#1656 - Adam Duritz

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Adam Duritz

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Adam Duritz is a singer, songwriter, and frontman of the Counting Crows. The band's first record in seven years, "Butter Miracle, Suite One", is available now.

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Timestamps

0:35The backlash from "Mr. Jones" made Adam self-conscious in front of cameras
6:15Adam used AOL message boards to talk to fans (back in the day) & they wouldn't believe him
11:45The first time Adam met Bryan Callen

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YoungJamiesAsshole

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5y ago

if you were a rock star in the 90s then you too could have dated jennifer aniston and courteney cox

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barfyman362

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5y ago

as a 90s kid, i really enjoyed this one

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FirstGuy

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5y ago

joe looks especially bald today

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Transcript

0:00

The Joe Rogan experience

0:06

Hello, hello Joe, how you doing? I'm pretty good. It's good to see it's nice to

0:19

meet you man

0:19

It's nice to be I've been a fan of your work for a long fucking time

0:23

And it's always weird when you meet someone that you listen to their music or

0:26

you've seen their stuff and you're like

0:28

Oh, you're just a normal human being. There you are a little whacked out, but

0:33

yeah

0:33

but it's you know, like I remember watching mr. Jones on

0:38

MTV and I

0:41

Love that fucking video man, and I loved that you dancing in that was it like a

0:45

living room or something like that

0:46

Yeah, I'm like I want to be that free like you seem so loose you were so in the

0:53

moment

0:54

I remember thinking that I was remember talking to a friend of mine that let

0:57

that night after a show

0:59

I was at a bar. I was like you ever see that mr. Jones video. I go when that

1:03

dude's dancing

1:04

I go I want to like figure out how to get there shit. I want to be that free

1:07

You know, it's a weird thing. I used to I'm gonna take this off for now. Okay.

1:11

I used to be

1:13

For me, you know life is

1:15

Often very awkward and uncomfortable, but not on stage, you know like on stage

1:20

I always felt like well. This is one place on everything. I do is fine, right?

1:24

So when I started, you know making videos at first, it was just like

1:27

This is apps. This is easy because all I got to do is do the stuff

1:32

I'm gonna I'm gonna do you know and and there's nothing wrong. I can do I can

1:36

just be as free as I want and

1:38

And that lasted about a year and a half maybe two years

1:41

something out like

1:43

getting really famous out of nowhere and then

1:46

You know all the kind of backlash that comes with it. I noticed a couple years

1:52

later. I was a lot more

1:54

Self-conscious I'm still on stage. I never think about anything when I'm

1:59

playing it. Nothing bothers me

2:01

But in front of cameras, I got really self-conscious in front of cameras after

2:06

Sometime in the middle of our second record. I just noticed that I started to

2:09

suck on not suck on video

2:11

But definitely not like that. Mr. Jones video you became aware that so many

2:16

people were watching and criticizing you or like

2:18

What was it? I think it was that you know, because at first I just

2:21

Well didn't care and I just thought that there's nowhere in the world. I'm more

2:26

comfortable than here

2:27

so I'm fine and

2:28

Then I think on our second album when we got a lot of backlash and you get a

2:32

little too big and everybody you get you annoy the shit out of people

2:34

Yeah, you know, especially because in a band because

2:36

You get a really successful song. They're gonna play it on the radio every five

2:40

minutes after a while

2:41

It's like god who wouldn't get sick of it, you know

2:43

Yeah, and then you get some backlash after that people say some terrible things

2:46

and then and then I started thinking about like

2:49

What do I look like on film then I got really self-conscious, you know?

2:53

Pants does this look my this song make my ass look big?

2:57

I noticed that I got kind of crappy in just in front of cameras not the rest of

3:03

the time and not like cameras when I'm on stage at

3:05

A concert like you play a big festival. There's lots of cameras and doesn't

3:08

bother me there

3:08

It's just kind of sometimes on TV and in filming I got kind of self-conscious

3:14

and I had never been that way the press stuff like that

3:17

Kind of stuff. I think so. I mean, I don't really know what caused it exactly

3:21

I would the only reason I would say I think you're right about that is that is

3:24

that it happened then

3:26

You know and that was the first time I'd experienced that because you know

3:28

No one says anything bad about you when they don't know you exist for one and

3:32

then on our first record

3:34

God, we couldn't buy a bad review, you know, and but by our second record it

3:37

was we weren't even getting it was like

3:39

Forget him. He's fucking this chick. So I don't have to forget his music, you

3:45

know, and then like he got fat whatever it would be

3:47

You know you start, you know when you nationwide but a national publication

3:51

calls you fat

3:52

Shit, I remember getting a review in like in England once and somebody called

3:58

me

3:58

Ponzi is a fishmonger's cat

4:01

Which I suppose fishmonger's cats eat a lot on see like is that like chubby potty

4:07

thought it I thought it meant chubby

4:09

I assume I guess I don't know just sounded bad so pretty compared to a fishmonger's

4:14

cat

4:15

The fact that fishmonger is involved at all as a word when they're talking

4:18

about a concert seems like a bad sign, you know

4:21

Yeah

4:22

There's a thing that happens right like when people discover you and they find

4:26

out about you and you haven't gotten big yet

4:29

Like especially for bands

4:31

I think where they they they love the fact that they're the first to tell their

4:36

friends

4:37

You got to listen to this band got to listen to this album. This is awesome

4:41

But then when you get really big and other people like it and too many people

4:45

like it then you're like oh, man

4:47

They were good in the beginning

4:49

Well, I think I think you're I mean

4:51

I think that music unlike almost everything else

4:54

It becomes our personal cool, you know

4:57

I mean we literally wear it on our shirts, right?

4:59

You know and it defines who we are we talk about this genre or that genre as

5:03

being our gang almost and when when you're discovering stuff

5:06

Yeah, it's really cool

5:07

And then when you have to share it with that guy at the water cooler who likes

5:11

that fucking worst music

5:13

You know that guy who's been coming in for years and he's just listening to

5:16

utter shit

5:16

Yeah

5:16

And now he loves your band too and you're like I don't want to share this with

5:20

captain asshole over there

5:21

You know and I've never understood that because why can't people with terrible

5:25

taste also like great things like great things are great

5:28

No matter what like everybody loves the Godfather, right? Yeah

5:31

Yeah, it's like whoever says that that movie sucks

5:33

Nobody but people who like terrible movies still like the Godfather, you know

5:38

Well, I think it's less because they now like it as that you're now as opposed

5:41

to you were in a club without them

5:43

Right and now you're in a club with them

5:45

And that just sucks because you didn't have to be in a club with them before

5:48

right it's human nature

5:50

I mean, I get it. I didn't like it when it landed on me, but uh

5:53

Yeah, I mean I get it. Well, and it happened to you pre-social media. Yeah, you

5:59

were

6:00

You guys were just getting reviewed by experts. You weren't get shit on by the

6:05

general public yet

6:07

No, I mean, but that was kind of that was a good thing for one, but I was

6:12

really into

6:13

So right. Well, it's for me it had happened when I was kind of already into

6:17

social media because

6:18

I remember moving down to LA after our first album and and that year while I

6:23

was writing the second record

6:25

discovering that AOL had these uh

6:27

Like message boards. So this is 95 say and I realized that AOL had these forums

6:33

and message boards for all the bands

6:35

And it suddenly occurred to me. Well, I could just go on there

6:37

And talk to people because when I read it, they were worried about were we ever

6:41

going to make a second record?

6:42

Were we going to shit? Did we exist anymore? Like what?

6:45

All the questions that you wonder about your band between records

6:48

And it suddenly occurred to me. Well, I could I have the answers to all those

6:52

questions

6:52

You know, I could just go on there and it took me a little while to convince

6:55

the people on there that I was me

6:57

But uh

6:59

Understandably of course, but eventually I did and then we sort of started this

7:03

kind of community there

7:05

Uh, you know way before other social media

7:07

But it occurred to me because the rest of the time you you can't get to your

7:11

fans except through

7:12

Or you couldn't then except through the radio

7:15

The DJs and the press so like you don't really get to give anybody your own

7:20

words

7:20

They got to be filtered through everybody else, right?

7:22

But that AOL thing was a chance to just like well like what twitter and

7:25

everything is now, but

7:27

It occurred to me back then it was really cool

7:29

And when people started then I got into arguments with our own fans. I've

7:33

always done that. It's just like what kind of arguments

7:34

Well, you know like I don't think

7:36

I'm who they think I am

7:39

Who do you think they think you are?

7:41

A classic rock guy driving around in a pickup truck

7:43

Like going to drive-in movie theaters because that's this americana dream

7:48

vision of like we all sit around

7:50

You know going to drive-ins and living some

7:53

Dream of a springsteen song that springsteen isn't even any part of you know

7:58

And I would go on there and I'd be like have you guys heard the first justin

8:02

timberlake album. It's amazing

8:03

It's got like timberland and the neptunes doing all the songs

8:06

And I would try and make this thing to tell them like you should listen to this

8:09

It's brilliant music

8:11

And they just they couldn't grasp the justin timberlake thing because in their

8:15

mind in sync was the guy at the water cooler

8:17

Right. You know and so like I would get in these fights with them like you guys

8:20

don't know shit about music

8:21

You're just like you're in this little niche rigid, you know

8:24

You like us and I think that's very smart and intelligent shows a lot of wisdom

8:28

But you're limited and I get in all these fights with them. That's funny. Yeah,

8:32

it's funny how white people are unwilling to try

8:35

Certain kinds of music because it has this I it has this like

8:40

Feeling to it like that's not that's if you like that

8:45

You can't be smart. You you can't be cool. Like this is yeah, this is shit

8:50

music. You can't like this

8:51

Well, you know that it you know it came out of like

8:53

It did seem at the time like the thing ruining music was the boy bands

8:57

You know what I mean? It just seemed like right there was one after another

9:00

back then it's kind of never stopped

9:01

Um and you know, I don't know how good some of them were maybe they were I don't

9:06

know

9:06

I mean, I look back a little more fondly on the Backstreet Boys now maybe at

9:10

the time

9:10

I couldn't abide any of that, but I mean I get it

9:13

I guess, you know, but I don't think I was who they thought I was or and why

9:18

should you be you know, I mean like

9:19

We're all really individuals and we're certainly not going to just fit into the

9:24

the peg that people would like

9:25

Why would that why would they knew who the hell I am because I don't know them,

9:29

you know, right?

9:29

And then there's always like whatever the publicists have put out and whatever

9:34

Image they're trying to promote for you guys like whatever and then people take

9:39

it in

9:39

They put you in a box. They got you in their head. You're you're that guy. What's

9:44

the guy's name from stained Aaron?

9:45

Louis yeah, so now he's like

9:48

Don't tread on me country western. I'm always carrying a gun

9:52

Like he used to be this like used to think of him as like this sort of alt-rock

9:56

guy

9:57

Right yeah, yeah, and then he's made this like hardcore shift does like god

10:02

guns and country type dude

10:03

Well, yeah, and who else the other guy that I

10:06

friend of my

10:08

Kate Quigley knows him

10:11

Darius Rucker

10:13

Thank you. Yeah Darius from Hootie. Oh, yeah

10:15

Been a country star for a long time now bigger probably than even when he was

10:19

with yeah

10:20

Yeah, which is weird because it's a different world that you don't connect to

10:25

usually don't cross that border

10:26

that can be a real restricted closed society, you know, but

10:29

He's had a lot of success over there. He's huge, right? Yeah, I think I don't

10:34

know

10:34

I think he's gigantic. I don't know what goes on in that country scene

10:38

I like a lot of new country

10:40

Yeah, I mean I we I come from like a country music background and that a lot of

10:45

the guys in my band, you know

10:47

But it doesn't really mesh much much with what is country music now

10:51

I don't really think well, there's a lot of different kinds of country now

10:55

There's like some really good artists that are doing like Sturgill Simpson type

10:59

dudes that are doing he's a really good writer

11:01

Yeah, they're doing country music, but they're they're doing great music that

11:06

has

11:07

Just this sort of country flavor to it and his shit isn't even always country

11:11

like he

11:11

His last album threw everybody on their head. They're like what the this is

11:15

like some crazy arena rock shit

11:17

Like what is this like I haven't heard that record the new one's wild emir my

11:21

guitar player loves Sturgill Simpson. He's awesome

11:23

Yeah, he's a great dude, too

11:26

You had him on yeah, yeah, yeah become friends with him

11:29

He's a cool guy to hang with I always wanted to meet you because you have we

11:32

have a lot of mutual friends

11:34

Like guys that I that I've known for a long time that just love you

11:37

Jeff Jeff Ross, okay saget bob for sure and uh love him. Uh, well, you know brian

11:43

Callen, too. Oh, yeah

11:44

Yeah, love him, too for the first time I ever met brian. We were went to his

11:48

friend's house

11:49

We had just gotten there it was in france

11:53

And we were walking out everybody's like here have a glass of wine

11:56

We're gonna go look at the sunset

11:57

It was on this cliff by the atlantic ocean there and we walking out across the

12:01

lawn. I just met brian like an hour before that and

12:04

There's about eight of us and we're walking across this line brian. He's just

12:08

walking next to me. He turns me and he goes all right now

12:10

You're gonna say to me

12:14

It's it's really captain. It's really quiet out there i'm gonna say

12:17

Maybe too quiet and you're gonna say what do you think it is and i'll take it

12:22

from there

12:24

I said what he goes all right i'll repeat it like uh

12:27

You're gonna say

12:30

Captain it seems really quiet out there i'll say

12:32

Maybe too quiet you say

12:35

What do you think it is and i'll handle the rest of it

12:38

Like uh, okay, wait till we get to the cliff

12:43

I get out there. We're in this group of people everyone's looking at the sunset

12:47

My friend is talking about how if you right at the moment for the sunset. There's

12:50

this green light. It's

12:51

It's this is a very deeply spiritual beautiful moment and uh

12:54

And i go you know brian nods at me and i go

12:59

It's pretty quiet out there captain and he says

13:02

hey

13:04

Maybe too quiet. I said

13:06

uh

13:09

What do you think it is

13:11

He looks around he goes

13:13

Orca

13:16

Apparently it's like this richard harris

13:23

Remember that movie orca the kind of jaws rip off yeah, yeah, yeah, yeah, yeah,

13:27

so like

13:27

Orca

13:30

That sounds like brian callen yeah, and then there was probably some gay stuff

13:34

Yeah, probably talked about gay sex

13:37

He just he's like okay. We have to do that all the time now. That's our thing

13:40

and grabbing butts and

13:42

Horses horses they have riding horses. Yeah, yeah, yeah, maybe uh guns probably

13:47

the occasional sword. Yeah, yeah, yeah

13:48

sword play

13:50

Fencing

13:51

Savate maybe because you're in france. He'll bring up a french martial art

13:55

Savate

13:58

Yeah, he's he's quite a character. Yeah, yes. Yeah, we know quite a few people

14:02

Have you did you spend any time at the store at the comedy store?

14:06

Um more like the the cellar with uh with jeff a lot of times um

14:11

She's I I met bob

14:13

Oh, I don't know how long ago right when I first started out because uh

14:18

my god daughters

14:20

Her mother was really good friends with laurie lachlan. So she's the my god

14:24

daughter's godmother

14:26

So when I was recording my first album I met them and

14:28

So bob I knew through her because he was on full house, and they would always

14:32

come to shows

14:33

I just stayed friends with him for years, and then I met jeff

14:36

Bob

14:39

Had me come to the like the premiere of the aristocrats or not the premiere

14:43

It was like a screening at this at the writers guild for just for all the comedians

14:46

that were in it

14:47

It was like me and a couple friends and then bob and 50 comedians

14:50

And jeff was there so we met and he had just made this movie called uh patriot

14:55

games. Did you ever see that?

14:56

No, he took a trip to

14:58

uh

14:58

To iraq right after the when they first opened it after the when that desert

15:02

storm when the war not desert storm

15:04

I guess it was the second iraq war

15:06

um

15:06

And he he brought a little camera with him and he filmed all this stuff and the

15:10

comedy stuff

15:10

But also like what it was like. I mean is before they closed anything so they

15:14

were they were playing like

15:15

You know holes dug in the dirt really he got to see all over the country at

15:20

that point

15:20

He made a really cool film about

15:22

You know being in a comedy tour over there with all the troops right then

15:25

Um, so he showed it to me and we just kind of became friends and started doing

15:29

stuff together. We did a trip

15:30

with the uso me and him and uh

15:33

Sarah tiana colin kane. I know sarah very well. Oh, yeah stewie stone and like

15:39

robert klein and we did a

15:40

me so like five comedians

15:43

And me playing the only songs I can play on piano which are the mopiest shit we

15:47

have

15:48

So it's like I was right in the middle of the show we went around germany

15:50

together to the bases and uh

15:52

Played why did you decide to go solo?

15:55

Why did you decide to go without a band?

15:57

It was just like because it's just kind of comedy they're doing it really bare

15:59

bones

16:00

So jeff's like hey, you want to do this thing? I was like ah let's go

16:03

So it was it was weird though because I I mean

16:06

I can I'm not a very good piano player

16:08

I can only really play a few things and they're mopey you know as shit so right

16:12

it'd be like

16:14

Colin would play then sarah

16:16

And stewie was hosting all of it and uh and then it'd be me and then jeff and

16:20

then robert klein

16:21

and uh

16:22

So it's like it's a pretty stark change in the middle there to like

16:25

Mope the mope fest. I had to start telling jokes and just like just ripping

16:30

with jeff

16:31

It was so such a bizarre contrast

16:35

It's fun though. It was like really fun to be it was like being a camp with all

16:39

the funny people

16:40

Your music is oftentimes so emotional there's so much

16:44

So much feeling and pat did you ever feel like

16:48

Almost like you this is what you have to do

16:53

Because this is like the your initial success was in this kind of music or is

16:57

your music always

16:58

Sort of had that kind of emotional flavor to it. I think that was always the

17:03

thing. I mean

17:05

You kind of want to find something

17:07

That you can bear to people you know, like I mean b-a-r-e like really open, you

17:12

know

17:12

The more you can open something up and let people in and that's kind of the

17:17

whole thing

17:18

I think when

17:19

We're trying to make a record you just kind of want to make a world that people

17:22

can climb into for a while and like

17:23

Feel something you know go from here to there with you and yeah, so I know I

17:28

always just kind of thought that was

17:30

Um, you know, but sometimes you know, there's there's hope and joy in there too,

17:35

but yeah, it's about feeling stuff mostly I think

17:37

That was always kind of what it seemed like it was about because I think I

17:41

always had trouble

17:42

uh

17:45

Feeling things with other people you know just in normal life, right

17:49

But uh, and I always liked music

17:51

I and when I would listen to it

17:53

I I think that's one of the things I loved about it was that you could get lost

17:56

in it

17:56

And you could feel all this stuff and they seem to be able to communicate stuff

17:59

to me when I was listening to a record

18:01

um

18:03

You know and I was a

18:05

I just couldn't figure out what to do with music when I was a kid because you

18:07

know

18:07

I didn't I just could sing so I don't know what that means high school musicals

18:11

or something, but where's that going?

18:12

When did you start when you start singing?

18:14

I probably sang from birth, you know like really early on as a kid

18:17

I could always sing and I liked singing, but I don't know what to do with

18:20

singing

18:21

And when I was a freshman in college like my first term

18:24

I wrote a song like it was like within the first month and a half. I was at

18:29

school. I wrote my there was a

18:31

I was in chemistry class or something and I started kind of thinking of the

18:35

song in my head and I

18:36

Wrote it down and was humming it to myself and after class

18:40

I went back to my dorm because there's a lounge with a piano across the hall

18:44

from my room

18:44

And I went there like locked the door and sat there all day trying to figure

18:48

out humming stuff and trying to figure out what note that was and then

18:52

See if I could find a chord that worked with that note. I kind of knew how to

18:56

make a major and a minor chord, you know, that's all I knew

18:58

um

19:00

And I wrote a song and as soon as I'd written that song

19:05

I was a songwriter. Wow, so that was your first real attempt at creating a song

19:09

just out of nowhere in chemistry class. Yeah

19:11

I mean, I think I'd written like lyrical stuff before but I'd never actually

19:14

tried to make it something I could play

19:16

and uh

19:18

I just figured this thing out and you know, that's the thing when you're a kid

19:21

you don't

19:21

Like you're pretty undefined. You don't know what's going to go on with your

19:25

life

19:25

You don't know what you're going to be you like the whole adulthood things

19:28

because you've been pretty structured

19:29

You go to school or people tell you what to do when you're a kid and you go do

19:32

it

19:32

You know, you do the best you can you go to school you go play a sport for fun

19:35

You know, and you know, I'm still in that in college

19:38

You know, the adulthood thing seems really like confusing like what am I going

19:42

to do? How am I going to take care of myself?

19:44

Uh people get jobs I guess and then then people do people tell you what to do

19:48

for the rest of your life after that

19:49

That doesn't seem very good. Um

19:51

And then I wrote literally I mean, I wrote this song and it was like a

19:55

Light going off in my head or coming on I just from that moment on I was like,

19:59

oh, I'm a songwriter

20:01

I don't know how the fuck to do that or how to like I'm not sure how to make a

20:04

life being a songwriter

20:05

But I am a songwriter I'll have to figure that out

20:07

You know, I kind of knew what I was going to do before any of my friends

20:10

I didn't know how to do it

20:12

But like it was just like

20:14

Like something switch went on as soon as I did it

20:18

I knew who I was kind of in a way that I had never known before

20:22

Um, what did you think you were going to do for a living before that moment?

20:27

I don't know man. You just were trying to figure it out. Yeah, my dad's a

20:30

doctor

20:30

My mom is too now, but uh

20:33

What were you going to school for?

20:34

I thought I'd be a writer or something. I liked english. I liked writing. Um

20:38

I didn't really know, you know, I was uh, I've done

20:42

For the first couple years

20:43

I was a women's studies major because I ended up in this class and it was

20:46

really interesting. I was kind of blown away by it

20:48

um

20:50

But I don't know you know that taking care. I mean that's stuff you do in

20:54

school

20:54

You know fields of study and things, you know, you could go on school for a

20:58

while

20:58

But but you had never been in a band or anything until that moment

21:02

I had when I was a kid like when I was like 13 I was in a band

21:05

We played at friends bar mitzvahs and shit. Oh, yeah

21:06

We just did like beatles and you know, we our parents told each of us we could

21:11

get one song book

21:12

So we just bought the beatles the stones and led zeppelin because they had the

21:15

most shit in the book, you know

21:17

They were the thicker books

21:19

But that's just like cover songs when you're 13 or 14

21:21

No, my first band was still a few years away, but I wrote every day from that

21:26

point on

21:27

I just was obsessed with like because all of a sudden

21:30

I had this way where I could all the stuff I'd been feeling and thinking and

21:34

like

21:35

You know, I had all this stuff that I felt like inside me, but you know, you're

21:39

not

21:39

I felt kind of playing when I was talking to people right didn't really

21:45

I felt like a pretty average

21:47

dude and not really impressive in the way I wanted to be you know and uh

21:51

Not special in any way and I was I thought I was supposed to be you know, but

21:56

then I wrote a song and I could you know

21:57

Then it was like, oh, I can communicate all this stuff, you know

22:01

Pretty rudimentary back then but even then it was like

22:04

Well for me, it was real powerful like to play a song people could feel things

22:09

All of a sudden all this stuff inside me had a place to go and that was that

22:12

was big

22:13

Isn't that interesting? It's like kind of everybody feels like somewhere inside

22:17

of them is something special

22:19

I think most people I mean, there's a few people that have self-esteem issues

22:23

that maybe don't

22:23

Think that but a lot of people feel like there's moments

22:26

Where they're capable of doing something special. They just don't know what

22:30

that thing is

22:32

Well, I think they also don't realize

22:36

How much it takes to do things like that like it is dedication, you know, you're

22:40

gonna

22:40

You're gonna play music you want to go on stage and do comedy. It's not gonna

22:44

be that good at first

22:45

It's gonna be a struggle. There's a lot of people who are better at it and

22:48

those people, you know, it's a lot of work a lot of

22:51

dedication a lot of risk

22:54

Thinking about doing a job that's really hard to support yourself at

22:56

You know, you especially you want to work in the arts, you know, like that's

23:01

It's a minuscule it's a fraction of a fraction of a fraction that's so small

23:05

that it's like a number that doesn't exist people who can

23:07

Support themselves doing the arts any kind of art, you know, yeah

23:10

And then you know

23:13

You're gonna have to get if you want to play a musician you're gonna get in a

23:15

band

23:15

You're gonna fight with your friends because it's not fun. It's not a hobby

23:19

anymore. You know, it's different

23:20

It's satisfying but fun is like a very small term for what it means to do this

23:25

sort of thing

23:26

You know fun doesn't quite cut it

23:27

Well, I've always felt like a band was probably the hardest thing because not

23:32

only do you have to figure your shit out

23:33

But you have to make sure that the other people in the band figure their shit

23:36

out, too

23:37

And you all have to be dedicated and professional and show up on time and be

23:42

disciplined and be creative and also work together

23:46

So you have to be cooperative and you have to be understanding and you have to

23:51

like figure out the ego dance and

23:54

who's putting what and where and who's adding spice to the soup and

23:58

Oh, I mean

23:59

Any kind of cooperative artistic thing like that is brutal. It is really hard,

24:04

but there's no way it's the heart. I mean I

24:06

To me it's funny because to me

24:08

It's always been comedy because like I have friends who do it and you watch

24:11

what it takes to be on stage

24:12

I am not dependent on anybody in the audience to play show like it just does

24:16

not matter

24:17

I'm glad they're there. I really am. It's great. I hope they cheer really loud

24:21

But I could play a great show

24:24

Either way, but like an empty room. Yeah, I mean, you know, I wear a room that

24:29

doesn't get it

24:30

I'm still gonna play a show and it's still gonna be good

24:32

Man, like I watch Jeff sometimes especially lately because when him and Dave

24:37

are doing that thing

24:37

They just like it doesn't seem like there's any preparation. They're just kind

24:41

of they're just riffing

24:42

Yeah, yeah, and like that's complete freestyle

24:45

Improvisation, but either way even if it's just all written material, you're

24:49

still riding

24:50

It's like surfing an audience, you know, like that's terrifying

24:53

And a dependent and dependent in a way because you know

24:56

If you have the success of the moment it builds to the next moment to the next

25:00

moment in a way that we don't need

25:01

But like as a comedian man, it's like it is such a tightrope to walk with you

25:07

know

25:08

Dealing with heckler everything that goes into that shit. It's just like I went

25:11

to an open mic night last night

25:13

Yeah, it was wild. I hadn't been to an open mic night in a while

25:16

And it was it was interesting to watch because there was maybe

25:20

Six or seven audience members and maybe 20 comedians in the audience

25:27

So they're mostly just kind of practicing talking into a microphone

25:32

And you know just trying to work it out and you're just seeing

25:37

You're seeing like single-celled organisms try to divide and and become

25:42

complicated life forms and you can see like the sort of clunkiness to the idea

25:47

because you know

25:48

A lot of the folks that were on stage last night probably had only been on

25:50

stage a couple of times

25:51

Or maybe it was their first time and you could see it, you know, it's like wow

25:55

This is wild. That's really cool though. I mean like you could see like the

26:00

Genesis of things, you know, somebody like developing something someone doesn't

26:05

have their material there yet

26:07

But they've got a thing, you know, it seems so far

26:10

Like the road like you're it's like a person who lands on Plymouth Rock and you're

26:15

gonna walk to San Francisco

26:17

Like yeah, it can be done

26:19

People have done it. It could be done

26:21

But all those first steps you have so many steps. It's such a far walk

26:26

It is far

26:27

But that's what I meant about like people not understanding like

26:30

How much you want to do this you can do it? There's no rule that says you can't

26:34

Right, but it takes it's not just the talent. It takes

26:37

It's a long walk. Yeah, and there's a reason why so few people do it

26:41

Yeah, there's a reason why so few people wind up actually being a professional

26:45

You have to be able to grind some people just can't they can't they can't just

26:50

Embrace this process because the process like there's a lot of days you don't

26:55

want to do it

26:56

It's a lot of days you don't want to go on stage, but you must you must yeah,

26:59

you got to continue to try to figure it out

27:02

There was a moment at the improv

27:05

uh

27:07

in la

27:08

Where

27:09

There's this lady on stage and I think she had just started or she was fairly

27:13

recent

27:13

And so she would do one of the things that comics do when they're first

27:17

starting out

27:17

They'll have a premise and it doesn't go anywhere

27:19

And then they go into a completely unrelated premise and it doesn't go anywhere

27:23

They have like their bits are very short. They don't they don't expand on their

27:27

ideas

27:28

They don't really know how to yet and she's she's kind of bombing

27:31

And uh, we're sitting there watching her and I was checking to see when I was

27:35

up because I was up like two people after

27:36

And me and the dj are watching her bomb and I just go

27:39

It's a long way to the top if you want to rock and roll

27:42

and

27:43

And then two two people later was me and I went on stage and he brought me up

27:48

to it's a long way

27:50

To the top and that has been my opening song

27:54

From then out every time I do stand up every time I go on stage

27:58

If there's playing music they play acdc long way to the top because it's like

28:04

It is it's a long and bloody grind and that song just nails it

28:10

That song you know and you got to be brave too

28:13

Like on top of the length of it don't forget that especially like for what you

28:18

guys do

28:18

Uh, it is scary

28:20

A lot especially in the beginning and at least

28:24

You always have a risk of the bomb you know what I mean?

28:28

It's always out there waiting for you like

28:30

And it's you know even if it comes you still got it you can climb out of it

28:33

But the risk of the bomb is what makes killing so good

28:38

Yeah

28:38

It makes it feel so good is that you know you can buy everyone could bomb we

28:41

can all bomb

28:42

And so you know that and I've had

28:44

Moments like recently that are just not that good you have a bit that you're

28:48

trying out

28:49

And it's kind of clunky or you fuck something up and like

28:51

You have sets that are just flat you're like shit

28:54

But that's just part of the process and that makes it

28:58

When it's like last night at a great show and last night like everything like

29:02

sunk in and just

29:03

Just was seamless and it flowed it was free it was fun and those most moments

29:09

Only come out of the depths of despair

29:12

You have to work your way through the shit

29:16

And I guess it's got to be like that with music too

29:19

I mean you there must have been gigs that you guys did in the early days where

29:23

you're just like

29:23

I don't even know how long I can do this

29:26

I remember one the first I always remember this gig because I don't know we've

29:29

played this town since then

29:31

It was a

29:33

Was it lexington kentucky? I'm trying to remember what it was like a

29:36

A southeastern college town

29:40

I'm spacing on what we were opening for cracker

29:42

And it was this club and it was upstairs was the the club part of it

29:47

And the stage is one of those ones that's in the corner like a triangle like

29:51

comes across the corner and uh

29:55

There's just uh

29:56

The audience is all out the rest of the clubs lengthwise and the stage is in

30:00

the corner over here

30:00

And there's no like back the backstage is is that near the front door?

30:04

And you gotta like they just kept like a border around the club of people so

30:08

you could walk and you have to walk around

30:10

Everybody to get up to the stage and so we get up there to open the show

30:13

And the the monitors are busted like the tweeters blown out on the monitors, so

30:17

it's just like

30:19

The whole time, you know, and it's like just you can't hear anything and i'm

30:22

trying to sing it's before we had in-ears, you know, and

30:24

My voice is already wrecked from the first year of touring because I had never

30:28

sung that much, you know

30:29

I'm really tired and so we played and i'm i'm

30:32

We were terrible like i mean terrible and uh

30:35

Because it was just so bad. I mean later on that night cracker got on stage and

30:40

They were pretty good, but they hated it so much that like he stuck his guitar

30:44

through that monitor after a while because he couldn't hear anything

30:46

It was just like what what you're a club man fix the goddamn right right, you

30:49

know, like the horns are all busted

30:51

So anyways, we get done this particularly

30:54

Terrible set. I mean and we do a lot of improvisation on stage two

30:58

We're making whole shit up which doesn't get any better

31:00

By the way when you you can't hear anything and you're when you're sucking we're

31:04

still trying it and it's still just like

31:05

Oh, just you know anything would have been better than what we did so the man

31:09

with the set ends

31:09

and and

31:12

It's just silence man. There's no booing or anything, but nobody's clapped like

31:16

nobody's clapping

31:17

There's just nothing. There's just fucking nothing happening in there. It's

31:20

just like

31:20

Like like nothing had happened like they were just everyone's just kind of

31:24

looking at us like maybe we're going to play another song

31:27

I don't know. They don't really want us to but they're not trying to encourage

31:30

us and so we just like

31:31

I remember some of those guys had to grab their stuff

31:34

I kind of walked down off the stage and you know around down the whole side of

31:38

the crowd

31:39

Across the back to the little dressing room silence just people looking at me

31:44

So fucking humiliating just the worst I've never forgotten it except I guess I

31:53

have forgotten where it was, but I think it was Lexington

31:56

I don't know but it was just the worst fucking show and just just the utter

32:00

silence though that the like they were confused as to what we were doing

32:04

Like as if like it would have been confusing to them if we kept playing it was

32:09

weird that we stopped

32:10

Whatever we were doing

32:12

They didn't really get it. I didn't mean I don't understandably. It was just

32:16

fucking

32:19

One time like I came off a tour and I had messed up my knee

32:22

I'd scraped up my knee early in the tour and it kept getting infected and I

32:24

ended up having like a staph infection inside my knee

32:26

It was really bad

32:27

So I got off stage the last gig and I had to go in for surgery the next day

32:31

And uh, they you know opened my knee up and cleaned it out and then

32:34

Uh, they released me later that day and it was the day that jeff was releasing

32:39

Uh, he he wrote a book like I can't remember what it's called wrote you only

32:42

roast the ones you love maybe yeah, and he he had uh

32:46

He was having like a

32:49

I don't know what you call a book release party I guess at the friars club

32:52

because he was real excited

32:53

He'd wanted me to come and I was like

32:55

I'd just gotten out of the hospital

32:57

That like late that morning and I was but I felt okay, you know, um, and it was

33:03

all sewn up so

33:04

I you know I was a little high from the drugs, but I was okay, so I I put on

33:10

like a tux

33:11

Tails, but I couldn't wear the pants because I had this huge bandage on my knee

33:15

So I just put some shorts on and nice shoes too, and I got a cane and I I went

33:20

to the friars club to this thing

33:21

I don't want to be there to support jeff, you know, and

33:22

So he comes

33:25

He's up on the like the dais of the it's like in one of the rooms

33:29

They're not not a stage, but he's up on there talking thanking some people and

33:32

he comes down

33:33

He got me a chair just a room full of comics and he got me a chair so I could

33:38

sit down near the front

33:39

Everyone else is standing just because I you know had surgery and he comes down

33:43

I want to really I think my friend adam came with me and you know

33:45

We went on this trip a little while ago, and he's just a he's a good friend and

33:49

he

33:49

hands me the mic and

33:52

For some reason instead of just saying you know congratulations jeff or

33:55

whatever

33:55

I took the mic out of his hand and I walked up on the stage to like the podium

33:59

Put it in the mic thing and I

34:02

Because I don't know some part of me thought i'm at the friars club and I

34:05

should make a speech for jeff's thing

34:08

But by the time I got up there and put the mic in I realized what am I doing

34:13

here?

34:13

Like I'm like, I don't know what to do

34:16

I'm just I just like sort of looked at them and I said

34:20

So I peed on my girlfriend earlier today

34:24

Because I it had happened you know like when they finished the surgery they

34:29

You know they gave me this epidural and I'm your whole lower half of your body.

34:33

So I don't know what's going on and

34:34

Uh

34:36

I'd come out a bit and they were my you know girlfriend was like, how are you?

34:39

I'm like, I don't know. I feel weird. I feel pretty good

34:41

Am I am I bleeding down here am I wet and and

34:44

And she reaches like under the skirt to check me out and she's like

34:48

I just I think you're you're peeing that's all you're just you're peeing

34:52

yourself right now

34:53

I'm like, oh, how do you know and she goes because you're peeing on me right

34:56

now

34:57

She pulls her hand. I'm like, oh shit. I'm sorry. I can't I don't know what's

35:00

going on and I couldn't feel anything so like

35:03

So when you're numb for an epidural it just pee just comes out whenever it

35:06

wants to I guess

35:07

I don't know like I I felt weird and like a weird warmth and I asked her if

35:11

there was something on there and she's like

35:12

Yeah, you're you're you're peeing yourself properly

35:14

I'm like, how do you know and she goes because you're pissing on me right now

35:17

And I was like, so so I'm standing there in the friars club and I just said so

35:21

I

35:21

peed on my girlfriend earlier today and the place just breaks up and I was just

35:24

I that's I guess that's one more thing she's got in common with my mom

35:29

And I don't know I went on for a couple minutes told that story and I was just

35:33

like killing I was like really good

35:35

I was patient I was like not rushing anything probably because I was kind of stoned

35:40

from the drugs

35:41

And I just like I got about two minutes of it

35:44

I just drilled it was hysterical I came down some older guy comes up to me and

35:50

goes like

35:50

You killed it was you and Vagoda you and Vagoda were amazing tonight. You're

35:54

always welcome to the front

35:55

What where do you usually work? I'm like, I'm not a comedian. He's like you're

35:58

kidding

35:59

That's it was like

36:01

But I mean it was it was the greatest thing because it's like you were saying I

36:04

was terrified

36:04

I got I stupidly got myself into the situation and then of all things

36:09

Did like, you know, it feels like I did 10 minutes, but it's probably like two

36:14

minutes of stand-up

36:14

I did like a minute and a half stand-up in front of like the history of comedy

36:19

like and

36:20

Crushed it and as i'm coming down off the stage. I was like hey, that was

36:23

pretty good and jeff goes. I know it's like crack, right?

36:26

I'm like

36:28

I'll talk to you more about it later

36:30

And then he goes back up on stage

36:32

I mean, it was just like I don't know what I was doing getting up there

36:34

It was the dumbest thing, but it was so like because it worked out

36:38

Yeah, because i've been there with friends of mine who are comics and i've bantered

36:41

with them played piano like in that little keyboard

36:43

You know in the cellar with jeff and with bob sometimes just done that shit

36:46

with them and uh

36:47

You know, it's always terrifying but like that one moment. I wasn't even with

36:52

them. I just did it and

36:54

Oh, it's the greatest thing. I mean to this day

36:56

I don't know if there's a performing moment that I feel prouder of than that

37:00

one even though it was completely accidental

37:02

You know, it's just like because it was so

37:04

Terrifying and unsupported. I didn't have a band. I didn't have anything. I

37:08

didn't have jeff or bob. It was just

37:11

Maybe it's probably just a minute, you know, whatever short it was though. It

37:14

was

37:14

It was like it was fire man. You know what I mean?

37:17

It was

37:19

Is it recorded?

37:20

Oh, I don't I don't think so because it wasn't like a real performance

37:23

It was like a little hall and he it was like one of the side rooms and jeff was

37:26

in there

37:27

Everyone was there to celebrate him and he made a talk a few people spoke

37:30

I don't really remember where it was because i've been to the fires club a few

37:33

times, but

37:33

I don't really know where that room was

37:36

I'll have to ask jeff sometime, but no, there's no way it was recorded

37:38

I don't think because it wasn't like anyone was performing right right right at

37:42

least I don't think so

37:42

Did it make you think about doing it again like actually preparing a set?

37:47

Are you like you know what i'm one and done i'm one and oh i'm gonna retire

37:50

undefeated

37:51

Yeah, I don't know i'll be honest with you every time jeff wants me to go play

37:55

with him and do that sort of stuff

37:56

First of all because I can't play piano very well

37:57

So I end up just picking four chords and playing them in a circle

38:00

It's not like mayors up there with him who can actually play you know right

38:03

But I like bantering with jeff and it's fun if terrifying you know

38:07

But he's so good he can kind of like hold your hand

38:10

Yeah, he really is through it if you stumble he's got something funny to cover

38:14

it up

38:14

Yeah, and he's got that like i'm not sure there's a better

38:18

Sound in this world than that laugh of his you know yeah when he's just giggling

38:22

at the stuff

38:23

It's going hey i can't even do it the laugh you know when he's he's giggling is

38:27

he's giggles for his friends

38:28

And laughs for his friends when they're being funny you know like i've known jeff

38:31

since before he was jeff ross

38:32

Oh lip schultz yeah, i've known him back in the in the old days wow

38:36

You know he's a black belt in taekwondo

38:39

only reason i know that is because uh i saw it on the uh

38:42

It was when i was looking through your podcast at one point i watched like i

38:46

was when to watch the ones

38:48

Some of the ones with my friends on them you know i knew

38:50

Um yeah and i saw that picture of him like when he's i don't know how old is he

38:54

like i don't know he's pretty young

38:56

Yeah, he looks really young uh he's got that

38:58

Big he used to have really curly hair too you know yeah great curly hair yeah

39:01

Yeah, that's a great picture yeah did he not do it after that for a while i don't

39:06

think he does anything

39:07

Yeah, i think he swims and like drinks

39:10

Both pleasant you know yeah swimming can be unpleasant when you do it for too

39:15

long well drinking is great you know

39:17

Have you been to his house in hollywood hills oh no no he's i haven't either i've

39:20

been his place in the village

39:21

He sent me photos of it it's he has a pool

39:25

Where when you go in the pool if you're in his house you could see the pool

39:31

Like oh really the the side of the pool's glass

39:34

And it busts up against the house so someone's swimming in the pool like you

39:39

can get up there and you could see it from outside

39:42

Wow note to self don't piss in that pool yeah don't ill people can see it wow

39:46

that's wild yeah it's pretty wild

39:48

So he's just up there lounging looking at the world watching it burn

39:52

From the hollywood like literally watching it burn sometimes at least a couple

39:56

times a year yeah especially now

39:58

Now he's like that was kind of wild seeing that

40:01

You did taekwondo too you were the champion in taekwondo right i yeah i won a

40:06

bunch of tournaments

40:07

Yeah, that's what i was that's all i did when i was 15 from 15 to like 21 22

40:12

That's the martial art that i did when i was a kid like

40:15

It was i must have been pretty young it was like texas and denver so it was

40:18

like

40:18

Seven and eight it's a good martial art for kids yeah some discipline and stuff

40:22

it was i remember it being fun but

40:24

It uh it got me hit well

40:27

You know you're like i don't know when i'd start doing that in like

40:31

2002 maybe i started boxing you know i started boxing with this boxing trainer

40:36

in l.a just to get in shape

40:37

i was really out of shape and then he would come on the road with us for a

40:40

while and we would like

40:41

Train with the whole band in the mornings usually and then he and i after soundcheck

40:46

we would do like 10 rounds

40:47

You know about you know wherever we were at the gig and just

40:50

Exercise in the afternoon right so we do it for a while and uh

40:55

but like early on when we were doing this you know he was doing some stuff

40:58

where like

40:59

i was just working defensive stuff and he threw like a low hook at me and i i

41:03

did this thing you

41:04

know i blocked it with my arm and he's like what's that i was like i

41:07

i don't know it's a i just blocked it he goes don't do that you'll get why he's

41:13

like don't drop

41:14

your hands when you're boxing it's a bad habit like okay you know and then i

41:18

did it when he threw a

41:19

low hook and i you know just dropped my arm down to block it and he goes where

41:23

is this block coming

41:24

from what is this kind of thing he's like he goes did you do taekwondo when you

41:27

were a kid i was like

41:28

uh yeah i did it weird well how'd you know that he goes i think it's a i think

41:32

that's a taekwondo block

41:34

but that's you know like i think it works in taekwondo because of the nature of

41:38

the

41:39

the rules but like you don't want to do that boxing don't drop your hands

41:43

boxing because i go

41:44

what's the big deal he goes well because you're gonna get hit you know you're

41:46

gonna get hit in the

41:47

head too don't drop your hands especially not your right hand you know that's

41:51

where hooks come from

41:52

that side and i was like well i mean i don't know what the big i blocked your

41:55

punch he goes

41:55

don't don't do that like don't don't say that don't say that i was like all

42:00

right so we do a little

42:01

more and and uh he threw a low hook again i went like this and he just whack

42:06

hit me in the head not

42:08

hard the first time and he was like taekwondo and i was like oh fuck you man so

42:13

i was go do it again i did

42:15

it again i could not break myself with a habit and every time i like he would

42:18

just like whoop whoop hit me in the

42:20

head whoop whoop hit me in the head and every time he would just go taekwondo

42:24

well you know what it is

42:25

is a lot of martial arts a lot especially in the old days before the ufc came

42:29

around

42:30

a lot of them were closed systems right so if you were doing taekwondo you

42:34

would only do it against

42:35

people who are doing taekwondo right so you didn't know that the things you

42:38

were doing left you

42:39

susceptible to certain techniques from other sports so like in mma you don't

42:44

ever see anybody blocking

42:46

like that because they've realized like first of all if you block a kick like

42:50

that you break your arm

42:52

and second of all you do leave yourself open to punches so now people block

42:56

when they block kicks

42:57

they try to block with two arms if someone's kicking high you try to block with

43:02

two arms and you you try

43:04

to get as much as your of your body out of the way but you don't do this like

43:08

taekwondo style it

43:09

doesn't really work but in taekwondo it kind of worked because it was a closed

43:13

system right that's what he's

43:14

trying to tell me is like this is something that worked boxers never do you

43:16

have a habit there

43:18

because that's the one thing you learn when you're younger so don't do it it's

43:21

like don't drop your

43:22

hands like it also happens when people get hit in the legs a lot and they get

43:26

in pain like when a low

43:27

kick starts coming they try to like stop it with their arm because just because

43:31

it hurts so much and then

43:32

someone sets them up and pretends to throw a low there's a thing called a

43:35

question mark kick you ever

43:36

seen that no but it's like it looks like you're gonna kick someone low and then

43:40

it turns around and it

43:41

kicks them high yeah either it looks like it's going to go up the front or it

43:45

looks like it's going to go

43:46

low on the outside and then it comes around there's a guy named uh glaube fatosa

43:51

who used to fight in

43:52

k1 he had like the most beautiful question mark kick and they they started

43:57

calling it the brazilian kick

43:59

because he was so good at it he he he had these crazy hips he would he like if

44:05

you watch him do it it

44:06

almost doesn't make sense like his foot would be coming straight at you and

44:11

then out of nowhere it

44:12

would do a full question mark and chop down it's let's see if you can find it

44:18

glaube fatosa uh ko but

44:21

so much like question mark kick was always the name of it it was that was a

44:25

traditional it was either

44:26

called fake front kick round kick or as because all his card or or it was

44:30

called question mark kick but

44:31

then with fatosa a lot of people started calling it the brazilian kick because

44:35

he was so good at it

44:36

but it was weird how good he was like his hips i can't do what he does like it's

44:41

a he's got a weird

44:42

hip flexibility you got something i couldn't spell his name right hold on yeah

44:47

it's a weird one he's brazilian

44:49

um but he uh he would literally when the when the kick impact impacted it would

44:57

be coming down like a

44:58

hammer watch him watch this that's not a good one that's a hard one to tell see

45:04

if you can see it

45:05

again though watch yeah dude they'll throw watch this oh yeah yeah come on that's

45:10

crazy looks like it's

45:11

coming up under his arm and then it whips over it look at that he does that kyokushin

45:14

like the

45:15

fucking ki at the end but look how it comes low and then i mean the way he

45:19

would do it was like

45:20

sensational hip flexibility isn't that wild that rotation at the last minute it's

45:27

wild man

45:28

nobody did it better than glaube i mean he's just the famous for a lot of guys

45:34

are good at it

45:35

maybe uh style bender does it really good too but it's wild watching you know

45:39

mixed martial arts like that

45:43

interesting which disciplines tend to be effective i mean it seemed to me early

45:47

on when it first came

45:48

around it was a lot of grapplers uh some guys that had beginning wrestling and

45:53

then i mean i

45:55

haven't watched a ton of it but jujitsu seemed to be really effective for a

45:58

while like what's his

45:59

name uh hoist crazy silva i was thinking of like anderson silva yeah well anderson

46:05

was a muay thai

46:05

guy he had brazilian jujitsu he was very he's a black belt in jujitsu but his

46:09

whole thing was striking

46:11

he was a muay thai guy his whole thing was kicking the out of you yeah

46:15

which would hurt oh yeah for him yeah well he's to this day still one of the

46:22

greatest of all time

46:23

but jujitsu what we were talking about guys out he did those chokes he

46:26

definitely did he choked out

46:28

chael sonnen in the fifth round of like a fight where he was losing he was

46:30

getting the kicked out of

46:32

him yeah well he went into that fight apparently legend has it with a broken

46:37

rib he had a

46:38

fucked up rib going into that fight so he couldn't really move properly couldn't

46:42

defend against

46:43

takedowns but still figured out a way to win boy chel sonnen was just pounding

46:47

him and oh yeah

46:48

finally it looked like he was done he had him on the ground he was on top and

46:51

then all of a sudden

46:52

his just legs just went caught him in a triangle yeah yeah well yeah chel was a

46:57

beast but anderson

46:58

figured it out just i mean that's that's a guy like him who could do everything

47:03

he can strike he can

47:04

submit you and because he has all these skills like even when he's losing he

47:10

still could pull it out of

47:11

his ass out of nowhere that's what he did are any of the guys who like i just

47:15

love martial arts movies

47:16

or any of the guys that were like you know the have any of them been really

47:20

good fighters as well i mean

47:21

i wouldn't know how to tell in movies yeah chuck norris yeah oh yeah chuck norris

47:25

was a world kickboxing

47:27

champion he was super legit out of all the people that have ever been in

47:30

martial arts movies

47:32

that are like famous guys chuck is the most legit for sure a hundred percent

47:38

like there's never been

47:39

a guy who had more like battle tested combat sports experience who became a

47:45

movie star than chuck norris

47:47

because in his day like that kickboxing back then was not the same and karate

47:54

tournaments and everything

47:55

it's not like the level that people have today like if you watch like a nikki

48:00

holtzkin or some like

48:01

elite kickboxing guy today it's a different level there it's it's more advanced

48:06

but it's the same like

48:07

going and watching the ufc from 1993 and then watching the ufc in 2021 they're

48:13

more it's just everyone's

48:14

more advanced they're just better now it's just the sport evolves and gets

48:18

better but in his day

48:20

chuck norris was a bad like legitimately badass world champion kickboxer

48:27

and um i think he learned in korea in the military i think that's when he first

48:34

started if i'm not

48:35

mistaken but he was a tang su do guy which is like another korean martial art

48:41

but uh yeah out of all

48:42

the guys that have ever been supposedly this is him fighting i can't tell if it

48:46

is or not but that's

48:47

what it says a grand champion match which one is he the one on his feet winning

48:53

in the end yeah that's

48:55

chuck norris with his back to us this guy here yeah oh these guys are good see

49:00

this is early days 1966

49:02

i wasn't even born yet when these guys are doing karate

49:10

yeah okay so this is like a point karate championship interesting it's music

49:16

yeah is it music playing is that what it is there's no sound i was hoping to i

49:22

think that's chuck

49:24

with his facing us and the other guy's got his back it's hard to tell though

49:27

yeah yeah they're so young

49:28

yeah it looks like chuck but anyway he did this he also did kickboxing he yeah

49:34

chuck norris had he done a

49:36

lot of stuff does muay thai use as many like those heavy elbow strikes that you

49:40

see like tony jah

49:41

doing oh yeah muay thai that is tony jah that's that's muay thai muay thai is

49:45

all about the elbows

49:46

like the they have the best elbow strikes in martial arts elbows and knees leg

49:52

kicks yeah all that stuff

49:54

is that's muay thai that's crazy to watch him it's pretty great that that every

49:58

time i see uh ang bak again

49:59

he's i know it's wild yeah it's very rare that a guy is a like a legit martial

50:08

artist and then makes

50:10

his way and becomes a big time action star i guess randy couture has done

50:13

pretty well he's done quite a

50:15

few action movies and george st pierre was in captain america but as far as

50:19

like being like an action

50:20

star like the rock style star it's definitely chuck norris he was the he was

50:25

the he's the mac daddy of it

50:27

all you know he's a super nice guy too really oh yeah he's like one guy that

50:32

when i met him like i was

50:34

so excited he knew who i was i met him at one of his world karate championship

50:39

tournaments his uh world

50:41

kickball i forget world combat league that's what it was called and uh he's

50:45

like joe i was like oh

50:46

chuck norris knows my name and i hugged him and then i but i didn't get a

50:51

picture with him i was like

50:53

fuck and then finally uh later uh many years later there was this uh there was

51:01

this award ceremony that

51:04

they were doing and they asked me to speak at it and i did it just so i could

51:07

meet chuck norris again

51:10

i did it was like in this conference room thing and i got a picture with chuck

51:14

it's on my instagram

51:15

somewhere but just had to make sure that i documented i actually met chuck norris

51:19

yeah i had this uh when they know you like man that's uh it's cool i we were on

51:28

a plane once we were

51:30

we phoned to la and then we were we changed planes and we were going to hawaii

51:33

for like a corporate

51:34

gig or something and i was with my tour manager and he was sitting across the

51:37

aisle i'm on the window

51:38

seat over here and this guy i wasn't looking i was looking out the window out

51:42

of the corner of my eye

51:43

this really tall guy comes and puts some stuff on the seat and then goes up to

51:46

the bathroom and i

51:47

turn back around he's walking away and i see tom my tour manager he's like mick

51:52

fleetwood i think that's

51:53

mick fleetwood wow really and i was i got really nervous i thought oh it's

51:58

gonna be really

51:58

uncomfortable i got a five-hour flight ahead of me i'm not gonna know what to

52:02

say uh i don't i don't

52:03

know what to do this is really weird you know i get i get kind of anxious about

52:06

that i'm not

52:07

really very good at talking to my idols at all um and the he comes back from

52:13

the bathroom and you

52:13

know as he's walking up it's it's mick fleetwood you know wow and he comes back

52:18

he picks his stuff

52:19

up off things adam hello it's like mick he goes no i'm adam he goes i know

52:26

hello i said how are you and

52:29

he sat down and then he told me stories for four hours it was awesome wow he

52:34

told me history of

52:35

fleetwood mac stories talked about like it was like a class in rock and roll

52:39

history it was the coolest

52:41

flight of my life he was just so nice and he the next day he uh we exchanged

52:47

phone numbers

52:49

he came to our show at this corporate show i remember because uh like whoever

52:53

was at this company joe tory's

52:55

uh daughter worked at the company to tour the comic no joe tory uh the yankee

53:00

manager oh and so he he

53:02

came to like because his daughter loved us and he brought her because he was

53:05

involved with the

53:06

company or something and but mick fleetwood and joe tory came backstage after

53:10

us and then mick just

53:10

went to the bar with us and hung out at the hotel and talked to the other guy

53:14

because i really my guitar

53:16

player emmer is just a massive early fleetwood mac fan peter green uh and it's

53:20

his favorite song you

53:22

know and like so he was going to flip out and he wasn't there with us and i

53:24

really wanted him to meet

53:25

mick you know and it was just like he still texts me to this day you know just

53:30

hope happy birthday or

53:31

merry christmas just wanted to say hi you know wow it's been about 10 years now

53:34

and it was just like

53:34

it was the great i mean just have like he knew who i was and he spent the

53:39

flight chatting and telling

53:41

me stories about rock and roll and shit it was awesome you know that's amazing

53:46

because i'm not really

53:47

good in those situations i i have fled from people that i love you know i i

53:52

just been panic oh it's

53:55

it's springsteen i've known him forever he's the nicest guy on earth and like i

54:01

used to take my

54:03

godson to school when i was still making my first album so i hadn't even made

54:06

it yet i had met bruce

54:07

because we played this rock and roll hall of fame thing and his son went to the

54:10

same school they were

54:11

kids you know young kids they ate something then four maybe younger and so i

54:16

would see him every day

54:17

at school and he would always come and talk to me and say hi and just couldn't

54:21

make sentences

54:23

it was so bad you know the the he's doing a podcast now with obama i heard i

54:31

wonder how it is he's that

54:33

show of his that broadway show was so cool and he like told such great stories

54:38

i mean it was i don't

54:39

imagine the podcast can possibly be good unfortunately i don't know i just feel

54:45

like they would be so

54:49

restricted in the way the community i think if you here let me phrase this

54:54

better if bruce springsteen

54:56

could be himself and obama could be himself and you could just put a camera on

55:01

it and just let them

55:03

shoot the shit i think it'd be amazing because obama can be really funny oh he's

55:07

brilliant yeah he's a

55:08

brilliant guy yeah but i can't imagine that if they're doing something and they're

55:13

recording it

55:14

that they're not acutely aware of how many people are paying attention and acutely

55:19

aware of like

55:21

getting the right message across and saying things like part of podcasting is

55:27

being irresponsible

55:28

like you're just talking you know and you don't even exactly know what you're

55:34

going to say

55:35

like right now i have no idea what the next word out of my mouth is there's

55:38

nothing prepared there's

55:39

nothing like it when you think you're having you're thinking out loud and for

55:44

hours right

55:45

yeah i thought of that yeah i'm sorry i didn't mean to interrupt you go ahead

55:48

no it's okay but if

55:49

you're a president i mean you're a distinguished statesman one of the greatest

55:52

presidents we've ever

55:54

had and one of the most historically important presidents we've ever had first

55:58

african-american

55:59

president we've ever had and all one of the all-time greatest speakers ever

56:05

right so he has this legacy

56:07

and then you're hanging out with bruce springsteen who's also this like

56:11

incredibly well-spoken brilliant

56:15

songwriter iconic american musician hero and the two of them together there's

56:21

so much the weight of the

56:23

eyes upon them is so heavy i would imagine it would be very difficult to just

56:27

shoot the but if you could

56:29

get them like a little buzzed just a couple of shots of tequila just just let's

56:35

just talk man

56:37

like just to just to hear them talk for real would be amazing i just don't know

56:42

if you could ever do

56:43

that i i when i saw the podcast i'm like well there's definitely camera people

56:46

there there's definitely

56:48

like sound people there like one of the best things about this place is it's

56:53

just us and jamie there's no

56:55

one in here and so it feels like it's just us and jamie but i've done other

56:58

people's podcasts before

57:00

and i'm like why are there so many people here like bill simmons who's great he's

57:05

got but i did his hbo

57:06

podcast what was it was a show yeah yeah i'm like dude you have a hundred

57:10

employees why is there a hundred

57:12

people here well the nice thing about this is you don't necessarily need that

57:15

you can do everything

57:15

you want i assume they partake of the wonders of editing you know like they

57:19

feel comfortable but

57:21

but you're right i don't know what it is i don't know what it is but with all

57:24

those people it makes

57:25

it very hard to just be two dudes talking well that's something i mean i

57:29

definitely had to i i thought

57:32

that to myself coming in here well you know this is three hours of unedited so

57:37

you know don't

57:38

fuck your life up so don't fuck it up sort of but also like you know live with

57:42

it you know because

57:43

it's you're gonna have three hours like you know when we do our podcast me and

57:46

my friend james you

57:47

know i definitely take stuff out of it at times that you know i there are

57:50

things i've been really

57:51

careful what is it called it's called underwater sunshine we just kind of geek

57:54

out about music

57:55

i like the name do you have a t-shirt

57:56

i don't have them here i'll get you one get me one i'll wear an underwater

58:02

sunshine t-shirt i like

58:03

the name it's the name of one of the records we made we did a bunch of rec we

58:06

did us a record of

58:07

literally the most obscure covers record ever made like oh yeah nothing on

58:11

there that anybody

58:11

know there's a couple songs you people would know but basically we just picked

58:15

all songs by friends

58:16

of ours that were really good songs but the shit no one knew and uh and then we

58:19

have a festival

58:20

called underwater sunshine too where we just do like it's independent artist it's

58:23

totally free for a

58:24

couple days in new york usually oh that's cool um it's we're gonna expand it a

58:27

little bit this year

58:29

um but uh we were expanding it last year when this whole thing happened landed

58:33

on us uh yeah but yeah i mean

58:35

coming in here it's definitely a thought like okay well it's three hours of unedited

58:39

talking try not to like

58:41

like i try and be really careful about you know i don't i will talk about

58:45

things i love i love to

58:46

talk about things i love i just want to geek out on music i love and i love all

58:49

day long i don't want

58:50

to talk about stuff i don't like because they it's not going to turn anybody on

58:54

to anything right and

58:55

you know i know everybody's got a sister you know i know my sister doesn't like

58:58

reading about me that

58:59

somebody says that's just horrible you know so i kind of try and avoid that

59:03

stuff just because

59:05

yeah it's a trial and error you learn to avoid negativity it's just generally

59:09

not worth it unless

59:10

there's a real point to be made yeah you have to like really express something

59:14

because it's actually

59:16

important but for the most part it's easy too it's really easy to on somebody

59:20

and like i don't know

59:21

and it's very profitable yeah it certainly is that it's very it's very popular

59:27

yeah love when people

59:28

shit on people it is funny that's part of the problem as well it's funny it's

59:35

the amazing thing

59:36

about what jeff's done in the last like decade or so is making this thing uh

59:41

not personal to turn

59:44

the roasting into something that's like back like what it used to be when we

59:47

watched dean martin when

59:48

we were kids you know like it's funny it's insulting it's not about like

59:51

getting the world to think you're

59:53

a piece of right it's about i'm making up a joke about how you're a piece of

59:56

right now and he's done

59:58

it without anybody really somehow he just makes it work without causing a huge

1:00:02

uproar there's no you

1:00:03

know even the bull some it's not even a uproar about like i don't know why he's

1:00:08

managed to pull

1:00:09

it off in a way that's good-hearted enough that yeah i'm not sure how he's

1:00:13

managed it because that's

1:00:14

actually who he is yeah so what he expresses on stage is how he is and also it's

1:00:20

kind of how comics talk

1:00:22

to each other anyway we always talk to each other but it's with love it's funny

1:00:27

like if someone shits

1:00:28

on your clothes or shits on your face or shits on your your head or shits on

1:00:32

whatever it is it's

1:00:34

like we're all laughing along with it it's like it's an honor to get roasted by

1:00:39

jeff ross or you know

1:00:41

any really good roaster it's just and jeff is because of his love of like old

1:00:47

comedy culture like the

1:00:49

friars club and that kind of stuff he he always loved that like when we were in

1:00:54

our 20s he'd be

1:00:55

like i'm gonna go to the friars club i'm like what the are you doing you're in

1:00:58

your 20s like we're not

1:01:00

old dead men like in my mind i'm like why are you going to the friars club he

1:01:03

wanted to hook up he

1:01:04

wanted to hang out with don rickles he wanted to pick his brain and like you

1:01:07

know because he's got that

1:01:08

wrickles i get it now i get it now but back then i was a brazen and yeah i didn't

1:01:15

yeah when i was in

1:01:16

my 20s i was a different human being i didn't understand traditions and all

1:01:21

that stuff i was like

1:01:22

the fuck out of here with these old dead men hanging out cracking jokes with

1:01:25

each other in wheelchairs

1:01:26

i just i just thought of the friars club as being this thing but i didn't know

1:01:30

what it was it was

1:01:31

totally out of ignorance i'd never been there before and then i realized as i

1:01:34

got older oh it's

1:01:35

like a camaraderie thing like these comics would get together and they had a

1:01:38

place where they could

1:01:39

hang out and then uh greg fitzsimmons had gone there and he told me he'd go

1:01:43

there and play pool

1:01:44

and hang out with these guys he's like it was just a fun hang with a bunch of

1:01:48

guys who were just cracking

1:01:49

on each other all the time i was like oh okay yeah i mean there's nothing like

1:01:53

that for us for music

1:01:55

you know like i he took me there is where you guys hang not really i mean there

1:02:00

was at one point you

1:02:01

know i bartended the viper room for years did you really yeah well that's how i

1:02:06

ended up moving to la

1:02:08

i was uh i was home it was getting really miserable in berkeley i'd been home

1:02:12

for about a week from the

1:02:14

end of touring uh everywhere i went it was an issue not you know mostly

1:02:18

positive but still it's like

1:02:20

you feel like everybody's looking at you there are kids camped out on my lawn a

1:02:22

couple days a bunch of

1:02:26

days in a row at least one like 100 people come up to me a day but one of them

1:02:30

was like hey are you

1:02:31

that guy from county coast yeah you're adam duritz yeah you guys are so lucky

1:02:35

thank you i mean because

1:02:36

you suck and there's so many good bands in the bay area it's wild that a band

1:02:41

as shitty as you would

1:02:42

be so successful to your face yeah i was just like it happened like four or

1:02:46

five days in a row i mean

1:02:48

it was dwarfed by the amount of people that were coming up just loving the band

1:02:51

but still it was

1:02:51

like it started to feel like if there's gonna be one of these every day is one

1:02:55

of them gonna have a

1:02:56

gun you know is like is this mark david chapman is like it seems such a weird

1:03:00

obsession to walk up to

1:03:02

a total stranger in the line for a bank you know and just say something like

1:03:06

that yeah like and it was so

1:03:08

weird uh but we like we got really famous really quickly and uh i was the only

1:03:14

people i knew in la

1:03:16

really were people at the viper and i'd met a few of them playing across the

1:03:19

street at the whiskey on

1:03:20

the first tours and uh so i i was went home that day i'd been home for i think

1:03:25

seven days and it happened

1:03:27

like six of those seven days and uh i got a phone call and it was it was sal

1:03:32

and johnny sal janka who

1:03:33

ran the viper and he's johnny depp's partner and they called me up and they're

1:03:37

like hey we want to

1:03:37

invite you to this party tonight and i was like kind of half in half out i wasn't

1:03:41

really listening and

1:03:42

and finally they're like wait what's going on man and i told them what was

1:03:45

happening and they're like

1:03:46

okay hang on i can put you on hold i sat there on the phone i know what was

1:03:50

going on they came back and

1:03:51

they said okay it's it's kate moss's 21st birthday tonight and we're throwing a

1:03:55

party here the club's

1:03:56

closed we're just throwing a party for friends we wanted to invite you we got

1:03:59

you a room at the

1:04:00

bellage and you have a reservation on the flight at six o'clock oakland to burbank

1:04:05

just get on it

1:04:06

someone will pick you up at the airport you've got a room at the bellage get

1:04:10

the fuck out of there

1:04:11

so i like grabbed my stuff went to the airport went to this party at the viper

1:04:16

with just like

1:04:17

interesting people and i was like i didn't go home again that was it i moved to

1:04:21

la after that

1:04:22

it was uh i did i stayed at the bellage for a few days i moved to like a bungalow

1:04:26

at the

1:04:27

sunset marquee and then eventually uh i rented this house in the hills one the

1:04:31

one of the bartenders

1:04:32

shannon mcmanis at the viper her best friend was christine applegate and she

1:04:36

was my landlord she

1:04:37

rented me this old like she had this place it was like a a little cottage in

1:04:42

laurel canyon and it

1:04:44

turned out it was built by the cowboy star tom mix in the 20s and then it was

1:04:48

david niven's like

1:04:50

in-town fuck pad and he named it rogues retreat when there was a little sign up

1:04:53

there after this tv

1:04:54

show he was on called the rogues in like the 60s uh and then i don't know i i

1:04:58

think it was the i don't

1:05:00

know what it was after that but she owned it and i stayed there i wrote most of

1:05:02

our second record in

1:05:03

that place before i bought a place but yeah man the viper room for a couple

1:05:06

years there i

1:05:07

i bartended all the time because it was just less crowded on that side of the

1:05:10

bar

1:05:11

my friends all worked there so i was be there anyways hanging out with them and

1:05:16

after a while

1:05:17

bartended while you were a rock star oh yeah huge rock at the height of it wow

1:05:22

like uh because i well

1:05:23

i was back there and i'd be hanging out with shannon smoking a cigarette

1:05:26

drinking beers behind the bar

1:05:28

you know in the downstairs bar there the little one and i don't know one point

1:05:32

i'd help her out with

1:05:33

stuff and at one point she's like i go to the bathroom there's nobody else will

1:05:35

you just you know

1:05:36

mind the bar and i was like yeah sure so i did it and you know i had no qualms

1:05:41

about berating people

1:05:42

for tips i'm a rock star and they're not my tips so why not so i made her so i

1:05:46

made her like a few

1:05:47

hundred dollars in the like five minutes she was gone and uh she's like you got

1:05:51

to do this all the

1:05:52

time so i just started going there i mean that's where i lived anyways i was

1:05:54

kind of there every day

1:05:55

the only people i knew so i just started bartending every night and it was like

1:06:01

my home you know it was

1:06:02

like i felt it was like the cheers thing i felt like okay there it's kind of a

1:06:06

cool way to interact

1:06:07

with people too because there is a barrier and it is less crowded over there

1:06:10

and it's probably kind of

1:06:12

fun yeah and you know you uh talk to them if you want to if you don't want to

1:06:15

you got to get a beer

1:06:16

for someone else so you know and there was just so many people it was like what

1:06:20

i thought like uh

1:06:22

the left bank would have been like in paris in the 20s i mean it was like alan

1:06:28

ginsburg coming in and

1:06:30

william burroughs the hughes brothers all these different filmmakers you know

1:06:33

musicians tom petty

1:06:35

it was just really wild gibbie haynes from the butthole surfers you know we're

1:06:39

all just hanging out

1:06:40

there wow john it was like johnny's clubhouse and we all we had barbecues on

1:06:44

sunset on sundays

1:06:45

you know and we just sort of for a few years it was this really cool like club

1:06:53

kind of wow like a

1:06:54

clubhouse it was very much like that was the negativity towards you like

1:06:59

specific to the bay area

1:07:01

well i think because that that's so unusual to me that someone would come up to

1:07:06

you in person and and

1:07:07

tell you you suck like that like that's dangerous it is and i think it's

1:07:12

because it's like unprovoked

1:07:15

yeah they're just trying to hurt your feelings so like where'd that narrative

1:07:19

come from though

1:07:19

because first of all you guys didn't suck your music was amazing i was a giant

1:07:24

fan i mean still

1:07:25

am but i mean back then i was a giant fan so like it doesn't make any sense to

1:07:29

me well i think it's

1:07:31

just you get on people's nerves you know you just do you know like just over

1:07:35

exposure it's too much and

1:07:38

but i also think san francisco in a lot of ways back then was a struggling

1:07:42

artist town

1:07:42

and so that kind of success wasn't cool you know it wasn't wasn't as well

1:07:48

regarded when i moved to l.a.

1:07:49

it was a working artist town it was really nice for me there because like all

1:07:53

anybody wanted to do you

1:07:54

you know for all the there's a lot of things about l.a. i don't like i mean a

1:07:57

ton but

1:07:58

i do like the part of it that it's like it was a working artist town people

1:08:02

just wanted to do their thing

1:08:03

and they were interested in what you were doing they wanted to show you maybe

1:08:06

what they were doing

1:08:07

but everyone was you know we were hoping each other had success and it was

1:08:11

there was nothing

1:08:12

to be jealous of everyone was doing stuff it just didn't feel like

1:08:16

i love the bay area a lot more than l.a honestly and in in years since then i've

1:08:20

loved going back home

1:08:22

but at that moment it just seemed like it annoyed the out of some people in the

1:08:29

indie rock scene i

1:08:30

came from we were a college radio indie rock band and in this club scene up

1:08:33

there and it just you got

1:08:34

too successful yeah and pretty quick and i think it probably was all over the

1:08:38

radio uh it didn't

1:08:41

happen to any of our friends uh there were a lot of other bands in the barrier

1:08:45

then you know well i

1:08:46

mean three of us did really well right at the same time primus a little bit

1:08:49

before us and then us

1:08:50

and then green day right after us you know uh but we were all actually all berkeley

1:08:54

kids east bay

1:08:55

so i don't know but it it happened for a little while and then it stopped

1:08:58

happening you know it's

1:08:59

not bad there anymore well the thing about san francisco the bay area in

1:09:03

particular is it's not a showbiz

1:09:05

culture no right it's a culture of more art and a lot of really intelligent

1:09:11

people it's it's like

1:09:13

well i lived there when i was a kid from age seven to eleven and i remember

1:09:17

thinking it was like a

1:09:19

very good place to be at the time it was a very a very fortunate place to be at

1:09:24

that age of my life

1:09:26

because i was around a lot of eclectic people a lot of interesting weird people

1:09:30

yeah you know we lived

1:09:32

in the center of it all we were right down the street from lombard street so it

1:09:35

was like yeah

1:09:36

it was and it was during the vietnam war you know so it was like it was all

1:09:39

weirdos and hippies

1:09:42

and my stepfather was a hippie so it was like it all fit in and it seemed

1:09:45

normal and then when i

1:09:46

we moved from there to florida afterwards and the contrast was so stark that i

1:09:53

it made me go like

1:09:54

wow i was really lucky to live there like that was a cool spot like people were

1:09:59

it was just

1:10:00

interesting and creative and there was a lot of music and there was a lot of

1:10:05

art it was just a

1:10:06

different place to be but it was not it's not a showbiz culture by any stretch

1:10:10

of the imagination

1:10:11

whereas like in los angeles like people celebrate overexposure they celebrate

1:10:17

overexposure and over

1:10:19

over publicized people and people that are on billboards and the cup whereas

1:10:23

like in a place

1:10:24

like san francisco that's not cool like that's all up they'd be more into like

1:10:28

going to an antique store

1:10:29

or something or well yeah and that's the thing that like i the thing that i

1:10:33

came to not like about la

1:10:35

after a number of years was the like their worship of fame being famous just

1:10:41

for being famous yes and

1:10:43

they're like sort of circular worship of fame but i what i loved about it was

1:10:47

that that that that all

1:10:49

really exists and it's annoying as fuck but it exists around a bunch of people

1:10:52

who are out there doing

1:10:53

stuff too yes you know like yeah and i thought that was really uh it's funny

1:10:57

that you came with the bay

1:10:58

area to florida we went from texas to the bay area um so it was sort of the

1:11:03

although i loved um my dad

1:11:05

was in the army during vietnam in el paso and i i loved it like to me that was

1:11:10

we lived in houston after

1:11:12

that i didn't like houston as much but the but el paso was man it was just like

1:11:16

because i think it's a

1:11:18

it's a lot of it was a lot of vacant lots and desert and bugs and snakes and

1:11:23

shit and it's also the

1:11:24

first place you know when you're a kid you like first as a kid you just do

1:11:28

stuff with your parents

1:11:30

you know what i mean and the family and then at some point you go off and do

1:11:34

something by yourself

1:11:35

with another kid you know i don't know at a certain point you get you get a

1:11:38

little off on your own and

1:11:39

that to me like i was six when i got there that's sort of the first experiences

1:11:43

i have with going

1:11:45

around with shit on my own just like vacant lots and snakes and spiders and

1:11:49

like riding my bike and uh

1:11:51

i just really remember that about el paso and really loving that um and

1:11:55

actually i don't know why

1:11:57

even the army culture which was kind of weird seemed cool uh and i just liked

1:12:03

it i like that town and

1:12:04

that it's like that's a weird town it's like right on the border it's a it's

1:12:09

kind of very much its own

1:12:10

place it's it's texas i haven't been to el paso yet i kind of love it there

1:12:14

even now we've only

1:12:16

played it was the last place i had that i'd lived that i hadn't played because

1:12:19

i grew up all over you

1:12:20

know baltimore boston el paso denver houston and then oakland and then i turned

1:12:26

10. you know like so all

1:12:28

that happened really early on and i but the last place i got to play was el

1:12:31

paso i'd hit everything else

1:12:33

um and we it was just a few years ago and we were at this club is a big open

1:12:37

air place it had like a

1:12:38

roof over it but no ends and it was right enough on the right across the river

1:12:43

from juarez somewhere

1:12:44

right on the rio grande enough so that like our phones kept switching over

1:12:47

thinking they were in

1:12:48

mexico oh wow so it was uh but i mean it was just like the food was great the

1:12:52

people were great i found

1:12:54

the house where i lived the two houses i lived when i was a kid i went with in

1:12:57

an uber with my tour manager

1:12:58

and found both of them i don't know how you know it's like 1970 this is about

1:13:02

five to ten years ago

1:13:04

and i managed to like i remembered the street names and where they were on the

1:13:08

streets from when i was

1:13:09

six seven eight years old you know found both houses which was freaking freaky

1:13:13

i couldn't believe

1:13:14

i found them that must have been a trip for the uber driver did he know who you

1:13:18

were i don't know i'm

1:13:18

not sure um but it was weird for me and tom like yeah wow can you can you

1:13:23

imagine just finding some

1:13:24

house you lived in when you were six when you're 50 you know it's really wild

1:13:29

yeah that is wild i went

1:13:30

back to the house that i went to high school with um recently where was that uh

1:13:35

newton newton massachusetts

1:13:37

oh yeah yeah uh i i was uh wandering around that area and you know it just

1:13:43

seemed familiar but yet

1:13:46

different you know because like your memory is kind of shitty like you you know

1:13:51

if you had to draw a

1:13:53

picture of what the street looked like from your memory be like uh okay i think

1:13:57

there was like a tree

1:13:58

here like here's the arch of the bridge uh and um randomly like a year or two

1:14:06

later i'm doing a gig

1:14:08

at the wilbur theater in boston and i'm eating with one of my high school

1:14:12

buddies at a restaurant and this

1:14:14

lady comes up to me and she goes i live in the house where you grew up and i'm

1:14:19

like what and i took

1:14:21

a picture with her like it's just but it was like we're i'm here smiling with

1:14:25

some lady who lives in

1:14:27

my old house and she lived yeah and i'd just been there just like a couple

1:14:31

years before with my family

1:14:33

wandering around but i remember thinking like so odd so odd when you just try

1:14:38

to piece together that weird

1:14:41

blurry slideshow of a memory and then you see the actual place vividly and

1:14:46

everything looks so much

1:14:47

smaller than you remember and it's just it's strange yeah because you're bigger

1:14:53

that's the

1:14:53

weird thing i mean because we do like especially those kid memories of that was

1:14:57

the thing because

1:14:58

i like that's how i found the first that one of them i'm sure i found the other

1:15:01

one i'm not sure

1:15:02

because i it was in the middle of a street so i wasn't sure but one of them i

1:15:05

knew was on a corner

1:15:06

and it had a big stone wall on one side of the street uh and then the driveway

1:15:12

on the other street

1:15:13

and i remember thinking that i could find it because that stone wall it was i

1:15:16

used to climb

1:15:17

it when i was a kid and you know when i saw that now you know it's like this

1:15:21

high right so but it was

1:15:23

to me it was in my memory it's eight or ten feet high because i used to climb

1:15:27

it and climb down it

1:15:28

uh and there was like a i don't i don't i climbed down i don't know i i

1:15:32

remember being big enough

1:15:34

that i had to climb down onto a mailbox and then jump down to the street but it's

1:15:37

not a lot bigger

1:15:37

than a mailbox so i'm not sure why that would have worked but you know it's

1:15:42

like i was six you know

1:15:43

i was a small kid so it's just it was weird finding that because the everything

1:15:48

changes you know

1:15:49

that the thing we were talking about we were talking about going to la and the

1:15:53

the showbiz culture

1:15:54

and the culture of fame and all that stuff is there the real i i was just

1:15:58

having a conversation with

1:15:59

a friend of mine about la the real thing that gets tainted is not necessarily

1:16:04

the people that just

1:16:06

happen to be famous the artists that are doing things it's that there's a whole

1:16:11

swarm of people

1:16:14

that are trying to figure out a way how to get into that walled garden yeah and

1:16:19

they're bartending

1:16:20

and they're waitressing and they're delivering uber eats and they're doing all

1:16:24

these different things

1:16:26

so there's like uh there's an anxiety of of just there's there's like a feeling

1:16:33

of all these people

1:16:34

that desperately want in and they're all hovering around this area and it

1:16:40

changes the whole vibe of

1:16:42

the town when you go to a place that doesn't have that and it's one of the

1:16:45

things that i love about

1:16:46

austin it does not have that the feeling is different yeah like the feeling

1:16:51

when you're around people

1:16:53

they're different there's and the people there's people in la they don't even

1:16:58

admit that they wanted

1:16:59

to be famous they just gave up on the dream they came out there for a very

1:17:03

specific they wanted to be

1:17:04

an actor or whatever it is and then it didn't work out and they became an

1:17:07

architect or whatever whatever

1:17:08

it is but they wanted to be famous and and then they want to meet people who

1:17:13

are famous and then become

1:17:15

friends with those people so they can get and hang out with famous people so at

1:17:18

least they kind of get

1:17:19

the rub and it's weird man it's yeah it's a weird culture it's like there's a

1:17:25

shallowness to it but yet

1:17:28

some of the most interesting creative and deep people live amongst that shallowness

1:17:34

so you have all these

1:17:35

like really intense artists that are surrounded by all these very strange

1:17:43

people that are trying to

1:17:44

figure out how they can get on the cover of rolling stone but it's interesting

1:17:48

because i what you're

1:17:50

talking about it was one of the things that turned me off when i finally left

1:17:53

because you're right

1:17:55

everybody even people who do impressive things and are successful only want to

1:18:00

talk to you in conversation

1:18:01

about the produce the movie producer they had a meeting with last week you can

1:18:05

be a very successful

1:18:06

lawyer or uh in in finance you can be doing something very impressive in

1:18:10

another field

1:18:11

and you still just they aren't going to talk to you about being a doctor they

1:18:14

just want to talk to you

1:18:15

about the meeting they had for a pitch idea but i do think there's a flip side

1:18:19

to that too that i

1:18:20

did find kind of magical about being there which is that so much of culture is

1:18:25

about

1:18:27

uh i was born here i grew up here around all these same people and uh we're all

1:18:33

going to do this thing

1:18:34

here too and there's a certain amount to which la is about like it's a bunch of

1:18:38

people who all decided

1:18:41

they didn't want to do what everyone else in their high school did whether it's

1:18:44

to be you know a poet or

1:18:46

a sculptor or a painter or a or a musician or an actor or or a model but it's

1:18:52

still like i can't i

1:18:54

don't want to stay here and just do this thing i'm going to go over there yeah

1:18:57

and i'm going to go

1:18:58

like like it and there's a certain pioneer aesthetic about doing that the

1:19:02

problem is if you get there

1:19:04

and then it just becomes about famous and famous and as opposed to i i i dig

1:19:08

the part of it that is

1:19:09

like i got a dream and i'm going to go i'm willing to go all the way over there

1:19:12

to get it and to do it

1:19:14

i love that i felt like i had that in common with all those people but then

1:19:18

there's a side of it

1:19:20

you're talking about where it a you lose what you came there for originally and

1:19:23

it just becomes about

1:19:24

chasing fame and success as opposed to doing anything for it um that got really

1:19:29

annoying right after the

1:19:31

millennium when the a lot of the reality tv stuff started to become bigger and

1:19:35

bigger and suddenly it's

1:19:36

just like fame for fame fame for fame's sake it's nothing about doing anything

1:19:40

and that was when

1:19:41

i started to get i lost my taste for la i really charted to about the millennium

1:19:46

and realizing it

1:19:47

was like a year after that we had these birthday parties every year and i used

1:19:51

to love them and having

1:19:52

everybody come up and for years we had these big parties on friday night where

1:19:55

just everybody would

1:19:56

come to my house on fridays you know just like a huge party um but i remember

1:20:00

thinking i don't want to

1:20:01

have anybody over anymore i'm just like i don't want to be here anymore and

1:20:06

then like i had been

1:20:07

spending a lot of time in in new york visiting friends and i had a lot of

1:20:11

friends here from from

1:20:13

years before and uh do you know mary louise parker is no i know she is yeah so

1:20:18

her and i met when we

1:20:20

were kids like she had just done her gotten out of college done her first movie

1:20:23

i was in my first band

1:20:24

uh she was out doing a play in berkeley at berkeley rep and we became friends i

1:20:29

had a huge crush on her

1:20:30

um but we became friends this is like 1980 so 89 87 88 something like that and

1:20:36

so we've been friends

1:20:37

ever since then so i would go in new york and i would visit her and her

1:20:39

boyfriend and we'd go see

1:20:41

plays all the time and i thought i was really liking liking life in new york

1:20:46

and i went me and billy

1:20:47

crudup who was then her boyfriend um we went to see this play called private

1:20:52

lives it's a noel coward

1:20:53

play and starred alan rickman and lindsey duncan and after the play billy took

1:20:58

me backstage and we

1:20:59

ended up going out that night without having some drinks and hanging out for

1:21:03

the rest of the evening

1:21:04

with alan rickman and lindsey duncan you know and it was just so great like the

1:21:09

whole experience and i

1:21:11

felt it felt i don't know way a lot more growing up kind of i don't know i just

1:21:16

felt like

1:21:16

i had been having conversations with like people from the real world and now i

1:21:24

was having conversation

1:21:25

with alan rickman and lindsey duncan and i really liked it and i thought i

1:21:31

think i got to get out of

1:21:32

la i think i think i would like to like have these conversations more and like

1:21:38

yeah i'd like to go i

1:21:39

like i realized how much i liked going to the theater just because it was a lot

1:21:42

like it was

1:21:42

closer to what i do you know like going on stage and doing it live every night

1:21:47

you know and i i just

1:21:48

like i wanted to get the hell out of la at that and i had really appreciated it

1:21:53

up until about the

1:21:54

millennium like i had appreciated all the people that were creative um and how

1:21:59

much variety of it there

1:22:00

was i really liked all that but it just something happened after the millennium

1:22:05

where i just got really

1:22:07

burned out on it i think you met you nailed it with the comment about the

1:22:11

reality shows because that

1:22:14

clearly changed the culture of the city because now people realized you didn't

1:22:17

really have to be

1:22:18

talented you just had to demand attention yeah and there's a lot of people that

1:22:23

are doing that now

1:22:24

whether it's tick tock or you know a lot of these uh youtube stars and things

1:22:29

along those lines they're

1:22:30

they don't really necessarily have a talent they just either stir up a lot of

1:22:35

shit cause arguments with people do pranks whatever they can do to get

1:22:40

attention so it's not the same

1:22:42

vibe right it's not about someone who's just trying to create great music or

1:22:45

someone who's trying to

1:22:46

make good movies or whatever it is you're trying to do it's now become a

1:22:50

culture of attention and fame

1:22:53

and that's that's la now i mean la is like a lot of these great restaurants and

1:22:57

bars they're tick tock

1:22:59

places now you know that no yeah what do you mean like people go there because

1:23:04

tick tock stars go there

1:23:07

so like what is that place on sunset saddle ranch saddle ranch i remember that

1:23:12

place is a tick tock

1:23:14

place now like tick tock stars go there and everybody goes there to see tick tock

1:23:19

stars is it even open

1:23:21

now yeah they're allowed to be open fully open i haven't been there i don't

1:23:24

know you go there every

1:23:25

goddamn chance he's a tick tock fiend look at him just kidding just kidding but

1:23:31

that's a thing like uh

1:23:32

boa is a big steakhouse on sunset yeah and it's infested with tick tock people

1:23:38

i've only been there once with why you laughing the steak was great yeah i mean

1:23:45

am i right about

1:23:46

this yeah i mean it's always been infested probably that maybe like uh

1:23:49

different sections have been

1:23:50

infested with young people they're just like listen when i say infested maybe

1:23:53

that's the wrong word

1:23:54

it could be infested by rock stars now it's infested by tick tock people it's

1:23:59

like it becomes the

1:24:00

culture right there you aren't wrong that like the way in early 2000s kids

1:24:04

would flock to the front of

1:24:06

mtv to maybe get a glimpse at some music video star right they're standing out

1:24:10

in front of salary it's

1:24:12

not going there they're just like taking their phones to take pictures with

1:24:15

them that's the weirdest

1:24:16

thing to me because i remember that at trl you know all that crowd in front of

1:24:19

trl on by the way

1:24:20

but like that's a weird thing you know i you were talking about early on about

1:24:25

being awkward in

1:24:26

front of things i've never felt as i already felt too old the first time we

1:24:31

were on trl how old were

1:24:33

you i mean i had to be 30 something so i was too old but like i i became a rock

1:24:38

star at 29 or 30. i

1:24:39

mean i left put my first record out at 30. how old are you now? 56. um yeah so

1:24:45

i'm you know i'm just

1:24:47

inches away from death but the first the very first time we were on trl and you

1:24:53

know everyone

1:24:54

was really nice but i felt like i felt weird like i felt weird and old and out

1:24:58

of place and like over

1:24:59

the hill already you know like and i don't think i don't think it existed for

1:25:02

our first couple albums

1:25:04

but it was sometime around the third then i was like well we are past our sell-by

1:25:08

date which is like

1:25:09

it's 1999 so it's been 22 years and we're still here so that's that's that's

1:25:13

pretty good you know

1:25:14

no that's very good when you first made it what was it like to go from just

1:25:20

being a guy in a band

1:25:22

to all of a sudden holy shit it's the guy from counting crows holy shit it's

1:25:30

that dude that was

1:25:32

fucking weird for me because i was really shy you know and i i had you know i

1:25:36

have dissociative

1:25:38

disorder which is not dissociative identity disorder that's what does that mean

1:25:40

that split personality

1:25:41

well dissociative disorder is like it's that you don't quite it's hard to

1:25:46

describe it you don't

1:25:47

quite connect with the world and you feel a little bit like you're at the back

1:25:50

of your head watching

1:25:52

things as they happen watching everybody yeah maybe not to the extent don't

1:25:57

tell me my mental illness

1:25:58

is something everybody has um i don't know no i mean i think it is to a certain

1:26:03

extent but it

1:26:03

definitely kept me at a distance from things and i always felt a little awkward

1:26:06

how did you get

1:26:07

diagnosed like how do you how does that get well you have to describe the

1:26:10

issues that you're having

1:26:11

and then the psychologist sort of explains it i don't think i really got it

1:26:15

diagnosed till i was almost

1:26:16

40 because they'd been diagnosed as different things they thought i was kind of

1:26:19

bipolar at times i was

1:26:20

medicated for a lot of different shit really um yeah which is not pleasant

1:26:25

during the stardom

1:26:26

period you were medicated oh yeah did you get medicated after stardom no before

1:26:30

before i just

1:26:31

didn't want to tell anybody about it because you don't want to be a public

1:26:34

spectacle while you're

1:26:36

going downhill bro you know what i mean like that no matter how much sympathy

1:26:39

people pretend to to

1:26:40

offer we love to watch trains collide did you feel like fame exacerbated your

1:26:47

issues well yeah because

1:26:49

i was very anxious and very shy and all of a sudden and very awkward in company

1:26:55

with people and then all

1:26:57

of a sudden everyone in the world is coming up to me and it felt like it felt

1:27:01

like claustrophobic like

1:27:03

the world is just pressing on you all the time you know i remember when we got

1:27:06

offered the cover of

1:27:07

rolling stone and i i told my manager i wanted to think about it you know for a

1:27:11

day because you know and of

1:27:13

course you're never going to say no to the cover of rolling stone it is if you

1:27:16

want to have a career and you get

1:27:17

off the cover of rolling stone you should do it because that's that's a career

1:27:20

maker right there

1:27:21

you know but i also i mean it's not like this nowadays because there are no

1:27:25

news stands really or very

1:27:26

few but remember like having your picture on the cover of a magazine like that

1:27:30

meant that you were

1:27:31

like omnipresent you're everywhere on every street corner everyone your face

1:27:35

was everywhere so like any

1:27:36

sort of anonymity is is gone i mean it scared me it really it did it scared the

1:27:42

out of me um

1:27:43

but you know you got to do that stuff so i mean i struggled with it at first it

1:27:48

was really different

1:27:49

people chase you down the street um i remember going to a movie in birmingham

1:27:54

and by myself in

1:27:55

the middle of the afternoon just went to see some movie it was a block or two

1:27:58

from our hotel

1:27:59

just a matinee you know on a day off and i'm in there there's no one in the

1:28:04

theater it's like one

1:28:05

of those multiplex so there's no one in there the one i was in and then like

1:28:08

midway through the movie

1:28:09

this guy comes down sits next to me like the middle of theater he's like hey

1:28:16

hey he's like

1:28:17

are you in county crows i said yeah and he goes i love your band do you mind if

1:28:22

i sit here and i said

1:28:24

you know i'm kind of just trying to have some time to myself he goes okay gets

1:28:28

up walks out walks out

1:28:30

of the theater doesn't sit down in the theater just walks out and i'm watching

1:28:33

the rest of the movie

1:28:34

it gets right right at the end of the movie guy comes in again walks down a

1:28:38

mile sits next to me

1:28:40

and i was like god damn it and i turn but it's a different guy and he's wearing

1:28:43

the uniform from

1:28:44

the place and he's like hey i'm sorry to bother you but uh the kid came in here

1:28:48

earlier i said yeah

1:28:49

he said well he's been out in the lobby for the last hour on the payphone

1:28:53

calling everyone he

1:28:54

knows i guess because he's been on the phone the whole time there's like a

1:28:57

hundred people out front

1:28:59

now i was just like he goes there's a if you want to go out that exit that

1:29:03

takes you out the side of

1:29:04

the building you can sneak out i was like thank you i went down and ran and

1:29:09

they i was around the side

1:29:10

of the building so i was a good block away before they spotted me and then they

1:29:13

all came charging

1:29:14

after me i made it to the hotel it's like some beetle shit so i know it was

1:29:18

weird like it was it

1:29:19

was like beetle mania you know and it just you don't expect that and it was a

1:29:23

lot to deal with

1:29:25

for for me i just kind of freaked me out um you know but you get i've said the

1:29:29

same quote a million

1:29:30

times but like if you woke up on mars it would take you a minute to get used to

1:29:32

the gravity but you

1:29:33

do you know you adjust right you know and i adjusted but at first i was like i

1:29:38

was a mess you

1:29:39

know yeah i didn't know what to do about it so were you did they have you on

1:29:43

medication before

1:29:44

all of this happened oh yeah yeah what kind of were you on i don't remember now

1:29:48

i mean it's

1:29:48

such a long time ago i was talking to a friend this morning because her son is

1:29:53

uh taking uh lamictal

1:29:55

and what is lamictal it's like a drug for anxiety or depression i don't

1:29:59

remember now but i used to have

1:30:01

to take it and it didn't work for me there's a different formulation for the

1:30:04

chewable one that they

1:30:05

gave to kids than the swallowable one that they gave to adults and the chewable

1:30:09

one only came in

1:30:10

like two milligrams and i had an ever increasing dosage you know like 10 20 40

1:30:15

100 milligrams so

1:30:16

did it like stop working is that why they kept increasing your dosage well they

1:30:19

just generally

1:30:20

do to get you on a drug they start you small and then ramp you up more yeah so

1:30:24

but because the only

1:30:25

formulation that worked for me weirdly enough was the chewable one which comes

1:30:28

in like two milligram

1:30:29

package uh pills um i had to take the chewable kind because there's sometimes

1:30:34

the formulations are

1:30:36

different you know in the different kinds of ways they package up drugs and so

1:30:39

something in the other

1:30:40

version didn't work for me so i had to keep taking the chewable one so at one

1:30:42

point i was taking like

1:30:43

25 of them you get 50 milligrams and it's like 25 these little can you imagine

1:30:48

taking like 50 or 25

1:30:50

different flintstones vitamins every morning and you just like jesus christ all

1:30:54

the liquid in your mouth

1:30:55

just gets sucked out and it becomes this paste you're trying to choose these

1:31:00

pills like that's sort

1:31:01

of the slightly sweet orange flavor of chewable pills you know like i just i

1:31:06

she reminded me of this

1:31:08

morning and i just thought oh my god i forgot all about that like every morning

1:31:13

taking like 25 of these

1:31:14

pills and chewing them up and the just the paste in my mouth for the just this

1:31:20

horrible it's on top of

1:31:21

everything else that's going on you have this experience every morning this

1:31:25

trauma-inducing

1:31:26

paste in your mouth experience you know i called it happy paste you know just

1:31:30

but it was just

1:31:30

so fucking gross on top of everything else and you you must have had to have

1:31:36

cases of that stuff if

1:31:37

you're eating so much every morning yeah it was weird so how'd you bring it in

1:31:41

like a suitcase everywhere

1:31:42

because if you're taking 25 pills every morning is that what you're taking yeah

1:31:46

they're real little so you

1:31:47

can get a bunch of them but yeah it took like four pill bottles each dosage you

1:31:50

know to get you through

1:31:51

i mean eventually they took me off and it wasn't the right medication and it

1:31:53

was impossible trying to

1:31:54

fucking chew up all this shit the chewer why would the chewable ones work and

1:31:59

the other ones didn't work

1:32:00

i don't know it's you know sometimes the way you know there can be slight

1:32:04

differences between generic

1:32:05

versions and regular versions of drugs where like just the formulation's a

1:32:08

little different i don't know

1:32:10

but the the chewable form of it worked and the other one didn't and wow it that

1:32:14

was a long time

1:32:15

for you what did the chewable stuff do for you i don't remember what it was for

1:32:18

i guess it's for

1:32:19

anxiety or depression and you know like when something alleviates anxiety what

1:32:23

is the feeling

1:32:24

the what what how does it alleviate it what does it do for you well sometimes

1:32:29

for me with especially

1:32:30

when it first came on when i was like 20 uh the dissociation was like uh being

1:32:36

on acid you know when

1:32:37

you get higher on acid and everything looks a little different just a little

1:32:40

weird feeling

1:32:41

that's what it was like i spent like between 20 and 22 on a like a year and a

1:32:47

half two year acid

1:32:49

trip at one point when i was young which was really shattering way before my

1:32:52

career um but for me like

1:32:55

i didn't talk about this in my career until like 2007 we were making saturday

1:32:59

nights and sunday mornings

1:33:00

because even though i was kind of a mess saturday nights was like the bottom of

1:33:04

the bottom for me and

1:33:05

i really felt like i was falling apart but the sunday mornings was kind of

1:33:09

about getting my

1:33:10

life together after that and it wasn't fixed but i felt like i was not sliding

1:33:15

down the drain anymore

1:33:16

and that felt like a time where it was safe to talk about mental illness you

1:33:20

know kind of like i don't

1:33:22

it's not my mission in life i don't i'm not a role model for anybody but you

1:33:25

know i just had avoided

1:33:27

talking about it because i didn't want to be a public spectacle um while a lot

1:33:31

of was going on in my life

1:33:33

uh and that's what i was writing about i just didn't say it you know but i don't

1:33:38

know it's like

1:33:40

mental illness is a weird thing it's not like you know diseases most of the

1:33:44

things that happen in your

1:33:46

life you're gonna get cured of it you know it's it's a problem it has a cure

1:33:50

and then you it sucks

1:33:52

and then you go back to normal you know right or you know i guess or you die

1:33:55

but some most of the

1:33:56

time we expect to go back to normal but it's closer to a handicap mental

1:34:00

illness doesn't go

1:34:01

away it's just like you learn well you get the right medication it feels but

1:34:05

then you get a handle

1:34:06

on how to live with being a little different and you get it's just something

1:34:10

you carry around with

1:34:11

you and you've got to learn how to carry that weight just because that's your

1:34:15

life and it's different you

1:34:17

know it's a good crucible for things in some ways i mean you do get some

1:34:20

determination which is

1:34:21

as it turns out a pretty necessary part of this kind of job um you know i went

1:34:27

through two years

1:34:29

of feeling like i was on acid other things aren't as scary to me anymore you

1:34:33

know like quite honestly

1:34:35

you know stage fright's just not an issue right you know so you know it's just

1:34:39

like that but it

1:34:40

doesn't seem like stage fright was the issue anyway no it wasn't but i mean it's

1:34:44

not the general public

1:34:45

stuff was the issue more more fame the pressure the criticism the craziness but

1:34:49

maybe that's why

1:34:51

stage fright wasn't an issue by the time it came around because i had been

1:34:53

through other stuff like

1:34:54

i mean in my first band the as an adult you know so i was like 25 26 maybe for

1:35:02

the first three gigs

1:35:04

i woke up each morning i remember this like our first one was at a street fair

1:35:08

in berkeley the solano

1:35:09

stroll second one was at a club called the omni the third one was at a club

1:35:12

called the hill

1:35:13

our first three gigs as a band i woke up each day of those gigs uh with

1:35:19

complete and utter laryngitis

1:35:21

i didn't feel anxious i didn't feel like anything was wrong but i couldn't make

1:35:24

a sound

1:35:24

like each day i was like just just like some kind of hysterical laryngitis like

1:35:31

i just lost my voice

1:35:32

completely for the first nowhere out of nowhere and i didn't feel nervous i was

1:35:36

excited about playing

1:35:37

gigs but on some part you're like flipping out i played all three of those gigs

1:35:41

i uh someone suggested

1:35:42

that ginger is really good when you lose your voice because that just burns the

1:35:45

out of your vocal cords and clears anything off them so i i got those big

1:35:49

ginger roots you know and

1:35:50

i've taken on stage with a knife and i would shave the skin off the ginger root

1:35:54

cut off a little piece

1:35:56

like a stick of gum size piece put it in my mouth and chew and swallow the

1:35:59

ginger juice like because

1:36:01

that comes out of it which burns your vocal cords clean of anything and allow

1:36:04

you to talk and sing it

1:36:06

works for about a minute or two and then you got to swallow some more or get it

1:36:09

and you don't want

1:36:10

to swallow that that root so you got to throw that and shave the audience what

1:36:14

was going on yeah because

1:36:15

it was too obvious i'm standing on stage with a huge root on a stool next to me

1:36:19

and with a knife

1:36:19

a big knife a big sharp knife or a paring knife of some kind and i'm shaving

1:36:23

and like chewing pieces of

1:36:24

gum like it went away after the third gig but the first three complete laryngitis

1:36:30

do you think it was

1:36:30

psychosomatic absolutely wow isn't that crazy that your brain can trick your

1:36:34

vocal cords into seizing

1:36:36

up because your brain is like somewhere there's a somewhere there's an

1:36:40

understanding that if this

1:36:41

motherfucker can't sing we don't have to go through this oh this is what we're

1:36:45

going to do we're just

1:36:46

going to send some crazy vibes down those vocal cords and paralyze the out of

1:36:51

them

1:36:51

like little do they know but it's not that we can't we're not going to have to

1:36:54

do this it's that

1:36:55

we're now going to send him on stage with a knife and some ginger root you know

1:36:59

like he's going to be

1:37:00

singing all the songs and i'm already like an idiot i'm so nervous about not

1:37:04

playing piano and singing

1:37:05

i'm standing up in front of everybody because i came to rehearsal one day i was

1:37:09

the piano player and

1:37:10

singer in my band you know and i came to rehearsal one day and there's this

1:37:12

other guy there and he's

1:37:13

playing piano and he's really really good and they're like hey this is dan he's

1:37:17

our dan eisenberg i'm

1:37:18

like oh nice to meet you like he's our piano player i'm like i'm our piano

1:37:21

player like you're our singer

1:37:24

that was it i was like booted out and you know granted he was way better to me

1:37:27

but then i had to

1:37:28

learn to stand up so my way of getting around that was like i got a trench coat

1:37:32

i looked like you know

1:37:33

like i thought prince was cool he had a trench coat i could get a trench coat

1:37:36

and i'll stand on stage in

1:37:38

the trench coat and i'll be cool in my trench coat it would have worked better

1:37:41

if i wasn't as it turned

1:37:42

out also shaving ginger with a knife and chewing you know like cooking it's

1:37:46

like a cooking show but with a

1:37:48

trench coat on yeah it's asinine wow this is the stuff we go through you know

1:37:53

like you want i'm

1:37:53

gonna play i don't care my voice is gone i can't talk i'm gonna find a way uh

1:37:58

chewing ginger okay

1:37:59

that's gonna do it it's not pleasant but i will do it wow you know did you

1:38:04

eventually figure out like

1:38:06

what's the best way to handle the anxiety and the the weirdness and the the

1:38:11

what was the best way for

1:38:12

you well you know that year where i spent or a year or two where i spent like

1:38:17

on the acid you learn some

1:38:19

tools during that like one of them is just learning to breathe like breathing

1:38:23

exercises kind of well i

1:38:25

mean you know terror is a self-perpetuating thing you know because your your

1:38:30

heart rate speeds up that

1:38:31

makes you more agitated and more scared if you slow your breathing down your

1:38:38

heart rate cannot increase

1:38:40

like if you keep yourself and you force yourself to breathe in and breathe out

1:38:45

and breathe in your heart rate

1:38:46

is going to slow down and that will take some of the edge off that you know it

1:38:50

does you know i had

1:38:51

to learn to do that that year because for a while after that i would wake up in

1:38:54

the morning and think

1:38:55

it was happening again and i'd start to panic and that's going to cause it to

1:38:58

happen but you just

1:38:59

got to like you know white knuckle it i still wake up a lot at like 6 a.m like

1:39:04

right as the dawn is

1:39:05

coming up i wake up and have a moment of like oh god not this but now it's like

1:39:10

reflexive to just stop

1:39:11

it but back then i had to make myself breathe you know like so you know so by

1:39:17

the time i got to the

1:39:18

stage fright thing i wasn't really feeling stage fright but also i think i felt

1:39:24

like i was in the right

1:39:25

place you know like i could express anything i wanted up there there's nothing

1:39:32

wrong any new melody

1:39:34

anything i wanted to sing any feeling i wanted to put into it it was all art is

1:39:39

all creativity and

1:39:42

there's nothing wrong about any of it i mean you don't want to sing off key all

1:39:45

day long but right

1:39:46

but basically you could just express yourself and that was all by doing it that's

1:39:52

what you're there for

1:39:53

you're there to express yourself anyway so anything you do is just a part of

1:39:56

that i felt pretty confident

1:39:59

in that and like this was whatever i did was the right thing to do because that's

1:40:04

what we were doing

1:40:04

anyways by doing it i make it the right thing to do so is it safe to say that

1:40:08

like

1:40:08

the anxiety and the mental issues and all that stuff it almost became tolerable

1:40:19

because the art was so

1:40:20

satisfying i think it made it a lot better especially finding songs finding the

1:40:26

the whole idea of

1:40:27

songwriting for one thing gave me a place to put all that stuff that didn't fix

1:40:31

the rest of the day

1:40:32

but i'd never had any place to put it before i wrote a song and now it's like

1:40:36

whoa on top of

1:40:37

people would ask me is is it cathartic to play music and i don't think it is it's

1:40:42

not that it doesn't

1:40:43

process it and get it all out of you but if you have to choose between a day

1:40:46

where you just feel shitty

1:40:48

shitty and a day where you feel shitty but you write a song take the song yeah

1:40:52

accomplish something that

1:40:53

day and that's what we're supposed to be you know life is supposed to be about

1:40:56

accomplishing things

1:40:57

making things doing things so take the day where you do something and then you

1:41:01

know what try and do it

1:41:02

again tomorrow because that it is better it doesn't fix it it's not replacing

1:41:06

the difficulty but at least

1:41:08

what you know is that i can have difficulty and i'm not a waste of space on the

1:41:12

earth i'm not falling

1:41:13

apart i'm not i'm not nothing i actually made a song so in in my difficulty of

1:41:18

whatever yesterday was

1:41:20

well i made something beautiful yeah you know and that's that's a powerful

1:41:25

thing it means that like

1:41:26

while you were going through all that you didn't just put your head in your

1:41:29

hands and lay there

1:41:30

you you went ahead and made something and you can you can take that with you

1:41:34

for the rest of your days

1:41:35

that song goes along with you the sense of accomplishment all the feelings of

1:41:39

like

1:41:39

because i think that's the hardest thing about mental illness is you know it's

1:41:43

not what everybody's

1:41:44

going through you know it's harder than it needs to be and there are people who

1:41:47

are going through

1:41:48

stuff i mean as i know now they have their own difficulties but it just seemed

1:41:51

like it was harder

1:41:52

and there are times where you just want to go i don't want to carry this today

1:41:56

you know i'll just

1:41:57

sit here but a big part of it is not to just sit there is to do something is

1:42:02

that also exacerbated

1:42:04

by a heavy tour schedule because like when you do i would imagine there's days

1:42:09

that you just need to

1:42:10

slow down and take breaks and when you're out there bang bang bang show after

1:42:15

show after show

1:42:17

i would imagine there's very little of that time where you get to sit by

1:42:20

yourself in a movie theater and

1:42:21

just chill well you know like in anything in the arts there's a lot of sitting

1:42:24

around you know there's

1:42:25

always going to be time you know when you're not on stage yeah there's a lot of

1:42:28

it but you know it's

1:42:29

coming that night yeah but there's something to that right where if you have a

1:42:33

bunch of shows in a row

1:42:34

like even if you have the whole day off that that show is looming yeah but i

1:42:38

didn't dread it it was the

1:42:40

good part of the day you know it was the best part of the day it was the one

1:42:42

part of the day where i knew

1:42:44

i was where i was supposed to be i wasn't struggling with what to do i i i had

1:42:48

a i even have a set list you

1:42:50

know so i i know a path through the next two hours that wasn't the problem

1:42:54

except you know i wasn't

1:42:56

my voice is kind of weird it can do a lot of great but it's uh it's not

1:42:59

particularly durable and i sing

1:43:01

really hard um so it was not the best at recovering and early on a big part of

1:43:06

it was learning you know

1:43:08

there are limitations to how many days in a row i can do without paying for it

1:43:11

like even if you just

1:43:12

do one three in a row for me i'll be paying for it and recovering from it for

1:43:16

the rest of the tour

1:43:17

two on one off two on one off works we mostly do that every once in a while we'll

1:43:21

put an extra day

1:43:22

off in there but like we had to learn it took years to learn it that you couldn't

1:43:26

you couldn't be too

1:43:28

flexible about that it might seem like you could only play this one thing if

1:43:30

you play three in a row just

1:43:31

do it that one time but i'd be recovering the rest of the tour from that and so

1:43:36

we had to learn that

1:43:37

because losing my voice dealing with a lot of uh uh getting nodes in my vocal

1:43:41

cords because you have to take

1:43:42

the only thing that really fixes nodes is one silence and two steroids you know

1:43:46

like not anabolic but

1:43:47

systemic cortisone prednisone you know stuff like that that's heavy it is it's

1:43:52

not great that's why

1:43:53

that's why when i scraped my knee up that one time on tour it eventually got

1:43:56

really infected uh because

1:43:59

and also why it stayed infected where because they give me all the antibiotics

1:44:02

for it and the antibiotics

1:44:04

kick the out of the infection but you also have that prednisone in there which

1:44:07

keeps bringing it back

1:44:08

and you're keeping it alive so it would come back over prednisone kept the

1:44:12

infection well you know

1:44:14

steroids just kind of basically make things grow faster that's why you heal

1:44:17

faster you rebuild muscle

1:44:19

tissue faster aren't they just anti-inflammatories those kind of steroids no

1:44:22

but that's not what

1:44:23

anti-inflammatories do they they help your body heal quicker by like reproducing

1:44:28

itself quicker cell

1:44:29

growth i think it's i think gets like instigated reducing inflammation that's

1:44:35

why things like ibuprofen

1:44:37

are called non-steroidal anti-inflammatories right because answer but they the

1:44:40

way that steroids work

1:44:42

and why they work so much better i think than like advil is because they create

1:44:47

cell growth that goes

1:44:48

faster which is why like if you have a virus steroid side effects may increase

1:44:52

the risk of staph

1:44:53

infections there it is new research suggests that long-term use of powerful

1:44:57

immune systems suppressing

1:44:58

steroids such as prednisone hydrocortisone and dexamethasone may increase risk

1:45:05

of life-threatening

1:45:06

staph blood infections by a factor of six holy yeah so like when i got the

1:45:12

infection the antibiotics

1:45:13

were kicking its ass but the steroids were kind of also it's like the opposite

1:45:16

it's like pouring

1:45:17

gasoline on it you know and so like it was never quite going away and you know

1:45:21

would keep coming

1:45:22

back which that stuff's also yeah that should make you a little crazy too you

1:45:27

know prednisone can make

1:45:28

you a little like antsy and crazy which is since i was already a little antsy

1:45:31

and crazy oh no i mean

1:45:33

it's a great drug for fixing your vocal cords did they have to give you iv

1:45:37

antibiotics for your knee

1:45:39

uh little bits like not iv but they give you a shot of it and then they'd give

1:45:42

you the antibiotics to

1:45:43

take home with you because my knee turned into a balloon i've had staph before

1:45:47

yeah yeah it's rough

1:45:49

it's amazing how much those antibiotics wreck you though yeah like you're so

1:45:54

tired well they're turning

1:45:55

everything off they're killing all the cell growth to stop the the one thing

1:45:59

from growing more yeah

1:46:00

and you know that's that's why it's the same thing like uh it fucks with your

1:46:04

immune system

1:46:05

because it shuts all that stuff down that's why it's your you know some people

1:46:08

are more of a risk

1:46:09

for the covet thing too because you know if you're on that kind of uh autoimmune

1:46:13

suppressors exactly

1:46:15

yeah a buddy of mine hurt his wrist and they put him on what the way he was

1:46:19

describing it was he said

1:46:21

it was essentially like a low level um chemotherapy he's like just whatever

1:46:27

this was they were doing

1:46:28

for his wrist was because he just had constant wrist pain uh severely exacerbated

1:46:35

uh the covet symptoms

1:46:37

he got coveted while he was on this stuff that was wrecking his immune system

1:46:42

to try to deal with

1:46:43

this autoimmune issue that he has in his wrists and then the covet just swamped

1:46:49

him because he was

1:46:50

his body was like in severe compromised state already that's the one thing they

1:46:55

say that the biggest

1:46:56

people who are still at risk from for getting coveted after being vaccinated

1:47:00

are people who had

1:47:01

autoimmune disorders or on medications for things like that because and obese

1:47:05

people still it's still a

1:47:07

factor well i imagine so because your body's having a harder time taking care

1:47:11

of itself and it's

1:47:12

inflammation again you're dealing with that's a big factor of obesity is you're

1:47:16

dealing with inflammation

1:47:17

everywhere yeah it's um when you hear about people that are taking different

1:47:23

medications to deal with

1:47:24

anxiety or depression the the frustrating thing for many of my friends that

1:47:28

have been on these kind of

1:47:29

medications is trying to find the right one and trying to get it dialed in and

1:47:33

then dealing with all the

1:47:35

stuff that's happening while you're trying to dial it in and a lot of side

1:47:39

effects for that medication

1:47:40

yeah well a lot of them were medications that weren't you know we don't really

1:47:44

know that's the

1:47:45

other thing that's kind of it can really kill your your hope when you're

1:47:49

dealing with mental illness

1:47:51

is that we don't understand how it works the way we understand how other parts

1:47:55

of the body work

1:47:56

we don't understand the brain and a lot of these medications they realize they

1:47:59

work for mental

1:48:01

things because they were medications for something else and then it just

1:48:04

happened to have this effect

1:48:06

so it's good but it has a bunch of side effects it was originally designed for

1:48:09

something else we don't

1:48:10

know exactly how to tune it in yeah you know uh i mean just the fact that like

1:48:15

people who are add

1:48:17

and really hyper uh you give them uh speed basically right and it makes them

1:48:23

calm down i know what the

1:48:25

fuck i mean it's wild that it works that way i mean because i i had that

1:48:28

problem and when they gave me

1:48:29

that i was like this is the worst thing i don't want to be more up and then

1:48:31

they gave it to me and i

1:48:32

was like oh i get it i can think clearly okay that's wild it's wild that it

1:48:36

works but it does it's like

1:48:38

you know those drugs because your brain we just don't understand the brain that

1:48:41

well lately did you

1:48:42

ever try uh meditating or like breathing exercises or exercise did you ever try

1:48:49

any of those things to

1:48:50

deal with yeah i think exercise is really good um uh the breathing also

1:48:54

obviously really helped

1:48:56

meditation i had a lot of problems with because i felt like uh it almost felt

1:49:00

like i was relaxing all

1:49:03

the barriers and structures i had in there to keep this under control

1:49:07

everything i had to hold it

1:49:08

together when i would relax into the medication i mean to the meditation it

1:49:12

felt like it was like

1:49:13

i it's something it was just a way i don't know if it's actually what it does

1:49:18

or just a way i was

1:49:19

conceiving of it in my mind i was picturing like i was letting stuff loose it's

1:49:22

so crazy how many really

1:49:24

creative people struggle struggle with mental illness and it's almost more than

1:49:29

don't i i imagine it has

1:49:31

something to do with you you spend a lot of years keeping things to yourself

1:49:36

not communicating with

1:49:38

other people as well as other people do you got a lot of stuff pent up and when

1:49:43

you find a way to

1:49:44

express it you dive into that you know and creativity and art is like one way

1:49:50

also a lot of us don't deal

1:49:52

with authority very well you know and then now you find a lifestyle that

1:49:56

provides independence you know

1:49:58

like i haven't had a boss for a really long time isn't that nice i mean it's

1:50:02

really nice you know like

1:50:03

i've been running an independent shop for you know 30 years now and like who'd

1:50:08

have thought i'd be able

1:50:09

to grow up and you know run my own company basically which is the best for

1:50:15

everybody if you could figure

1:50:17

out a way to do that just be your own boss my god your life would be so much

1:50:21

different the the pressure

1:50:23

and the weight of like a shitty boss who's you know like dominant over their

1:50:29

employers employees rather

1:50:31

and you know and cracks the whip and yells at everybody in the company meeting

1:50:36

you know all that

1:50:37

shit you're dealing with someone looking over your shoulder while you're doing

1:50:40

your work like oh

1:50:41

fuck the pressure of that it's got to be crazy but i mean look you're running a

1:50:48

a big thing here you

1:50:48

know and and you've got a lot of people working for you and you know being a

1:50:51

boss means what are all

1:50:53

people that are running around here those security guys are cool as they're

1:50:56

just hanging out

1:50:56

oh they're security yeah oh i mean because part of being a boss is taking care

1:50:59

of everybody

1:51:00

dude this is the most preposterous skeleton crew ever for something that

1:51:05

reaches millions of people

1:51:06

it's the most ridiculous setup but that's the way it works so good because it

1:51:11

stays intimate because

1:51:12

like i said i've been to other podcasts that become big and they decide that

1:51:17

they're now a hollywood

1:51:19

production and i met people i'm like what do you do oh i'm the executive

1:51:22

producer you're the executive

1:51:23

producer of what a conversation we need an executive producer are you talking

1:51:28

about so you've got directors

1:51:30

executive producers you got camera directors you got people who are sound guys

1:51:34

you got all these people

1:51:36

you have you have people that are assistants you have people that are pas you

1:51:40

have people that are on

1:51:41

this set that are they're they're getting they're interns so they're getting

1:51:45

college credits to be on the

1:51:47

set and they're taking notes and talking and and then occasionally there's

1:51:50

problems because you know

1:51:52

some pa said something stupid to an intern and now you have to have hr you know

1:51:57

you have hr you have human

1:51:59

resources at your podcast like oh my god what have you done what the have you

1:52:03

done you've you've created

1:52:05

an office now you have a corporation like you you used to have just a

1:52:08

conversation where it was you and

1:52:10

your buddy and there was some youtube video and you had a couple of cameras

1:52:14

running and now because

1:52:15

it became successful you changed what the whole thing is and now you got people

1:52:19

breathing down your neck

1:52:20

you got a bunch of people telling you what to do like oh i've been doing this

1:52:24

thing you know i got

1:52:27

you know about a month into the quarantine i started i went to my girlfriend

1:52:30

and i said i i'm really

1:52:32

worried that i'll just wake up a year from now i don't want to have done

1:52:34

anything you know i want

1:52:35

to do that i'm going to start i'm going to learn to cook everything you know so

1:52:38

i just started like

1:52:39

i've always liked cooking but i started really researching it and trying to

1:52:43

like make all kinds

1:52:44

of for her and for our few friends that we were seeing you know and then it

1:52:47

seemed kind of cool

1:52:48

after a while to be doing this so i started making little videos and just like

1:52:51

putting them up on our

1:52:52

instagram stories and now i'm like sort of filming them myself what kind of

1:52:55

stuff do you cook

1:52:56

i mean all kinds of i did crawfish new orleans crawfish bread a few weeks ago i

1:53:00

did a fish bread

1:53:01

yeah it's like this thing you can only get at the jazz fest where it's like you

1:53:05

kind of make this loaf

1:53:06

from like a bread that's got stuffed cheese and crawfish and spices in it i

1:53:10

think it's i've always wanted

1:53:11

it because it's my favorite thing from jazz fest but i i never knew how to make

1:53:14

it and i'm still it's

1:53:15

still a work in progress but like uh red sauce meat sauce like uh my italian

1:53:21

has gotten really good

1:53:23

um what else have i done i've done about 20 30 of them now i've been putting

1:53:27

them up on instagram tv

1:53:28

and and it's catching on with all these people who are like i mean i have a

1:53:31

bunch of friends who are

1:53:31

chefs who are really good cooks i'm not but i've been really trying you know

1:53:35

and then i've been

1:53:36

trying to show people how to cook stuff that you know some of it's as simple as

1:53:39

just look maybe you

1:53:40

don't know how to make grilled cheese grilled cheese is great i'm gonna show

1:53:42

you it's really simple

1:53:43

and some of it is complicated like a 12-hour meat sauce you know like but you

1:53:48

know i as i was doing

1:53:50

this it's unbeknownst to me it started all these people started getting

1:53:53

interested and my friend who

1:53:55

works on american idol now she's a producer for it she lives here but she flies

1:53:58

out there for that

1:53:59

she's my piano player's wife and she's like yeah man all these people on the

1:54:02

set they all obsessed with

1:54:03

your cooking videos and three of them come to me and said like what about a tv

1:54:07

show we should we should

1:54:08

get out of a cooking show and then you know talked to my manager mark and a

1:54:11

bunch of people came to him

1:54:13

and said we want to put together a show for adam like a cooking show and my

1:54:17

thought was like look

1:54:18

i really like what i'm doing i like the cooking i like filming it myself and

1:54:22

editing myself it's

1:54:23

hard i had to learn how to do it look at you that's crawfish bread i'm trying

1:54:27

to make and what

1:54:28

are you using using a starter is this like a sourdough bread like no i used i

1:54:32

tried it the first time

1:54:33

using my pizza dough recipe and that was good but it's the wrong texture this

1:54:37

one i i got i found a recipe

1:54:39

for like a like a cheesy bread that looked like chewier and i thought that

1:54:43

would be a better recipe and it's

1:54:45

still not the right it's still not right but bread's not my i'm not really a

1:54:49

baker i've just been trying

1:54:50

to you should get together with tom papa do you know tom papa tom papa the

1:54:54

comic no i don't know

1:54:56

hilarious comedian amazing baker really this sourdough bread is off the charts

1:55:02

and he's been obsessed with it

1:55:04

for years and years and years he's been working on cultivating the perfect sourdough

1:55:09

bread and

1:55:10

figuring out how to do it he's got a his starters like 30 years old or some i

1:55:14

forget how old it is

1:55:15

you know they start yeah yeah and he he brings over fresh we used to when we

1:55:20

lived in la i would give

1:55:21

him elk meat and he would give me fresh bread we would make a trade-off you

1:55:25

know and uh his bread is

1:55:27

off the charts man it's so good and it looks good too like he's got the

1:55:32

presentation down show show this

1:55:33

motherfucker some tom papa bread i figured it would have been higher up bro it's

1:55:37

so good oh my god we

1:55:39

would eat it on the podcast just put some butter on it oh sensational

1:55:44

sensational and he just is a master

1:55:47

at bread maybe you could like talk to him and he'll give you some tips on how

1:55:52

to make the bread better

1:55:53

and that's what i need he's really he's got this show called getting baked with

1:55:58

tom prop top that's the

1:55:59

flour i use i love that flour it's really good what kind of flour is it it's

1:56:03

king arthur's

1:56:04

all-purpose flour and they just make it better it's good flour so

1:56:10

is this just him talking it's part one he's got a look there's oh yeah look at

1:56:15

that come on give me

1:56:16

a picture of that bread that's a beautiful piece of bread goddamn perfection

1:56:20

and it tastes as good as

1:56:22

it looks when you slice it open he had a show with the food network but they

1:56:26

canceled it but you know

1:56:27

what that's better anyway he really should be doing it there's me eating his

1:56:31

bread he really should be

1:56:32

doing it a hundred percent on uh youtube i mean that's that's really where it

1:56:38

prolongs just something

1:56:39

like that where nobody tells you what to do just just do it well that was the

1:56:43

thing because everyone's

1:56:44

talking about getting cooking shot i'm like i don't think you understand they

1:56:46

say well you would love

1:56:47

it i'm like why would i love it i love cooking i don't love going on tv shows

1:56:53

and i don't know that

1:56:53

i love having a tv show that's a whole different thing from cooking having a tv

1:56:58

show greasy producer

1:56:59

that's like adam we're going to do this again but this time i you know i just i'm

1:57:03

not feeling you're

1:57:04

having a good time i want you to smile i want you to smile and i want your best

1:57:09

friend is in the

1:57:09

this room okay this camera is your best friend and when you treat and you'd be

1:57:13

like what the

1:57:14

have i done what have i done people think having a tv show sounds like fun

1:57:17

because they like the idea

1:57:19

of being on tv right but i i got enough well i'm like a little more fame it's

1:57:23

like it does really

1:57:24

well it'd be great it's like a band where it could be magic or it could be hell

1:57:29

you know it could be

1:57:30

the lead singer and the guitar player hate each other and they only do the gig

1:57:33

and then they talk

1:57:33

about each other afterwards or it could be like a brotherhood where they love

1:57:36

each other and it's great

1:57:37

and that's how tv shows are that's how any cooperative effort when you get a

1:57:41

group of

1:57:42

people together are it's like you can get lucky and you can get really unlucky

1:57:47

and sometimes some

1:57:48

really successful shows are really unlucky collaborations where the people are

1:57:52

good at what

1:57:52

they do but the stress of working with these cocksuckers they fucking hate the

1:57:57

other people

1:57:58

and i know people that work on television shows and they'll have a drink

1:58:02

afterwards and go

1:58:03

fuck man my executive producer is such a twat i can't handle this dude all he

1:58:08

wants to do is blah

1:58:09

blah blah blah blah and you're like oh i thought you were on tv i thought

1:58:11

everything was great

1:58:13

it's not it's not great it's it's a cooperative effort the beautiful thing

1:58:17

about doing a cooking

1:58:19

show on your own with just a camera and youtube is it's just you it's purity of

1:58:24

vision and expression

1:58:26

there's just singularity one guy your thoughts and what you're trying to do and

1:58:31

you could figure it out

1:58:32

and you could say you know i used to do it like this i don't like doing it like

1:58:35

that anymore

1:58:36

i've realized i i like myself more when i prepare this way or when i do that or

1:58:41

when i approach it that

1:58:43

way you'll find it you'll find it but it's nice too but if you've got some

1:58:47

fucking network you know

1:58:48

we've gone the gun over the metrics adam and it seems like whenever you do this

1:58:52

people tune out

1:58:53

it's like every show it's 13 minutes in they're tuning out so what do we got to

1:58:57

do to keep those

1:58:58

people tuning in for another 13 because daddy wants to buy a new house what can

1:59:01

we do adam i'm looking

1:59:03

at a lamborghini i like to get a lamborghini and i can't get a lamborghini if

1:59:06

this is not successful

1:59:08

so what do we do adam i have a maserati i want to pay my lease how do i make

1:59:12

this show better so i make

1:59:14

more money and put my kids through college i want to bribe usc so i can get my

1:59:19

children into that

1:59:20

school i need more money to pay off people you're dealing with so many

1:59:24

different people and so many

1:59:26

different issues and to do something creative it's it's so hard to do it with a

1:59:30

lot of other people's

1:59:31

input yeah that's the nice thing about our creative thing is it's me and six of

1:59:34

my best friends

1:59:35

and a producer and it's all there it's not like i mean i've worked on movie

1:59:40

stuff that you got

1:59:41

it's like a lot of levels of people and a lot more money and it's a it's a huge

1:59:45

hassle the executive

1:59:47

levels like you're saying that is the biggest problem it's like yeah all these

1:59:49

people who have

1:59:50

to justify their job you know it's not creative no generally speaking they're

1:59:53

that's not what they do

1:59:55

what they do is try to maximize profit they try to maximize profit and you know

2:00:00

and sometimes it gets

2:00:01

in the way of creativity because they're like i don't you know think the way

2:00:04

you're doing it's like i

2:00:05

just don't think this is the best way for our image and our brand what what are

2:00:10

you saying what is this

2:00:12

and i'm sure you had to deal with that with music right i mean you guys yeah we

2:00:15

didn't have to listen

2:00:16

to it right i mean that's you have that kind of record company pressure a

2:00:20

little bit but you know we

2:00:22

had a huge bidding war at the beginning like pretty much every record company

2:00:26

in the world offered us a

2:00:27

contract from the beginning at the beginning before we were how did you get

2:00:30

signed like well we had a lot of

2:00:32

demos and we had been making them for a while and they were really our guernemar

2:00:36

guitar players was

2:00:37

a really good engineer and he had a little studio and so when we made demos we

2:00:41

had like you know you're

2:00:41

supposed to get a two song demo or a three song demo we had a 15 song demo oh

2:00:45

wow which is i mean

2:00:46

on the one hand we're just huge rubes and people that got it at first were

2:00:49

laughing at us until they

2:00:51

listened because you know it's the whole first album it's like right we had a

2:00:55

lot of songs you know and

2:00:56

and uh so when it got out when we finally got a manager and a lawyer and that

2:01:02

got out the rec

2:01:03

companies got these demos it was like they came to see us there were two

2:01:06

weekends in like 91 or 92

2:01:09

january of 92 maybe where we played these shows on two consecutive weekends and

2:01:13

between the two weekends

2:01:14

every rec company in the world came to see us play the only people that didn't

2:01:18

offer us deals were like

2:01:19

people in the same company so like you know columbia and epic were both part of

2:01:23

sony so only columbia

2:01:25

offers deal but other than that we got a shitload of offers and there were

2:01:29

millions of dollars on the

2:01:30

table and we signed with geffen and we took home i think three thousand dollars

2:01:35

each because they gave

2:01:36

us complete creative control in the contract and a higher royalty so which was

2:01:41

doesn't matter unless it

2:01:43

pays off but you know it did and that was back in the day when people actually

2:01:46

bought albums yeah

2:01:48

which is why you know we did really well and we had higher higher royalty back

2:01:52

then um we just and

2:01:54

we didn't owe any money because we only took home like you know i took home

2:01:57

three thousand dollars

2:01:58

i bought a 1970 carmen guia and drove it did you really yeah i bought a convertible

2:02:04

red 1970 carmen

2:02:06

guia and drove it down to l.a to make the record exactly i still have it it's

2:02:10

my only it's a car i

2:02:11

have and i'll never get rid of it it's your only car you drive that because i

2:02:14

live well not much i

2:02:15

mean i did when i lived in l.a but i mean i live in new york now so i don't

2:02:19

need a car and so when

2:02:20

you drive around new york you drive this carmen i don't drive around new york

2:02:24

you walk and take subway

2:02:25

right no my my guia i actually two my friends and i bought a winery a few years

2:02:29

ago and so we were

2:02:30

partners in elise winery and so my uh the guy who runs my whole winery the he's

2:02:36

uh he's got in his

2:02:37

garage in napa so i can when i go up there i haven't driven it up i haven't

2:02:40

been up there since

2:02:41

he took it from me uh right before the pandemic started so i haven't been back

2:02:45

there to drive my

2:02:46

car around but it's in his garage pretty much i mean there's definitely some

2:02:49

been some things

2:02:50

repaired over the years but it's you know it's pretty much the original shit

2:02:53

and it's uh repaired

2:02:54

but not upgraded it's basically there's a better stereo in there now and i don't

2:02:58

think the wheel's

2:02:59

not original the steering wheel's not original uh definitely some of the

2:03:02

mirrors i mean it's not

2:03:04

it's not it looks cherry it's beautiful and it is cherry red but uh actually i

2:03:09

find somewhere but

2:03:10

it's a it's a great little car it was just when i was a kid i always loved

2:03:13

those carmen geas they

2:03:14

look like the bathtub porsches kind of which is what they're based on you know

2:03:18

and uh i just i love the

2:03:20

roadster the whole idea you know the sports car didn't really do it for me as

2:03:23

much as the roads i

2:03:25

love the idea of driving around a little convertible yeah and i always wanted

2:03:28

one of those and when i got my

2:03:29

record deal i took my 3000 and spent 2000 on a carmen gear barely ran back then

2:03:35

drove it down to la

2:03:37

made the record you know it was my car for a while i did at one point buy a boxster

2:03:41

when they came out

2:03:41

with boxters i'd never owned a new car in my life and so i wanted one that was

2:03:45

like that and that was

2:03:46

great too that was a great little car um boxers a beautiful little car yeah it

2:03:50

was great brilliant

2:03:52

car too like mid-engine and yeah and not like it doesn't go 3 000 miles an hour

2:03:56

it's not a real sports car

2:03:57

but it's it was like an upgraded version of my gear yeah it could the problem

2:04:02

with porsche they have

2:04:03

a real situation where their 911 is essentially a a poor design in comparison

2:04:10

to the boxster the

2:04:11

boxster and the cayman are a better design in terms of like weight distribution

2:04:16

because it's a mid-engine

2:04:17

car yeah where the engine is right behind the driver and then the axles behind

2:04:22

the engine so the the

2:04:23

the balance of weight is beautiful and it was a great car yeah but porsche hamstrings

2:04:29

them

2:04:29

they keep them lower horsepower they keep them they they don't have the same uh

2:04:35

suspension setup it's

2:04:37

just they don't they don't it's particularly horsepower they don't let it

2:04:41

eclipse the 911.

2:04:43

no i mean it's not it's nowhere near as fast as my i had friends who had the

2:04:47

other kinds of porsches and

2:04:48

not that i was trying but like it was clear the difference in their cars yeah

2:04:52

but not anymore

2:04:52

there's now they have a cayman gt4 and then um they also do uh there's

2:04:59

companies that like aftermarket

2:05:01

companies they take it and they build it up i'll show you my car i want to see

2:05:06

it i love those

2:05:07

those uh carmen gears were like a funky 1970s sort of lost car like oh that's

2:05:16

gorgeous man

2:05:17

wow that's so pretty it's like two three pictures of it right around it right

2:05:21

there

2:05:22

that's really pretty man yeah i love that thing wow that's a really good color

2:05:29

too for that car with

2:05:30

the chrome and everything can i send this to jamie yeah i'll airdrop it to you

2:05:34

jamie

2:05:36

i'll take it see it all right here you go buddy

2:05:40

you got it yeah that was my first record advance so i'm never going to sell it

2:05:48

because like

2:05:48

no that's dope it's historical yeah it's special for me that way and it's

2:05:52

always it's also

2:05:53

like it was the car i dreamed about having as a kid and why don't people just

2:05:57

about karma gears really

2:05:58

i just really loved that and i love that uh i love that corvair monza the

2:06:02

unsafe at any speed car

2:06:05

that's a pretty car man yeah they're just kind of beautiful cars it represents

2:06:09

the time in which

2:06:10

it was created too it's like you look at it and you instantaneously know like

2:06:13

oh that's like late 60s

2:06:14

early 70s yeah yeah yeah it's got a little bit of a vibe and i i just i love it

2:06:21

got a lot of a vibe

2:06:22

yeah yeah i love those a lot man um you were there you were in the the middle

2:06:28

of your rock star

2:06:30

life when napster hit yeah what was that like well i mean i guess in a way when

2:06:39

i look at it overall i

2:06:41

shouldn't be surprised because if there's one thing that we've never really

2:06:45

valued as a culture i mean just

2:06:46

humanity has never really valued the arts it's like i mean we do we understand

2:06:51

that a painting is going

2:06:52

to be worth seven million dollars or something but in general it's just like

2:06:55

something we want to be

2:06:57

entertained with you know and we'll spend money on new tires or a vcr but if we

2:07:03

can get away with it we

2:07:04

don't want to spend money on records you know or you know that's the kind of

2:07:07

thing where if we could get

2:07:09

away with taking it we would and you know it partially this is the fault of the

2:07:13

record companies

2:07:14

at the time because you know if you're going to tell me that a record is worth

2:07:18

a certain amount of

2:07:19

money and then you're going to tell me that a cd is worth the same amount of

2:07:22

money and i'm going to

2:07:23

take both of those home with me now you're going to tell me that a group of

2:07:27

ones and zeros that equals

2:07:29

that cd is worth the same amount of money as the cd i'm going to call a little

2:07:34

you know what i mean when

2:07:35

they went to putting out digital music and itunes came around and let them sell

2:07:40

it on the store there

2:07:41

you know it should have been five dollars for a record not 15. but they didn't

2:07:45

want to cripple the

2:07:46

physical record sales is that what the idea behind it was i think part of it

2:07:49

was but it was short-sighted

2:07:50

and they also were like well if people aren't going to buy these anymore we don't

2:07:53

want to sell things

2:07:54

for five dollars they just panicked they got to make they got to get the money

2:07:57

where they could get it

2:07:58

but you know people weren't stealing records before that it's entirely possible

2:08:02

that if you'd

2:08:03

said okay now we're doing digital and it's a five dollar it's five dollars for

2:08:06

a record because

2:08:06

there isn't anything you get the music and you get all the art but it's not

2:08:09

costing us anything

2:08:10

we don't have to get trucks we don't have to build physical which is true it

2:08:14

used to the hardest thing

2:08:15

about being an independent record company because i had a couple independent

2:08:18

rec companies was pressing

2:08:20

up the cds and then getting trucks to take them to mom and pop cd stores where

2:08:25

you'd get three in there

2:08:26

and if you were lucky enough to have the guys who own the store love you they'd

2:08:29

play it in the store and then

2:08:30

someone would buy them but then they're gone because they only had three and

2:08:33

you got to get

2:08:34

more out there because now they don't have it at all that was distribution was

2:08:37

the hardest thing and

2:08:38

that's gone with all sudden you just got to load it up it's easy they should

2:08:43

have made it a five dollar

2:08:44

thing and been like okay now you're getting something that has no body to it we're

2:08:48

not going to make you

2:08:49

pay fifteen dollars for that you know and and they should have done that and

2:08:53

they didn't because they

2:08:54

they they panicked and so after a while when people people felt a little

2:08:57

insulted by being told that

2:08:59

now they should buy the same thing that was a that they used to take home with

2:09:02

them they should buy it

2:09:04

for the same amount of money now that it doesn't exist at all and you know and

2:09:07

so when napster came

2:09:09

around and everyone could suddenly just steal it i think they were like well

2:09:12

these guys and i don't

2:09:13

think they were saying you to the artists really i think they were mostly

2:09:16

saying you to the record

2:09:17

companies but when the artists protest they said you to the artists too that's

2:09:21

the part that really

2:09:21

bothered me about napster not that they were taking stuff but that when someone

2:09:25

like uh lars ulrich you

2:09:28

know from uh metallica came out and stood up and said what everybody already

2:09:32

knew was true you're just

2:09:33

stealing from art you're just stealing from us and people were like you you

2:09:37

know yeah but let's see the

2:09:39

thing is it's it's the comparison between that and a vcr and tires is not valid

2:09:45

because you can't just

2:09:46

duplicate a vcr and tires instantaneously on a computer but you could duplicate

2:09:52

these these

2:09:54

recordings once they were a digital form you could just duplicate it over and

2:09:57

over again and send them

2:09:58

to people there's no issue whatsoever doing that and people always felt like it's

2:10:04

not costing you any

2:10:05

money because someone had to buy it originally it's costing you if i won't buy

2:10:10

it and then i download it

2:10:13

instead but maybe i was never going to buy it in the first place maybe i'm just

2:10:17

downloading it but

2:10:18

what we what you know for sure you know what i'm saying like this is this weird

2:10:20

justification that

2:10:21

people have how you just on a physical thing that they're stealing it's not

2:10:24

like there's a warehouse

2:10:25

they go to and you have boxes of cds and they go oh you got so many cds i'll

2:10:29

just take these cds

2:10:30

they're like there was one that got sold but it's but that's because it's

2:10:34

easier that way well it's a new

2:10:36

thing well also the truth is like completely gray area once you've made a once

2:10:40

you buy a book you could

2:10:43

copy the book and press it up yourself and sell it because but you're buying

2:10:46

something that's the thing

2:10:47

about art is it can be kind of ephemeral you're buying something that just sort

2:10:51

of exists as an idea

2:10:52

but that's you know the difference is once you could print up a book yourself

2:10:56

and sell it but

2:10:57

the author deserves probably to get the money more than you do because it was

2:11:00

his thoughts that went into

2:11:01

it and the thing about the music and the books because it's happened to books

2:11:05

too is that it just

2:11:06

it was easy to duplicate yeah but you are stealing because we know that within

2:11:10

a year uh record sales

2:11:12

had dropped well not a year probably within about three years record sales had

2:11:14

dropped by 50 percent

2:11:15

now they don't exist you know like but that's because now we have spotify but

2:11:20

for a while it dropped so

2:11:22

much the industry had been making all this money and then it was gone like

2:11:26

right but let's look at it that way

2:11:29

it dropped and then it doesn't exist right now it doesn't exist at all so wasn't

2:11:33

it just a harbinger

2:11:34

of things to come oh yeah i mean it it's it wasn't necessarily stealing as much

2:11:40

as it was an

2:11:40

introduction to a completely new way of distributing music and the fact that it

2:11:45

was digital they had to

2:11:46

find new ways in order to profit because this thing of like buying physical

2:11:51

copies it's not valid anymore

2:11:53

like some people still do it because they love vinyl and some people do it

2:11:56

because they it's they're

2:11:57

nostalgic and they like to have cds but the reality is most people are just

2:12:03

getting digital right but

2:12:04

we're not really well that's part of what happened is the same thing that

2:12:07

caused the problem in the

2:12:08

beginning was the record companies who were being so greedy made it very easy

2:12:12

to feel like it was okay

2:12:13

to take it because i i don't disagree with that because you were getting ripped

2:12:16

off as a consumer

2:12:17

right if you want to tell me that something is the same amount of money when it

2:12:19

doesn't exist as when

2:12:20

it does you you right but also what happened eventually was when they came up

2:12:25

with spotify

2:12:25

the record companies went to spotify and said pay us a lump sum and and we'll

2:12:31

give you all of our music

2:12:32

and that's not trickling down to us in any way like it only does if you own the

2:12:38

music right right but

2:12:39

i mean you have to make music even so you're still getting kind of screwed very

2:12:44

people few people own

2:12:45

their own music front things record companies are never giving that up and you

2:12:48

can get it now kind

2:12:49

of reverting to you in a shorter amount of years but that was nothing that was

2:12:52

available back then

2:12:53

when did that change well because record companies have lost a lot of their

2:12:57

power before you because

2:12:58

you needed a record company before for one right it was too expensive to make a

2:13:01

record and it was too

2:13:02

expensive to distribute it so you needed the record company now you can make a

2:13:05

record on your computer at home and you can

2:13:08

distribute it by uploading it onto bandcamp it doesn't cost you anything so you

2:13:11

don't really

2:13:11

need a record company as much you can have one and they'll do a lot of good

2:13:14

things for you sometimes

2:13:15

like we did this record with a record company but we only that was your choice

2:13:19

right we signed one

2:13:20

album deals now and we do it when we're done with the record we go to the

2:13:23

record company say we have

2:13:24

something we will let you work with us you can do some of the distribution you

2:13:29

can help us with some

2:13:30

promo and there's there's some valid reasons to do it uh and we're getting it

2:13:34

all back in a few years but

2:13:35

you didn't have any leverage back then do you remember that courtney love

2:13:38

article that she

2:13:39

wrote i think it was in spin magazine where she sort of laid out all the

2:13:43

financial problems with

2:13:45

record deals yeah there were a lot did you ever see that i remember the idea of

2:13:49

it but i don't remember

2:13:50

the article at all i think you know people were like there's no way she wrote

2:13:53

this it was a ghost

2:13:54

writer because it was really well well written could be could be but it you saw

2:13:59

it and you get to the end

2:14:01

of it and you're like jesus christ this is how it works like it's really kind

2:14:05

of crazy yeah it was

2:14:06

terrible and then when you hear today what they're doing is apparently they

2:14:10

make these deals with

2:14:12

bands when they first sign them yeah well you they have everything they take a

2:14:16

piece of your touring

2:14:17

which doesn't make any sense it's crazy they take a piece of your merchandise

2:14:21

which doesn't make any

2:14:21

sense they take a piece of you they take everything everything you do i

2:14:26

remember the first time a

2:14:27

rare company came to us with one of those offers what did they say well they

2:14:30

were like yeah we're gonna

2:14:31

do a new deal we're gonna give you a bunch of money up so sulfur in the air

2:14:34

well it was just kind

2:14:35

of like let me get this straight you are gonna give me a piece of the part of

2:14:42

our industry that is

2:14:44

completely disappearing and worthless now and in exchange you'd like me to give

2:14:48

you

2:14:48

several pieces of the only things that still make money no what how did they

2:14:54

phrase it this is what i

2:14:56

want to know like how do they make that sound good well they would offer a lot

2:14:59

of money up front

2:15:00

you know but it's all recoupable that's the thing about money up front it's all

2:15:04

recoupable you know

2:15:06

you don't really get any other money until they get that money back right and

2:15:10

they want to take that

2:15:11

money back out of the small percentage in your deal not out of the overall that

2:15:14

was the other thing

2:15:15

about record companies that was so insulting like we're gonna it's gonna cost

2:15:18

this much to make the

2:15:19

record and you'll start making money again when it's recouped not recouped out

2:15:23

of money period

2:15:26

like if it cost two hundred thousand dollars to make a record or something back

2:15:29

then whatever it

2:15:30

was uh you weren't recouped when the record made two hundred thousand dollars

2:15:34

you were only recouping

2:15:36

out of your 15 percent of that two hundred thousand dollars so however many it

2:15:40

takes to six times that

2:15:42

or whatever it takes to you know recoup out of your 15 percent then you'd start

2:15:45

making more they had so

2:15:47

many ways of you that it was just like is a little insulting um jesus christ

2:15:52

and but there were a lot of

2:15:52

things when the internet came along and changed all that a lot of things got

2:15:56

crazy in the rec companies

2:15:58

because they panicked at the fact that the internet all of a sudden instead of

2:16:01

being this really wild

2:16:02

thing that connected everyone in the world for free basically which is what it

2:16:06

really does which you

2:16:07

should be able to make a positive use of something that does that i mean it

2:16:11

really is quite the tool

2:16:13

as we've realized in in years since then but all they could see was that it was

2:16:17

like this drain that was

2:16:18

slowly sucking all their money away so they that was you know like they saw napster

2:16:22

and what napster

2:16:23

was doing and they associated the whole internet with that like i remember like

2:16:27

a year or two after

2:16:28

that it all happened we were doing a record it might have been saturday nights

2:16:32

and sunday mornings

2:16:33

i don't think it was hard candy so it was a few years later and abc comes along

2:16:38

and they are they want

2:16:40

us to be on good morning america they love the record and they want to feature

2:16:45

our singles playing

2:16:46

on the front page of abc.com which was a big website then uh for a week and a

2:16:51

half leading up to the

2:16:52

release they're gonna basically put our videos and everything on the front page

2:16:55

of abc.com playing for

2:16:57

anybody what an advertisement that's like way better than it's great you know

2:17:01

uh universal's response was

2:17:03

okay well how much are you going to pay us to let us use the video and they're

2:17:07

like nothing

2:17:09

and they said well then you can't use it so we lost all that promo it happened

2:17:13

like just just about

2:17:14

like this is a few years ago when we released some wonder wonderland our last

2:17:18

record so it's like 2014

2:17:20

we were playing festivals in europe we're touring we're playing pink pop in holland

2:17:23

it's the biggest

2:17:23

festival in holland it's one of the oldest festivals in europe and it's the

2:17:27

sixth time we've played it we've

2:17:28

at that point us and pearl jam have played that festival more than any other

2:17:32

band at that point so

2:17:33

they come to us before the show like early that afternoon they told us that

2:17:38

uh the national radio station whatever like the bbc in holland and the national

2:17:44

tv station would

2:17:45

like to broadcast our entire set live so national tv you're set on radio and

2:17:52

television when you play

2:17:53

okay that's pretty cool too right yeah we just need you to sign this thing get

2:17:56

the rec company to

2:17:57

approve it and sign this thing so same question what are they going to pay us

2:18:02

we're like what you're

2:18:05

kidding right later on that that guy that one of the lawyers came back and

2:18:08

called our tour marriage

2:18:10

he goes like look just don't next time don't tell me just do it it's fine i can't

2:18:14

it's corporate rules

2:18:15

i can't do it it comes down from the top i cannot say yes but it's crazy not to

2:18:19

do it wow but that's the

2:18:21

kind of they got so panicked about the internet there's no you want to know why

2:18:24

the rec company's a

2:18:25

fucking shambles because they couldn't think any more complicated than napster

2:18:30

bad internet bad

2:18:32

so we should just like we're losing money we should get everyone to pay us

2:18:36

something

2:18:37

every time otherwise we're going to die but now they make like similar slimy

2:18:41

deals

2:18:42

with artists that they were doing before but now they figured out a way to weasel

2:18:48

through streaming

2:18:49

right oh yeah but what i don't understand is what are they offering i mean i i

2:18:54

guess

2:18:55

promotion money to make it because maybe you don't have any money maybe you

2:18:58

need to be in a studio

2:18:59

because you got a band and you can't do it on your home on your computer god

2:19:02

but that seems like

2:19:03

studios promotion is a big thing getting you on the radio can it's still

2:19:06

something to get on the radio it

2:19:07

it does have some meaning to get you playlisted the radio yeah it still has

2:19:12

some the fucking radio is

2:19:13

still a real thing yeah it's still something you know how much is it how many

2:19:18

people are listening

2:19:19

to the radio well don't forget this about streaming is that a lot of people on

2:19:22

their way to work and

2:19:23

stuff it doesn't have to be terrestrial radio it could be satellite radio like

2:19:26

you know but think

2:19:27

about this here's the problem with look you want spotify uh you can get

2:19:31

anything you want you can

2:19:33

hear anything you want to hear right but you don't the only bad thing about

2:19:38

getting anything you want is

2:19:40

there's no way to know you want something you haven't heard yet you know what i

2:19:43

mean there's no way you

2:19:45

have to be it's the problem with it you have to be introduced to new stuff and

2:19:48

so like i can go on

2:19:49

spotify today and listen to any record i want and i do but i i can't use it it's

2:19:54

not going to necessarily

2:19:56

show me new music so i can't get anything new so if i got a new song and i'm a

2:20:00

new band

2:20:00

somebody's got to play me somewhere record company can get you on playlists

2:20:04

probably

2:20:05

i don't know if it's worth the trade-off and they can get you on the radio help

2:20:09

you promote that

2:20:10

that might get people to go to you on spotify and get you streams because if

2:20:14

you're new

2:20:15

you can't get people to request you until they know you exist and so there are

2:20:21

some you need to

2:20:21

break that ground somehow that's hard to do you know i could see some value in

2:20:26

that

2:20:26

i don't know that it balances out against the deals they're offering most

2:20:29

people like

2:20:30

we don't have those same deals because like you're not getting my record with

2:20:33

all that crap you're

2:20:35

not getting you're not getting butter miracle by offering me by wanting a piece

2:20:39

of my touring and my

2:20:40

merch you're never getting it for in a million years and you're also not

2:20:43

getting it if you want to keep

2:20:44

my record in perpetuity because fuck you i'll put it out myself and you're not

2:20:49

getting it you know if

2:20:50

you want like to give me a 20 or 15 royalty anymore not a chance you can have

2:20:56

20 maybe you know what

2:20:58

i mean i'll take 80 now but i don't know that every band can force them to make

2:21:02

that deal i just don't

2:21:04

understand their position in the food chain they're one of i'm looking at it

2:21:07

objectively from the outside

2:21:09

i'm like are they a promotional organization kind of like it seems like like a

2:21:13

radio show or a podcast

2:21:15

has far more promotional power if there was a podcast that's dedicated to

2:21:20

breaking music like a podcast

2:21:22

on a streaming service like spotify that has deals to distribute stuff and says

2:21:26

you know we're just

2:21:27

going to play the coolest shit like you decide hey it's me adam i got a great

2:21:33

show and

2:21:34

i'm gonna do this i'm gonna break great songs and like that would be so much

2:21:38

more valuable than any

2:21:40

other form of promotion and if you could attach it to an internet internet

2:21:44

entity like some sort of a

2:21:46

instagram page that they had set up with a lot of followers or people knew they

2:21:50

could go there and

2:21:51

cool music would be broke there i mean you would you'd cut them completely out

2:21:55

of this food chain because

2:21:57

i don't understand the position where they could get a 360 degree deal that the

2:22:01

360 deal is like so bonkers

2:22:03

to me that you would live touring and how much and someone told me they get 50

2:22:07

oh i don't know

2:22:09

i mean i'm sure every it's the it's the art of the deal there right if that's

2:22:11

the wild west still and

2:22:12

it was back then don't forget like crazy though 50 of live touring is so if

2:22:17

that's true someone said

2:22:19

that i'm sure they've gotten that from some people bonkers yeah but i mean don't

2:22:22

forget that at a

2:22:23

certain level live touring it takes a lot of people to get into the profit in

2:22:28

live touring mostly you're

2:22:30

losing money but not only that but if you have a manager or an agent all right

2:22:33

the manager or the

2:22:33

agent they don't get that much they don't get 50 no no but they're not giving

2:22:36

you money to tour too

2:22:38

50 well in the early days they'd pay you money i don't know i can't believe i'm

2:22:42

defend i'm not

2:22:42

trying to defend them i can't stand most record companies i will say this since

2:22:46

we've been independent

2:22:47

working with that company's pretty much a pleasure because we can we get the

2:22:52

right situation where we can

2:22:53

get them to do what we want them to do without getting ripped off and they do

2:22:56

some great work right

2:22:57

my experiences since becoming independent with record companies have been

2:23:01

nothing but positive

2:23:02

they've done great jobs for us but the other in the old days but don't forget

2:23:07

like like music for

2:23:09

me as a fan okay is way better than it's ever been before because it's so easy

2:23:13

for bands to make music

2:23:15

and so inexpensive that they can all do it and that means there's way more

2:23:19

bands making way more

2:23:20

great music bands can stay together for longer so they actually get really

2:23:24

really good as a fan

2:23:26

it's an amazing time but you still have way more music than you ever have

2:23:32

before and if i'm one of

2:23:33

those individual bands i've got to find a way to rise up out of the masses and

2:23:37

get anyone to notice me

2:23:38

now the question is how do you do that how do you get anyone to notice that you

2:23:42

exist you want to go on

2:23:43

tour it's expensive to go on tour and you're not going to break even

2:23:46

necessarily even until you get up to

2:23:49

breaking even just on the money you're spending and the money you're making you

2:23:52

can sell merch and

2:23:53

make money too but like theater size it could be a couple thousand people

2:23:56

before you break even so

2:23:58

how do you tour for a while when you can't possibly draw that kind of people

2:24:01

right it's it's cost money

2:24:03

that's one of the reasons i think people can turn to record companies they need

2:24:05

money to tour

2:24:06

if they have a band and they can't they found they can't do it in their home

2:24:10

they need money to go to

2:24:10

the studio there can be reasons they don't necessarily understand the business

2:24:14

and the record

2:24:14

companies do yeah and they got better lawyers yeah so you can get i mean they're

2:24:18

still i'm sure

2:24:20

it also probably makes you feel like you're attached to something big yeah like

2:24:24

hey universal did this

2:24:26

yeah i felt like when i got that deal i felt like i was on top of the world

2:24:31

yeah all that stuff that had

2:24:32

been pent up inside me all those years that finally got released when i was

2:24:36

making writing songs still no

2:24:37

one was hearing those songs and like the knowledge that people would that i'd

2:24:42

at least get a shot

2:24:43

you know i was on geffen my label mates and it was a little i mean geffen was

2:24:48

different from any place

2:24:49

else for sure but it was a little bit like the viper room it was like i knew

2:24:52

all those guys the posies

2:24:54

uh maria mckee nirvana you know like we sonic youth i met them all right in the

2:25:00

beginning like we got

2:25:02

to know everybody and it was cool that it was it was really an incredible

2:25:06

feeling you know the deal

2:25:08

itself was probably shitty in some other ways good in some ways because we

2:25:12

argued for it but in order

2:25:14

to get those royalties we gave up all a lot of money more than most people

2:25:18

thought was smart you

2:25:20

know we had a lot of money on the table and if we'd never been successful maybe

2:25:22

we would have regretted

2:25:23

never keeping any of that who argued for you to do that was that your idea was

2:25:27

it yeah i mean i

2:25:28

i don't think our lawyer was against it either or our managers i think we all

2:25:31

were pretty excited about

2:25:32

the band they had a lot of faith in us there was a reason everybody wanted to

2:25:36

sign us we had

2:25:37

good songs and a lot of them and that's like the gold standard for a band like

2:25:42

it's one thing to

2:25:42

have a sound that's cool but you don't know if that's going to mean anything in

2:25:46

a couple years

2:25:46

but songs that's reproducible if you've got good songs and not just one you

2:25:52

probably write good

2:25:53

songs next time too and that's that that's part that seems like some real value

2:25:58

you know so i had a lot

2:26:00

of faith in us and i wanted a career in this i didn't want i wasn't there for

2:26:05

like a payoff i wanted

2:26:07

something to do for the rest of my life how long was it after you signed before

2:26:10

things got really weird

2:26:13

um like before you really popped oh we blew let's see we got signed in like

2:26:19

sometime in

2:26:20

uh mid 92 and i think we blew up in the record came out in the fall of 93 and

2:26:31

we blew up

2:26:34

in the spring of 94 we didn't feel it yet but it was start we played saturday

2:26:38

night live in january

2:26:39

of 94 and we weren't even in the top 200 i'm not sure why they put us on they

2:26:44

liked the band

2:26:45

but the record jumped 40 spots a week for five or six weeks after we played

2:26:49

around here on on uh

2:26:51

saturday night live the record literally i mean jumped 40 plus spots every week

2:26:56

for five weeks and

2:26:57

landed us at like 13 for a couple weeks then six for three weeks and then we

2:27:01

were two for two years

2:27:03

wow never one but uh two for a long we were one on our next record but uh the

2:27:08

first record never got

2:27:10

to number one it was people kept jumping us bonnie rate jumped us the lion king

2:27:15

jumped us the lion king

2:27:16

that was a huge record you know and asa bass jumped us the last one was the

2:27:20

lion king we just we had

2:27:21

been at two for so long bonnie rate came up went back down asa bass came up

2:27:26

went back down and we were

2:27:28

like we're going to be number ones because we're still selling like 40 000

2:27:31

records a week for like a

2:27:32

year it just went on forever crazy and then we were like we had a really good

2:27:36

week with something and

2:27:37

it seemed like it was going to go up again and then the lion king came out and

2:27:39

it was just like

2:27:40

nah we're never gonna see number one that must have been must have felt like a

2:27:44

real genius move

2:27:45

though to get royalties to get less money up front and then to get royalties

2:27:49

like god damn that adam

2:27:51

when that second or third check came in the one that was like the big one was

2:27:55

like told you

2:27:56

bitches fuck especially the publishing check because that mostly went to me the

2:27:59

record we still split

2:28:00

everything evenly in the band um for the other stuff you know like just the

2:28:03

general record royalties

2:28:04

we split evenly and even the publishing i mean i give a third of every song my

2:28:08

songs are divided up

2:28:10

music is third lyrics is a third and then whoever plays on it in the band gets

2:28:15

a third we split

2:28:16

between us you know so you know but still that publishing check was that was a

2:28:21

that was a big

2:28:23

thing what did it feel like to all of a sudden be rich uh i i wasn't sure what

2:28:28

to do um i i remember

2:28:31

like i bought i just bought a lot of cds and i bought a lot of uh things that

2:28:36

went on shelves i bought cds i

2:28:38

bought dvds or not then it was like uh vhs and uh uh what's the laser discs and

2:28:45

then uh i bought a few

2:28:47

pieces of art i bought some paintings you know my guy is one of my best friends

2:28:52

now felipe molina who

2:28:53

did the album cover for somewhere under wonderland our last record and painted

2:28:56

a different painting for

2:28:58

every song in there um i bought a couple of his pieces i was wandering through

2:29:02

uh like soho we were on

2:29:03

tour and i i kept looking this i went to this gallery i never really wandered

2:29:09

through art galleries and i

2:29:10

kept seeing these paintings by this guy and i loved them i spent a bunch of

2:29:14

time in there one day and

2:29:15

then i went off we played a show like at the beacon or something and i i went

2:29:17

back down there the next

2:29:18

day and i looked at these paintings again and like the third day i went down

2:29:22

there i was like i went away

2:29:23

that night and i thought well i could actually buy a painting i mean it was a

2:29:27

couple thousand dollars it

2:29:28

wasn't really really expensive or anything like that but it's more money than i'd

2:29:32

ever spent on

2:29:32

anything other than my car you know and i i bought a few of his paintings and i

2:29:37

sent them to my place

2:29:38

in california i was like i'd never owned anything like that and so it's cool i

2:29:44

mean honestly i didn't

2:29:46

know what to do with it i i uh had an indie record company too over the years

2:29:52

uh spent a lot of money

2:29:54

on making records uh lost a lot of money making records made some great records

2:29:58

why did you decide to

2:29:59

start an indie record company i had a lot of friends who i thought were really

2:30:03

good and i

2:30:04

just didn't think they had good i thought record companies were really bad

2:30:08

situations and

2:30:09

i thought they pushed them to do things that weren't really great for their

2:30:13

band musically and i

2:30:13

thought i could make really cool records with these guys they're great but

2:30:16

nobody realizes

2:30:18

publicity publicity what about you know publicizing them and well we tried that's

2:30:23

what i mean we made

2:30:24

great records and we didn't like like i said the hardest part was distribution

2:30:28

it was really hard to

2:30:29

sell the records i think the bands got great reviews critics loved them uh you

2:30:34

know we did okay but we

2:30:35

never really it felt it's why i like doing the festival now because i never

2:30:39

feel like i failed and i felt like

2:30:41

i failed a lot with the indie record company because we never made big

2:30:44

successes of any of the bands

2:30:46

and we tried really hard and spent a lot of money of them become marginal

2:30:50

successes well some of them

2:30:51

were already i mean uh you know gigolo ants for a band from boston that i

2:30:56

really loved hilarious they're

2:30:57

great i know yeah a-u-n-t-s oh yeah it's a sid barrett song the guy that was

2:31:03

the uh the original lead

2:31:05

singer of pink floyd oh okay so he had a song called that's the guy that went

2:31:09

crazy right yeah yeah yeah

2:31:10

so it's based on one of his songs but they're an incredible band they're a

2:31:14

fantastic band

2:31:15

and i you know they were some of my best friends i lived with the lead singer

2:31:18

for a long time have you

2:31:19

ever thought about doing that again now like the way we were talking about like

2:31:23

if you promoted something

2:31:24

like that you did it through a podcast and you had a social media page like a

2:31:29

facebook page or an

2:31:30

instagram page or both like that seems like now that's a viable strategy to

2:31:36

introduce people to

2:31:37

bands and those bands could actually probably take off if they're really great

2:31:42

bands like you could

2:31:43

actually get eyes on them and ears on them that's what i feel like i do do now

2:31:47

because i've without

2:31:48

the record company part of it like we run an independent festival that we spent

2:31:52

a year we spend a

2:31:53

year or you know six or eight months each time talking about every band that's

2:31:57

going to play the

2:31:58

festival all 30 bands or whatever it is and we for each band when we release

2:32:02

the announcement we we

2:32:04

do a whole page about them we write essays we put the uh videos up and put the

2:32:08

music on there we

2:32:09

introduce you to each of them week by week we make the festivals entirely free

2:32:13

so anyone can come

2:32:14

and you never have to pay so make it as easy as possible to introduce you to

2:32:18

all these bands

2:32:18

we play them on our podcast we talk about it we film at my house every band

2:32:23

like the festival might be

2:32:25

that weekend but starting like tuesday of that week we film acoustic sessions

2:32:28

at my house in the living

2:32:29

room with every band and put them up on our page on the underwater sunshine

2:32:33

website oh that's really

2:32:34

cool that's very cool so i mean i feel like i'm doing all that stuff so you do

2:32:38

these in your house

2:32:39

in new york the festival's at a club but the filming is at my house yeah we

2:32:43

have this area i call it the

2:32:44

garden um when i first got my place you know outdoor space is really expensive

2:32:49

in new york it costs so much

2:32:51

money to get just a balcony right man i bought this empty loft you know 20

2:32:55

years ago almost uh and it

2:32:58

had a lot of windows didn't have any outdoor space for a place half that size

2:33:01

it was like a million

2:33:02

dollars more to have a little balcony so what i did instead was i i put astroturf

2:33:07

down at one end of

2:33:08

the loft and then put a bunch of garden furniture and it feels like you're

2:33:12

outdoors and it's really cool

2:33:14

so i got a piano in the middle of the astroturf so we have the bands come and

2:33:17

play we call it the

2:33:18

garden it's just like this astroturf with beach furniture around it that's fine

2:33:21

and the band set

2:33:22

up there and they play there let me see what that looks like there might be a

2:33:25

picture we're uh

2:33:26

if you film it look on underwater sunshine.com there's all kinds of uh they're

2:33:30

called the garden

2:33:31

sessions and so i mean i do all that and i don't feel like i fail anybody like

2:33:36

the bands we're taking

2:33:36

out on this tour frank turner's coming for the end of the tour but i'm taking

2:33:40

two of underwater sunshine

2:33:42

bands out two of the guys matt susich and sean barna both of whose records i

2:33:46

sung on too i do

2:33:47

a lot of that i sing on a lot of records but mostly just with my friends

2:33:50

is this it here yeah that's like that's my living room that's a band called

2:33:58

scout

2:33:58

that's lara from scout and you can see a couple of felipe's paintings are in

2:34:02

the background

2:34:03

this clock of mine is up there i wish you could show the lawn it's really cool

2:34:07

if you get a

2:34:08

a more distant shot because there you can see the green dude this has a hundred

2:34:12

views that's crazy

2:34:13

i know well it's hard to promote stuff that's what it looks like that's bonkers

2:34:16

a hundred views

2:34:17

you know i i don't have a you know i do what i can it's i'm not wildly

2:34:21

successful at the the podcast or

2:34:24

this you know but we play people's music they're really good that is kind of

2:34:27

cool you have a set up

2:34:29

there with the astroturf it's hilarious and paintings behind you yeah so it

2:34:32

looks it's like

2:34:33

all the press i've done for this record except for this i've done sitting right

2:34:37

there i just put a

2:34:38

chair there and we got some cameras and i've done every interview on zoom

2:34:41

except for your interview

2:34:43

and uh we even filmed for the today show uh and uh kimmel right there um

2:34:48

because we couldn't really go

2:34:51

there so we just did that i just love that you're so dedicated to music that

2:34:55

just it's just like 24 7

2:34:57

this is just i'm a music geek i i can tell i mean how do you find new music i

2:35:02

look i mean i spend a lot

2:35:04

of time looking like look we you know i've got about six seven well maybe ten

2:35:08

of us now all together who

2:35:09

work on the festival and we're all like some of us are musicians some of them

2:35:12

are journalists some of

2:35:13

them are bloggers uh just people who really love working music um you know my

2:35:17

partner barbara rapaport

2:35:20

barbara garrett now i met her when we were doing the outlaw roadshow our first

2:35:23

festival here in austin

2:35:24

during um south by southwest and she started doing that with us and then her

2:35:28

and i started underwater

2:35:29

sunshine years later she lives in san antonio now but she's from down here and

2:35:33

it was a lot based on kind

2:35:34

of we would come down here and we would put this big festival on in the middle

2:35:38

of south by southwest

2:35:39

we put on free shows with all these bands like 30 bands at the show like on

2:35:42

many different stages

2:35:44

over a couple days um and we used to do what we do we did the rusty spur for a

2:35:49

few years i don't know

2:35:50

if it's still there even it was up on what street is it like seventh street or

2:35:54

eighth street i can't

2:35:55

remember but uh yeah i mean i just kind of loved also it's nice to have peers

2:35:59

again you know like when

2:36:01

i was coming up in the clubs i had a lot of friends who played music and then

2:36:04

when you get out there

2:36:05

unless you're going to hang out at the mtv awards you don't know a lot of

2:36:08

people anymore right um but

2:36:10

then with the festivals i got all these friends who play music i sing on lots

2:36:13

of records but they're

2:36:14

mostly just my friends records and they're really good and i'm like i'm really

2:36:17

proud of them and like

2:36:18

we're taking matt and sean out on tour this summer um they're going to flip-flop

2:36:22

each night who plays

2:36:23

first they'll they'll both get to play um i kind of feel like i do all the

2:36:27

stuff i used to do with the

2:36:29

record company and i never fail anybody which is nice because i really felt it

2:36:33

also it cost me a

2:36:33

lot of money how much do you think you you blew an indie record company i had

2:36:38

two different ones but

2:36:39

i'd say several million probably over the years just cost money to do that

2:36:43

stuff you know you're

2:36:45

supporting bands on the road and and how'd you get out of it at some point i

2:36:50

just stopped the second

2:36:51

company i you know i it just after a few years i just kind of just didn't want

2:36:56

to do it anymore

2:36:58

yeah so i just started doing the festivals and i really like that you know like

2:37:01

they're like

2:37:02

we're still helping out the bands we're doing what we can do you know and like

2:37:05

maybe it'll take

2:37:05

off you know it's right even me though it's hard for people to discover it

2:37:08

maybe if this record's

2:37:09

really successful everyone will check out underwater sunshine we packed the

2:37:12

house at all the festivals

2:37:13

completely but you know they're small clubs i'm gonna try and expand it this

2:37:17

year what size clubs are

2:37:18

doing well rockwood i don't know rockwood has three stages i don't know it's

2:37:22

you know probably a few

2:37:24

hundred people a few thousand over the course of the two nights come in and out

2:37:28

but we're spreading

2:37:29

out to like two or three clubs this year at the same time make it like a little

2:37:33

mini festival in the

2:37:34

clubs there and uh we're also going to like do our show in new york with some

2:37:38

of those bands opening and

2:37:39

frank turner's going to play it this year which will give a little more

2:37:42

exposure well it's cool the

2:37:44

intimate shows like that are cool anyway man do you see a really good band in

2:37:48

150 seat room is amazing

2:37:51

and and you get like it's almost like an amusement park because there's three

2:37:55

stages going at once

2:37:56

with staggered start times and you can just run to the ones you want to see you

2:38:00

see but meet a bunch of

2:38:00

different people go between the clubs they're free so you don't have to worry

2:38:04

about paying each time and

2:38:05

it's just we also do the only thing we the only way the bands we don't pay

2:38:09

either because they're free

2:38:10

shows what we do do is we buy i think we did 400 we bought 400 worth of merch

2:38:16

from every band so it

2:38:17

enables us to give them 400 and then we set the merch up it stands at the show

2:38:21

and we give it away free

2:38:22

to the fans so people can get their music their cds their t-shirts for free and

2:38:27

enables us to pay the

2:38:28

bands money um and it's just like make it as easy as possible to like expose

2:38:33

people to these things

2:38:36

well it's also the spirit in which you're doing this is so pure right this is a

2:38:41

completely non-profit

2:38:44

venture you're not trying to make money you're just trying to distribute great

2:38:47

music i love it man i just

2:38:49

love hearing that you do it this way it's really cool you know we wanted to

2:38:53

start like expand because

2:38:54

we've been doing all this music stuff for a while and the last time we did it

2:38:58

which is now like october

2:39:00

two years ago i guess it was 2019 last time we did the festival and we had

2:39:05

expanded to a place with

2:39:06

three stages instead of two it was really successful but kate quigley came and

2:39:10

she was hanging out for

2:39:11

the whole thing and she was like man you should add some comedy to this because

2:39:13

we went out one night

2:39:14

and watched an open mic with her and she got up at it when you were telling

2:39:17

about the open mic earlier

2:39:18

i was really thinking about that but uh it's funny kate and i we met because we

2:39:23

matched on a dating

2:39:25

site years ago but never met each other but we sort of corresponded a little

2:39:29

bit so but uh i hadn't

2:39:30

talked to her in a long time and i guess she wrote to me again later and i was

2:39:33

like i'm just going to

2:39:34

introduce her to my girlfriend i introduced her to my girlfriend my girlfriend

2:39:37

her best is the best

2:39:37

way to be safe about things just right any any hot girl introduce them to your

2:39:41

girlfriend so that

2:39:42

they're like they become best friends with your girlfriend you never make a

2:39:44

mistake ever

2:39:45

and uh and and your and your girlfriend has cool friends right you get to hang

2:39:48

out with people like

2:39:49

i always liked kate from i thought she was funny and now i get to be her friend

2:39:52

because there's

2:39:52

nothing to worry about she's best friends with my girlfriend you know so like i

2:39:56

can be her friend

2:39:56

from now on it's awesome you know um but yeah we she was talking about how cool

2:40:00

it would be to bring

2:40:01

comedy into it too i thought that would be a great thing i got to figure out

2:40:04

how to do it a different

2:40:05

kind of animal it is it is and you bring a completely different kind of mental

2:40:08

illness into your little

2:40:09

party there too well you do it at a different club i'm not sure i'd mix them up

2:40:13

on stages in the same

2:40:14

different club yeah because you want to be able to just run them like get

2:40:17

people lined up don't get

2:40:18

involved stay out just leave that to other people that are used to dealing with

2:40:24

these fucking

2:40:25

maniacs you you understand music right and i know you know comedians it's not

2:40:30

the same thing as

2:40:31

understanding it i hear you i don't want to do a music festival i would do i

2:40:35

would think about doing

2:40:36

a comedy festival because i they're my people and i get them but i would not

2:40:40

wish that upon anyone else to

2:40:43

handle comedians we'll put you in charge uh-uh no no seriously it's great it's

2:40:49

your comedy festival

2:40:50

with my name yeah no they do have several of them out here right they got moon

2:40:55

tower um what else

2:40:56

they have out here there was another there's more than one comedy festival out

2:40:59

here right

2:41:00

south by southwest i think it was i know but i'm just saying yeah sort of i

2:41:05

mean they have comedy

2:41:06

added but moon tower is basically just comedy right that whole thing is by the

2:41:10

way just for people who

2:41:11

don't who've never spent much time in austin that whole moon tower thing the

2:41:16

whole concept behind

2:41:17

putting these towers around town that light up the town at night and that all

2:41:21

look like different

2:41:22

little moons that's a crazy thing to do that's fantastic i have not seen it oh

2:41:27

yeah i mean that's

2:41:27

i just thought it was a name i didn't know they did that no they had an idea in

2:41:30

like the 50s or 40s

2:41:32

it was a long time ago to build these big towers with these big lights on top

2:41:35

of them so there was

2:41:36

almost like instead of just being one moon to light up a town there was a shitload

2:41:40

of them like an

2:41:40

alternative to street lights in a way really like dazed and confused they're

2:41:44

going to the moon tower

2:41:45

i have no idea he's climbing up it and there's like i think i've i've seen

2:41:49

there's five of them i think

2:41:50

yeah most of them are gone they're only yeah it's very big towers like i don't

2:41:55

get it it is the coolest

2:41:56

idea ever so it lights up whole neighborhoods at night so it's like you're not

2:42:01

just in a dark shitty

2:42:02

neighborhood like oh that makes sense so it's a little safer too probably yeah

2:42:05

i mean that was kind

2:42:06

of the idea to like really light up a town at night and i don't think they have

2:42:10

many like you said

2:42:11

there's five left maybe i think there could be a couple more than five but i

2:42:14

remember looking this

2:42:15

up when i first 1890s first put up in the 1890s so when did the is moon tower a

2:42:20

comedy festival or is

2:42:22

it just it is that too yeah and then that's the main one that pops up moon

2:42:24

tower comedy festival

2:42:26

okay it's probably because they go to the moon tower in dazed and confused in

2:42:29

linklater's movie

2:42:29

roywood jr powerful roywood jr interesting i mean it's a really cool thing for

2:42:34

like

2:42:35

this is a great college towns are the greatest thing on earth and this is a

2:42:39

really good one you

2:42:40

know i mean well this is a little bit more than a college town you know it's

2:42:43

like it's a live music

2:42:44

town it's like it's got that whole sixth street has got this vibe to it that's

2:42:50

so different the

2:42:50

downtown area is so different it's a great it's really special it really is i

2:42:56

mean i grew up in

2:42:57

a college town i've always loved them it was my favorite thing when we do just

2:43:00

like the tertiary

2:43:01

tours like in those towns as opposed to just the big cities like we do the the

2:43:05

big cities in the

2:43:05

summertime and then we used to do like in the fall in the spring we would do

2:43:08

the college towns more

2:43:09

and it was such a i mean i just growing up in berkeley i've loved that kind of

2:43:13

place bloomington

2:43:14

you know athens georgia especially austin um but it was always really cool but

2:43:18

this one like

2:43:19

because it turned into such a music town too it's just a it's a blast yeah it's

2:43:25

an awesome town it's a

2:43:26

great sized place this is what i always tell people it's like it's only a

2:43:30

million people and then there's

2:43:32

a million outside of it and that's not that much it's but it's good enough like

2:43:37

it's plenty of room for

2:43:39

great restaurants yeah great comedy clubs great music you know you go down

2:43:44

sixth street like you'll

2:43:45

hear great bands playing you're all these people you never even heard of them

2:43:49

before you hear all this

2:43:50

live music and people are walking around there's a vibe there's an energy to

2:43:54

this town that's just

2:43:55

different yeah it's it's you know when you get those towns that support music

2:44:00

it's usually a pretty uh

2:44:05

temporary and then it cycles out of it because if you have that area where

2:44:08

musicians can live and play

2:44:09

there's usually some warehouses and they can get rehearsal spaces you know san

2:44:14

francisco used to

2:44:14

be that way yeah you know but then they become cool places to live and then

2:44:18

people move into those

2:44:20

areas and they want to live in those kind of warehouses and then it gets upscale

2:44:23

and right eventually

2:44:24

it fucks up bands can't afford it and then someplace else becomes that area you

2:44:28

know but austin's managed to

2:44:30

stay you know like they keep austin weird it's managed to stay nice and weird

2:44:34

for a long time now

2:44:36

you know yeah strange too because it's the capital yeah people are worried now

2:44:40

because of like the

2:44:41

google and tech companies and apples putting a campus here and oracle and they're

2:44:46

like oh my god we're

2:44:47

gonna bring in the silicon people well that could do it too because if you get

2:44:51

too upscale it becomes hard

2:44:52

to afford you know like just the rehearsal spaces empty cheap places to rehearse

2:44:57

that'll kill the music

2:44:59

it did it in the bay area in some ways like you just got every every warehouse

2:45:04

turned into condos

2:45:05

yeah yeah and the real estate here has gone bonkers yeah it's very crazy it's

2:45:09

hard for people to find

2:45:11

affordable places to live in austin they're all moving outside the outside area

2:45:15

but that's kind of normal

2:45:17

right the normal expansion and spread yeah but it's still it's still tolerable

2:45:22

and manageable

2:45:23

yeah it still works it's a good town that's managed to keep itself as that kind

2:45:27

of a cool town for

2:45:29

i mean a long time yeah it's also has the ethic of having small independent

2:45:34

businesses uh cherished

2:45:37

as opposed to like chains you know it's like there's a lot of like particularly

2:45:42

restaurants a lot of like

2:45:43

independent individual places that are cherished you know there's like a vibe

2:45:49

to that here and they get

2:45:51

supported people go yes people line up for there's there's food here that

2:45:54

people can't get because

2:45:56

it's just gone by the time you get through the line yeah and they've managed to

2:46:00

keep that sort of vibe

2:46:01

alive for a long time yeah the barbecue vibe here is insane it's so strong yeah

2:46:07

it is it's good too

2:46:10

where have you gone in town i don't know i haven't been here in years have you

2:46:14

been to terry black's

2:46:14

i had it last night i had a delivery from it last night it was really good i

2:46:19

think it was black's last

2:46:20

night um i was trying to get it from uh styles uh styles switch i haven't eaten

2:46:26

there yet but they

2:46:27

they were out of they called me back which is something you don't get in your

2:46:31

we're out of

2:46:31

everything except for turkey wow okay well i'm not gonna i don't want that i

2:46:35

want some i want ribs

2:46:36

yeah turkey like come on man i'm trying not trying to be healthy here i'm doing

2:46:40

with this turkey there

2:46:41

was one what's the name of that place it was on way in the east side they had a

2:46:45

big poster up that

2:46:46

said don't need no teeth to eat my beef oh yeah i've seen that yeah i remember

2:46:52

the place was that

2:46:53

was really good um yeah you get that terry black's brisket you could chew with

2:46:58

your fingers it just

2:46:59

slices right through that's one of the things i was working on this year was

2:47:02

how to make

2:47:04

like decent brisket house barbeque that's what it is yeah no teeth to eat my

2:47:10

beef but i'm that place

2:47:11

was great i love the sign too yeah i mean you know uh barbecue is a weird thing

2:47:18

because it moves around

2:47:20

the united states you know almost all came from the south but you know

2:47:23

depending on the area what was

2:47:24

going on like oakland where i grew up is big barbecue because everyone came out

2:47:28

to the shipyards to work

2:47:30

from the south and world war ii and so all this the whole community uh black

2:47:33

people from the south

2:47:34

ended up also because the south can be not a great place to live at times if

2:47:38

you're black in the

2:47:39

50s and 40s you know came out to uh california ended up in oakland so had great

2:47:44

barbecue there

2:47:45

growing up adam curry do you know who he is the original podfather he's the mtvvj

2:47:51

oh yeah yeah yeah

2:47:51

yeah he's out here now he lives out here but he's he's literally the original

2:47:56

podcaster he's the pod

2:47:57

father and he explained to me why austin has this long history of barbecue and

2:48:01

it has to do with germans

2:48:03

that germans smoke meat like outright smoking right smoking and then they sort

2:48:09

of adapted it to like

2:48:10

brisket and ribs and and texas barbecue and it all became like this the central

2:48:16

texas barbecue became

2:48:18

like a scene like it's a very specific way of barbecuing yeah like the stuff in

2:48:24

it was more like

2:48:25

i think i feel like the oakland barbecue is closer to what i've had in mississippi

2:48:30

what kind of barbecue

2:48:30

is that like what what is the style it's the sauce is a little sweeter um and

2:48:36

uh it's got a nice bark

2:48:38

on it uh there's just this place in oakland that i really love called uh everton

2:48:43

jones it was actually

2:48:45

it's a little shack at the bottom of university in berkeley and then they

2:48:49

actually opened a full-on

2:48:51

restaurant in uh in oakland in jack london square like i i want to say a few

2:48:55

years ago but it must

2:48:56

be 20 years ago now but the shack was where i grew up going and i still order

2:49:00

barbecue sauce from them

2:49:02

get it shipped there i love their sauce i get it shipped to new york to when i

2:49:05

because even if i get

2:49:06

barbecue from one place i i generally don't love the sauce so i keep my everton

2:49:10

jones sauce but also that

2:49:11

was one of the things i tried to do cooking this year was like make a nice smoker

2:49:15

how am i gonna no not the

2:49:17

sauce but the meat how am i i gotta learn to make a good barbecue brisket in my

2:49:21

oven i gotta figure

2:49:22

this out maybe it's just a really low temperature for a long time if i get up

2:49:25

early in the morning i

2:49:27

i rub it all with salt and brown sugar the night before did you figure it out

2:49:31

kind of it's it's

2:49:32

really good you don't have a patio no because remember i didn't get the outdoor

2:49:36

space so so i can't

2:49:37

get a smoker um but you know i figured out ways to do it like just really low

2:49:43

heat like 200 degrees

2:49:45

and just start it at noon it'll be ready by about six keep it covered for the

2:49:49

first two or three hours

2:49:51

then take the the foil off let it get some air uh for the next two or three

2:49:56

sometimes i'll i'll uh

2:49:58

sear it all first before i put it in um yeah it turns out pretty good i mean i

2:50:04

did it i wanted to

2:50:05

make i used my beef brisket recipe on a pork shoulder i had a little while ago

2:50:08

and just cooked

2:50:09

that and i spent the next like three weeks eating pork sandwiches that were

2:50:13

fucking incredible um

2:50:15

they were just thin sliced pork some of the best barbecue i've ever had is out

2:50:19

of van nuys

2:50:20

van nuys california dr hoggly woggly's tyler texas barbecue damn good place oh

2:50:26

my god it's fantastic

2:50:27

that's the closest i've come to what that's what everton jones tastes like tyler

2:50:30

that place is like

2:50:32

you don't understand why it's there the neighborhood doesn't make any sense

2:50:35

where it's at but it's been there

2:50:37

forever yeah i think they've been there since the 70s it was there the whole

2:50:41

time i i moved there and it

2:50:43

i my a and r guy took me there while i was making the record in like 92 and we

2:50:47

would always make the

2:50:49

trek out there there's nowhere else to get good barbecue i don't care what they

2:50:52

say uh the other

2:50:53

there's nowhere else to get good barbecue in la or there wasn't then but doc dr

2:50:57

hoggly woggle's that

2:50:58

shit is fantastic fantastic and the people there are cool as fuck and it's just

2:51:02

it's there's no

2:51:04

pretentiousness to it yeah they've got like shitty wood panel on the walls and

2:51:09

dumb paintings and

2:51:10

nobody gives a about it's all about the food yeah they bring that brisket out

2:51:13

there and you're like

2:51:14

oh my god there it is yeah dr hoggly woggle's in van nuys i i i mean like that

2:51:20

that's indicative of

2:51:22

like how weird it is like you look at the signs like the graffitis on the billboards

2:51:26

and everything

2:51:26

and that's the inside like right there scroll back up where you were right

2:51:29

there bam that's what it looks

2:51:31

like inside i mean it's just like so unpretentious just booths and wood paneling

2:51:37

and look look at that

2:51:37

stupid fucking rodeo sign nobody gives a shit about it no they're not even

2:51:41

looking the ribs and the

2:51:42

brisket there heaven are off the hook everything's great there the chicken's

2:51:45

great there everything's

2:51:46

great there their sauce is great too that is great that is the closest look at

2:51:50

that look that's what

2:51:50

everton jones is like it tastes just like hoggy woggies which is like southern

2:51:53

mississippi barbecue

2:51:54

brisket just melts in your mouth oh my god it's sensational absolutely i knew

2:51:58

exactly what you're

2:51:59

going to say the moment you said van nuys i was like yes yeah l.a can have a

2:52:03

lot of places that look

2:52:05

just like great restaurants right but the it that aren't as good but that place

2:52:10

that is the

2:52:11

shit man that place is so good it's the shit and it's like a hidden spot it's

2:52:15

like you go there like

2:52:16

what is happening here why are you here what is this like you wish it was in

2:52:21

town but no it's better

2:52:23

stay out here yeah stay right in this weird little neighborhood of van nuys

2:52:26

next to a barber shop and

2:52:28

shit you know it's just it's cool we would trek out there i when i lived i i

2:52:32

bought this i had too

2:52:34

many people living to me with me at that cottage too many friends and came out

2:52:37

half of new orleans

2:52:38

came out and lived with me you know all my friends from new orleans came out

2:52:41

and lived with me in that

2:52:42

cottage and eventually i bought a house in beverly hills i bought a big old

2:52:45

mansion so that all of us could

2:52:46

live there because there's like 10 of us living at my house and i bought this

2:52:49

big place but we would

2:52:50

we would take treks out someone would just get us go to hoggly wogglies to

2:52:54

bring it all back or we'd

2:52:56

go out there together but we would bring like dinner back for everyone yeah

2:53:00

yeah they they have

2:53:02

great to go yeah yeah that's the big trays of brisket and meat this place is

2:53:07

now i'm hungry yeah

2:53:08

adam i really enjoyed talking to you man joe thank you man i appreciate this it

2:53:11

was very cool

2:53:12

i really enjoyed it like i said a bit of fan forever so it means a lot that you

2:53:16

came in here

2:53:17

and did this and so your album it's available now you gave me a physical copy

2:53:21

thank you very much for

2:53:22

that um can people get it digital it's available everywhere yeah it'll be it'll

2:53:26

be digital the only

2:53:27

way you can get it there's no cd so we made vinyl and it's on it's digital

2:53:30

everywhere and uh oh i forgot

2:53:32

to tell you one we're gonna go on tour uh we're gonna leave we're gonna go on

2:53:35

tour in august in america

2:53:36

august september october um how can anybody find out about that countingcrows.com

2:53:42

they'll put all

2:53:43

the tour dates and when will they be announced today this is me doing it i'm

2:53:46

not sure the exact

2:53:48

we're not going to go on sale for a few weeks but i think the dates will be up

2:53:51

today

2:53:51

on the website and uh this is the first i've told anybody about it oh yes so we

2:53:55

are that's exciting

2:53:56

breaking news right here uh we are coming to austin yes when well we're playing

2:54:01

the moody amphitheater and i

2:54:03

don't i could look up i have it on my phone somewhere i took a picture of the

2:54:07

schedule

2:54:08

breaking news

2:54:12

great minds man great

2:54:14

here it is so austin where are the hell are you austin still in texas right

2:54:25

here moody amphitheater at

2:54:28

waterloo

2:54:28

wednesday september 15th beautiful okay

2:54:34

shit why i might not be how i might not be here

2:54:38

where are you going you're going on tour i'm not sure i might be here

2:54:42

i might be elk hunting yeah see i'm here i think well you can come anywhere you

2:54:47

want there's plenty of

2:54:48

places okay well i would love it to see you here what do you hunt with when you

2:54:52

hunt elk bow and arrow

2:54:53

you're hunting bow hunting yes no shit yeah wow yeah i'm just curious yeah that's

2:54:59

what i do

2:55:00

i've never hunted with a bow and arrow mostly because i would miss and if i hit

2:55:04

it

2:55:04

yeah it's a chase it i practice yeah a lot yeah a lot yeah it's uh it's uh an

2:55:11

obsession it's not a

2:55:13

like a thing you just go and do it's a thing that i practice all year round i i'm

2:55:17

a big archery fanatic

2:55:20

wow i have like a 3d range in my backyard with a giant rubber elk 85 yards that

2:55:26

i shoot

2:55:27

yeah i shoot all the time constantly wow yeah and it's one of the things i do

2:55:33

every year to acquire

2:55:35

meat and go and uh bow hunt i did some of that with my when i was in england uh

2:55:40

because i was on my own

2:55:41

so i would i would uh you know spend days just hunting rabbits and then i kind

2:55:47

of liked cooking

2:55:49

for myself after after doing that oh yeah man cooking something that you've

2:55:52

actually went out and

2:55:53

harvested yourself is is something special pheasant a lot of pheasant and and

2:55:57

rabbit rabbit different i

2:56:00

mean obviously very different pheasant's a shotgun thing and rabbits i've only

2:56:03

uh pheasant hunted once

2:56:04

with uh anthony bourdain and he got one he got one and i missed it i missed one

2:56:10

it's a different kind

2:56:11

of thing than aiming at something you know this is a movie yeah yeah it's like

2:56:15

it's like yeah i'm not

2:56:17

adept with shotguns i need to learn how to like i think there's like there's

2:56:21

got to be something to it

2:56:23

yeah some technique that i'm missing you got to lead it you think about it as a

2:56:27

cone like you're throwing

2:56:28

a net from something it's a different it definitely the one of the reasons i

2:56:33

think i got into it is

2:56:34

because since you missed the first hundred times you lose all sympathy for the

2:56:38

bird you hate it so much

2:56:40

after you've missed it 50 times it's like you know you i don't have any

2:56:43

sympathy for you right because

2:56:44

you've been with me for an hour now and uh you know all right man well let's

2:56:49

wrap this up thank you

2:56:50

very much for being here and uh i appreciate it and butter miracle out now yep

2:56:54

everybody can get it

2:56:56

go get it support live music and your music festival is when again underwater

2:57:01

sunshine is going to be in

2:57:02

october we'll finish up the tour in new york and then just the festival right

2:57:05

after that bye everybody