man

2:11:00

he just fucking sucks

2:11:02

like yo that lady

2:11:06

would have got so

2:11:07

it's comics that hate me

2:11:09

to this day

2:11:10

that I

2:11:10

cause I told them

2:11:11

that they shit was trash

2:11:13

like very early

2:11:14

I'm like yo man

2:11:15

you need to work on that shit

2:11:16

that shit is garbage son

2:11:17

like

2:11:18

and

2:11:19

now

2:11:20

I don't do that

2:11:21

like I

2:11:22

I won't tell you anything

2:11:23

if you think that you good

2:11:25

like

2:11:25

that lady

2:11:26

the disservice

2:11:29

by

2:11:32

this

2:11:33

sensitive

2:11:34

culture

2:11:35

that you don't

2:11:37

get what you actually need

2:11:38

to be

2:11:39

a beast in this game

2:11:41

like yo fucking skin

2:11:42

has to be toughened up

2:11:44

and

2:11:46

it's

2:11:47

this is what

2:11:48

I say about

2:11:49

the new generation

2:11:50

of the

2:11:51

the social media comedian

2:11:53

when you started

2:11:55

you weren't going

2:11:57

to what they

2:11:58

could

2:11:59

just go to politics

2:12:00

how it

2:12:01

how it res

2:12:02

politics

2:12:02

so Trump only did

2:12:04

um

2:12:05

interviews

2:12:06

on Fox

2:12:07

Kelly

2:12:09

Kelly and Conway

2:12:10

she only does

2:12:11

interviews on Fox

2:12:11

and I know this

2:12:12

because I listen

2:12:13

to Fox

2:12:13

and

2:12:15

when I'm listening

2:12:16

because I want to hear

2:12:17

these interviews

2:12:17

of people

2:12:18

who never come on

2:12:19

other media outlets

2:12:22

to answer

2:12:23

any type of

2:12:24

fucking question

2:12:24

and they call them

2:12:25

softball questions

2:12:26

they give them

2:12:26

fucking softballs

2:12:27

so as a comic

2:12:29

if you always

2:12:34

get softball

2:12:34

like you bringing

2:12:35

your audience

2:12:36

to the club

2:12:37

like these are people

2:12:39

and they fucking

2:12:39

love you

2:12:40

and they coming

2:12:41

just for you

2:12:42

but you don't have

2:12:44

a lineage

2:12:44

of how you started

2:12:47

like you don't have

2:12:48

a

2:12:49

I used to be

2:12:49

in the comedy store

2:12:50

I used to be

2:12:51

at the seller

2:12:51

I used to be

2:12:52

and just joking

2:12:52

I used to be

2:12:53

at the improv

2:12:54

and I'm fucking

2:12:55

getting this shit

2:12:56

together

2:12:56

and one time

2:12:57

Joe came in

2:12:58

like yo

2:12:59

the joke is hilarious

2:13:00

but you need

2:13:00

this

2:13:00

you don't have

2:13:01

this fucking

2:13:02

lineage of shit

2:13:03

that helps

2:13:05

you develop

2:13:06

so you're just

2:13:07

getting all softballs

2:13:08

so then when you

2:13:09

go into an audience

2:13:11

now you're on

2:13:11

what I call

2:13:13

one of these

2:13:13

conglomerate shows

2:13:14

with all different

2:13:17

types of comics

2:13:18

on the show

2:13:18

and you don't have

2:13:19

a lineage

2:13:20

and you have to

2:13:21

follow somebody

2:13:22

you have to go up

2:13:23

behind somebody

2:13:24

and you see

2:13:25

the difference

2:13:26

like

2:13:26

oh you never

2:13:28

had

2:13:29

to go up

2:13:30

after a monster

2:13:32

and still get

2:13:33

your shit off

2:13:34

you never

2:13:35

had to do

2:13:36

these things

2:13:36

so it handicaps

2:13:38

you in this

2:13:38

business

2:13:39

because

2:13:40

yo

2:13:41

I'm on this

2:13:43

show

2:13:43

you're popular

2:13:44

and he's popular

2:13:46

but you gotta

2:13:46

go up behind

2:13:47

Rogan

2:13:48

and Rogan

2:13:50

has taken

2:13:50

the room

2:13:51

on a fucking

2:13:51

journey

2:13:52

and now you

2:13:53

coming up

2:13:53

with the

2:13:54

hey

2:13:56

shit

2:13:57

they like

2:13:57

the fuck

2:13:58

out of here

2:13:59

like what are you

2:13:59

doing

2:14:00

then somebody else

2:14:01

comes behind you

2:14:02

and

2:14:03

destroys the room

2:14:05

again

2:14:05

and you like

2:14:06

oh it was the

2:14:07

crowd

2:14:07

like nah

2:14:08

it was you

2:14:08

it's the skill set

2:14:10

yeah

2:14:10

it's the fucking

2:14:12

skill set

2:14:12

it's managing the

2:14:13

moment too

2:14:14

yeah

2:14:14

some things

2:14:15

that you can do

2:14:15

maybe after you

2:14:16

got them

2:14:17

maybe if you

2:14:18

you get them

2:14:19

going for 20 minutes

2:14:20

then you could do

2:14:20

a slow pitch shit

2:14:21

you can do something

2:14:23

where they trust you

2:14:24

and then you could

2:14:25

you could take them

2:14:26

to a different place

2:14:27

but if you're going

2:14:28

on after Joey Diaz

2:14:29

and Joey Diaz

2:14:32

is murdering

2:14:33

that's one of the

2:14:34

reasons why I started

2:14:34

taking Joey on the

2:14:35

road with me

2:14:36

because I bombed

2:14:37

after him once

2:14:38

I took him on the

2:14:39

road with me to

2:14:39

New Jersey

2:14:40

and he destroyed

2:14:41

and I did not

2:14:43

I had a rough set

2:14:44

it wasn't bad

2:14:46

it wasn't like

2:14:46

the worst bombing

2:14:47

but it definitely

2:14:48

wasn't good

2:14:48

it was like

2:14:49

there was Joey

2:14:50

he was way stronger

2:14:51

than me

2:14:51

and then there was me

2:14:52

I was like

2:14:52

damn

2:14:53

I gotta bring

2:14:54

this dude

2:14:54

with me everywhere

2:14:55

I need that heat

2:14:56

yeah

2:14:57

it helped

2:14:58

it helped him

2:14:58

and it helped me

2:14:59

it helped me

2:15:00

because he would

2:15:01

crush so hard

2:15:01

that you had to be

2:15:02

able to ride that wave

2:15:03

you couldn't be nervous

2:15:04

about it

2:15:05

that's like half of it

2:15:06

is enjoying the person

2:15:08

who's on before you

2:15:08

laughing

2:15:09

so you go on stage

2:15:10

you're already laughing

2:15:11

you're having fun

2:15:12

yeah

2:15:12

do you know

2:15:13

Jeff Sewell

2:15:14

no

2:15:15

he um

2:15:16

used to be a booker

2:15:17

for the Houston Improvs

2:15:19

like all

2:15:20

Dallas and Addison

2:15:22

you know

2:15:22

all of

2:15:22

I used to think

2:15:24

he hated me

2:15:25

because he would

2:15:26

always talk to me

2:15:27

about how great

2:15:28

other comics was

2:15:29

like he would

2:15:30

never fucking

2:15:30

say anything

2:15:32

to me

2:15:33

about me

2:15:34

and

2:15:36

people would

2:15:38

it taught me

2:15:40

that you

2:15:41

your perception

2:15:43

of yourself

2:15:44

is definitely

2:15:46

important

2:15:46

because

2:15:48

Jeff

2:15:49

I would

2:15:50

run into

2:15:51

other people

2:15:52

and

2:15:53

Jeff would be like

2:15:54

they would tell me

2:15:55

like

2:15:55

Jeff Sewell

2:15:56

fucking loves you

2:15:57

I'm like what

2:15:59

he never says

2:16:01

anything good about me

2:16:02

like

2:16:02

to who

2:16:03

like

2:16:05

he fucking

2:16:06

raves about you

2:16:07

like

2:16:08

you're not there

2:16:09

like you're like

2:16:09

the one

2:16:10

for him

2:16:11

but he would

2:16:12

always tell me

2:16:12

about how great

2:16:13

other comics were

2:16:15

so

2:16:16

Bill Burr

2:16:17

wants somebody

2:16:19

to open

2:16:19

for him

2:16:20

he's getting ready

2:16:20

to do a special

2:16:21

and he

2:16:23

asked

2:16:23

Jeff Sewell

2:16:25

he's like yo

2:16:25

I need somebody

2:16:26

because I'm

2:16:27

doing

2:16:27

the Paramount

2:16:29

in Austin

2:16:29

I need somebody

2:16:30

who's going to

2:16:31

come in that room

2:16:32

and fucking

2:16:32

destroy this room

2:16:33

and

2:16:34

did I want to

2:16:36

come out on a high

2:16:37

who you

2:16:39

think

2:16:39

so I get a call

2:16:42

to open

2:16:44

for Bill Burr

2:16:45

and I'm like

2:16:48

okay cool

2:16:48

Bill Burr

2:16:51

is like

2:16:52

he comes in

2:16:53

my green room

2:16:54

he's like yo

2:16:54

I know

2:16:56

you're going to be

2:16:57

fucking

2:16:57

great

2:16:58

Jeff

2:17:00

said

2:17:01

if you want

2:17:02

to kill her

2:17:03

in front of you

2:17:04

this is one

2:17:05

I'm like

2:17:07

what

2:17:07

Jeff fucking

2:17:08

says that you

2:17:09

like the man

2:17:09

so whatever

2:17:11

the pair of my

2:17:11

hoses sold out

2:17:12

I walk out there

2:17:13

and it's literally

2:17:15

two black people

2:17:16

in the whole

2:17:17

entire place

2:17:18

it's me

2:17:20

and an usher

2:17:22

and I had on

2:17:29

all black

2:17:30

and I never forget

2:17:31

when I walked out

2:17:32

I said hey

2:17:32

let me tell y'all

2:17:33

something before

2:17:33

I even start

2:17:34

this is the worst

2:17:37

fucking place

2:17:38

to wear all black

2:17:39

and I want y'all

2:17:41

to know

2:17:41

I do not

2:17:42

work here

2:17:43

I don't know

2:17:46

what the fucking

2:17:46

restrooms are

2:17:47

I don't know

2:17:47

anything

2:17:48

because people

2:17:48

were stopping

2:17:49

me like

2:17:49

hey you know

2:17:49

what the restrooms are

2:17:50

and I'm like

2:17:50

why the fuck

2:17:51

people ask me

2:17:51

like I've done

2:17:52

before

2:17:52

and I'll notice

2:17:53

that I had

2:17:53

on all black

2:17:53

and I fucking

2:17:56

destroyed

2:17:58

and Bill came

2:18:00

and said

2:18:00

yo any fucking

2:18:01

thing you need

2:18:02

from me

2:18:03

like you need

2:18:04

me to help

2:18:04

you in any way

2:18:05

I will refer

2:18:07

you

2:18:07

I will do

2:18:07

any fucking

2:18:08

thing

2:18:08

thank you

2:18:10

and I was

2:18:10

like

2:18:11

Jeff

2:18:12

I was like

2:18:13

thank Jeff

2:18:13

like I really

2:18:15

thought that he

2:18:15

was like

2:18:16

yo you shit

2:18:17

but Jeff

2:18:18

Jeff was like

2:18:19

yo you fucking

2:18:19

but he

2:18:20

he just couldn't

2:18:21

give it to me

2:18:22

because he felt

2:18:23

like I've been

2:18:24

in this room

2:18:25

since 2000

2:18:26

at 2011

2:18:27

it used to be

2:18:28

spell binders

2:18:29

before it was

2:18:29

the improv

2:18:30

he had a fucking

2:18:31

rainforest

2:18:31

and I used to

2:18:34

go there

2:18:34

and he just

2:18:35

never

2:18:35

paid fucking

2:18:37

attention to me

2:18:37

and when he

2:18:39

told me he got

2:18:39

sick

2:18:40

he was like

2:18:40

I always thought

2:18:41

you were fucking

2:18:41

great

2:18:42

like always

2:18:43

like

2:18:44

but I couldn't

2:18:45

tell you

2:18:45

like I didn't

2:18:47

want you to

2:18:48

fucking stop

2:18:48

trying to

2:18:49

get it

2:18:50

like if

2:18:51

somebody tells

2:18:52

you that you

2:18:52

great up front

2:18:53

and you

2:18:55

never

2:18:56

you'd never

2:18:58

strive to be

2:18:58

better

2:18:59

than that

2:19:01

like even

2:19:01

with

2:19:01

with myself

2:19:03

like I do

2:19:03

an album

2:19:04

or I do

2:19:04

a special

2:19:05

and

2:19:06

I want the

2:19:07

I want the

2:19:08

next one

2:19:08

to be better

2:19:09

than the last

2:19:11

one

2:19:11

I don't

2:19:12

I don't see

2:19:13

it any other

2:19:13

any other way

2:19:14

why would you

2:19:15

why would you

2:19:16

start declining

2:19:16

or why would you

2:19:17

go there

2:19:17

because you

2:19:18

it's different

2:19:19

facets of

2:19:20

your growth

2:19:21

in stand-up

2:19:22

yeah

2:19:22

and

2:19:23

I

2:19:24

I think

2:19:25

you can

2:19:26

always be

2:19:27

original

2:19:27

in this

2:19:29

in this

2:19:29

business

2:19:29

if you being

2:19:31

honest about

2:19:32

who you are

2:19:33

and the growth

2:19:33

you're not

2:19:34

supposed to be

2:19:34

doing the same

2:19:35

thing

2:19:35

I've been

2:19:36

doing it

2:19:37

what

2:19:38

almost 24

2:19:40

years

2:19:40

I'm not

2:19:41

supposed to be

2:19:41

the same

2:19:42

as I was

2:19:43

in the first

2:19:44

10 years

2:19:45

of course

2:19:45

not

2:19:45

because the

2:19:46

first 10

2:19:46

years

2:19:46

I used to

2:19:47

do this

2:19:47

joke about

2:19:48

this story

2:19:49

actually about

2:19:50

getting body

2:19:51

slammed in a

2:19:51

fight

2:19:51

I wasn't

2:19:53

ready

2:19:53

this dude

2:19:54

like we

2:19:54

fighting

2:19:55

and we

2:19:56

get close

2:19:57

and he

2:19:57

fucking

2:19:57

picks me up

2:19:58

and body

2:19:59

slams me

2:20:00

and I'm

2:20:01

like yo

2:20:02

after you

2:20:02

get body

2:20:03

slammed in

2:20:03

the fight

2:20:03

you fucking

2:20:04

lost

2:20:05

I don't

2:20:05

give a damn

2:20:05

what happened

2:20:06

after that

2:20:06

you fucking

2:20:07

lost

2:20:07

it's like

2:20:08

your shoe

2:20:08

coming off

2:20:08

in a fight

2:20:09

you fucking

2:20:10

lost

2:20:10

and I

2:20:13

would

2:20:13

I would

2:20:14

do this

2:20:14

flip

2:20:14

boom

2:20:15

I would

2:20:16

land on my

2:20:16

back

2:20:16

and I'd

2:20:17

be on

2:20:17

the ground

2:20:17

and I

2:20:18

know

2:20:18

the older

2:20:19

I get

2:20:20

I'm not

2:20:20

going to

2:20:20

continue to

2:20:21

be able

2:20:21

to do

2:20:22

this shit

2:20:22

this is not

2:20:24

a long

2:20:24

standing

2:20:25

joke

2:20:26

fuck this

2:20:27

story

2:20:28

because I have

2:20:28

to do the

2:20:29

flip in order

2:20:30

to sell

2:20:30

like

2:20:30

no

2:20:31

I'm not

2:20:32

so I'm

2:20:33

supposed to

2:20:33

develop

2:20:34

into

2:20:34

something

2:20:34

a little

2:20:36

better than

2:20:36

what I was

2:20:37

in the beginning

2:20:38

the first

2:20:38

10

2:20:39

the first

2:20:39

15

2:20:40

if you don't

2:20:41

have a lineage

2:20:42

how do you

2:20:44

do that

2:20:44

like how do

2:20:45

you learn

2:20:47

to get better

2:20:48

how do you

2:20:48

have a desire

2:20:49

I'm like

2:20:50

Seabiscuit

2:20:51

I see

2:20:52

you running

2:20:53

and I

2:20:55

want to run

2:20:56

faster to

2:20:57

catch you

2:20:57

but if I

2:20:58

don't have

2:20:59

that desire

2:21:00

in me

2:21:00

I'm cool

2:21:02

with being

2:21:02

number 7

2:21:03

and thinking

2:21:04

and having

2:21:05

this illusion

2:21:06

that I'm

2:21:06

great

2:21:06

but I'm

2:21:07

only playing

2:21:08

in front

2:21:08

of the

2:21:09

softball

2:21:10

audience

2:21:11

yeah

2:21:12

you gotta

2:21:12

have a lot

2:21:13

of people

2:21:13

around you

2:21:14

that are

2:21:14

good too

2:21:15

yeah

2:21:15

it's very

2:21:16

important

2:21:16

it's very

2:21:17

rare that

2:21:17

you go

2:21:18

to a town

2:21:18

and there's

2:21:19

no one

2:21:20

good

2:21:20

except

2:21:21

one guy

2:21:21

it's very

2:21:23

rare

2:21:23

very rare

2:21:24

there's like

2:21:25

one standout

2:21:26

world class

2:21:26

comedian

2:21:27

that's in

2:21:27

a town

2:21:28

by himself

2:21:28

existing

2:21:29

in a vacuum

2:21:29

yeah

2:21:31

they're never

2:21:31

it's a lot

2:21:33

of great

2:21:33

comics

2:21:33

out of

2:21:34

Houston

2:21:34

like

2:21:34

I've been

2:21:35

around

2:21:35

a lot

2:21:36

of great

2:21:37

like when

2:21:37

people say

2:21:38

what's your

2:21:38

influences

2:21:38

I start

2:21:39

with Houston

2:21:39

guys

2:21:40

the history

2:21:40

it's huge

2:21:41

and I know

2:21:43

DC has

2:21:43

the Mecca

2:21:44

and New York

2:21:45

feel like

2:21:45

they have

2:21:46

something

2:21:46

and LA

2:21:47

feel like

2:21:47

and I would

2:21:48

argue

2:21:48

the point

2:21:50

about

2:21:51

Texas comics

2:21:52

I would argue

2:21:53

like man

2:21:54

we stronger

2:21:55

than you

2:21:56

think

2:21:57

and we play

2:21:58

we Midwest

2:21:58

Midwest

2:22:00

comics

2:22:01

I think

2:22:03

talk from

2:22:03

a different

2:22:04

perspective

2:22:04

because they

2:22:05

don't have

2:22:06

this

2:22:06

this

2:22:07

grandioso

2:22:08

idea

2:22:09

that they

2:22:09

I'm LA

2:22:10

and I'm

2:22:11

New York

2:22:12

or I'm

2:22:13

Atlanta

2:22:13

I'm like

2:22:14

nah

2:22:14

we the

2:22:15

Midwest

2:22:16

and we

2:22:16

got a lot

2:22:17

of shit

2:22:17

to talk

2:22:17

about

2:22:18

yeah

2:22:18

and

2:22:19

I just

2:22:21

think

2:22:21

it's not

2:22:22

a better

2:22:22

thing

2:22:23

it's a

2:22:23

what's more

2:22:25

accepted

2:22:25

and I

2:22:27

I think

2:22:27

the audiences

2:22:28

in the

2:22:28

Midwest

2:22:29

are

2:22:29

regular

2:22:30

people

2:22:31

and when

2:22:31

you want

2:22:31

to do

2:22:32

stand up

2:22:32

you talking

2:22:33

to

2:22:34

regular

2:22:35

people

2:22:36

that's not

2:22:37

got this

2:22:38

I remember

2:22:40

performing in LA

2:22:40

and it felt like

2:22:41

the audience

2:22:42

was waiting on

2:22:42

somebody else

2:22:43

like the whole

2:22:44

I never

2:22:45

I didn't even go

2:22:45

up

2:22:45

they're waiting on someone famous

2:22:46

I'm like

2:22:47

they waiting

2:22:48

on something

2:22:49

like they holding laughs

2:22:51

like I'm not gonna give it all to you

2:22:53

I'm like man that guy's hysterical

2:22:55

give it up to him

2:22:56

LA's a pretentious place

2:22:58

and a lot of the people that are in that audience

2:22:59

either want to be in the business

2:23:01

wish they were actors

2:23:02

wish they were famous

2:23:03

or they're peripheral to it

2:23:05

they're agents

2:23:06

or managers

2:23:06

they're jaded and weird

2:23:08

and they're all social climbers

2:23:10

it's like

2:23:11

there's a weirdness to it

2:23:12

like when someone famous goes on stage

2:23:14

like oh yes

2:23:15

someone who is of the caliber of fame

2:23:18

but there could be someone before them

2:23:20

that's funnier

2:23:21

and they don't even care

2:23:22

they don't care

2:23:23

they're not just trying to have fun

2:23:25

there's a pretentiousness to it

2:23:27

that's more

2:23:28

New York's got a hardness to it

2:23:29

that I kind of like

2:23:30

LA's got a pretentiousness to it

2:23:32

but when you're in a place like Houston

2:23:34

all the pretentiousness is out the window

2:23:37

it's just are you good

2:23:38

are you good

2:23:39

but that's like

2:23:39

Willie D and I talked about that

2:23:41

with the hip hop scene

2:23:42

in Houston

2:23:43

it was the same thing

2:23:44

when the Ghetto Boys were exploding

2:23:45

yeah

2:23:46

when the Ghetto Boys were hot

2:23:48

like there was a whole different style of rap

2:23:52

coming out of this one section of the country

2:23:54

and you had to respect it

2:23:55

Brad Jordan

2:23:57

Scarface

2:23:58

I'm talking about

2:23:59

it changed the cadence

2:24:00

oh yeah

2:24:01

of people

2:24:01

and Willie D

2:24:03

and Bushwick Bill

2:24:04

but then you had this whole

2:24:06

entourage of other rappers

2:24:09

that came behind

2:24:10

Zero

2:24:10

and Slim Thug

2:24:11

and Lil Kiki

2:24:12

and Big Pokey

2:24:13

and UGK

2:24:14

and that's phenomenal

2:24:16

that our first verses

2:24:18

is about to be

2:24:19

Bun B

2:24:20

with UGK

2:24:21

versus

2:24:21

A Ball and MJG

2:24:23

that's the first South verses

2:24:24

everything else

2:24:25

has been in LA

2:24:26

and New York

2:24:26

and this is a

2:24:27

R&B

2:24:28

this is a South thing

2:24:30

and I know they gonna

2:24:31

turn up

2:24:31

cause

2:24:32

Bun is

2:24:33

Bun is like

2:24:35

he's becoming

2:24:37

like the mayor

2:24:38

of the city

2:24:39

then you have all these

2:24:40

like

2:24:41

Beat King

2:24:42

and

2:24:42

Megan

2:24:44

look at Megan Thee Stallion

2:24:45

look at Travis Scott

2:24:46

like these are people

2:24:47

that's from Houston

2:24:48

that this

2:24:49

whole

2:24:50

Toby

2:24:51

it's this whole

2:24:52

revolution of

2:24:53

rappers

2:24:54

that

2:24:55

that spawned from

2:24:56

the initial

2:24:58

style of the

2:24:59

ghetto boys

2:25:00

all that rap a lot

2:25:01

records

2:25:02

yeah rap man

2:25:02

Jay Prince

2:25:03

and then you had

2:25:05

people that came down

2:25:05

like Tony Draper

2:25:06

with Suave House

2:25:07

you had

2:25:08

all these other guys

2:25:10

that stuck

2:25:10

the South

2:25:11

Rose

2:25:12

I remember being

2:25:14

I remember the Source magazine

2:25:15

if he could pull that up

2:25:17

the Source magazine

2:25:18

where they had

2:25:19

all of the

2:25:21

Houston rappers

2:25:22

on the Source

2:25:23

and I remember

2:25:23

walking through New York

2:25:24

I bought

2:25:25

I bought it

2:25:26

in New York

2:25:26

I'm like yeah

2:25:28

you see

2:25:28

fucking the South

2:25:30

is on the

2:25:31

fucking cover

2:25:32

of the Source magazine

2:25:33

look at that

2:25:33

look at that

2:25:34

don't mess with Texas

2:25:35

look at little

2:25:36

look at

2:25:36

look at

2:25:37

Chameleon Air

2:25:38

Pimp C

2:25:38

Slim Thug

2:25:39

Bun B

2:25:40

Zero

2:25:40

Jay Prince

2:25:41

Lil Flip

2:25:42

OG Ron C

2:25:45

Michael 5000 Watts

2:25:48

fucking

2:25:50

my man right there

2:25:51

Mike Jones

2:25:52

and Scarface

2:25:53

on the end

2:25:54

I was in Mike Jones

2:25:55

video

2:25:56

back then

2:25:57

you didn't want me

2:25:58

now I'm hot

2:25:59

you're all on me

2:26:00

like that was a

2:26:02

big

2:26:03

and that shit said

2:26:04

don't mess with Texas

2:26:05

why Houston

2:26:06

region won't be

2:26:07

man

2:26:08

this shit was like

2:26:09

phenomenal

2:26:10

you need that with rap

2:26:12

and you need that

2:26:13

with comedy

2:26:13

you need a scene

2:26:14

if we

2:26:15

if Houston

2:26:16

did that

2:26:18

with comics

2:26:19

it would be

2:26:21

oh yeah

2:26:22

that's the

2:26:23

and that's the

2:26:23

that's the overall

2:26:24

look at the overall

2:26:25

picture

2:26:26

with Lil

2:26:27

with Lil O

2:26:28

and Chingo

2:26:29

you know Chingo Bling

2:26:30

do comedy now

2:26:31

Chingo Bling

2:26:33

yeah Chingo Bling

2:26:34

is a comic

2:26:34

man that's the

2:26:36

the ESG

2:26:38

Big Hawk

2:26:39

Pokey

2:26:39

man

2:26:40

it's a team

2:26:41

like DM

2:26:42

like it's a song

2:26:43

by this guy named

2:26:43

DMD

2:26:44

oh man look at

2:26:46

man

2:26:46

it's a great photo too

2:26:48

it's the fucking squad

2:26:49

that's on

2:26:49

that's on J Prince's ranch

2:26:51

really

2:26:52

yeah man

2:26:53

it's like

2:26:53

look at that shit

2:26:54

man

2:26:55

that's Texas

2:26:56

and it was

2:26:57

and I was proud

2:26:59

man look at Lil Kiki

2:27:00

look at

2:27:01

Hard Body Chiyote

2:27:02

Pokey

2:27:03

Hulk

2:27:04

man this shit was

2:27:05

phenomenal

2:27:06

man

2:27:07

I remember getting chills

2:27:09

when I saw this shit

2:27:10

I was like

2:27:10

yo man

2:27:11

Texas

2:27:12

is on the fucking map

2:27:14

and when you talk about comedy

2:27:17

it's like

2:27:19

if we did that

2:27:21

with comedy

2:27:22

with Bill Hicks

2:27:24

and Sam Kennison

2:27:25

Thea Vidal

2:27:26

Bruhman

2:27:27

Billy D. Washington

2:27:29

um

2:27:29

Roushon McDonald

2:27:31

um

2:27:32

fucking David Raybon

2:27:34

myself

2:27:35

Marcus D. Wilding

2:27:37

Terry Gross

2:27:37

Keira Space

2:27:38

Des White

2:27:39

um

2:27:40

Dave Lawson

2:27:42

it's so many comics

2:27:44

that's been influential

2:27:45

and then we still

2:27:47

we still have

2:27:47

Shane Wayne

2:27:48

we have the

2:27:49

we have the

2:27:50

the whites

2:27:51

man we

2:27:51

fucking

2:27:52

Bob Biggestaff

2:27:53

it's like some

2:27:54

phenomenal comics

2:27:56

man

2:27:56

we like

2:27:57

yo man

2:27:57

our R&B scene

2:27:59

man

2:28:00

you watch

2:28:01

The Winning Game

2:28:02

no

2:28:03

it's with um

2:28:04

it's about

2:28:05

The Rise of the Lakers

2:28:06

with Dr. Jerry Buss

2:28:07

I read the credits

2:28:10

I read the credits too

2:28:10

and it's a

2:28:11

it's an R&B

2:28:12

artist

2:28:13

a jazz artist

2:28:14

by the name of

2:28:15

Robert Glasper

2:28:15

and I'm reading

2:28:17

the credits

2:28:18

and I paused it

2:28:22

when I saw

2:28:23

musical director

2:28:25

Robert Glasper

2:28:27

and it's just

2:28:28

fucking

2:28:28

it's like

2:28:29

fucking Houston

2:28:30

it's all over the place

2:28:33

you see yourself

2:28:34

living anywhere else ever

2:28:35

nah

2:28:36

just Houston

2:28:37

it just

2:28:38

it's in the blood

2:28:39

like

2:28:40

it's H

2:28:41

it's H town

2:28:43

so when you

2:28:43

decided to film your special

2:28:45

you wanted to do it

2:28:46

in Houston

2:28:46

I wanted to do it

2:28:47

I actually

2:28:48

I actually

2:28:49

I did it intimate

2:28:52

but I'm still

2:28:55

searching for the love

2:28:56

from my city

2:28:57

cause I

2:28:59

I think that I represent

2:29:00

so well

2:29:02

and I think that

2:29:04

my

2:29:04

the things

2:29:05

the people who

2:29:05

who spawn off of me

2:29:07

represent well

2:29:08

Kevin Iso

2:29:09

and Bryson Brown

2:29:10

and all these

2:29:11

Kevin Iso

2:29:12

has a show on Showtime

2:29:13

Flatbush Misdemeanor

2:29:16

he's a writer

2:29:17

you know

2:29:18

and he wrote

2:29:19

he in his second season

2:29:21

it's a fucking great show

2:29:22

and

2:29:23

I

2:29:24

I think that

2:29:25

my representation

2:29:26

of what spawns

2:29:27

off of me

2:29:28

and what I've done

2:29:30

when I

2:29:30

when I

2:29:31

go out on the show

2:29:32

like I

2:29:33

I never try to

2:29:34

misrepresent my city

2:29:35

when I'm performing

2:29:36

on TV or anything

2:29:37

because I

2:29:39

I want

2:29:40

them to be proud

2:29:42

to be like

2:29:42

yo that's

2:29:43

that's

2:29:43

he

2:29:44

as proud as I am

2:29:45

when I see

2:29:47

somebody from Houston

2:29:48

I want them to be

2:29:51

that like

2:29:51

when I found out

2:29:52

Thea Vidal

2:29:52

was from Houston

2:29:54

she's been in all

2:29:54

these great movies

2:29:55

I was like

2:29:57

yo she from Houston

2:29:58

like

2:29:59

I lost my shit

2:30:00

when I found out

2:30:01

Booker T

2:30:02

was from Houston

2:30:02

like

2:30:03

fucking

2:30:04

Rassler

2:30:04

I'm like

2:30:05

yo

2:30:05

anybody from

2:30:06

my city

2:30:07

that's doing

2:30:07

something

2:30:08

whether it's

2:30:10

political

2:30:10

whether it's

2:30:11

art

2:30:11

whether it's

2:30:12

educational

2:30:13

whatever you doing

2:30:14

I'm like

2:30:15

yo it's

2:30:15

fucking Houston

2:30:16

right

2:30:16

and

2:30:17

I just see

2:30:19

I just see

2:30:20

I wanted to do it

2:30:22

in the Toyota Center

2:30:23

I'm one of them people

2:30:25

that

2:30:25

I want

2:30:26

I don't want

2:30:27

Dave Chappelle

2:30:29

and

2:30:30

Kevin Hart

2:30:32

and

2:30:32

all these other people

2:30:34

that come to my city

2:30:35

and play the Toyota Center

2:30:38

or Gary Owens

2:30:40

and Michael Blackson

2:30:41

come to the improv

2:30:42

and sell out 14

2:30:43

15 shows

2:30:44

and shit like that

2:30:45

and then

2:30:46

I don't

2:30:47

do the same thing

2:30:48

like that shit

2:30:49

it's a driving force

2:30:51

like

2:30:51

how you get so much love

2:30:54

or what did you do

2:30:56

and I'm

2:30:56

cause I'm not an actor

2:30:57

I'm not a

2:30:58

I'm not

2:30:58

I don't look at sitcoms

2:30:59

and movies

2:31:00

and desire that shit

2:31:01

I'm a stand up

2:31:02

and I want to do it

2:31:03

from the stand up

2:31:05

position

2:31:06

because

2:31:07

a lot of these

2:31:08

other greats

2:31:09

were doing it

2:31:10

from the stand

2:31:12

Colin

2:31:12

was in Car Wash

2:31:15

with

2:31:17

fucking one of the

2:31:18

greatest comics

2:31:19

of all time

2:31:19

which is

2:31:20

Franklin Ajay

2:31:22

he was the fly

2:31:24

in the Car Wash

2:31:24

and

2:31:25

I don't think

2:31:26

that the movie

2:31:27

was what compelled him

2:31:29

what people wanted

2:31:29

I think it was his words

2:31:31

it was his stand up

2:31:32

cause those were

2:31:32

somebody else's words

2:31:33

I want to do it

2:31:34

yeah

2:31:35

with my

2:31:36

look at that

2:31:37

man

2:31:38

look at George Carlin

2:31:39

yeah

2:31:40

I like

2:31:40

I fuck it

2:31:41

like this is one of my moves

2:31:42

like I

2:31:42

I know the whole soundtrack

2:31:44

I love every song

2:31:45

and I know every scene

2:31:47

76

2:31:48

yeah

2:31:49

wow

2:31:50

like I would love

2:31:52

to be in a movie

2:31:52

like Taxi

2:31:53

with a bunch

2:31:54

of other comics

2:31:55

and

2:31:55

I think for you

2:31:56

it's just a matter

2:31:57

of a special like this

2:31:58

and maybe

2:31:59

you know

2:32:00

more specials like this

2:32:01

you're undeniable

2:32:03

when people see it

2:32:04

they'll get it

2:32:05

like this year

2:32:06

I want to

2:32:06

I want to be the first comic

2:32:08

to ever win an Emmy

2:32:09

for a comedy special

2:32:11

that's not on a network

2:32:12

because I'm like

2:32:13

Louis CK already did that

2:32:14

he won an Emmy

2:32:15

yeah

2:32:15

Louis CK won an Emmy

2:32:17

or a Grammy

2:32:18

he won a Grammy

2:32:19

that's right

2:32:19

he won a Grammy

2:32:20

I'm hoping

2:32:21

can you even win an Emmy

2:32:22

if you're not on a network

2:32:24

is

2:32:25

is

2:32:25

is it a television show

2:32:27

award

2:32:27

it's YouTube TV

2:32:29

is it

2:32:30

do people on YouTube

2:32:31

win Emmys

2:32:32

hopefully

2:32:32

hopefully

2:32:33

it can happen

2:32:34

I think that

2:32:34

I want to try to push the envelope

2:32:36

to where people say

2:32:37

hey man

2:32:38

do what they feel bad

2:32:39

do me like

2:32:40

yo listen

2:32:40

I know

2:32:42

that it was on

2:32:43

I know them other guys

2:32:45

it was on Netflix

2:32:46

or HBO

2:32:46

or something else

2:32:48

but

2:32:48

it's gonna be a problem

2:32:51

if we

2:32:51

if we say

2:32:52

this is the best special

2:32:53

of 2022

2:32:54

and we give it to somebody

2:32:56

fuck those awards

2:32:57

though man

2:32:58

the people will give you

2:32:59

your own award

2:33:00

just by seeing you

2:33:01

who is the

2:33:02

deciding vote

2:33:04

on the Grammys

2:33:05

or the Emmys

2:33:06

get the fuck out of here

2:33:07

who are those people

2:33:08

who are they

2:33:09

fuck off

2:33:10

the thing is

2:33:11

to achieve some shit

2:33:12

without

2:33:13

them

2:33:14

having to

2:33:15

like

2:33:15

I would

2:33:16

I remember DL

2:33:17

told me

2:33:17

when I was on

2:33:18

Bring the Funny

2:33:19

and I was talking to him

2:33:20

he was like

2:33:21

you think you gonna win

2:33:22

I was like

2:33:23

I hope

2:33:24

but I went in

2:33:25

I went in it

2:33:26

my agent Joe

2:33:28

Joe would tell anybody

2:33:29

he

2:33:31

cause he talked me into doing it

2:33:32

I said cool

2:33:33

we'll do it

2:33:33

I tried to lose

2:33:35

every fucking round

2:33:37

cause I

2:33:37

I was on tour

2:33:38

I was like

2:33:39

yo I'd rather just

2:33:40

do the tour dates

2:33:41

I don't

2:33:41

I don't need this shit

2:33:42

and he's like

2:33:43

gonna do it

2:33:44

so every round

2:33:46

I was like

2:33:48

I kept my shit packed

2:33:50

like I was like

2:33:51

we're gonna go do the round

2:33:52

I'm shortening these stories

2:33:54

down to two minutes

2:33:55

and thirty seconds

2:33:55

to get this shit off

2:33:56

and I'm just

2:33:57

whatever job I'm doing

2:33:58

cool

2:33:58

and I keep advancing

2:33:59

and I would call Joe

2:34:02

I'm like

2:34:02

I made it to the next round

2:34:04

he's like

2:34:04

okay good

2:34:06

and then

2:34:07

and I was like

2:34:08

fuck

2:34:08

so I would make it

2:34:10

to the next round

2:34:11

and DL

2:34:12

by the

2:34:14

by the

2:34:18

third round

2:34:19

now I got the taste

2:34:20

of blood in my mouth

2:34:22

like

2:34:22

I wanna win this shit now

2:34:24

and DL was like

2:34:26

I don't want you to win

2:34:28

I said what

2:34:29

I don't want you to win

2:34:30

I want you to be the person

2:34:33

that people

2:34:35

wanted to win

2:34:36

and didn't

2:34:37

like

2:34:38

what

2:34:38

he said

2:34:39

more people gonna see you

2:34:41

more people gonna come

2:34:42

to the shows to see you

2:34:43

because they

2:34:43

they wanted you

2:34:45

to win

2:34:45

and you didn't

2:34:47

and they wanted

2:34:48

and they wanted

2:34:48

to come tell you

2:34:49

and

2:34:50

I

2:34:51

sometimes

2:34:52

I doubt my mentors

2:34:54

like I doubt

2:34:56

the experience

2:34:57

I don't know fucking why

2:34:58

and I'm like

2:34:58

so then I lose

2:35:00

and anybody

2:35:02

who watched the show

2:35:03

would see my face

2:35:04

like I don't have

2:35:05

I don't have a poker face

2:35:07

at all

2:35:07

whatever the fuck is on my mind

2:35:08

is on it

2:35:09

so they

2:35:09

they panned

2:35:10

the audio

2:35:11

I'll never forget

2:35:12

the cameraman did

2:35:13

just like this

2:35:13

so they

2:35:14

they announced the winner

2:35:15

and everybody's cheering

2:35:17

and shit

2:35:17

but this is my face

2:35:18

like your face is right now

2:35:20

they was panning like this

2:35:21

and that man got right to me

2:35:22

and went the camera up

2:35:23

and then

2:35:24

did everybody else

2:35:25

because my face was like this

2:35:26

I'm not clapping for that shit

2:35:29

like I'm not

2:35:30

and

2:35:31

when I didn't win

2:35:33

I was like okay

2:35:35

fuck it

2:35:35

and then people

2:35:37

started coming to the shows

2:35:38

telling me how they

2:35:40

you should have won

2:35:41

and I was like

2:35:43

fuck he right again

2:35:44

damn it

2:35:46

so

2:35:46

we decided to do this podcast

2:35:49

again

2:35:50

we did one just a few months ago

2:35:51

but we decided to do it again

2:35:53

because

2:35:53

on the last one

2:35:55

we were just talking about stuff

2:35:57

and

2:35:58

HBO didn't like what you said

2:36:00

yeah

2:36:00

and they pulled your special

2:36:02

yeah

2:36:02

and

2:36:04

you know

2:36:05

you have opinions about things

2:36:09

you're supposed to be

2:36:10

allowed to have opinions about things

2:36:11

but

2:36:12

when you have opinions about

2:36:13

what they want to deem

2:36:14

uh

2:36:15

protected class

2:36:16

and that's like

2:36:17

I mean

2:36:19

we were talking about gay people

2:36:20

and

2:36:21

your opinion was about

2:36:23

gay people

2:36:23

adopting children

2:36:24

yeah

2:36:25

I said my thoughts

2:36:26

and

2:36:26

I didn't

2:36:28

the thing about a thought

2:36:30

I'm not saying I'm right

2:36:33

I'm not saying I'm wrong

2:36:34

I'm telling a thought

2:36:36

now it's on

2:36:38

the

2:36:39

what I think

2:36:41

to either be

2:36:42

altered

2:36:43

corrected

2:36:44

more information

2:36:45

whatever

2:36:46

the situation is

2:36:48

but that's not going to happen

2:36:49

right off the top

2:36:51

without having

2:36:52

without me having a conversation

2:36:54

about it

2:36:55

and knowing that

2:36:56

error

2:36:58

is

2:36:59

plays a large part

2:37:02

in how people think

2:37:03

the error

2:37:04

that you grew up in

2:37:05

and then your experiences

2:37:06

my experience

2:37:08

with

2:37:08

things

2:37:09

were that

2:37:10

people

2:37:10

who

2:37:12

was in a certain lifestyle

2:37:14

that I know

2:37:15

didn't want certain things

2:37:17

that

2:37:17

it wasn't a part

2:37:18

of what they were doing

2:37:19

so

2:37:20

that's my experience

2:37:22

those are my thoughts

2:37:23

am I

2:37:25

am I wrong

2:37:26

not in thinking

2:37:28

a thought

2:37:29

I'm not out

2:37:30

doing the rallying

2:37:31

for it

2:37:32

I'm just saying

2:37:33

what my thought was

2:37:34

in a conversation

2:37:35

I'm allowed

2:37:36

to do that

2:37:36

I'm not saying

2:37:37

that you can't have anything

2:37:38

I'm just saying

2:37:39

my thoughts

2:37:40

on something

2:37:40

I didn't think

2:37:41

that the Lakers

2:37:43

should have got

2:37:45

Westbrook

2:37:47

I didn't think

2:37:49

that it was a good fit

2:37:50

do

2:37:51

do the Laker Nation

2:37:53

come after me

2:37:54

because I

2:37:54

I had a thought about

2:37:56

hey

2:37:57

I think that

2:37:58

Magic Johnson

2:37:58

is the greatest

2:38:00

basketball player

2:38:01

of all times

2:38:03

I think Bill Russell

2:38:04

is the greatest

2:38:05

basketball mind

2:38:06

of all times

2:38:06

if you like

2:38:07

Jordan

2:38:08

you like Jordan

2:38:09

but I will have

2:38:10

a discussion

2:38:11

with you

2:38:11

about the greatness

2:38:13

of Magic Johnson

2:38:14

but this was a discussion

2:38:16

about whether or not

2:38:17

gay people should be able

2:38:18

to adopt children

2:38:19

and you felt like

2:38:21

they don't

2:38:22

they're not making children

2:38:23

that was never a thing

2:38:24

when you were young

2:38:25

that gay guys

2:38:26

didn't want children

2:38:27

and then all of a sudden

2:38:28

they do

2:38:29

and you felt like

2:38:31

it didn't fit

2:38:31

that was my thoughts

2:38:33

I didn't

2:38:34

I wasn't rallying

2:38:35

for anything

2:38:36

I didn't think

2:38:37

it was hateful

2:38:37

it's a complex subject

2:38:41

right

2:38:41

because what your point was

2:38:43

is they're not

2:38:44

making the children

2:38:45

and what other people's

2:38:47

points would be

2:38:47

but yeah

2:38:48

wouldn't you just want

2:38:49

the kids to be

2:38:50

in a loving family

2:38:51

and if the gay family

2:38:52

loves them

2:38:53

and supports them

2:38:54

and raises them

2:38:56

far better than being

2:38:58

in foster care

2:38:59

far better than being abused

2:39:00

I think that

2:39:02

that's the

2:39:04

the extreme

2:39:06

that people

2:39:06

put it on

2:39:07

like

2:39:08

I saw a dude

2:39:10

who was

2:39:10

who was giving this

2:39:11

commentary on the

2:39:12

on the talk

2:39:13

without taking in

2:39:15

the whole context

2:39:16

of it

2:39:16

but then he was like

2:39:18

he's been indoctrinated

2:39:20

in this

2:39:20

and he

2:39:21

his thoughts are

2:39:22

he's been indoctrinated

2:39:23

in something

2:39:24

I'm like

2:39:24

nah I just

2:39:25

I'm just a human being

2:39:26

and certain things

2:39:28

in my era

2:39:29

but

2:39:30

they're saying

2:39:31

you were indoctrinated

2:39:32

to something wrong

2:39:34

with gay people

2:39:35

like

2:39:35

I never

2:39:36

I never thought that

2:39:37

nor did I ever say that

2:39:39

did you have a conversation

2:39:40

with anybody about it

2:39:40

like did anybody

2:39:41

talk to you

2:39:42

and say hey

2:39:42

we'd like to know

2:39:43

why you think

2:39:44

what you think

2:39:44

no they threatened me

2:39:45

with violence

2:39:46

they threatened me

2:39:48

with like a lot of people

2:39:49

threatened me with violence

2:39:50

and I was sending my address

2:39:51

to those people

2:39:52

like yo you bring that shit on

2:39:54

if you want to

2:39:54

let me

2:39:54

in what way

2:39:55

they're threatening you

2:39:56

yo I'ma come

2:39:57

knock your fucking teeth

2:39:58

down your throat

2:39:59

and make you

2:39:59

how you think

2:40:00

that's gonna make me

2:40:00

change anything

2:40:01

and what am I gonna be doing

2:40:02

while you're knocking

2:40:03

my teeth down my throat

2:40:03

like what you gonna

2:40:04

what am I gonna be doing

2:40:05

you think this is a fucking movie

2:40:08

that I'ma just be

2:40:09

just taking it

2:40:10

like yo

2:40:11

but this is

2:40:12

that was my point

2:40:13

you

2:40:15

your first thing

2:40:16

was to do

2:40:17

was not to rationally

2:40:19

have a discussion

2:40:19

your thing was

2:40:21

to

2:40:22

threaten me with violence

2:40:24

well that's one person

2:40:25

no that was

2:40:26

no one

2:40:26

that was

2:40:27

that was

2:40:27

that was

2:40:27

no person

2:40:29

ever

2:40:29

DM'd me

2:40:30

and said

2:40:31

I would like to have

2:40:32

a conversation

2:40:33

with you

2:40:34

about your thoughts

2:40:36

did anybody from HBO

2:40:38

want to have a conversation

2:40:39

with you

2:40:39

nah

2:40:40

did you speak to anybody

2:40:42

or is it spoken

2:40:42

to your agent

2:40:43

and then

2:40:44

spoken to my

2:40:44

and I asked

2:40:46

for a conversation

2:40:46

and when we had

2:40:48

the conversation

2:40:48

I started the conversation

2:40:49

off by this

2:40:50

do you think

2:40:52

that I am

2:40:53

an honest man

2:40:54

Ali this is not

2:40:56

about your honesty

2:40:57

yes it is

2:40:58

do you think

2:41:00

that I am

2:41:01

an honest man

2:41:02

yeah

2:41:04

now we can have

2:41:06

the conversation

2:41:06

because if you don't

2:41:07

think that I'm

2:41:08

an honest man

2:41:08

there's no reason

2:41:09

for me to go forward

2:41:09

with this conversation

2:41:10

right

2:41:10

sitting across

2:41:13

from me

2:41:13

do you think

2:41:15

I'm a home folk

2:41:16

sitting right across

2:41:17

from me

2:41:18

mean you having

2:41:18

dinner

2:41:19

no

2:41:21

okay

2:41:23

um

2:41:25

I happened

2:41:28

to watch

2:41:29

New Rules

2:41:30

with Bill Maher's

2:41:32

last Friday

2:41:33

something

2:41:33

I was tired

2:41:34

came from the show

2:41:35

exhausted

2:41:36

turned on

2:41:39

HBO

2:41:40

obviously I have

2:41:41

no problem

2:41:42

I watch a lot

2:41:42

of HBO shows

2:41:43

I have no

2:41:44

ill feelings

2:41:45

about them

2:41:45

they decision

2:41:46

or what not

2:41:47

no trip

2:41:48

still gonna watch

2:41:49

my same

2:41:50

HBO shows

2:41:51

and

2:41:54

then I hear

2:41:55

Bill Maher

2:41:56

talking after

2:41:57

New Rules

2:41:58

and he goes

2:42:02

in

2:42:04

like really

2:42:05

lays out

2:42:06

some shit

2:42:06

and then

2:42:09

Sam Jay

2:42:10

and Sam Jay

2:42:10

show

2:42:10

comes on

2:42:11

right after

2:42:11

that

2:42:12

and Sam Jay

2:42:13

is a lesbian

2:42:14

black lesbian

2:42:15

woman

2:42:16

that's a comic

2:42:16

she has a show

2:42:18

on HBO

2:42:19

which I'm

2:42:20

which I'm on

2:42:21

and

2:42:23

she goes

2:42:24

in about

2:42:25

how the

2:42:26

LGBT community

2:42:27

does not

2:42:28

represent her

2:42:29

as a

2:42:30

black

2:42:31

lesbian

2:42:31

woman

2:42:32

and she's

2:42:34

talking to

2:42:34

these people

2:42:35

and she's

2:42:36

giving a

2:42:36

whole

2:42:36

candid

2:42:37

understanding

2:42:38

about how

2:42:38

the shit

2:42:39

does not

2:42:40

relate to

2:42:41

her

2:42:41

same

2:42:44

thought

2:42:45

patterns

2:42:46

of

2:42:47

understanding

2:42:48

like yo

2:42:48

explain to me

2:42:50

why

2:42:50

XYZ

2:42:51

and I'm

2:42:51

sitting there

2:42:52

looking like

2:42:52

wow

2:42:52

some people

2:42:54

are free

2:42:55

to say

2:42:56

whatever they

2:42:57

choose to say

2:42:58

and some

2:42:59

people are

2:42:59

not

2:42:59

and when

2:43:00

you feel

2:43:00

like you

2:43:01

can

2:43:01

handicap

2:43:02

a

2:43:02

person

2:43:02

and she

2:43:04

says on

2:43:05

this

2:43:05

she said

2:43:05

I think

2:43:06

that it's

2:43:06

a bunch

2:43:06

of

2:43:06

entitled

2:43:07

fucking

2:43:07

white

2:43:08

people

2:43:08

that's

2:43:09

pulling

2:43:09

the strings

2:43:10

of what

2:43:11

and the

2:43:12

lady

2:43:12

that she

2:43:12

says it

2:43:13

to

2:43:13

agrees

2:43:14

and said

2:43:14

I think

2:43:15

it's a lot

2:43:15

of

2:43:16

people

2:43:17

that

2:43:17

lobby

2:43:18

for power

2:43:19

and they

2:43:20

feel like

2:43:20

they can

2:43:21

take a

2:43:21

stance

2:43:21

on this

2:43:22

that

2:43:22

and the

2:43:22

third

2:43:22

without

2:43:23

no

2:43:23

conversation

2:43:24

if

2:43:25

you

2:43:25

manufacturing

2:43:26

the consent

2:43:27

of

2:43:27

anything

2:43:28

you

2:43:29

manufacture

2:43:30

like

2:43:30

you

2:43:31

manufacturing

2:43:32

consent

2:43:32

like

2:43:33

everybody

2:43:33

agrees

2:43:34

but I'm

2:43:35

a part of

2:43:36

everybody

2:43:36

right or wrong

2:43:37

because I

2:43:37

have a

2:43:38

different

2:43:38

thought

2:43:39

your

2:43:42

first

2:43:43

thing

2:43:43

was

2:43:44

to

2:43:44

less

2:43:45

because

2:43:45

he has

2:43:46

a

2:43:46

thought

2:43:46

and

2:43:49

a person

2:43:50

that may

2:43:50

not know

2:43:51

him

2:43:51

because

2:43:51

the

2:43:51

person

2:43:51

who

2:43:52

knows

2:43:53

me

2:43:53

who

2:43:53

wanted

2:43:54

the

2:43:54

special

2:43:55

understands

2:43:56

to a

2:43:57

certain

2:43:58

degree

2:43:58

but it's

2:43:59

not in

2:43:59

their

2:43:59

hand

2:44:00

it's

2:44:01

another

2:44:01

person

2:44:02

that

2:44:03

has

2:44:04

this

2:44:04

and we

2:44:05

talk

2:44:05

about

2:44:06

it

2:44:06

but this

2:44:08

is a

2:44:08

thing

2:44:08

that

2:44:09

I'm

2:44:11

not

2:44:11

rallying

2:44:12

for

2:44:12

anything

2:44:13

but I

2:44:14

understand

2:44:15

that's

2:44:16

why I

2:44:16

have no

2:44:17

ill

2:44:17

feelings

2:44:17

about

2:44:17

their

2:44:18

decision

2:44:18

that's

2:44:18

your

2:44:18

decision

2:44:19

to

2:44:20

not

2:44:20

put

2:44:22

me

2:44:22

on

2:44:22

your

2:44:22

network

2:44:23

because

2:44:24

of

2:44:25

expected

2:44:27

backlash

2:44:27

that did

2:44:28

not

2:44:28

come

2:44:28

because

2:44:30

people

2:44:31

like

2:44:32

it's

2:44:33

a

2:44:33

thought

2:44:33

he's

2:44:35

expected

2:44:36

backlash

2:44:37

from

2:44:37

you

2:44:37

doing

2:44:38

the

2:44:38

podcast

2:44:38

the

2:44:38

same

2:44:39

what

2:44:39

you

2:44:39

said

2:44:39

and

2:44:40

then

2:44:40

they

2:44:40

were

2:44:41

anticipating

2:44:41

that there

2:44:42

was going

2:44:42

to be

2:44:43

some

2:44:43

attack

2:44:43

on

2:44:44

you

2:44:44

yeah

2:44:45

basically

2:44:45

but it

2:44:46

didn't

2:44:46

really

2:44:46

happen

2:44:46

there's

2:44:47

few

2:44:47

DMs

2:44:48

I

2:44:49

got

2:44:49

a few

2:44:49

DMs

2:44:50

and

2:44:50

people

2:44:50

like

2:44:50

what

2:44:51

else

2:44:51

is

2:44:51

a

2:44:51

goddamn

2:44:52

heterosexual

2:44:53

48-year-old

2:44:54

black

2:44:54

male

2:44:55

Muslim

2:44:56

gonna

2:44:56

say

2:44:56

what else

2:44:57

he gonna

2:44:57

say

2:44:58

what the

2:44:58

fuck

2:44:58

but it's

2:44:59

also

2:44:59

like

2:44:59

what I

2:45:01

would

2:45:01

like

2:45:01

to see

2:45:02

is

2:45:03

people

2:45:03

have

2:45:03

a

2:45:03

conversation

2:45:04

about

2:45:04

it

2:45:04

like

2:45:05

it's

2:45:06

a

2:45:06

adopting

2:45:07

children

2:45:08

is a

2:45:09

complex

2:45:09

conversation

2:45:10

it's a

2:45:11

complex

2:45:11

conversation

2:45:11

for

2:45:12

everybody

2:45:12

and

2:45:13

it's

2:45:13

not

2:45:13

just

2:45:13

and

2:45:14

it's

2:45:14

not

2:45:14

just

2:45:14

the

2:45:15

skill

2:45:15

of

2:45:15

what

2:45:16

you

2:45:16

want

2:45:16

you

2:45:17

also

2:45:18

have

2:45:18

to

2:45:19

understand

2:45:19

that

2:45:20

you

2:45:20

send

2:45:21

if

2:45:22

my

2:45:22

son

2:45:23

or

2:45:24

my

2:45:24

daughter

2:45:24

wanted

2:45:25

to

2:45:25

do

2:45:25

something

2:45:25

that

2:45:26

I

2:45:26

know

2:45:26

as a

2:45:28

heterosexual

2:45:30

parent

2:45:30

I'm

2:45:31

concerned

2:45:31

about

2:45:31

the

2:45:32

shit

2:45:32

that

2:45:32

I

2:45:32

do

2:45:32

that

2:45:33

my

2:45:34

kids

2:45:34

have

2:45:34

to

2:45:35

explain

2:45:36

that

2:45:37

may

2:45:37

not

2:45:37

be

2:45:37

equipped

2:45:38

to

2:45:38

explain

2:45:38

it

2:45:38

and

2:45:39

you

2:45:40

don't

2:45:40

have

2:45:40

a

2:45:40

pamphlet

2:45:41

of

2:45:41

information

2:45:42

that

2:45:42

I

2:45:42

can

2:45:43

go

2:45:43

to

2:45:43

to

2:45:44

explain

2:45:45

anything

2:45:46

then

2:45:46

right after

2:45:47

that

2:45:47

I

2:45:48

did

2:45:48

this

2:45:48

joke

2:45:49

which

2:45:49

I

2:45:50

think

2:45:50

I

2:45:50

still

2:45:50

think

2:45:51

it's

2:45:51

fucking

2:45:51

funny

2:45:51

because

2:45:52

it

2:45:52

happened

2:45:53

and

2:45:54

my

2:45:54

four-year-old

2:45:55

she

2:45:56

we in

2:45:58

the elevator

2:45:58

a man

2:46:00

comes on

2:46:00

there with

2:46:00

a face

2:46:01

full of

2:46:01

makeup

2:46:02

we got

2:46:02

a full

2:46:03

what they

2:46:03

call

2:46:03

beat

2:46:04

face

2:46:04

and

2:46:06

my

2:46:07

daughter

2:46:07

like

2:46:07

daddy

2:46:07

why

2:46:08

that

2:46:08

man

2:46:08

got

2:46:08

on

2:46:09

makeup

2:46:09

I'm

2:46:10

not

2:46:11

thinking

2:46:11

about

2:46:11

this

2:46:11

shit

2:46:12

right

2:46:12

now

2:46:12

my

2:46:12

mind

2:46:12

is

2:46:12

on

2:46:13

something

2:46:13

else

2:46:13

I

2:46:14

don't

2:46:14

have

2:46:14

time

2:46:15

to

2:46:15

explain

2:46:16

this

2:46:16

shit

2:46:16

I

2:46:16

said

2:46:17

he

2:46:18

in

2:46:18

a

2:46:18

band

2:46:18

that's

2:46:23

all

2:46:23

I

2:46:23

said

2:46:24

he's

2:46:24

a

2:46:24

band

2:46:24

I

2:46:24

don't

2:46:24

know

2:46:27

fucking

2:46:27

band

2:46:28

he

2:46:28

in

2:46:28

the

2:46:28

band

2:46:28

so

2:46:29

my

2:46:29

four

2:46:30

year old

2:46:30

is

2:46:30

still

2:46:30

like

2:46:31

she

2:46:31

see

2:46:32

a

2:46:32

man

2:46:32

with

2:46:32

makeup

2:46:32

on

2:46:32

she

2:46:33

doesn't

2:46:33

think

2:46:33

anything

2:46:34

but

2:46:34

oh

2:46:34

he

2:46:34

must

2:46:35

be

2:46:35

in

2:46:35

a

2:46:35

band

2:46:35

but

2:46:36

that's

2:46:37

what

2:46:37

I

2:46:37

I

2:46:38

don't

2:46:38

have

2:46:38

time

2:46:39

to

2:46:39

go

2:46:39

into

2:46:39

this

2:46:40

shit

2:46:40

right

2:46:40

now

2:46:40

with

2:46:41

her

2:46:42

in

2:46:42

this

2:46:42

elevator

2:46:43

right

2:46:43

with

2:46:43

this

2:46:44

guy

2:46:44

I

2:46:45

don't

2:46:45

know

2:46:45

what

2:46:45

the

2:46:45

situation

2:46:45

is

2:46:45

he

2:46:45

could

2:46:46

have

2:46:46

bad

2:46:46

skin

2:46:46

I

2:46:46

don't

2:46:47

know

2:46:47

what

2:46:47

the

2:46:47

situation

2:46:47

is

2:46:48

but

2:46:48

the

2:46:48

quickest

2:46:48

thing

2:46:49

I

2:46:49

can

2:46:49

say

2:46:49

right

2:46:49

now

2:46:49

he's

2:46:50

in

2:46:50

a

2:46:50

band

2:46:51

and

2:46:51

people

2:46:53

laugh

2:46:54

and

2:46:55

then

2:46:55

get

2:46:55

mad

2:46:56

when

2:46:56

other

2:46:57

people

2:46:57

want

2:46:58

to

2:46:58

get

2:46:58

mad

2:46:59

with

2:46:59

it

2:46:59

but

2:47:00

it's

2:47:00

almost

2:47:01

like

2:47:01

the

2:47:01

Will

2:47:01

Smith

2:47:01

thing

2:47:02

Will

2:47:03

laughed

2:47:03

Jada

2:47:04

wasn't

2:47:04

happy

2:47:05

now he

2:47:05

slaps

2:47:06

Chris

2:47:06

what

2:47:08

the

2:47:08

just

2:47:08

happened

2:47:08

Will

2:47:09

you

2:47:09

just

2:47:09

laughing

2:47:10

but

2:47:10

I

2:47:12

think

2:47:12

that

2:47:12

if

2:47:13

you

2:47:13

are

2:47:13

able

2:47:14

to

2:47:14

laugh

2:47:14

at

2:47:15

somebody

2:47:15

else's

2:47:15

disposition

2:47:16

you

2:47:16

should

2:47:16

be

2:47:16

able

2:47:16

to

2:47:17

laugh

2:47:18

when

2:47:19

I'm

2:47:19

on

2:47:19

stage

2:47:19

I'm

2:47:20

saying

2:47:20

a

2:47:20

lot

2:47:21

of

2:47:21

shit

2:47:21

that

2:47:22

people

2:47:23

may

2:47:23

not

2:47:23

agree

2:47:23

with

2:47:24

you

2:47:25

may

2:47:25

not

2:47:25

agree

2:47:25

with

2:47:26

the

2:47:26

parenting

2:47:27

style

2:47:27

of

2:47:27

my

2:47:27

parents

2:47:28

but

2:47:29

you

2:47:29

can't

2:47:29

go

2:47:29

back

2:47:30

and

2:47:30

change

2:47:30

that

2:47:31

my

2:47:31

mom

2:47:31

did

2:47:31

what

2:47:31

she

2:47:31

did

2:47:32

it

2:47:32

made

2:47:32

me

2:47:32

who

2:47:32

I

2:47:33

am

2:47:33

and

2:47:33

you

2:47:34

pick

2:47:34

up

2:47:34

things

2:47:35

but

2:47:35

man

2:47:35

I

2:47:36

never

2:47:36

forget

2:47:37

Mr.

2:47:37

Reggie

2:47:37

ran

2:47:39

the

2:47:40

day

2:47:41

center

2:47:42

and

2:47:43

Mr.

2:47:43

Reggie

2:47:43

was

2:47:44

this

2:47:44

black

2:47:44

gay

2:47:44

guy

2:47:48

asked

2:47:48

one

2:47:49

time

2:47:49

I

2:47:49

said

2:47:49

Mr.

2:47:49

Reggie

2:47:50

you

2:47:51

want

2:47:51

kids

2:47:51

he

2:47:51

said

2:47:52

hell

2:47:52

no

2:47:52

I

2:47:52

don't

2:47:52

even

2:47:53

want

2:47:53

y'all

2:47:53

to

2:47:53

be

2:47:53

here

2:47:53

I

2:47:54

was

2:47:54

like

2:47:56

damn

2:47:58

Mr.

2:47:58

Reggie

2:47:58

he's

2:47:58

like

2:47:59

me

2:47:59

y'all

2:47:59

get on

2:47:59

my

2:47:59

goddamn

2:48:00

nerves

2:48:00

like

2:48:00

but

2:48:01

he

2:48:01

I

2:48:03

think

2:48:03

that

2:48:04

white

2:48:05

experience

2:48:06

even

2:48:07

in this

2:48:07

world

2:48:07

is

2:48:08

different

2:48:08

than

2:48:09

black

2:48:09

experience

2:48:11

because

2:48:12

my

2:48:12

cologne

2:48:13

man

2:48:13

Keith

2:48:14

you

2:48:16

have

2:48:16

a

2:48:16

cologne

2:48:17

man

2:48:17

yeah

2:48:17

he

2:48:18

supplies

2:48:19

colognes

2:48:19

at the

2:48:20

barbershop

2:48:20

and he

2:48:22

gets the

2:48:23

best shit

2:48:23

so

2:48:24

and

2:48:26

Keith

2:48:27

is our

2:48:28

barbershop

2:48:28

and we

2:48:29

have

2:48:30

no

2:48:30

rules

2:48:32

we do

2:48:32

not

2:48:33

censor

2:48:33

our

2:48:33

conversation

2:48:34

for

2:48:35

Keith

2:48:35

and

2:48:36

when

2:48:37

Keith

2:48:37

comes

2:48:37

in

2:48:38

I

2:48:38

remember

2:48:39

Keith

2:48:39

got

2:48:39

his

2:48:39

fucking

2:48:40

hair

2:48:41

he

2:48:41

got

2:48:41

some

2:48:41

hair

2:48:42

implants

2:48:42

and

2:48:44

I

2:48:44

I'm

2:48:45

talking

2:48:45

about

2:48:45

Keith

2:48:46

has

2:48:46

done

2:48:46

so

2:48:46

much

2:48:47

to

2:48:47

himself

2:48:47

and

2:48:48

when

2:48:49

he

2:48:49

comes

2:48:49

in

2:48:50

and

2:48:50

I

2:48:50

see

2:48:50

him

2:48:51

I'm

2:48:51

going

2:48:51

to

2:48:52

say

2:48:52

some

2:48:53

wild

2:48:54

shit

2:48:54

to

2:48:54

Keith

2:48:54

he

2:48:58

knows

2:48:59

he's

2:48:59

getting

2:49:00

it

2:49:00

yeah

2:49:00

and

2:49:01

when

2:49:01

he

2:49:01

comes

2:49:02

in

2:49:02

Keith

2:49:03

don't

2:49:03

give

2:49:03

a

2:49:03

shit

2:49:03

about

2:49:04

what

2:49:04

I'm

2:49:04

saying

2:49:04

Keith

2:49:05

was

2:49:05

like

2:49:05

yo

2:49:05

man

2:49:06

you

2:49:06

want

2:49:07

this

2:49:07

cologne

2:49:07

or

2:49:07

not

2:49:07

like

2:49:08

you

2:49:08

just

2:49:08

got

2:49:09

get

2:49:09

your

2:49:09

eyes

2:49:10

done

2:49:10

Keith

2:49:11

you

2:49:11

have

2:49:12

on

2:49:12

cinnamon

2:49:13

contacts

2:49:13

or

2:49:14

you

2:49:14

just

2:49:15

out

2:49:15

on

2:49:15

the

2:49:15

fucking

2:49:15

proud

2:49:16

today

2:49:16

huh

2:49:16

Keith

2:49:17

he's

2:49:17

like

2:49:17

he doesn't

2:49:20

give a

2:49:20

shit

2:49:20

about

2:49:21

what

2:49:21

I

2:49:21

and

2:49:21

he

2:49:21

doesn't

2:49:22

care

2:49:22

what

2:49:22

I

2:49:23

go to

2:49:23

Midtown

2:49:23

Barbershop

2:49:24

he

2:49:25

doesn't

2:49:25

give a

2:49:25

shit

2:49:26

about

2:49:27

anything

2:49:27

that we

2:49:28

say

2:49:28

about

2:49:29

him

2:49:29

in

2:49:29

that

2:49:29

barbershop

2:49:29

and

2:49:30

he's

2:49:30

not

2:49:30

the

2:49:30

only

2:49:30

gay

2:49:31

person

2:49:31

that

2:49:31

comes

2:49:31

to

2:49:31

the

2:49:31

barbershop

2:49:32

he's

2:49:33

been

2:49:33

coming

2:49:33

there

2:49:33

for

2:49:33

years

2:49:34

and

2:49:35

Keith

2:49:35

he's

2:49:36

a

2:49:41

is

2:49:42

said

2:49:42

that's

2:49:43

not

2:49:43

bothering

2:49:44

him

2:49:44

because

2:49:45

we're

2:49:46

not

2:49:46

violent

2:49:47

towards

2:49:47

him

2:49:47

we're

2:49:48

just

2:49:48

talking

2:49:48

shit

2:49:49

this is

2:49:49

a

2:49:49

barbershop

2:49:50

if

2:49:51

you

2:49:51

come in

2:49:52

if you

2:49:53

straight

2:49:53

and you

2:49:53

come in

2:49:54

with some

2:49:54

weird

2:49:55

shit

2:49:55

on

2:49:55

some

2:49:56

shit

2:49:56

gonna be

2:49:56

said

2:49:56

about

2:49:57

you

2:49:57

it

2:49:57

just

2:49:57

it

2:49:58

happens

2:49:58

so

2:49:59

Keith

2:49:59

come in

2:49:59

I ain't

2:50:00

seen

2:50:00

Keith

2:50:00

in a

2:50:00

while

2:50:01

I

2:50:02

said

2:50:02

Keith

2:50:02

where

2:50:02

you

2:50:02

been

2:50:03

and

2:50:04

man

2:50:04

I

2:50:04

had

2:50:04

a

2:50:05

little

2:50:05

procedure

2:50:06

I'm

2:50:06

in

2:50:06

the

2:50:06

hospital

2:50:07

and

2:50:07

I

2:50:08

immediately

2:50:08

said

2:50:08

oh

2:50:08

you

2:50:08

getting

2:50:09

your

2:50:09

stomach

2:50:09

pumped

2:50:09

like

2:50:10

I

2:50:10

immediately

2:50:12

said

2:50:12

the

2:50:12

shit

2:50:12

Keith

2:50:14

like

2:50:14

you

2:50:14

a

2:50:14

fucking

2:50:14

asshole

2:50:15

like

2:50:15

I'm

2:50:16

just

2:50:16

saying

2:50:16

but

2:50:17

I

2:50:19

don't

2:50:19

think

2:50:19

that

2:50:20

they

2:50:20

understand

2:50:21

how

2:50:23

black

2:50:23

people

2:50:24

operate

2:50:25

even

2:50:26

in

2:50:27

the

2:50:27

space

2:50:27

you

2:50:27

think

2:50:28

there's

2:50:28

nobody

2:50:28

gay

2:50:28

in

2:50:29

my

2:50:29

family

2:50:29

my

2:50:30

cousin

2:50:30

know

2:50:30

I

2:50:30

don't

2:50:31

fucking

2:50:31

hate

2:50:31

him

2:50:31

I

2:50:32

don't give

2:50:32

a

2:50:33

your

2:50:33

sexuality

2:50:33

so

2:50:34

they

2:50:35

want

2:50:35

you

2:50:36

to

2:50:36

not

2:50:36

talk

2:50:37

about

2:50:38

things

2:50:38

as

2:50:39

loosely

2:50:39

I

2:50:41

guess

2:50:41

and

2:50:42

not

2:50:42

and

2:50:43

take

2:50:43

into

2:50:43

consideration

2:50:44

that

2:50:45

you

2:50:45

would

2:50:46

hurt

2:50:46

gay

2:50:46

people's

2:50:47

feelings

2:50:47

that

2:50:47

want

2:50:47

to

2:50:47

be

2:50:47

parents

2:50:48

I

2:50:49

would

2:50:50

probably

2:50:50

hurt

2:50:51

anybody's

2:50:51

feelings

2:50:52

if

2:50:53

I'm up

2:50:53

there

2:50:53

talking

2:50:54

about

2:50:54

things

2:50:55

that I

2:50:55

think

2:50:55

that's

2:50:55

contrary

2:50:56

to

2:50:56

you

2:50:56

if

2:50:57

that's

2:50:57

where

2:50:57

your

2:50:57

feelings

2:50:57

are

2:50:58

based

2:50:58

but

2:50:58

my

2:50:58

actions

2:50:59

are

2:51:00

contrary

2:51:03

like I

2:51:04

say

2:51:04

on

2:51:04

stage

2:51:05

that I'm

2:51:05

not a

2:51:05

handy

2:51:05

man

2:51:06

am I

2:51:07

really

2:51:08

not a

2:51:08

handy

2:51:08

man

2:51:08

fuck

2:51:09

no

2:51:09

I

2:51:10

have

2:51:10

been

2:51:10

not

2:51:11

handy

2:51:11

in the

2:51:11

past

2:51:13

but

2:51:14

now

2:51:14

I

2:51:15

can

2:51:15

figure

2:51:15

out

2:51:15

how

2:51:15

to

2:51:15

fix

2:51:15

anything

2:51:16

and

2:51:17

if

2:51:17

I

2:51:17

can't

2:51:17

figure

2:51:17

out

2:51:17

I'm

2:51:18

going to

2:51:18

call

2:51:18

somebody

2:51:18

to

2:51:18

ask

2:51:19

just

2:51:19

like

2:51:19

I

2:51:20

asked

2:51:20

people

2:51:21

but

2:51:22

it

2:51:22

was

2:51:23

all

2:51:23

black

2:51:24

people

2:51:24

I

2:51:24

say

2:51:25

you

2:51:26

heard

2:51:26

what

2:51:26

I

2:51:26

said

2:51:26

on

2:51:26

Rogan

2:51:27

yeah

2:51:28

would

2:51:29

you

2:51:29

offend

2:51:29

it

2:51:29

no

2:51:30

I

2:51:32

buy

2:51:32

the

2:51:32

fucking

2:51:33

lease

2:51:33

but

2:51:33

that's

2:51:33

my

2:51:34

I

2:51:34

think

2:51:34

it's

2:51:34

a

2:51:35

subject

2:51:35

that

2:51:36

they

2:51:36

don't

2:51:36

want

2:51:36

you

2:51:36

talking

2:51:37

about

2:51:37

at

2:51:37

all

2:51:38

unless

2:51:43

their

2:51:43

opinion

2:51:44

their

2:51:44

opinion

2:51:44

yeah

2:51:45

the

2:51:45

manufacturing

2:51:46

consent

2:51:47

well

2:51:48

and

2:51:48

it

2:51:48

comes

2:51:48

it's

2:51:48

not

2:51:49

just

2:51:49

about

2:51:49

that

2:51:50

Mario

2:51:50

Lopez

2:51:51

had to

2:51:52

apologize

2:51:53

because

2:51:54

he was

2:51:54

talking

2:51:55

about

2:51:55

children

2:51:56

taking

2:51:56

hormones

2:51:57

to

2:51:57

transition

2:51:58

and

2:52:00

he

2:52:00

said

2:52:01

he

2:52:01

just

2:52:01

didn't

2:52:01

think

2:52:02

that

2:52:02

it

2:52:02

should

2:52:03

happen

2:52:03

that

2:52:03

children

2:52:04

should

2:52:04

take

2:52:04

hormones

2:52:05

to

2:52:06

become

2:52:06

a

2:52:07

different

2:52:07

gender

2:52:07

and

2:52:09

he

2:52:10

almost

2:52:10

lost

2:52:10

his

2:52:10

fucking

2:52:10

job

2:52:11

and

2:52:13

because

2:52:14

he

2:52:14

thought

2:52:14

something

2:52:15

because

2:52:15

he

2:52:16

had

2:52:16

an

2:52:16

opinion

2:52:17

about

2:52:17

and

2:52:17

by

2:52:17

the

2:52:17

way

2:52:18

that's

2:52:19

an

2:52:19

opinion

2:52:19

shared

2:52:19

by a lot

2:52:20

of

2:52:20

medical

2:52:20

doctors

2:52:20

that's

2:52:21

an opinion

2:52:21

shared

2:52:21

by a lot

2:52:22

of

2:52:22

psychologists

2:52:22

that's

2:52:23

opinion

2:52:23

shared

2:52:23

by a lot

2:52:24

of

2:52:24

people

2:52:24

that

2:52:24

are

2:52:24

very

2:52:24

concerned

2:52:25

and

2:52:25

he

2:52:25

almost

2:52:26

lost

2:52:26

his

2:52:26

job

2:52:26

because

2:52:27

you

2:52:27

can't

2:52:27

have

2:52:28

an

2:52:28

opinion

2:52:28

that

2:52:29

even

2:52:30

like

2:52:30

I

2:52:31

told you

2:52:32

before

2:52:32

in the

2:52:32

first

2:52:32

podcast

2:52:33

I

2:52:33

had

2:52:33

one

2:52:34

of

2:52:34

my

2:52:34

old

2:52:34

neighbors

2:52:34

they're

2:52:35

gay

2:52:35

and

2:52:36

they

2:52:36

had

2:52:36

a

2:52:36

kid

2:52:37

and

2:52:37

they

2:52:37

adopted

2:52:37

this

2:52:37

kid

2:52:37

and

2:52:38

this

2:52:38

kid

2:52:38

was

2:52:38

great

2:52:38

and

2:52:38

they

2:52:39

had

2:52:39

a

2:52:39

great

2:52:39

family

2:52:39

it

2:52:40

does

2:52:40

work

2:52:40

I

2:52:41

don't

2:52:42

have

2:52:42

the

2:52:42

same

2:52:43

opinion

2:52:43

as

2:52:43

you

2:52:44

as far

2:52:45

as

2:52:45

that

2:52:45

but

2:52:46

you're

2:52:46

allowed

2:52:46

to

2:52:47

have

2:52:47

different

2:52:47

opinions

2:52:47

about

2:52:48

everything

2:52:49

in

2:52:49

my

2:52:49

mind

2:52:50

everything

2:52:50

that's

2:52:51

the

2:52:51

look

2:52:51

that's

2:52:52

what

2:52:52

podcasts

2:52:53

are all

2:52:54

about

2:52:54

conversations

2:52:55

are all

2:52:55

about

2:52:55

I want

2:52:56

to know

2:52:56

why you

2:52:57

think

2:52:57

the way

2:52:57

you

2:52:57

think

2:52:57

and

2:52:58

if

2:52:58

you

2:52:58

have

2:52:58

a

2:52:59

perception

2:53:00

and

2:53:01

you

2:53:01

have

2:53:01

a

2:53:01

way

2:53:02

that

2:53:02

you

2:53:02

look

2:53:03

at

2:53:03

things

2:53:03

and

2:53:03

it's

2:53:03

different

2:53:04

than

2:53:04

the

2:53:04

way

2:53:04

I

2:53:04

look

2:53:04

at

2:53:04

things

2:53:04

I

2:53:05

just

2:53:05

want

2:53:05

to

2:53:05

see

2:53:05

why

2:53:06

you

2:53:06

think

2:53:06

that

2:53:06

way

2:53:06

and

2:53:07

you

2:53:07

were

2:53:15

this

2:53:15

is

2:53:16

not

2:53:16

the

2:53:16

same

2:53:16

kind

2:53:16

of

2:53:16

relationship

2:53:17

as

2:53:17

a

2:53:17

man

2:53:17

and

2:53:17

woman

2:53:18

who

2:53:18

have

2:53:19

a

2:53:19

child

2:53:19

and

2:53:20

then

2:53:20

raise

2:53:21

a

2:53:21

child

2:53:21

and

2:53:22

it's

2:53:22

like

2:53:22

it

2:53:22

comes

2:53:23

out

2:53:23

of

2:53:23

the

2:53:23

woman's

2:53:23

body

2:53:23

and

2:53:24

it

2:53:24

it's

2:53:26

a

2:53:26

different

2:53:26

thing

2:53:26

it's

2:53:27

a

2:53:27

different

2:53:27

thing

2:53:27

but

2:53:28

when

2:53:29

people

2:53:30

do

2:53:30

research

2:53:30

they

2:53:32

it's

2:53:32

what

2:53:33

they call

2:53:33

a

2:53:33

hypothesis

2:53:33

is

2:53:34

they

2:53:35

they

2:53:36

trying

2:53:36

to

2:53:36

figure

2:53:37

out

2:53:37

what

2:53:38

works

2:53:39

they

2:53:39

have

2:53:39

educated

2:53:40

guess

2:53:40

and

2:53:41

then

2:53:41

they

2:53:41

start

2:53:41

working

2:53:42

towards

2:53:42

it's

2:53:43

research

2:53:44

so

2:53:45

you

2:53:48

think

2:53:48

something

2:53:49

and

2:53:51

then

2:53:51

you

2:53:51

start

2:53:51

to

2:53:52

go

2:53:53

through

2:53:53

it

2:53:54

pros

2:53:54

cons

2:53:55

some

2:53:57

things

2:53:57

like

2:53:58

with

2:53:59

the

2:53:59

vaccination

2:53:59

some

2:54:00

people

2:54:00

got

2:54:00

sick

2:54:00

some

2:54:00

people

2:54:01

didn't

2:54:02

is

2:54:03

the

2:54:03

vaccination

2:54:03

bad

2:54:04

I don't

2:54:04

know

2:54:04

some

2:54:04

people

2:54:05

got

2:54:05

sick

2:54:05

some

2:54:05

people

2:54:05

didn't

2:54:06

I

2:54:09

don't

2:54:09

think

2:54:09

the

2:54:09

vaccination

2:54:09

is

2:54:10

good

2:54:11

cool

2:54:11

some

2:54:14

people

2:54:14

got

2:54:14

sick

2:54:14

some

2:54:14

people

2:54:14

didn't

2:54:15

you

2:54:15

don't

2:54:15

think

2:54:15

you

2:54:15

should

2:54:15

take

2:54:16

it

2:54:16

cool

2:54:16

what's

2:54:18

that

2:54:18

what

2:54:18

all

2:54:19

these

2:54:19

non

2:54:20

vaxxers

2:54:20

what

2:54:22

like

2:54:24

okay

2:54:25

were you

2:54:26

asking

2:54:26

people

2:54:26

to get

2:54:26

vaccinated

2:54:27

five

2:54:29

years

2:54:29

ago

2:54:29

ten

2:54:30

years

2:54:30

ago

2:54:30

from

2:54:31

other

2:54:31

shit

2:54:31

but

2:54:32

not

2:54:32

this

2:54:32

new

2:54:32

shit

2:54:33

that

2:54:33

people

2:54:33

don't

2:54:33

have

2:54:34

the

2:54:34

enough

2:54:35

information

2:54:35

on

2:54:36

just

2:54:36

yet

2:54:36

so

2:54:37

therefore

2:54:37

I

2:54:38

don't

2:54:39

want

2:54:39

to

2:54:39

fucking

2:54:40

do

2:54:40

it

2:54:40

right

2:54:40

now

2:54:41

but

2:54:42

it

2:54:42

is

2:54:42

another

2:54:42

one

2:54:42

of

2:54:42

those

2:54:43

things

2:54:43

where

2:54:43

you

2:54:43

have

2:54:44

to

2:54:44

have

2:54:44

the

2:54:44

same

2:54:44

opinion

2:54:44

as

2:54:45

everybody

2:54:45

else

2:54:46

or

2:54:46

they

2:54:46

get

2:54:46

furious

2:54:47

at

2:54:47

you

2:54:47

get

2:54:48

extra

2:54:48

but

2:54:50

what

2:54:50

does

2:54:50

your

2:54:51

fury

2:54:51

do

2:54:52

but

2:54:52

cause

2:54:53

more

2:54:53

rage

2:54:54

and

2:54:55

I

2:54:55

don't

2:54:56

think

2:54:56

I

2:54:57

think

2:54:58

they

2:54:58

just

2:54:58

like

2:54:58

in

2:54:59

this

2:54:59

situation

2:54:59

like

2:55:00

the

2:55:00

subject

2:55:00

that

2:55:00

we're

2:55:01

talking

2:55:01

about

2:55:01

gay

2:55:01

people

2:55:02

adopting

2:55:02

children

2:55:02

I

2:55:03

think

2:55:03

people

2:55:04

just

2:55:04

want

2:55:04

compliance

2:55:05

they

2:55:05

want

2:55:06

you

2:55:06

to

2:55:06

comply

2:55:07

with

2:55:07

whatever

2:55:08

the

2:55:08

narrative

2:55:09

that

2:55:09

they're

2:55:09

trying

2:55:10

to

2:55:10

establish

2:55:11

it

2:55:11

it's

2:55:11

the

2:55:11

same

2:55:11

thing

2:55:12

when

2:55:12

Mario

2:55:12

Lopez

2:55:13

was

2:55:13

talking

2:55:13

about

2:55:14

children

2:55:14

taking

2:55:15

hormones

2:55:15

it's

2:55:16

like

2:55:16

there's

2:55:17

a

2:55:17

narrative

2:55:17

they

2:55:18

don't

2:55:18

want

2:55:18

you

2:55:18

to

2:55:18

have

2:55:19

an

2:55:19

opinion

2:55:19

outside

2:55:24

the

2:55:24

situation

2:55:25

with

2:55:25

you

2:55:25

and

2:55:26

HBO

2:55:26

is

2:55:26

look

2:55:27

I

2:55:27

told

2:55:27

you

2:55:27

this

2:55:27

last

2:55:28

night

2:55:28

and

2:55:28

I

2:55:28

believe

2:55:28

it

2:55:28

now

2:55:28

I

2:55:29

think

2:55:29

it's

2:55:29

good

2:55:29

not

2:55:30

necessarily

2:55:31

good

2:55:31

to

2:55:31

have

2:55:31

these

2:55:31

people

2:55:32

upset

2:55:32

at

2:55:32

you

2:55:32

but

2:55:32

good

2:55:33

that

2:55:33

you

2:55:33

put

2:55:34

it

2:55:34

on

2:55:34

YouTube

2:55:34

because

2:55:35

the

2:55:35

distribution

2:55:36

is

2:55:36

so

2:55:36

much

2:55:36

better

2:55:37

you'll

2:55:38

get

2:55:38

millions

2:55:39

more

2:55:39

views

2:55:40

millions

2:55:40

more

2:55:41

views

2:55:41

it'll

2:55:42

be

2:55:42

accessible

2:55:42

anytime

2:55:43

anybody

2:55:43

wants

2:55:43

it

2:55:43

for

2:55:44

free

2:55:44

anytime

2:55:45

you

2:55:45

just

2:55:45

pull

2:55:45

up

2:55:45

your

2:55:46

phone

2:55:46

bam

2:55:46

you're

2:55:47

waiting

2:55:48

for

2:55:48

a

2:55:48

plane

2:55:48

bam

2:55:49

watch

2:55:49

it

2:55:49

anytime

2:55:50

you

2:55:50

want

2:55:50

bam

2:55:51

watch

2:55:51

it

2:55:51

it's

2:55:51

always

2:55:51

available

2:55:52

you'll

2:55:53

get

2:55:53

millions

2:55:54

more

2:55:54

views

2:55:54

it's

2:55:55

so

2:55:55

much

2:55:55

better

2:55:56

for

2:55:56

you

2:55:56

and

2:55:56

I

2:55:56

think

2:55:56

people

2:55:57

will

2:55:57

understand

2:55:58

the

2:55:58

thought

2:55:58

process

2:55:59

of

2:55:59

a

2:55:59

lot

2:56:00

more

2:56:00

things

2:56:00

I'm

2:56:00

starting

2:56:02

at

2:56:02

I made

2:56:03

decisions

2:56:04

at

2:56:05

10

2:56:06

that I

2:56:07

knew

2:56:07

were bad

2:56:08

decisions

2:56:08

later

2:56:10

on

2:56:10

but

2:56:10

if

2:56:11

somebody

2:56:11

would have

2:56:11

protected

2:56:12

me

2:56:12

from

2:56:12

that

2:56:13

decision

2:56:13

my

2:56:14

sister

2:56:14

tried

2:56:15

was

2:56:15

like

2:56:16

nah

2:56:16

I

2:56:17

don't

2:56:17

think

2:56:17

that's

2:56:18

the

2:56:18

way

2:56:18

to

2:56:18

go

2:56:18

and

2:56:21

sometimes

2:56:22

you gotta

2:56:22

learn

2:56:22

for

2:56:22

yourself

2:56:23

and

2:56:23

so

2:56:24

I

2:56:25

think

2:56:25

even

2:56:26

when

2:56:26

I'm

2:56:26

a

2:56:26

child

2:56:27

and

2:56:27

I'm

2:56:27

walking

2:56:28

through

2:56:28

life

2:56:29

as a

2:56:29

child

2:56:30

and

2:56:30

I'm

2:56:30

making

2:56:30

a lot

2:56:31

of

2:56:31

bad

2:56:31

decisions

2:56:32

that I

2:56:33

know

2:56:33

now

2:56:35

that

2:56:36

will

2:56:36

I would

2:56:37

never want

2:56:38

my child

2:56:38

to go

2:56:38

through

2:56:39

hey

2:56:39

man

2:56:39

let me

2:56:39

give

2:56:40

you

2:56:40

a

2:56:40

lot

2:56:40

more

2:56:40

if

2:56:41

I

2:56:41

wish

2:56:42

I

2:56:42

just

2:56:42

want

2:56:43

to

2:56:43

build

2:56:43

a

2:56:43

confidence

2:56:43

up

2:56:44

in

2:56:45

children

2:56:45

that

2:56:45

they

2:56:45

will

2:56:46

not

2:56:48

succumb

2:56:49

to

2:56:49

these

2:56:51

outside

2:56:52

forces

2:56:52

that's

2:56:53

pulling

2:56:53

you

2:56:53

towards

2:56:53

things

2:56:54

that's

2:56:54

contrary

2:56:55

to

2:56:55

your

2:56:56

moral

2:56:56

standings

2:56:57

on

2:56:57

things

2:56:57

it's

2:56:57

hard

2:56:58

it's

2:56:58

hard

2:56:59

for

2:56:59

people

2:56:59

because

2:56:59

they

2:56:59

get

2:56:59

to

2:57:00

school

2:57:00

and

2:57:00

there's

2:57:01

so

2:57:01

many

2:57:01

people

2:57:02

that

2:57:02

want

2:57:02

you

2:57:02

to

2:57:03

believe

2:57:03

a

2:57:03

certain

2:57:03

way

2:57:03

like

2:57:04

I've

2:57:04

talked

2:57:04

to

2:57:05

kids

2:57:05

that

2:57:05

told

2:57:06

me

2:57:06

and

2:57:06

these

2:57:06

12

2:57:07

year

2:57:07

old

2:57:07

kids

2:57:07

that

2:57:08

they

2:57:08

were

2:57:08

getting

2:57:08

bullied

2:57:09

at

2:57:09

school

2:57:09

because

2:57:10

they

2:57:10

weren't

2:57:10

vaccinated

2:57:11

and

2:57:11

other

2:57:11

kids

2:57:12

were

2:57:12

vaccinated

2:57:12

and

2:57:13

I'm

2:57:13

like

2:57:13

what

2:57:14

12

2:57:14

year

2:57:14

old

2:57:14

understands

2:57:15

the

2:57:15

ramifications

2:57:16

of getting

2:57:16

vaccinated

2:57:16

for

2:57:17

something

2:57:17

that

2:57:17

they

2:57:17

have

2:57:18

zero

2:57:18

fear

2:57:19

of

2:57:19

getting

2:57:20

sick

2:57:20

and

2:57:20

hospitalized

2:57:21

for

2:57:21

somebody

2:57:22

say

2:57:22

to

2:57:22

unless

2:57:23

you're

2:57:23

obese

2:57:24

unless

2:57:24

there's

2:57:24

something

2:57:25

wrong

2:57:25

with

2:57:25

you

2:57:25

unless

2:57:26

you're

2:57:26

immunocompromised

2:57:27

the

2:57:28

hard

2:57:29

science

2:57:29

on

2:57:30

COVID

2:57:31

is

2:57:31

young

2:57:31

children

2:57:32

that

2:57:32

are

2:57:33

healthy

2:57:33

children

2:57:33

are

2:57:34

rarely

2:57:34

hospitalized

2:57:35

very

2:57:36

very

2:57:36

very

2:57:36

rarely

2:57:37

far

2:57:38

more

2:57:38

vulnerable

2:57:38

to

2:57:39

the

2:57:39

flu

2:57:39

my

2:57:40

kids

2:57:40

had it

2:57:41

the

2:57:41

flu

2:57:42

or

2:57:42

COVID

2:57:42

mine

2:57:43

too

2:57:43

my

2:57:44

kids

2:57:44

had it

2:57:44

and

2:57:45

we

2:57:45

tried

2:57:45

to

2:57:45

isolate

2:57:46

them

2:57:46

from

2:57:47

my

2:57:47

daughter

2:57:48

who

2:57:48

has

2:57:48

allergies

2:57:48

and

2:57:50

she

2:57:51

we

2:57:51

wake up

2:57:52

in the

2:57:52

night

2:57:52

she

2:57:52

in

2:57:52

the

2:57:53

bed

2:57:53

with

2:57:53

her

2:57:53

sister

2:57:54

and

2:57:54

her

2:57:54

brother

2:57:54

that

2:57:55

both

2:57:55

had

2:57:55

COVID

2:57:55

like

2:57:56

we

2:57:56

trying

2:57:56

to

2:57:57

keep

2:57:57

you

2:57:57

safe

2:57:57

and

2:57:58

she

2:57:58

was

2:57:58

like

2:57:58

no

2:57:59

need

2:57:59

to

2:57:59

be

2:57:59

with

2:58:00

my

2:58:00

family

2:58:01

and

2:58:01

she

2:58:02

never

2:58:02

caught

2:58:03

it

2:58:03

and

2:58:03

they

2:58:04

had

2:58:04

it

2:58:05

and

2:58:05

my

2:58:06

kids

2:58:06

are

2:58:06

fine

2:58:07

my

2:58:08

kids

2:58:08

both

2:58:08

got

2:58:08

it

2:58:09

and

2:58:09

they

2:58:10

were

2:58:10

fine

2:58:10

they

2:58:10

got

2:58:11

over

2:58:11

it

2:58:11

easy

2:58:11

one

2:58:11

kid

2:58:11

just

2:58:12

got

2:58:12

a

2:58:12

headache

2:58:12

the

2:58:12

other

2:58:12

kid

2:58:13

felt

2:58:14

like

2:58:14

she

2:58:14

had

2:58:14

little

2:58:14

bit

2:58:15

of

2:58:15

a

2:58:15

cold

2:58:15

for

2:58:15

a

2:58:15

day

2:58:16

it

2:58:17

was

2:58:18

one

2:58:19

of

2:58:19

those

2:58:19

things

2:58:19

though

2:58:20

where

2:58:20

the

2:58:20

heightened

2:58:21

fear

2:58:21

and

2:58:22

they

2:58:22

were

2:58:22

pushing

2:58:23

it

2:58:23

so

2:58:23

hard

2:58:24

the

2:58:24

difference

2:58:24

between

2:58:25

the

2:58:25

way

2:58:25

they

2:58:25

felt

2:58:25

about

2:58:26

it

2:58:26

here

2:58:26

versus

2:58:27

the

2:58:27

way

2:58:27

they

2:58:27

felt

2:58:27

about

2:58:27

it

2:58:28

in

2:58:28

LA

2:58:28

LA

2:58:29

they're

2:58:29

still

2:58:29

scared

2:58:29

they're

2:58:30

still

2:58:30

wearing

2:58:30

masks

2:58:31

everywhere

2:58:31

I

2:58:31

mean

2:58:32

it's

2:58:32

it's

2:58:32

so

2:58:32

different

2:58:33

out

2:58:34

here

2:58:34

no

2:58:34

one

2:58:34

gave

2:58:34

a

2:58:34

fuck

2:58:35

that's

2:58:36

one

2:58:36

of

2:58:36

the

2:58:36

reasons

2:58:36

why

2:58:36

my

2:58:37

kids

2:58:37

wanted

2:58:37

to

2:58:37

move

2:58:37

here

2:58:38

when

2:58:38

we

2:58:38

came

2:58:39

out

2:58:39

here

2:58:39

in

2:58:39

May

2:58:40

of

2:58:40

2020

2:58:40

and

2:58:41

my

2:58:41

kids

2:58:42

were

2:58:42

like

2:58:42

mommy

2:58:42

I

2:58:42

want

2:58:42

to

2:58:42

move

2:58:43

here

2:58:43

come

2:58:43

on

2:58:43

daddy

2:58:44

let's

2:58:44

live

2:58:44

here

2:58:44

I'm

2:58:45

like

2:58:45

I'll

2:58:46

fucking

2:58:46

move

2:58:46

here

2:58:47

I

2:58:47

I

2:58:47

will

2:58:47

move

2:58:48

here

2:58:48

I

2:58:48

do

2:58:49

not

2:58:49

like

2:58:59

each

2:59:00

other

2:59:00

Texas

2:59:00

people

2:59:01

a little

2:59:01

more

2:59:02

spread

2:59:02

it

2:59:02

out

2:59:02

and

2:59:03

he's

2:59:03

like

2:59:03

yo

2:59:03

man

2:59:03

I

2:59:03

don't

2:59:04

even

2:59:04

see

2:59:04

that

2:59:05

many

2:59:05

people

2:59:06

get the

2:59:06

fuck

2:59:06

out

2:59:06

here

2:59:06

I'm

2:59:06

not

2:59:06

just

2:59:07

and

2:59:07

I

2:59:08

think

2:59:08

that

2:59:09

with

2:59:10

people are

2:59:14

so quick

2:59:14

to give

2:59:14

somebody

2:59:15

a phobia

2:59:15

yeah

2:59:17

or

2:59:18

diagnose

2:59:18

somebody

2:59:19

because I

2:59:19

like

2:59:20

things in

2:59:20

order

2:59:20

oh

2:59:21

you

2:59:21

OCD

2:59:22

I

2:59:22

just

2:59:23

like

2:59:23

maybe

2:59:24

I

2:59:24

just

2:59:24

like

2:59:24

balance

2:59:25

you

2:59:26

have

2:59:26

ADHD

2:59:27

because

2:59:27

you

2:59:27

can't

2:59:27

pay

2:59:27

attention

2:59:28

to

2:59:28

boring

2:59:28

shit

2:59:29

that's

2:59:31

what it

2:59:31

is

2:59:31

man

2:59:32

I

2:59:32

don't

2:59:32

want

2:59:33

to

2:59:33

watch

2:59:33

some

2:59:33

weird

2:59:33

ass

2:59:34

TED talk

2:59:34

you

2:59:35

got

2:59:35

ADHD

2:59:36

no

2:59:37

no

2:59:37

I

2:59:37

don't

2:59:38

how many

2:59:38

kids are

2:59:38

getting

2:59:39

medicated

2:59:39

because

2:59:40

they're

2:59:40

bored

2:59:41

in

2:59:41

school

2:59:41

a lot

2:59:42

I

2:59:43

never

2:59:43

forget

2:59:43

my

2:59:44

daughter

2:59:45

like

2:59:45

I

2:59:45

remember

2:59:46

homeschool

2:59:47

had a

2:59:48

phobia

2:59:48

of

2:59:49

like

2:59:50

people

2:59:50

your

2:59:51

kids

2:59:51

not

2:59:51

gonna

2:59:51

be

2:59:51

socialized

2:59:52

right

2:59:52

your

2:59:53

kid

2:59:53

is

2:59:53

gonna

2:59:53

be

2:59:53

this

2:59:53

good

2:59:54

homeschool

2:59:54

is

2:59:55

way

2:59:55

better

2:59:55

I

2:59:55

remember

2:59:56

my

2:59:56

daughter

2:59:56

my

2:59:58

oldest

2:59:58

daughter

2:59:58

Jaden

2:59:59

she's

2:59:59

a

3:00:00

chef

3:00:00

at

3:00:00

James

3:00:01

Harden

3:00:01

restaurant

3:00:01

13

3:00:02

she

3:00:04

was in

3:00:05

school

3:00:06

and

3:00:07

the

3:00:07

teacher

3:00:07

said

3:00:08

that

3:00:08

she

3:00:08

was

3:00:08

being

3:00:08

disruptive

3:00:09

in

3:00:09

class

3:00:09

and

3:00:11

I

3:00:11

went

3:00:12

and

3:00:13

I

3:00:13

just

3:00:14

snuck

3:00:14

and

3:00:15

looked

3:00:15

to see

3:00:16

what

3:00:16

she

3:00:17

was

3:00:17

doing

3:00:17

she

3:00:19

was

3:00:19

in

3:00:20

kindergarten

3:00:21

and

3:00:22

she

3:00:22

had

3:00:22

already

3:00:23

been

3:00:23

my

3:00:25

daughter

3:00:25

was

3:00:25

reading

3:00:26

at

3:00:26

three

3:00:26

so

3:00:27

now

3:00:28

you

3:00:28

in

3:00:28

there

3:00:28

doing

3:00:28

colors

3:00:29

and

3:00:29

numbers

3:00:30

and

3:00:31

she's

3:00:31

in

3:00:31

the

3:00:31

back

3:00:32

doing

3:00:32

shit

3:00:32

like

3:00:33

this

3:00:33

they

3:00:33

like

3:00:33

what

3:00:34

color

3:00:34

is

3:00:34

blue

3:00:34

and

3:00:35

she

3:00:35

in

3:00:35

the

3:00:35

back

3:00:35

B-L-U-E

3:00:37

blue

3:00:38

what

3:00:39

are we

3:00:39

doing

3:00:39

man

3:00:40

she's

3:00:41

advanced

3:00:43

it's like

3:00:43

her and

3:00:44

this other

3:00:44

guy

3:00:45

I know

3:00:46

his mom

3:00:47

they moved

3:00:48

him to

3:00:48

this school

3:00:49

long fellow

3:00:49

that had

3:00:50

a gifted

3:00:51

and talented

3:00:51

program

3:00:52

they both

3:00:53

were in

3:00:53

gifted

3:00:53

and talented

3:00:54

all through

3:00:55

elementary

3:00:56

all through

3:00:57

middle school

3:00:59

all through

3:01:00

high school

3:01:00

never was

3:01:02

bored in

3:01:03

class

3:01:03

because they

3:01:04

were being

3:01:04

stimulated

3:01:05

and

3:01:06

you got

3:01:07

a lot

3:01:07

of shit

3:01:07

to do

3:01:08

so

3:01:08

I think

3:01:09

that

3:01:09

that's

3:01:10

a part

3:01:10

of it

3:01:10

as well

3:01:11

this kid

3:01:12

don't have

3:01:12

ADHD

3:01:13

this kid

3:01:14

is bored

3:01:14

at this

3:01:15

goddamn

3:01:15

bullshit

3:01:16

ass

3:01:16

curriculum

3:01:16

that you

3:01:17

have

3:01:18

they're like

3:01:19

you teaching

3:01:19

me

3:01:19

god

3:01:19

non-interested

3:01:21

teachers

3:01:21

too

3:01:21

oh man

3:01:22

non-interested

3:01:23

teachers

3:01:23

man

3:01:24

this shit

3:01:24

just bothers

3:01:24

me

3:01:25

and

3:01:25

I say

3:01:26

this

3:01:27

and I know

3:01:27

teachers

3:01:27

get upset

3:01:28

every time

3:01:29

I say

3:01:29

this

3:01:29

I get

3:01:30

backlash

3:01:30

but

3:01:30

when people

3:01:31

get upset

3:01:32

about things

3:01:32

you have

3:01:32

to think

3:01:33

about it

3:01:33

I've seen

3:01:36

teachers walk

3:01:37

out for

3:01:38

more pay

3:01:39

maybe twice

3:01:40

we walk

3:01:43

they get

3:01:43

us on strike

3:01:44

for more pay

3:01:45

maybe more

3:01:45

times than that

3:01:46

I'm just going

3:01:46

on times

3:01:46

I just

3:01:47

currently

3:01:47

think of

3:01:48

but they

3:01:52

never walk

3:01:52

out for

3:01:53

a better

3:01:53

curriculum

3:01:54

for children

3:01:56

like they

3:01:57

say the

3:01:58

school system

3:01:58

is not

3:01:59

this not

3:01:59

that

3:01:59

and it

3:02:00

is not

3:02:00

challenging

3:02:00

but you

3:02:01

never walk

3:02:02

out

3:02:02

for a

3:02:04

better

3:02:04

curriculum

3:02:04

they can't

3:02:05

get it

3:02:05

together

3:02:05

on the

3:02:05

same page

3:02:06

we want

3:02:06

to teach

3:02:07

these kids

3:02:07

and really

3:02:08

teach

3:02:08

these kids

3:02:08

United States

3:02:09

kids

3:02:09

to be

3:02:10

in the

3:02:10

upper echelon

3:02:11

of intelligent

3:02:12

children

3:02:13

and intelligent

3:02:14

people

3:02:15

in the

3:02:15

world

3:02:16

I wonder

3:02:17

where we rank

3:02:18

at right now

3:02:19

in

3:02:20

education

3:02:22

where does the

3:02:24

United States

3:02:24

rank

3:02:25

in education

3:02:26

is pretty

3:02:27

low

3:02:28

let's

3:02:28

guess

3:02:30

36

3:02:31

I'll

3:02:33

say

3:02:33

30

3:02:35

I bet

3:02:37

we're

3:02:37

lower

3:02:38

than that

3:02:39

so

3:02:41

why not

3:02:42

adopt

3:02:42

why be

3:02:43

so arrogant

3:02:44

not to

3:02:45

adopt

3:02:45

somebody

3:02:46

else's

3:02:46

who's

3:02:47

number

3:02:47

one

3:02:48

let's

3:02:49

adopt

3:02:49

that

3:02:49

curriculum

3:02:50

and put

3:02:51

that

3:02:51

curriculum

3:02:52

and put

3:02:52

that

3:02:52

attitude

3:02:53

in

3:02:53

your

3:02:53

kids

3:02:54

go to

3:02:54

school

3:02:54

and eat

3:02:55

what

3:02:55

type

3:02:56

of

3:02:56

fucking

3:02:56

food

3:02:57

right

3:02:57

do they

3:02:58

have

3:02:58

do they

3:02:58

have

3:02:58

a five

3:02:59

five star

3:03:00

chef

3:03:00

back there

3:03:01

giving nutritious

3:03:01

food to the

3:03:02

children

3:03:02

one of the

3:03:03

one of the

3:03:03

things about

3:03:04

my son

3:03:04

when he went

3:03:04

to school

3:03:05

he complained

3:03:05

about the

3:03:06

bathroom

3:03:07

being filthy

3:03:07

filthy

3:03:08

and not

3:03:09

having enough

3:03:10

time to

3:03:10

eat

3:03:11

and he was

3:03:12

done with

3:03:13

the shit

3:03:13

like he like

3:03:14

he went to

3:03:14

school for

3:03:15

three months

3:03:15

and then that

3:03:16

was it

3:03:16

he's never

3:03:17

been bad

3:03:17

he was

3:03:17

done

3:03:18

with the

3:03:18

shit

3:03:18

like

3:03:19

it's a

3:03:20

kid that

3:03:20

knows the

3:03:21

quality of

3:03:21

education

3:03:22

is like

3:03:22

yo

3:03:22

I can't

3:03:23

even borrow

3:03:24

when I'm

3:03:24

doing math

3:03:25

I don't

3:03:25

what the

3:03:26

fuck

3:03:26

is this

3:03:26

like you

3:03:27

taught me

3:03:27

how to

3:03:28

borrow

3:03:28

and I'm

3:03:29

a math

3:03:29

fucking

3:03:29

magician

3:03:30

I used to

3:03:30

I was a

3:03:31

street farmer

3:03:31

school rep

3:03:31

I know

3:03:32

math

3:03:32

I know

3:03:32

both

3:03:33

fucking

3:03:33

systems

3:03:33

what's the

3:03:36

number

3:03:37

honestly

3:03:39

world ranking

3:03:40

when you type it

3:03:41

in it says

3:03:41

we're number

3:03:41

one

3:03:42

so the first

3:03:44

three articles

3:03:45

I find

3:03:45

say we're number

3:03:46

one and then

3:03:46

they start

3:03:46

seeing articles

3:03:47

that say

3:03:47

US shows

3:03:48

they're falling

3:03:48

behind

3:03:49

the world

3:03:49

and I'm

3:03:50

like

3:03:50

alright

3:03:50

well who

3:03:51

is deciding

3:03:52

oh so now

3:03:53

New Zealand

3:03:53

is not

3:03:54

number one

3:03:54

no more

3:03:54

okay

3:03:55

so like

3:03:55

the one

3:03:56

that says

3:03:56

we're number

3:03:56

one

3:03:57

comes from

3:03:58

the US

3:03:59

news and

3:03:59

world report

3:04:00

BAV group

3:04:01

in the Wharton

3:04:01

schools

3:04:02

when was that

3:04:02

this is

3:04:03

2022

3:04:04

or 2020

3:04:04

and I got

3:04:05

one that says

3:04:06

they took

3:04:07

comparing test

3:04:09

scores

3:04:10

rankings falling

3:04:11

behind the rest

3:04:12

of the world

3:04:12

2022

3:04:13

they'd give

3:04:14

some tests

3:04:14

to 15 year olds

3:04:15

and according

3:04:16

to that test

3:04:17

we're 11th

3:04:18

out of 79

3:04:19

countries in

3:04:20

science

3:04:20

much worse

3:04:22

in ranking

3:04:22

ranking 30th

3:04:23

but like I said

3:04:26

when you type

3:04:26

in here

3:04:27

like

3:04:28

United States

3:04:29

number one

3:04:29

education rankings

3:04:30

by country

3:04:31

world

3:04:31

I don't know

3:04:31

like who's

3:04:32

making

3:04:32

who's

3:04:33

who's

3:04:33

putting this

3:04:33

together

3:04:34

probably the

3:04:35

education group

3:04:36

of the United

3:04:36

States of America

3:04:37

number one

3:04:38

I gotta wrap

3:04:39

this up

3:04:39

it's already

3:04:40

four o'clock

3:04:40

uh

3:04:41

Ali

3:04:41

tell everybody

3:04:42

how to get

3:04:43

a hold of you

3:04:43

social media

3:04:44

your specials

3:04:45

available

3:04:46

right now

3:04:46

it's on YouTube

3:04:47

it's excellent

3:04:48

um

3:04:49

the domino effect

3:04:50

and what your

3:04:51

social media is

3:04:52

okay

3:04:53

gotcha

3:04:54

hey it's

3:04:55

Ali Sadiq

3:04:56

you can go to

3:04:56

AliSadiq.com

3:04:57

and watch the specials

3:04:58

it'll take you

3:04:58

straight to YouTube

3:04:59

but you can type

3:05:00

in YouTube

3:05:00

Ali Sadiq

3:05:01

S-I-D-D-I-Q

3:05:02

on Instagram

3:05:03

it's Ali Sadiq

3:05:05

on Facebook

3:05:05

it's Ali Sadiq

3:05:07

and on Twitter

3:05:07

it's Ali

3:05:08

underscore speaks

3:05:09

you can find me

3:05:11

at all those spots

3:05:12

man watch the special

3:05:13

share the special

3:05:14

it's a fucking

3:05:15

great special

3:05:16

it's nice to be able

3:05:17

to say that right

3:05:18

yeah

3:05:18

it's available

3:05:19

for everybody

3:05:20

free on YouTube

3:05:20

alright

3:05:21

thank you

3:05:22

bye everybody