if you were a rock star in the 90s then you too could have dated jennifer aniston and courteney cox
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Adam Duritz is a singer, songwriter, and frontman of the Counting Crows. The band's first record in seven years, "Butter Miracle, Suite One", is available now.
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if you were a rock star in the 90s then you too could have dated jennifer aniston and courteney cox
Adam Duritz, Underwater Sunshine
Counting Crows, Butter Miracle Suite One
Jeff Ross, I Only Roast the Ones I Love
Singers, songwriters, singer/songwriters... Musicians of all sorts
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The Joe Rogan experience
Hello, hello Joe, how you doing? I'm pretty good. It's good to see it's nice to
meet you man
It's nice to be I've been a fan of your work for a long fucking time
And it's always weird when you meet someone that you listen to their music or
you've seen their stuff and you're like
Oh, you're just a normal human being. There you are a little whacked out, but
yeah
but it's you know, like I remember watching mr. Jones on
MTV and I
Love that fucking video man, and I loved that you dancing in that was it like a
living room or something like that
Yeah, I'm like I want to be that free like you seem so loose you were so in the
moment
I remember thinking that I was remember talking to a friend of mine that let
that night after a show
I was at a bar. I was like you ever see that mr. Jones video. I go when that
dude's dancing
I go I want to like figure out how to get there shit. I want to be that free
You know, it's a weird thing. I used to I'm gonna take this off for now. Okay.
I used to be
For me, you know life is
Often very awkward and uncomfortable, but not on stage, you know like on stage
I always felt like well. This is one place on everything. I do is fine, right?
So when I started, you know making videos at first, it was just like
This is apps. This is easy because all I got to do is do the stuff
I'm gonna I'm gonna do you know and and there's nothing wrong. I can do I can
just be as free as I want and
And that lasted about a year and a half maybe two years
something out like
getting really famous out of nowhere and then
You know all the kind of backlash that comes with it. I noticed a couple years
later. I was a lot more
Self-conscious I'm still on stage. I never think about anything when I'm
playing it. Nothing bothers me
But in front of cameras, I got really self-conscious in front of cameras after
Sometime in the middle of our second record. I just noticed that I started to
suck on not suck on video
But definitely not like that. Mr. Jones video you became aware that so many
people were watching and criticizing you or like
What was it? I think it was that you know, because at first I just
Well didn't care and I just thought that there's nowhere in the world. I'm more
comfortable than here
so I'm fine and
Then I think on our second album when we got a lot of backlash and you get a
little too big and everybody you get you annoy the shit out of people
Yeah, you know, especially because in a band because
You get a really successful song. They're gonna play it on the radio every five
minutes after a while
It's like god who wouldn't get sick of it, you know
Yeah, and then you get some backlash after that people say some terrible things
and then and then I started thinking about like
What do I look like on film then I got really self-conscious, you know?
Pants does this look my this song make my ass look big?
I noticed that I got kind of crappy in just in front of cameras not the rest of
the time and not like cameras when I'm on stage at
A concert like you play a big festival. There's lots of cameras and doesn't
bother me there
It's just kind of sometimes on TV and in filming I got kind of self-conscious
and I had never been that way the press stuff like that
Kind of stuff. I think so. I mean, I don't really know what caused it exactly
I would the only reason I would say I think you're right about that is that is
that it happened then
You know and that was the first time I'd experienced that because you know
No one says anything bad about you when they don't know you exist for one and
then on our first record
God, we couldn't buy a bad review, you know, and but by our second record it
was we weren't even getting it was like
Forget him. He's fucking this chick. So I don't have to forget his music, you
know, and then like he got fat whatever it would be
You know you start, you know when you nationwide but a national publication
calls you fat
Shit, I remember getting a review in like in England once and somebody called
me
Ponzi is a fishmonger's cat
Which I suppose fishmonger's cats eat a lot on see like is that like chubby potty
thought it I thought it meant chubby
I assume I guess I don't know just sounded bad so pretty compared to a fishmonger's
cat
The fact that fishmonger is involved at all as a word when they're talking
about a concert seems like a bad sign, you know
Yeah
There's a thing that happens right like when people discover you and they find
out about you and you haven't gotten big yet
Like especially for bands
I think where they they they love the fact that they're the first to tell their
friends
You got to listen to this band got to listen to this album. This is awesome
But then when you get really big and other people like it and too many people
like it then you're like oh, man
They were good in the beginning
Well, I think I think you're I mean
I think that music unlike almost everything else
It becomes our personal cool, you know
I mean we literally wear it on our shirts, right?
You know and it defines who we are we talk about this genre or that genre as
being our gang almost and when when you're discovering stuff
Yeah, it's really cool
And then when you have to share it with that guy at the water cooler who likes
that fucking worst music
You know that guy who's been coming in for years and he's just listening to
utter shit
Yeah
And now he loves your band too and you're like I don't want to share this with
captain asshole over there
You know and I've never understood that because why can't people with terrible
taste also like great things like great things are great
No matter what like everybody loves the Godfather, right? Yeah
Yeah, it's like whoever says that that movie sucks
Nobody but people who like terrible movies still like the Godfather, you know
Well, I think it's less because they now like it as that you're now as opposed
to you were in a club without them
Right and now you're in a club with them
And that just sucks because you didn't have to be in a club with them before
right it's human nature
I mean, I get it. I didn't like it when it landed on me, but uh
Yeah, I mean I get it. Well, and it happened to you pre-social media. Yeah, you
were
You guys were just getting reviewed by experts. You weren't get shit on by the
general public yet
No, I mean, but that was kind of that was a good thing for one, but I was
really into
So right. Well, it's for me it had happened when I was kind of already into
social media because
I remember moving down to LA after our first album and and that year while I
was writing the second record
discovering that AOL had these uh
Like message boards. So this is 95 say and I realized that AOL had these forums
and message boards for all the bands
And it suddenly occurred to me. Well, I could just go on there
And talk to people because when I read it, they were worried about were we ever
going to make a second record?
Were we going to shit? Did we exist anymore? Like what?
All the questions that you wonder about your band between records
And it suddenly occurred to me. Well, I could I have the answers to all those
questions
You know, I could just go on there and it took me a little while to convince
the people on there that I was me
But uh
Understandably of course, but eventually I did and then we sort of started this
kind of community there
Uh, you know way before other social media
But it occurred to me because the rest of the time you you can't get to your
fans except through
Or you couldn't then except through the radio
The DJs and the press so like you don't really get to give anybody your own
words
They got to be filtered through everybody else, right?
But that AOL thing was a chance to just like well like what twitter and
everything is now, but
It occurred to me back then it was really cool
And when people started then I got into arguments with our own fans. I've
always done that. It's just like what kind of arguments
Well, you know like I don't think
I'm who they think I am
Who do you think they think you are?
A classic rock guy driving around in a pickup truck
Like going to drive-in movie theaters because that's this americana dream
vision of like we all sit around
You know going to drive-ins and living some
Dream of a springsteen song that springsteen isn't even any part of you know
And I would go on there and I'd be like have you guys heard the first justin
timberlake album. It's amazing
It's got like timberland and the neptunes doing all the songs
And I would try and make this thing to tell them like you should listen to this
It's brilliant music
And they just they couldn't grasp the justin timberlake thing because in their
mind in sync was the guy at the water cooler
Right. You know and so like I would get in these fights with them like you guys
don't know shit about music
You're just like you're in this little niche rigid, you know
You like us and I think that's very smart and intelligent shows a lot of wisdom
But you're limited and I get in all these fights with them. That's funny. Yeah,
it's funny how white people are unwilling to try
Certain kinds of music because it has this I it has this like
Feeling to it like that's not that's if you like that
You can't be smart. You you can't be cool. Like this is yeah, this is shit
music. You can't like this
Well, you know that it you know it came out of like
It did seem at the time like the thing ruining music was the boy bands
You know what I mean? It just seemed like right there was one after another
back then it's kind of never stopped
Um and you know, I don't know how good some of them were maybe they were I don't
know
I mean, I look back a little more fondly on the Backstreet Boys now maybe at
the time
I couldn't abide any of that, but I mean I get it
I guess, you know, but I don't think I was who they thought I was or and why
should you be you know, I mean like
We're all really individuals and we're certainly not going to just fit into the
the peg that people would like
Why would that why would they knew who the hell I am because I don't know them,
you know, right?
And then there's always like whatever the publicists have put out and whatever
Image they're trying to promote for you guys like whatever and then people take
it in
They put you in a box. They got you in their head. You're you're that guy. What's
the guy's name from stained Aaron?
Louis yeah, so now he's like
Don't tread on me country western. I'm always carrying a gun
Like he used to be this like used to think of him as like this sort of alt-rock
guy
Right yeah, yeah, and then he's made this like hardcore shift does like god
guns and country type dude
Well, yeah, and who else the other guy that I
friend of my
Kate Quigley knows him
Darius Rucker
Thank you. Yeah Darius from Hootie. Oh, yeah
Been a country star for a long time now bigger probably than even when he was
with yeah
Yeah, which is weird because it's a different world that you don't connect to
usually don't cross that border
that can be a real restricted closed society, you know, but
He's had a lot of success over there. He's huge, right? Yeah, I think I don't
know
I think he's gigantic. I don't know what goes on in that country scene
I like a lot of new country
Yeah, I mean I we I come from like a country music background and that a lot of
the guys in my band, you know
But it doesn't really mesh much much with what is country music now
I don't really think well, there's a lot of different kinds of country now
There's like some really good artists that are doing like Sturgill Simpson type
dudes that are doing he's a really good writer
Yeah, they're doing country music, but they're they're doing great music that
has
Just this sort of country flavor to it and his shit isn't even always country
like he
His last album threw everybody on their head. They're like what the this is
like some crazy arena rock shit
Like what is this like I haven't heard that record the new one's wild emir my
guitar player loves Sturgill Simpson. He's awesome
Yeah, he's a great dude, too
You had him on yeah, yeah, yeah become friends with him
He's a cool guy to hang with I always wanted to meet you because you have we
have a lot of mutual friends
Like guys that I that I've known for a long time that just love you
Jeff Jeff Ross, okay saget bob for sure and uh love him. Uh, well, you know brian
Callen, too. Oh, yeah
Yeah, love him, too for the first time I ever met brian. We were went to his
friend's house
We had just gotten there it was in france
And we were walking out everybody's like here have a glass of wine
We're gonna go look at the sunset
It was on this cliff by the atlantic ocean there and we walking out across the
lawn. I just met brian like an hour before that and
There's about eight of us and we're walking across this line brian. He's just
walking next to me. He turns me and he goes all right now
You're gonna say to me
It's it's really captain. It's really quiet out there i'm gonna say
Maybe too quiet and you're gonna say what do you think it is and i'll take it
from there
I said what he goes all right i'll repeat it like uh
You're gonna say
Captain it seems really quiet out there i'll say
Maybe too quiet you say
What do you think it is and i'll handle the rest of it
Like uh, okay, wait till we get to the cliff
I get out there. We're in this group of people everyone's looking at the sunset
My friend is talking about how if you right at the moment for the sunset. There's
this green light. It's
It's this is a very deeply spiritual beautiful moment and uh
And i go you know brian nods at me and i go
It's pretty quiet out there captain and he says
hey
Maybe too quiet. I said
uh
What do you think it is
He looks around he goes
Orca
Apparently it's like this richard harris
Remember that movie orca the kind of jaws rip off yeah, yeah, yeah, yeah, yeah,
so like
Orca
That sounds like brian callen yeah, and then there was probably some gay stuff
Yeah, probably talked about gay sex
He just he's like okay. We have to do that all the time now. That's our thing
and grabbing butts and
Horses horses they have riding horses. Yeah, yeah, yeah, maybe uh guns probably
the occasional sword. Yeah, yeah, yeah
sword play
Fencing
Savate maybe because you're in france. He'll bring up a french martial art
Savate
Yeah, he's he's quite a character. Yeah, yes. Yeah, we know quite a few people
Have you did you spend any time at the store at the comedy store?
Um more like the the cellar with uh with jeff a lot of times um
She's I I met bob
Oh, I don't know how long ago right when I first started out because uh
my god daughters
Her mother was really good friends with laurie lachlan. So she's the my god
daughter's godmother
So when I was recording my first album I met them and
So bob I knew through her because he was on full house, and they would always
come to shows
I just stayed friends with him for years, and then I met jeff
Bob
Had me come to the like the premiere of the aristocrats or not the premiere
It was like a screening at this at the writers guild for just for all the comedians
that were in it
It was like me and a couple friends and then bob and 50 comedians
And jeff was there so we met and he had just made this movie called uh patriot
games. Did you ever see that?
No, he took a trip to
uh
To iraq right after the when they first opened it after the when that desert
storm when the war not desert storm
I guess it was the second iraq war
um
And he he brought a little camera with him and he filmed all this stuff and the
comedy stuff
But also like what it was like. I mean is before they closed anything so they
were they were playing like
You know holes dug in the dirt really he got to see all over the country at
that point
He made a really cool film about
You know being in a comedy tour over there with all the troops right then
Um, so he showed it to me and we just kind of became friends and started doing
stuff together. We did a trip
with the uso me and him and uh
Sarah tiana colin kane. I know sarah very well. Oh, yeah stewie stone and like
robert klein and we did a
me so like five comedians
And me playing the only songs I can play on piano which are the mopiest shit we
have
So it's like I was right in the middle of the show we went around germany
together to the bases and uh
Played why did you decide to go solo?
Why did you decide to go without a band?
It was just like because it's just kind of comedy they're doing it really bare
bones
So jeff's like hey, you want to do this thing? I was like ah let's go
So it was it was weird though because I I mean
I can I'm not a very good piano player
I can only really play a few things and they're mopey you know as shit so right
it'd be like
Colin would play then sarah
And stewie was hosting all of it and uh and then it'd be me and then jeff and
then robert klein
and uh
So it's like it's a pretty stark change in the middle there to like
Mope the mope fest. I had to start telling jokes and just like just ripping
with jeff
It was so such a bizarre contrast
It's fun though. It was like really fun to be it was like being a camp with all
the funny people
Your music is oftentimes so emotional there's so much
So much feeling and pat did you ever feel like
Almost like you this is what you have to do
Because this is like the your initial success was in this kind of music or is
your music always
Sort of had that kind of emotional flavor to it. I think that was always the
thing. I mean
You kind of want to find something
That you can bear to people you know, like I mean b-a-r-e like really open, you
know
The more you can open something up and let people in and that's kind of the
whole thing
I think when
We're trying to make a record you just kind of want to make a world that people
can climb into for a while and like
Feel something you know go from here to there with you and yeah, so I know I
always just kind of thought that was
Um, you know, but sometimes you know, there's there's hope and joy in there too,
but yeah, it's about feeling stuff mostly I think
That was always kind of what it seemed like it was about because I think I
always had trouble
uh
Feeling things with other people you know just in normal life, right
But uh, and I always liked music
I and when I would listen to it
I I think that's one of the things I loved about it was that you could get lost
in it
And you could feel all this stuff and they seem to be able to communicate stuff
to me when I was listening to a record
um
You know and I was a
I just couldn't figure out what to do with music when I was a kid because you
know
I didn't I just could sing so I don't know what that means high school musicals
or something, but where's that going?
When did you start when you start singing?
I probably sang from birth, you know like really early on as a kid
I could always sing and I liked singing, but I don't know what to do with
singing
And when I was a freshman in college like my first term
I wrote a song like it was like within the first month and a half. I was at
school. I wrote my there was a
I was in chemistry class or something and I started kind of thinking of the
song in my head and I
Wrote it down and was humming it to myself and after class
I went back to my dorm because there's a lounge with a piano across the hall
from my room
And I went there like locked the door and sat there all day trying to figure
out humming stuff and trying to figure out what note that was and then
See if I could find a chord that worked with that note. I kind of knew how to
make a major and a minor chord, you know, that's all I knew
um
And I wrote a song and as soon as I'd written that song
I was a songwriter. Wow, so that was your first real attempt at creating a song
just out of nowhere in chemistry class. Yeah
I mean, I think I'd written like lyrical stuff before but I'd never actually
tried to make it something I could play
and uh
I just figured this thing out and you know, that's the thing when you're a kid
you don't
Like you're pretty undefined. You don't know what's going to go on with your
life
You don't know what you're going to be you like the whole adulthood things
because you've been pretty structured
You go to school or people tell you what to do when you're a kid and you go do
it
You know, you do the best you can you go to school you go play a sport for fun
You know, and you know, I'm still in that in college
You know, the adulthood thing seems really like confusing like what am I going
to do? How am I going to take care of myself?
Uh people get jobs I guess and then then people do people tell you what to do
for the rest of your life after that
That doesn't seem very good. Um
And then I wrote literally I mean, I wrote this song and it was like a
Light going off in my head or coming on I just from that moment on I was like,
oh, I'm a songwriter
I don't know how the fuck to do that or how to like I'm not sure how to make a
life being a songwriter
But I am a songwriter I'll have to figure that out
You know, I kind of knew what I was going to do before any of my friends
I didn't know how to do it
But like it was just like
Like something switch went on as soon as I did it
I knew who I was kind of in a way that I had never known before
Um, what did you think you were going to do for a living before that moment?
I don't know man. You just were trying to figure it out. Yeah, my dad's a
doctor
My mom is too now, but uh
What were you going to school for?
I thought I'd be a writer or something. I liked english. I liked writing. Um
I didn't really know, you know, I was uh, I've done
For the first couple years
I was a women's studies major because I ended up in this class and it was
really interesting. I was kind of blown away by it
um
But I don't know you know that taking care. I mean that's stuff you do in
school
You know fields of study and things, you know, you could go on school for a
while
But but you had never been in a band or anything until that moment
I had when I was a kid like when I was like 13 I was in a band
We played at friends bar mitzvahs and shit. Oh, yeah
We just did like beatles and you know, we our parents told each of us we could
get one song book
So we just bought the beatles the stones and led zeppelin because they had the
most shit in the book, you know
They were the thicker books
But that's just like cover songs when you're 13 or 14
No, my first band was still a few years away, but I wrote every day from that
point on
I just was obsessed with like because all of a sudden
I had this way where I could all the stuff I'd been feeling and thinking and
like
You know, I had all this stuff that I felt like inside me, but you know, you're
not
I felt kind of playing when I was talking to people right didn't really
I felt like a pretty average
dude and not really impressive in the way I wanted to be you know and uh
Not special in any way and I was I thought I was supposed to be you know, but
then I wrote a song and I could you know
Then it was like, oh, I can communicate all this stuff, you know
Pretty rudimentary back then but even then it was like
Well for me, it was real powerful like to play a song people could feel things
All of a sudden all this stuff inside me had a place to go and that was that
was big
Isn't that interesting? It's like kind of everybody feels like somewhere inside
of them is something special
I think most people I mean, there's a few people that have self-esteem issues
that maybe don't
Think that but a lot of people feel like there's moments
Where they're capable of doing something special. They just don't know what
that thing is
Well, I think they also don't realize
How much it takes to do things like that like it is dedication, you know, you're
gonna
You're gonna play music you want to go on stage and do comedy. It's not gonna
be that good at first
It's gonna be a struggle. There's a lot of people who are better at it and
those people, you know, it's a lot of work a lot of
dedication a lot of risk
Thinking about doing a job that's really hard to support yourself at
You know, you especially you want to work in the arts, you know, like that's
It's a minuscule it's a fraction of a fraction of a fraction that's so small
that it's like a number that doesn't exist people who can
Support themselves doing the arts any kind of art, you know, yeah
And then you know
You're gonna have to get if you want to play a musician you're gonna get in a
band
You're gonna fight with your friends because it's not fun. It's not a hobby
anymore. You know, it's different
It's satisfying but fun is like a very small term for what it means to do this
sort of thing
You know fun doesn't quite cut it
Well, I've always felt like a band was probably the hardest thing because not
only do you have to figure your shit out
But you have to make sure that the other people in the band figure their shit
out, too
And you all have to be dedicated and professional and show up on time and be
disciplined and be creative and also work together
So you have to be cooperative and you have to be understanding and you have to
like figure out the ego dance and
who's putting what and where and who's adding spice to the soup and
Oh, I mean
Any kind of cooperative artistic thing like that is brutal. It is really hard,
but there's no way it's the heart. I mean I
To me it's funny because to me
It's always been comedy because like I have friends who do it and you watch
what it takes to be on stage
I am not dependent on anybody in the audience to play show like it just does
not matter
I'm glad they're there. I really am. It's great. I hope they cheer really loud
But I could play a great show
Either way, but like an empty room. Yeah, I mean, you know, I wear a room that
doesn't get it
I'm still gonna play a show and it's still gonna be good
Man, like I watch Jeff sometimes especially lately because when him and Dave
are doing that thing
They just like it doesn't seem like there's any preparation. They're just kind
of they're just riffing
Yeah, yeah, and like that's complete freestyle
Improvisation, but either way even if it's just all written material, you're
still riding
It's like surfing an audience, you know, like that's terrifying
And a dependent and dependent in a way because you know
If you have the success of the moment it builds to the next moment to the next
moment in a way that we don't need
But like as a comedian man, it's like it is such a tightrope to walk with you
know
Dealing with heckler everything that goes into that shit. It's just like I went
to an open mic night last night
Yeah, it was wild. I hadn't been to an open mic night in a while
And it was it was interesting to watch because there was maybe
Six or seven audience members and maybe 20 comedians in the audience
So they're mostly just kind of practicing talking into a microphone
And you know just trying to work it out and you're just seeing
You're seeing like single-celled organisms try to divide and and become
complicated life forms and you can see like the sort of clunkiness to the idea
because you know
A lot of the folks that were on stage last night probably had only been on
stage a couple of times
Or maybe it was their first time and you could see it, you know, it's like wow
This is wild. That's really cool though. I mean like you could see like the
Genesis of things, you know, somebody like developing something someone doesn't
have their material there yet
But they've got a thing, you know, it seems so far
Like the road like you're it's like a person who lands on Plymouth Rock and you're
gonna walk to San Francisco
Like yeah, it can be done
People have done it. It could be done
But all those first steps you have so many steps. It's such a far walk
It is far
But that's what I meant about like people not understanding like
How much you want to do this you can do it? There's no rule that says you can't
Right, but it takes it's not just the talent. It takes
It's a long walk. Yeah, and there's a reason why so few people do it
Yeah, there's a reason why so few people wind up actually being a professional
You have to be able to grind some people just can't they can't they can't just
Embrace this process because the process like there's a lot of days you don't
want to do it
It's a lot of days you don't want to go on stage, but you must you must yeah,
you got to continue to try to figure it out
There was a moment at the improv
uh
in la
Where
There's this lady on stage and I think she had just started or she was fairly
recent
And so she would do one of the things that comics do when they're first
starting out
They'll have a premise and it doesn't go anywhere
And then they go into a completely unrelated premise and it doesn't go anywhere
They have like their bits are very short. They don't they don't expand on their
ideas
They don't really know how to yet and she's she's kind of bombing
And uh, we're sitting there watching her and I was checking to see when I was
up because I was up like two people after
And me and the dj are watching her bomb and I just go
It's a long way to the top if you want to rock and roll
and
And then two two people later was me and I went on stage and he brought me up
to it's a long way
To the top and that has been my opening song
From then out every time I do stand up every time I go on stage
If there's playing music they play acdc long way to the top because it's like
It is it's a long and bloody grind and that song just nails it
That song you know and you got to be brave too
Like on top of the length of it don't forget that especially like for what you
guys do
Uh, it is scary
A lot especially in the beginning and at least
You always have a risk of the bomb you know what I mean?
It's always out there waiting for you like
And it's you know even if it comes you still got it you can climb out of it
But the risk of the bomb is what makes killing so good
Yeah
It makes it feel so good is that you know you can buy everyone could bomb we
can all bomb
And so you know that and I've had
Moments like recently that are just not that good you have a bit that you're
trying out
And it's kind of clunky or you fuck something up and like
You have sets that are just flat you're like shit
But that's just part of the process and that makes it
When it's like last night at a great show and last night like everything like
sunk in and just
Just was seamless and it flowed it was free it was fun and those most moments
Only come out of the depths of despair
You have to work your way through the shit
And I guess it's got to be like that with music too
I mean you there must have been gigs that you guys did in the early days where
you're just like
I don't even know how long I can do this
I remember one the first I always remember this gig because I don't know we've
played this town since then
It was a
Was it lexington kentucky? I'm trying to remember what it was like a
A southeastern college town
I'm spacing on what we were opening for cracker
And it was this club and it was upstairs was the the club part of it
And the stage is one of those ones that's in the corner like a triangle like
comes across the corner and uh
There's just uh
The audience is all out the rest of the clubs lengthwise and the stage is in
the corner over here
And there's no like back the backstage is is that near the front door?
And you gotta like they just kept like a border around the club of people so
you could walk and you have to walk around
Everybody to get up to the stage and so we get up there to open the show
And the the monitors are busted like the tweeters blown out on the monitors, so
it's just like
The whole time, you know, and it's like just you can't hear anything and i'm
trying to sing it's before we had in-ears, you know, and
My voice is already wrecked from the first year of touring because I had never
sung that much, you know
I'm really tired and so we played and i'm i'm
We were terrible like i mean terrible and uh
Because it was just so bad. I mean later on that night cracker got on stage and
They were pretty good, but they hated it so much that like he stuck his guitar
through that monitor after a while because he couldn't hear anything
It was just like what what you're a club man fix the goddamn right right, you
know, like the horns are all busted
So anyways, we get done this particularly
Terrible set. I mean and we do a lot of improvisation on stage two
We're making whole shit up which doesn't get any better
By the way when you you can't hear anything and you're when you're sucking we're
still trying it and it's still just like
Oh, just you know anything would have been better than what we did so the man
with the set ends
and and
It's just silence man. There's no booing or anything, but nobody's clapped like
nobody's clapping
There's just nothing. There's just fucking nothing happening in there. It's
just like
Like like nothing had happened like they were just everyone's just kind of
looking at us like maybe we're going to play another song
I don't know. They don't really want us to but they're not trying to encourage
us and so we just like
I remember some of those guys had to grab their stuff
I kind of walked down off the stage and you know around down the whole side of
the crowd
Across the back to the little dressing room silence just people looking at me
So fucking humiliating just the worst I've never forgotten it except I guess I
have forgotten where it was, but I think it was Lexington
I don't know but it was just the worst fucking show and just just the utter
silence though that the like they were confused as to what we were doing
Like as if like it would have been confusing to them if we kept playing it was
weird that we stopped
Whatever we were doing
They didn't really get it. I didn't mean I don't understandably. It was just
fucking
One time like I came off a tour and I had messed up my knee
I'd scraped up my knee early in the tour and it kept getting infected and I
ended up having like a staph infection inside my knee
It was really bad
So I got off stage the last gig and I had to go in for surgery the next day
And uh, they you know opened my knee up and cleaned it out and then
Uh, they released me later that day and it was the day that jeff was releasing
Uh, he he wrote a book like I can't remember what it's called wrote you only
roast the ones you love maybe yeah, and he he had uh
He was having like a
I don't know what you call a book release party I guess at the friars club
because he was real excited
He'd wanted me to come and I was like
I'd just gotten out of the hospital
That like late that morning and I was but I felt okay, you know, um, and it was
all sewn up so
I you know I was a little high from the drugs, but I was okay, so I I put on
like a tux
Tails, but I couldn't wear the pants because I had this huge bandage on my knee
So I just put some shorts on and nice shoes too, and I got a cane and I I went
to the friars club to this thing
I don't want to be there to support jeff, you know, and
So he comes
He's up on the like the dais of the it's like in one of the rooms
They're not not a stage, but he's up on there talking thanking some people and
he comes down
He got me a chair just a room full of comics and he got me a chair so I could
sit down near the front
Everyone else is standing just because I you know had surgery and he comes down
I want to really I think my friend adam came with me and you know
We went on this trip a little while ago, and he's just a he's a good friend and
he
hands me the mic and
For some reason instead of just saying you know congratulations jeff or
whatever
I took the mic out of his hand and I walked up on the stage to like the podium
Put it in the mic thing and I
Because I don't know some part of me thought i'm at the friars club and I
should make a speech for jeff's thing
But by the time I got up there and put the mic in I realized what am I doing
here?
Like I'm like, I don't know what to do
I'm just I just like sort of looked at them and I said
So I peed on my girlfriend earlier today
Because I it had happened you know like when they finished the surgery they
You know they gave me this epidural and I'm your whole lower half of your body.
So I don't know what's going on and
Uh
I'd come out a bit and they were my you know girlfriend was like, how are you?
I'm like, I don't know. I feel weird. I feel pretty good
Am I am I bleeding down here am I wet and and
And she reaches like under the skirt to check me out and she's like
I just I think you're you're peeing that's all you're just you're peeing
yourself right now
I'm like, oh, how do you know and she goes because you're peeing on me right
now
She pulls her hand. I'm like, oh shit. I'm sorry. I can't I don't know what's
going on and I couldn't feel anything so like
So when you're numb for an epidural it just pee just comes out whenever it
wants to I guess
I don't know like I I felt weird and like a weird warmth and I asked her if
there was something on there and she's like
Yeah, you're you're you're peeing yourself properly
I'm like, how do you know and she goes because you're pissing on me right now
And I was like, so so I'm standing there in the friars club and I just said so
I
peed on my girlfriend earlier today and the place just breaks up and I was just
I that's I guess that's one more thing she's got in common with my mom
And I don't know I went on for a couple minutes told that story and I was just
like killing I was like really good
I was patient I was like not rushing anything probably because I was kind of stoned
from the drugs
And I just like I got about two minutes of it
I just drilled it was hysterical I came down some older guy comes up to me and
goes like
You killed it was you and Vagoda you and Vagoda were amazing tonight. You're
always welcome to the front
What where do you usually work? I'm like, I'm not a comedian. He's like you're
kidding
That's it was like
But I mean it was it was the greatest thing because it's like you were saying I
was terrified
I got I stupidly got myself into the situation and then of all things
Did like, you know, it feels like I did 10 minutes, but it's probably like two
minutes of stand-up
I did like a minute and a half stand-up in front of like the history of comedy
like and
Crushed it and as i'm coming down off the stage. I was like hey, that was
pretty good and jeff goes. I know it's like crack, right?
I'm like
I'll talk to you more about it later
And then he goes back up on stage
I mean, it was just like I don't know what I was doing getting up there
It was the dumbest thing, but it was so like because it worked out
Yeah, because i've been there with friends of mine who are comics and i've bantered
with them played piano like in that little keyboard
You know in the cellar with jeff and with bob sometimes just done that shit
with them and uh
You know, it's always terrifying but like that one moment. I wasn't even with
them. I just did it and
Oh, it's the greatest thing. I mean to this day
I don't know if there's a performing moment that I feel prouder of than that
one even though it was completely accidental
You know, it's just like because it was so
Terrifying and unsupported. I didn't have a band. I didn't have anything. I
didn't have jeff or bob. It was just
Maybe it's probably just a minute, you know, whatever short it was though. It
was
It was like it was fire man. You know what I mean?
It was
Is it recorded?
Oh, I don't I don't think so because it wasn't like a real performance
It was like a little hall and he it was like one of the side rooms and jeff was
in there
Everyone was there to celebrate him and he made a talk a few people spoke
I don't really remember where it was because i've been to the fires club a few
times, but
I don't really know where that room was
I'll have to ask jeff sometime, but no, there's no way it was recorded
I don't think because it wasn't like anyone was performing right right right at
least I don't think so
Did it make you think about doing it again like actually preparing a set?
Are you like you know what i'm one and done i'm one and oh i'm gonna retire
undefeated
Yeah, I don't know i'll be honest with you every time jeff wants me to go play
with him and do that sort of stuff
First of all because I can't play piano very well
So I end up just picking four chords and playing them in a circle
It's not like mayors up there with him who can actually play you know right
But I like bantering with jeff and it's fun if terrifying you know
But he's so good he can kind of like hold your hand
Yeah, he really is through it if you stumble he's got something funny to cover
it up
Yeah, and he's got that like i'm not sure there's a better
Sound in this world than that laugh of his you know yeah when he's just giggling
at the stuff
It's going hey i can't even do it the laugh you know when he's he's giggling is
he's giggles for his friends
And laughs for his friends when they're being funny you know like i've known jeff
since before he was jeff ross
Oh lip schultz yeah, i've known him back in the in the old days wow
You know he's a black belt in taekwondo
only reason i know that is because uh i saw it on the uh
It was when i was looking through your podcast at one point i watched like i
was when to watch the ones
Some of the ones with my friends on them you know i knew
Um yeah and i saw that picture of him like when he's i don't know how old is he
like i don't know he's pretty young
Yeah, he looks really young uh he's got that
Big he used to have really curly hair too you know yeah great curly hair yeah
Yeah, that's a great picture yeah did he not do it after that for a while i don't
think he does anything
Yeah, i think he swims and like drinks
Both pleasant you know yeah swimming can be unpleasant when you do it for too
long well drinking is great you know
Have you been to his house in hollywood hills oh no no he's i haven't either i've
been his place in the village
He sent me photos of it it's he has a pool
Where when you go in the pool if you're in his house you could see the pool
Like oh really the the side of the pool's glass
And it busts up against the house so someone's swimming in the pool like you
can get up there and you could see it from outside
Wow note to self don't piss in that pool yeah don't ill people can see it wow
that's wild yeah it's pretty wild
So he's just up there lounging looking at the world watching it burn
From the hollywood like literally watching it burn sometimes at least a couple
times a year yeah especially now
Now he's like that was kind of wild seeing that
You did taekwondo too you were the champion in taekwondo right i yeah i won a
bunch of tournaments
Yeah, that's what i was that's all i did when i was 15 from 15 to like 21 22
That's the martial art that i did when i was a kid like
It was i must have been pretty young it was like texas and denver so it was
like
Seven and eight it's a good martial art for kids yeah some discipline and stuff
it was i remember it being fun but
It uh it got me hit well
You know you're like i don't know when i'd start doing that in like
2002 maybe i started boxing you know i started boxing with this boxing trainer
in l.a just to get in shape
i was really out of shape and then he would come on the road with us for a
while and we would like
Train with the whole band in the mornings usually and then he and i after soundcheck
we would do like 10 rounds
You know about you know wherever we were at the gig and just
Exercise in the afternoon right so we do it for a while and uh
but like early on when we were doing this you know he was doing some stuff
where like
i was just working defensive stuff and he threw like a low hook at me and i i
did this thing you
know i blocked it with my arm and he's like what's that i was like i
i don't know it's a i just blocked it he goes don't do that you'll get why he's
like don't drop
your hands when you're boxing it's a bad habit like okay you know and then i
did it when he threw a
low hook and i you know just dropped my arm down to block it and he goes where
is this block coming
from what is this kind of thing he's like he goes did you do taekwondo when you
were a kid i was like
uh yeah i did it weird well how'd you know that he goes i think it's a i think
that's a taekwondo block
but that's you know like i think it works in taekwondo because of the nature of
the
the rules but like you don't want to do that boxing don't drop your hands
boxing because i go
what's the big deal he goes well because you're gonna get hit you know you're
gonna get hit in the
head too don't drop your hands especially not your right hand you know that's
where hooks come from
that side and i was like well i mean i don't know what the big i blocked your
punch he goes
don't don't do that like don't don't say that don't say that i was like all
right so we do a little
more and and uh he threw a low hook again i went like this and he just whack
hit me in the head not
hard the first time and he was like taekwondo and i was like oh fuck you man so
i was go do it again i did
it again i could not break myself with a habit and every time i like he would
just like whoop whoop hit me in the
head whoop whoop hit me in the head and every time he would just go taekwondo
well you know what it is
is a lot of martial arts a lot especially in the old days before the ufc came
around
a lot of them were closed systems right so if you were doing taekwondo you
would only do it against
people who are doing taekwondo right so you didn't know that the things you
were doing left you
susceptible to certain techniques from other sports so like in mma you don't
ever see anybody blocking
like that because they've realized like first of all if you block a kick like
that you break your arm
and second of all you do leave yourself open to punches so now people block
when they block kicks
they try to block with two arms if someone's kicking high you try to block with
two arms and you you try
to get as much as your of your body out of the way but you don't do this like
taekwondo style it
doesn't really work but in taekwondo it kind of worked because it was a closed
system right that's what he's
trying to tell me is like this is something that worked boxers never do you
have a habit there
because that's the one thing you learn when you're younger so don't do it it's
like don't drop your
hands like it also happens when people get hit in the legs a lot and they get
in pain like when a low
kick starts coming they try to like stop it with their arm because just because
it hurts so much and then
someone sets them up and pretends to throw a low there's a thing called a
question mark kick you ever
seen that no but it's like it looks like you're gonna kick someone low and then
it turns around and it
kicks them high yeah either it looks like it's going to go up the front or it
looks like it's going to go
low on the outside and then it comes around there's a guy named uh glaube fatosa
who used to fight in
k1 he had like the most beautiful question mark kick and they they started
calling it the brazilian kick
because he was so good at it he he he had these crazy hips he would he like if
you watch him do it it
almost doesn't make sense like his foot would be coming straight at you and
then out of nowhere it
would do a full question mark and chop down it's let's see if you can find it
glaube fatosa uh ko but
so much like question mark kick was always the name of it it was that was a
traditional it was either
called fake front kick round kick or as because all his card or or it was
called question mark kick but
then with fatosa a lot of people started calling it the brazilian kick because
he was so good at it
but it was weird how good he was like his hips i can't do what he does like it's
a he's got a weird
hip flexibility you got something i couldn't spell his name right hold on yeah
it's a weird one he's brazilian
um but he uh he would literally when the when the kick impact impacted it would
be coming down like a
hammer watch him watch this that's not a good one that's a hard one to tell see
if you can see it
again though watch yeah dude they'll throw watch this oh yeah yeah come on that's
crazy looks like it's
coming up under his arm and then it whips over it look at that he does that kyokushin
like the
fucking ki at the end but look how it comes low and then i mean the way he
would do it was like
sensational hip flexibility isn't that wild that rotation at the last minute it's
wild man
nobody did it better than glaube i mean he's just the famous for a lot of guys
are good at it
maybe uh style bender does it really good too but it's wild watching you know
mixed martial arts like that
interesting which disciplines tend to be effective i mean it seemed to me early
on when it first came
around it was a lot of grapplers uh some guys that had beginning wrestling and
then i mean i
haven't watched a ton of it but jujitsu seemed to be really effective for a
while like what's his
name uh hoist crazy silva i was thinking of like anderson silva yeah well anderson
was a muay thai
guy he had brazilian jujitsu he was very he's a black belt in jujitsu but his
whole thing was striking
he was a muay thai guy his whole thing was kicking the out of you yeah
which would hurt oh yeah for him yeah well he's to this day still one of the
greatest of all time
but jujitsu what we were talking about guys out he did those chokes he
definitely did he choked out
chael sonnen in the fifth round of like a fight where he was losing he was
getting the kicked out of
him yeah well he went into that fight apparently legend has it with a broken
rib he had a
fucked up rib going into that fight so he couldn't really move properly couldn't
defend against
takedowns but still figured out a way to win boy chel sonnen was just pounding
him and oh yeah
finally it looked like he was done he had him on the ground he was on top and
then all of a sudden
his just legs just went caught him in a triangle yeah yeah well yeah chel was a
beast but anderson
figured it out just i mean that's that's a guy like him who could do everything
he can strike he can
submit you and because he has all these skills like even when he's losing he
still could pull it out of
his ass out of nowhere that's what he did are any of the guys who like i just
love martial arts movies
or any of the guys that were like you know the have any of them been really
good fighters as well i mean
i wouldn't know how to tell in movies yeah chuck norris yeah oh yeah chuck norris
was a world kickboxing
champion he was super legit out of all the people that have ever been in
martial arts movies
that are like famous guys chuck is the most legit for sure a hundred percent
like there's never been
a guy who had more like battle tested combat sports experience who became a
movie star than chuck norris
because in his day like that kickboxing back then was not the same and karate
tournaments and everything
it's not like the level that people have today like if you watch like a nikki
holtzkin or some like
elite kickboxing guy today it's a different level there it's it's more advanced
but it's the same like
going and watching the ufc from 1993 and then watching the ufc in 2021 they're
more it's just everyone's
more advanced they're just better now it's just the sport evolves and gets
better but in his day
chuck norris was a bad like legitimately badass world champion kickboxer
and um i think he learned in korea in the military i think that's when he first
started if i'm not
mistaken but he was a tang su do guy which is like another korean martial art
but uh yeah out of all
the guys that have ever been supposedly this is him fighting i can't tell if it
is or not but that's
what it says a grand champion match which one is he the one on his feet winning
in the end yeah that's
chuck norris with his back to us this guy here yeah oh these guys are good see
this is early days 1966
i wasn't even born yet when these guys are doing karate
yeah okay so this is like a point karate championship interesting it's music
yeah is it music playing is that what it is there's no sound i was hoping to i
think that's chuck
with his facing us and the other guy's got his back it's hard to tell though
yeah yeah they're so young
yeah it looks like chuck but anyway he did this he also did kickboxing he yeah
chuck norris had he done a
lot of stuff does muay thai use as many like those heavy elbow strikes that you
see like tony jah
doing oh yeah muay thai that is tony jah that's that's muay thai muay thai is
all about the elbows
like the they have the best elbow strikes in martial arts elbows and knees leg
kicks yeah all that stuff
is that's muay thai that's crazy to watch him it's pretty great that that every
time i see uh ang bak again
he's i know it's wild yeah it's very rare that a guy is a like a legit martial
artist and then makes
his way and becomes a big time action star i guess randy couture has done
pretty well he's done quite a
few action movies and george st pierre was in captain america but as far as
like being like an action
star like the rock style star it's definitely chuck norris he was the he was
the he's the mac daddy of it
all you know he's a super nice guy too really oh yeah he's like one guy that
when i met him like i was
so excited he knew who i was i met him at one of his world karate championship
tournaments his uh world
kickball i forget world combat league that's what it was called and uh he's
like joe i was like oh
chuck norris knows my name and i hugged him and then i but i didn't get a
picture with him i was like
fuck and then finally uh later uh many years later there was this uh there was
this award ceremony that
they were doing and they asked me to speak at it and i did it just so i could
meet chuck norris again
i did it was like in this conference room thing and i got a picture with chuck
it's on my instagram
somewhere but just had to make sure that i documented i actually met chuck norris
yeah i had this uh when they know you like man that's uh it's cool i we were on
a plane once we were
we phoned to la and then we were we changed planes and we were going to hawaii
for like a corporate
gig or something and i was with my tour manager and he was sitting across the
aisle i'm on the window
seat over here and this guy i wasn't looking i was looking out the window out
of the corner of my eye
this really tall guy comes and puts some stuff on the seat and then goes up to
the bathroom and i
turn back around he's walking away and i see tom my tour manager he's like mick
fleetwood i think that's
mick fleetwood wow really and i was i got really nervous i thought oh it's
gonna be really
uncomfortable i got a five-hour flight ahead of me i'm not gonna know what to
say uh i don't i don't
know what to do this is really weird you know i get i get kind of anxious about
that i'm not
really very good at talking to my idols at all um and the he comes back from
the bathroom and you
know as he's walking up it's it's mick fleetwood you know wow and he comes back
he picks his stuff
up off things adam hello it's like mick he goes no i'm adam he goes i know
hello i said how are you and
he sat down and then he told me stories for four hours it was awesome wow he
told me history of
fleetwood mac stories talked about like it was like a class in rock and roll
history it was the coolest
flight of my life he was just so nice and he the next day he uh we exchanged
phone numbers
he came to our show at this corporate show i remember because uh like whoever
was at this company joe tory's
uh daughter worked at the company to tour the comic no joe tory uh the yankee
manager oh and so he he
came to like because his daughter loved us and he brought her because he was
involved with the
company or something and but mick fleetwood and joe tory came backstage after
us and then mick just
went to the bar with us and hung out at the hotel and talked to the other guy
because i really my guitar
player emmer is just a massive early fleetwood mac fan peter green uh and it's
his favorite song you
know and like so he was going to flip out and he wasn't there with us and i
really wanted him to meet
mick you know and it was just like he still texts me to this day you know just
hope happy birthday or
merry christmas just wanted to say hi you know wow it's been about 10 years now
and it was just like
it was the great i mean just have like he knew who i was and he spent the
flight chatting and telling
me stories about rock and roll and shit it was awesome you know that's amazing
because i'm not really
good in those situations i i have fled from people that i love you know i i
just been panic oh it's
it's springsteen i've known him forever he's the nicest guy on earth and like i
used to take my
godson to school when i was still making my first album so i hadn't even made
it yet i had met bruce
because we played this rock and roll hall of fame thing and his son went to the
same school they were
kids you know young kids they ate something then four maybe younger and so i
would see him every day
at school and he would always come and talk to me and say hi and just couldn't
make sentences
it was so bad you know the the he's doing a podcast now with obama i heard i
wonder how it is he's that
show of his that broadway show was so cool and he like told such great stories
i mean it was i don't
imagine the podcast can possibly be good unfortunately i don't know i just feel
like they would be so
restricted in the way the community i think if you here let me phrase this
better if bruce springsteen
could be himself and obama could be himself and you could just put a camera on
it and just let them
shoot the shit i think it'd be amazing because obama can be really funny oh he's
brilliant yeah he's a
brilliant guy yeah but i can't imagine that if they're doing something and they're
recording it
that they're not acutely aware of how many people are paying attention and acutely
aware of like
getting the right message across and saying things like part of podcasting is
being irresponsible
like you're just talking you know and you don't even exactly know what you're
going to say
like right now i have no idea what the next word out of my mouth is there's
nothing prepared there's
nothing like it when you think you're having you're thinking out loud and for
hours right
yeah i thought of that yeah i'm sorry i didn't mean to interrupt you go ahead
no it's okay but if
you're a president i mean you're a distinguished statesman one of the greatest
presidents we've ever
had and one of the most historically important presidents we've ever had first
african-american
president we've ever had and all one of the all-time greatest speakers ever
right so he has this legacy
and then you're hanging out with bruce springsteen who's also this like
incredibly well-spoken brilliant
songwriter iconic american musician hero and the two of them together there's
so much the weight of the
eyes upon them is so heavy i would imagine it would be very difficult to just
shoot the but if you could
get them like a little buzzed just a couple of shots of tequila just just let's
just talk man
like just to just to hear them talk for real would be amazing i just don't know
if you could ever do
that i i when i saw the podcast i'm like well there's definitely camera people
there there's definitely
like sound people there like one of the best things about this place is it's
just us and jamie there's no
one in here and so it feels like it's just us and jamie but i've done other
people's podcasts before
and i'm like why are there so many people here like bill simmons who's great he's
got but i did his hbo
podcast what was it was a show yeah yeah i'm like dude you have a hundred
employees why is there a hundred
people here well the nice thing about this is you don't necessarily need that
you can do everything
you want i assume they partake of the wonders of editing you know like they
feel comfortable but
but you're right i don't know what it is i don't know what it is but with all
those people it makes
it very hard to just be two dudes talking well that's something i mean i
definitely had to i i thought
that to myself coming in here well you know this is three hours of unedited so
you know don't
fuck your life up so don't fuck it up sort of but also like you know live with
it you know because
it's you're gonna have three hours like you know when we do our podcast me and
my friend james you
know i definitely take stuff out of it at times that you know i there are
things i've been really
careful what is it called it's called underwater sunshine we just kind of geek
out about music
i like the name do you have a t-shirt
i don't have them here i'll get you one get me one i'll wear an underwater
sunshine t-shirt i like
the name it's the name of one of the records we made we did a bunch of rec we
did us a record of
literally the most obscure covers record ever made like oh yeah nothing on
there that anybody
know there's a couple songs you people would know but basically we just picked
all songs by friends
of ours that were really good songs but the shit no one knew and uh and then we
have a festival
called underwater sunshine too where we just do like it's independent artist it's
totally free for a
couple days in new york usually oh that's cool um it's we're gonna expand it a
little bit this year
um but uh we were expanding it last year when this whole thing happened landed
on us uh yeah but yeah i mean
coming in here it's definitely a thought like okay well it's three hours of unedited
talking try not to like
like i try and be really careful about you know i don't i will talk about
things i love i love to
talk about things i love i just want to geek out on music i love and i love all
day long i don't want
to talk about stuff i don't like because they it's not going to turn anybody on
to anything right and
you know i know everybody's got a sister you know i know my sister doesn't like
reading about me that
somebody says that's just horrible you know so i kind of try and avoid that
stuff just because
yeah it's a trial and error you learn to avoid negativity it's just generally
not worth it unless
there's a real point to be made yeah you have to like really express something
because it's actually
important but for the most part it's easy too it's really easy to on somebody
and like i don't know
and it's very profitable yeah it certainly is that it's very it's very popular
yeah love when people
shit on people it is funny that's part of the problem as well it's funny it's
the amazing thing
about what jeff's done in the last like decade or so is making this thing uh
not personal to turn
the roasting into something that's like back like what it used to be when we
watched dean martin when
we were kids you know like it's funny it's insulting it's not about like
getting the world to think you're
a piece of right it's about i'm making up a joke about how you're a piece of
right now and he's done
it without anybody really somehow he just makes it work without causing a huge
uproar there's no you
know even the bull some it's not even a uproar about like i don't know why he's
managed to pull
it off in a way that's good-hearted enough that yeah i'm not sure how he's
managed it because that's
actually who he is yeah so what he expresses on stage is how he is and also it's
kind of how comics talk
to each other anyway we always talk to each other but it's with love it's funny
like if someone shits
on your clothes or shits on your face or shits on your your head or shits on
whatever it is it's
like we're all laughing along with it it's like it's an honor to get roasted by
jeff ross or you know
any really good roaster it's just and jeff is because of his love of like old
comedy culture like the
friars club and that kind of stuff he he always loved that like when we were in
our 20s he'd be
like i'm gonna go to the friars club i'm like what the are you doing you're in
your 20s like we're not
old dead men like in my mind i'm like why are you going to the friars club he
wanted to hook up he
wanted to hang out with don rickles he wanted to pick his brain and like you
know because he's got that
wrickles i get it now i get it now but back then i was a brazen and yeah i didn't
yeah when i was in
my 20s i was a different human being i didn't understand traditions and all
that stuff i was like
the fuck out of here with these old dead men hanging out cracking jokes with
each other in wheelchairs
i just i just thought of the friars club as being this thing but i didn't know
what it was it was
totally out of ignorance i'd never been there before and then i realized as i
got older oh it's
like a camaraderie thing like these comics would get together and they had a
place where they could
hang out and then uh greg fitzsimmons had gone there and he told me he'd go
there and play pool
and hang out with these guys he's like it was just a fun hang with a bunch of
guys who were just cracking
on each other all the time i was like oh okay yeah i mean there's nothing like
that for us for music
you know like i he took me there is where you guys hang not really i mean there
was at one point you
know i bartended the viper room for years did you really yeah well that's how i
ended up moving to la
i was uh i was home it was getting really miserable in berkeley i'd been home
for about a week from the
end of touring uh everywhere i went it was an issue not you know mostly
positive but still it's like
you feel like everybody's looking at you there are kids camped out on my lawn a
couple days a bunch of
days in a row at least one like 100 people come up to me a day but one of them
was like hey are you
that guy from county coast yeah you're adam duritz yeah you guys are so lucky
thank you i mean because
you suck and there's so many good bands in the bay area it's wild that a band
as shitty as you would
be so successful to your face yeah i was just like it happened like four or
five days in a row i mean
it was dwarfed by the amount of people that were coming up just loving the band
but still it was
like it started to feel like if there's gonna be one of these every day is one
of them gonna have a
gun you know is like is this mark david chapman is like it seems such a weird
obsession to walk up to
a total stranger in the line for a bank you know and just say something like
that yeah like and it was so
weird uh but we like we got really famous really quickly and uh i was the only
people i knew in la
really were people at the viper and i'd met a few of them playing across the
street at the whiskey on
the first tours and uh so i i was went home that day i'd been home for i think
seven days and it happened
like six of those seven days and uh i got a phone call and it was it was sal
and johnny sal janka who
ran the viper and he's johnny depp's partner and they called me up and they're
like hey we want to
invite you to this party tonight and i was like kind of half in half out i wasn't
really listening and
and finally they're like wait what's going on man and i told them what was
happening and they're like
okay hang on i can put you on hold i sat there on the phone i know what was
going on they came back and
they said okay it's it's kate moss's 21st birthday tonight and we're throwing a
party here the club's
closed we're just throwing a party for friends we wanted to invite you we got
you a room at the
bellage and you have a reservation on the flight at six o'clock oakland to burbank
just get on it
someone will pick you up at the airport you've got a room at the bellage get
the fuck out of there
so i like grabbed my stuff went to the airport went to this party at the viper
with just like
interesting people and i was like i didn't go home again that was it i moved to
la after that
it was uh i did i stayed at the bellage for a few days i moved to like a bungalow
at the
sunset marquee and then eventually uh i rented this house in the hills one the
one of the bartenders
shannon mcmanis at the viper her best friend was christine applegate and she
was my landlord she
rented me this old like she had this place it was like a a little cottage in
laurel canyon and it
turned out it was built by the cowboy star tom mix in the 20s and then it was
david niven's like
in-town fuck pad and he named it rogues retreat when there was a little sign up
there after this tv
show he was on called the rogues in like the 60s uh and then i don't know i i
think it was the i don't
know what it was after that but she owned it and i stayed there i wrote most of
our second record in
that place before i bought a place but yeah man the viper room for a couple
years there i
i bartended all the time because it was just less crowded on that side of the
bar
my friends all worked there so i was be there anyways hanging out with them and
after a while
bartended while you were a rock star oh yeah huge rock at the height of it wow
like uh because i well
i was back there and i'd be hanging out with shannon smoking a cigarette
drinking beers behind the bar
you know in the downstairs bar there the little one and i don't know one point
i'd help her out with
stuff and at one point she's like i go to the bathroom there's nobody else will
you just you know
mind the bar and i was like yeah sure so i did it and you know i had no qualms
about berating people
for tips i'm a rock star and they're not my tips so why not so i made her so i
made her like a few
hundred dollars in the like five minutes she was gone and uh she's like you got
to do this all the
time so i just started going there i mean that's where i lived anyways i was
kind of there every day
the only people i knew so i just started bartending every night and it was like
my home you know it was
like i felt it was like the cheers thing i felt like okay there it's kind of a
cool way to interact
with people too because there is a barrier and it is less crowded over there
and it's probably kind of
fun yeah and you know you uh talk to them if you want to if you don't want to
you got to get a beer
for someone else so you know and there was just so many people it was like what
i thought like uh
the left bank would have been like in paris in the 20s i mean it was like alan
ginsburg coming in and
william burroughs the hughes brothers all these different filmmakers you know
musicians tom petty
it was just really wild gibbie haynes from the butthole surfers you know we're
all just hanging out
there wow john it was like johnny's clubhouse and we all we had barbecues on
sunset on sundays
you know and we just sort of for a few years it was this really cool like club
kind of wow like a
clubhouse it was very much like that was the negativity towards you like
specific to the bay area
well i think because that that's so unusual to me that someone would come up to
you in person and and
tell you you suck like that like that's dangerous it is and i think it's
because it's like unprovoked
yeah they're just trying to hurt your feelings so like where'd that narrative
come from though
because first of all you guys didn't suck your music was amazing i was a giant
fan i mean still
am but i mean back then i was a giant fan so like it doesn't make any sense to
me well i think it's
just you get on people's nerves you know you just do you know like just over
exposure it's too much and
but i also think san francisco in a lot of ways back then was a struggling
artist town
and so that kind of success wasn't cool you know it wasn't wasn't as well
regarded when i moved to l.a.
it was a working artist town it was really nice for me there because like all
anybody wanted to do you
you know for all the there's a lot of things about l.a. i don't like i mean a
ton but
i do like the part of it that it's like it was a working artist town people
just wanted to do their thing
and they were interested in what you were doing they wanted to show you maybe
what they were doing
but everyone was you know we were hoping each other had success and it was
there was nothing
to be jealous of everyone was doing stuff it just didn't feel like
i love the bay area a lot more than l.a honestly and in in years since then i've
loved going back home
but at that moment it just seemed like it annoyed the out of some people in the
indie rock scene i
came from we were a college radio indie rock band and in this club scene up
there and it just you got
too successful yeah and pretty quick and i think it probably was all over the
radio uh it didn't
happen to any of our friends uh there were a lot of other bands in the barrier
then you know well i
mean three of us did really well right at the same time primus a little bit
before us and then us
and then green day right after us you know uh but we were all actually all berkeley
kids east bay
so i don't know but it it happened for a little while and then it stopped
happening you know it's
not bad there anymore well the thing about san francisco the bay area in
particular is it's not a showbiz
culture no right it's a culture of more art and a lot of really intelligent
people it's it's like
well i lived there when i was a kid from age seven to eleven and i remember
thinking it was like a
very good place to be at the time it was a very a very fortunate place to be at
that age of my life
because i was around a lot of eclectic people a lot of interesting weird people
yeah you know we lived
in the center of it all we were right down the street from lombard street so it
was like yeah
it was and it was during the vietnam war you know so it was like it was all
weirdos and hippies
and my stepfather was a hippie so it was like it all fit in and it seemed
normal and then when i
we moved from there to florida afterwards and the contrast was so stark that i
it made me go like
wow i was really lucky to live there like that was a cool spot like people were
it was just
interesting and creative and there was a lot of music and there was a lot of
art it was just a
different place to be but it was not it's not a showbiz culture by any stretch
of the imagination
whereas like in los angeles like people celebrate overexposure they celebrate
overexposure and over
over publicized people and people that are on billboards and the cup whereas
like in a place
like san francisco that's not cool like that's all up they'd be more into like
going to an antique store
or something or well yeah and that's the thing that like i the thing that i
came to not like about la
after a number of years was the like their worship of fame being famous just
for being famous yes and
they're like sort of circular worship of fame but i what i loved about it was
that that that that all
really exists and it's annoying as fuck but it exists around a bunch of people
who are out there doing
stuff too yes you know like yeah and i thought that was really uh it's funny
that you came with the bay
area to florida we went from texas to the bay area um so it was sort of the
although i loved um my dad
was in the army during vietnam in el paso and i i loved it like to me that was
we lived in houston after
that i didn't like houston as much but the but el paso was man it was just like
because i think it's a
it's a lot of it was a lot of vacant lots and desert and bugs and snakes and
shit and it's also the
first place you know when you're a kid you like first as a kid you just do
stuff with your parents
you know what i mean and the family and then at some point you go off and do
something by yourself
with another kid you know i don't know at a certain point you get you get a
little off on your own and
that to me like i was six when i got there that's sort of the first experiences
i have with going
around with shit on my own just like vacant lots and snakes and spiders and
like riding my bike and uh
i just really remember that about el paso and really loving that um and
actually i don't know why
even the army culture which was kind of weird seemed cool uh and i just liked
it i like that town and
that it's like that's a weird town it's like right on the border it's a it's
kind of very much its own
place it's it's texas i haven't been to el paso yet i kind of love it there
even now we've only
played it was the last place i had that i'd lived that i hadn't played because
i grew up all over you
know baltimore boston el paso denver houston and then oakland and then i turned
10. you know like so all
that happened really early on and i but the last place i got to play was el
paso i'd hit everything else
um and we it was just a few years ago and we were at this club is a big open
air place it had like a
roof over it but no ends and it was right enough on the right across the river
from juarez somewhere
right on the rio grande enough so that like our phones kept switching over
thinking they were in
mexico oh wow so it was uh but i mean it was just like the food was great the
people were great i found
the house where i lived the two houses i lived when i was a kid i went with in
an uber with my tour manager
and found both of them i don't know how you know it's like 1970 this is about
five to ten years ago
and i managed to like i remembered the street names and where they were on the
streets from when i was
six seven eight years old you know found both houses which was freaking freaky
i couldn't believe
i found them that must have been a trip for the uber driver did he know who you
were i don't know i'm
not sure um but it was weird for me and tom like yeah wow can you can you
imagine just finding some
house you lived in when you were six when you're 50 you know it's really wild
yeah that is wild i went
back to the house that i went to high school with um recently where was that uh
newton newton massachusetts
oh yeah yeah uh i i was uh wandering around that area and you know it just
seemed familiar but yet
different you know because like your memory is kind of shitty like you you know
if you had to draw a
picture of what the street looked like from your memory be like uh okay i think
there was like a tree
here like here's the arch of the bridge uh and um randomly like a year or two
later i'm doing a gig
at the wilbur theater in boston and i'm eating with one of my high school
buddies at a restaurant and this
lady comes up to me and she goes i live in the house where you grew up and i'm
like what and i took
a picture with her like it's just but it was like we're i'm here smiling with
some lady who lives in
my old house and she lived yeah and i'd just been there just like a couple
years before with my family
wandering around but i remember thinking like so odd so odd when you just try
to piece together that weird
blurry slideshow of a memory and then you see the actual place vividly and
everything looks so much
smaller than you remember and it's just it's strange yeah because you're bigger
that's the
weird thing i mean because we do like especially those kid memories of that was
the thing because
i like that's how i found the first that one of them i'm sure i found the other
one i'm not sure
because i it was in the middle of a street so i wasn't sure but one of them i
knew was on a corner
and it had a big stone wall on one side of the street uh and then the driveway
on the other street
and i remember thinking that i could find it because that stone wall it was i
used to climb
it when i was a kid and you know when i saw that now you know it's like this
high right so but it was
to me it was in my memory it's eight or ten feet high because i used to climb
it and climb down it
uh and there was like a i don't i don't i climbed down i don't know i i
remember being big enough
that i had to climb down onto a mailbox and then jump down to the street but it's
not a lot bigger
than a mailbox so i'm not sure why that would have worked but you know it's
like i was six you know
i was a small kid so it's just it was weird finding that because the everything
changes you know
that the thing we were talking about we were talking about going to la and the
the showbiz culture
and the culture of fame and all that stuff is there the real i i was just
having a conversation with
a friend of mine about la the real thing that gets tainted is not necessarily
the people that just
happen to be famous the artists that are doing things it's that there's a whole
swarm of people
that are trying to figure out a way how to get into that walled garden yeah and
they're bartending
and they're waitressing and they're delivering uber eats and they're doing all
these different things
so there's like uh there's an anxiety of of just there's there's like a feeling
of all these people
that desperately want in and they're all hovering around this area and it
changes the whole vibe of
the town when you go to a place that doesn't have that and it's one of the
things that i love about
austin it does not have that the feeling is different yeah like the feeling
when you're around people
they're different there's and the people there's people in la they don't even
admit that they wanted
to be famous they just gave up on the dream they came out there for a very
specific they wanted to be
an actor or whatever it is and then it didn't work out and they became an
architect or whatever whatever
it is but they wanted to be famous and and then they want to meet people who
are famous and then become
friends with those people so they can get and hang out with famous people so at
least they kind of get
the rub and it's weird man it's yeah it's a weird culture it's like there's a
shallowness to it but yet
some of the most interesting creative and deep people live amongst that shallowness
so you have all these
like really intense artists that are surrounded by all these very strange
people that are trying to
figure out how they can get on the cover of rolling stone but it's interesting
because i what you're
talking about it was one of the things that turned me off when i finally left
because you're right
everybody even people who do impressive things and are successful only want to
talk to you in conversation
about the produce the movie producer they had a meeting with last week you can
be a very successful
lawyer or uh in in finance you can be doing something very impressive in
another field
and you still just they aren't going to talk to you about being a doctor they
just want to talk to you
about the meeting they had for a pitch idea but i do think there's a flip side
to that too that i
did find kind of magical about being there which is that so much of culture is
about
uh i was born here i grew up here around all these same people and uh we're all
going to do this thing
here too and there's a certain amount to which la is about like it's a bunch of
people who all decided
they didn't want to do what everyone else in their high school did whether it's
to be you know a poet or
a sculptor or a painter or a or a musician or an actor or or a model but it's
still like i can't i
don't want to stay here and just do this thing i'm going to go over there yeah
and i'm going to go
like like it and there's a certain pioneer aesthetic about doing that the
problem is if you get there
and then it just becomes about famous and famous and as opposed to i i i dig
the part of it that is
like i got a dream and i'm going to go i'm willing to go all the way over there
to get it and to do it
i love that i felt like i had that in common with all those people but then
there's a side of it
you're talking about where it a you lose what you came there for originally and
it just becomes about
chasing fame and success as opposed to doing anything for it um that got really
annoying right after the
millennium when the a lot of the reality tv stuff started to become bigger and
bigger and suddenly it's
just like fame for fame fame for fame's sake it's nothing about doing anything
and that was when
i started to get i lost my taste for la i really charted to about the millennium
and realizing it
was like a year after that we had these birthday parties every year and i used
to love them and having
everybody come up and for years we had these big parties on friday night where
just everybody would
come to my house on fridays you know just like a huge party um but i remember
thinking i don't want to
have anybody over anymore i'm just like i don't want to be here anymore and
then like i had been
spending a lot of time in in new york visiting friends and i had a lot of
friends here from from
years before and uh do you know mary louise parker is no i know she is yeah so
her and i met when we
were kids like she had just done her gotten out of college done her first movie
i was in my first band
uh she was out doing a play in berkeley at berkeley rep and we became friends i
had a huge crush on her
um but we became friends this is like 1980 so 89 87 88 something like that and
so we've been friends
ever since then so i would go in new york and i would visit her and her
boyfriend and we'd go see
plays all the time and i thought i was really liking liking life in new york
and i went me and billy
crudup who was then her boyfriend um we went to see this play called private
lives it's a noel coward
play and starred alan rickman and lindsey duncan and after the play billy took
me backstage and we
ended up going out that night without having some drinks and hanging out for
the rest of the evening
with alan rickman and lindsey duncan you know and it was just so great like the
whole experience and i
felt it felt i don't know way a lot more growing up kind of i don't know i just
felt like
i had been having conversations with like people from the real world and now i
was having conversation
with alan rickman and lindsey duncan and i really liked it and i thought i
think i got to get out of
la i think i think i would like to like have these conversations more and like
yeah i'd like to go i
like i realized how much i liked going to the theater just because it was a lot
like it was
closer to what i do you know like going on stage and doing it live every night
you know and i i just
like i wanted to get the hell out of la at that and i had really appreciated it
up until about the
millennium like i had appreciated all the people that were creative um and how
much variety of it there
was i really liked all that but it just something happened after the millennium
where i just got really
burned out on it i think you met you nailed it with the comment about the
reality shows because that
clearly changed the culture of the city because now people realized you didn't
really have to be
talented you just had to demand attention yeah and there's a lot of people that
are doing that now
whether it's tick tock or you know a lot of these uh youtube stars and things
along those lines they're
they don't really necessarily have a talent they just either stir up a lot of
shit cause arguments with people do pranks whatever they can do to get
attention so it's not the same
vibe right it's not about someone who's just trying to create great music or
someone who's trying to
make good movies or whatever it is you're trying to do it's now become a
culture of attention and fame
and that's that's la now i mean la is like a lot of these great restaurants and
bars they're tick tock
places now you know that no yeah what do you mean like people go there because
tick tock stars go there
so like what is that place on sunset saddle ranch saddle ranch i remember that
place is a tick tock
place now like tick tock stars go there and everybody goes there to see tick tock
stars is it even open
now yeah they're allowed to be open fully open i haven't been there i don't
know you go there every
goddamn chance he's a tick tock fiend look at him just kidding just kidding but
that's a thing like uh
boa is a big steakhouse on sunset yeah and it's infested with tick tock people
i've only been there once with why you laughing the steak was great yeah i mean
am i right about
this yeah i mean it's always been infested probably that maybe like uh
different sections have been
infested with young people they're just like listen when i say infested maybe
that's the wrong word
it could be infested by rock stars now it's infested by tick tock people it's
like it becomes the
culture right there you aren't wrong that like the way in early 2000s kids
would flock to the front of
mtv to maybe get a glimpse at some music video star right they're standing out
in front of salary it's
not going there they're just like taking their phones to take pictures with
them that's the weirdest
thing to me because i remember that at trl you know all that crowd in front of
trl on by the way
but like that's a weird thing you know i you were talking about early on about
being awkward in
front of things i've never felt as i already felt too old the first time we
were on trl how old were
you i mean i had to be 30 something so i was too old but like i i became a rock
star at 29 or 30. i
mean i left put my first record out at 30. how old are you now? 56. um yeah so
i'm you know i'm just
inches away from death but the first the very first time we were on trl and you
know everyone
was really nice but i felt like i felt weird like i felt weird and old and out
of place and like over
the hill already you know like and i don't think i don't think it existed for
our first couple albums
but it was sometime around the third then i was like well we are past our sell-by
date which is like
it's 1999 so it's been 22 years and we're still here so that's that's that's
pretty good you know
no that's very good when you first made it what was it like to go from just
being a guy in a band
to all of a sudden holy shit it's the guy from counting crows holy shit it's
that dude that was
fucking weird for me because i was really shy you know and i i had you know i
have dissociative
disorder which is not dissociative identity disorder that's what does that mean
that split personality
well dissociative disorder is like it's that you don't quite it's hard to
describe it you don't
quite connect with the world and you feel a little bit like you're at the back
of your head watching
things as they happen watching everybody yeah maybe not to the extent don't
tell me my mental illness
is something everybody has um i don't know no i mean i think it is to a certain
extent but it
definitely kept me at a distance from things and i always felt a little awkward
how did you get
diagnosed like how do you how does that get well you have to describe the
issues that you're having
and then the psychologist sort of explains it i don't think i really got it
diagnosed till i was almost
40 because they'd been diagnosed as different things they thought i was kind of
bipolar at times i was
medicated for a lot of different shit really um yeah which is not pleasant
during the stardom
period you were medicated oh yeah did you get medicated after stardom no before
before i just
didn't want to tell anybody about it because you don't want to be a public
spectacle while you're
going downhill bro you know what i mean like that no matter how much sympathy
people pretend to to
offer we love to watch trains collide did you feel like fame exacerbated your
issues well yeah because
i was very anxious and very shy and all of a sudden and very awkward in company
with people and then all
of a sudden everyone in the world is coming up to me and it felt like it felt
like claustrophobic like
the world is just pressing on you all the time you know i remember when we got
offered the cover of
rolling stone and i i told my manager i wanted to think about it you know for a
day because you know and of
course you're never going to say no to the cover of rolling stone it is if you
want to have a career and you get
off the cover of rolling stone you should do it because that's that's a career
maker right there
you know but i also i mean it's not like this nowadays because there are no
news stands really or very
few but remember like having your picture on the cover of a magazine like that
meant that you were
like omnipresent you're everywhere on every street corner everyone your face
was everywhere so like any
sort of anonymity is is gone i mean it scared me it really it did it scared the
out of me um
but you know you got to do that stuff so i mean i struggled with it at first it
was really different
people chase you down the street um i remember going to a movie in birmingham
and by myself in
the middle of the afternoon just went to see some movie it was a block or two
from our hotel
just a matinee you know on a day off and i'm in there there's no one in the
theater it's like one
of those multiplex so there's no one in there the one i was in and then like
midway through the movie
this guy comes down sits next to me like the middle of theater he's like hey
hey he's like
are you in county crows i said yeah and he goes i love your band do you mind if
i sit here and i said
you know i'm kind of just trying to have some time to myself he goes okay gets
up walks out walks out
of the theater doesn't sit down in the theater just walks out and i'm watching
the rest of the movie
it gets right right at the end of the movie guy comes in again walks down a
mile sits next to me
and i was like god damn it and i turn but it's a different guy and he's wearing
the uniform from
the place and he's like hey i'm sorry to bother you but uh the kid came in here
earlier i said yeah
he said well he's been out in the lobby for the last hour on the payphone
calling everyone he
knows i guess because he's been on the phone the whole time there's like a
hundred people out front
now i was just like he goes there's a if you want to go out that exit that
takes you out the side of
the building you can sneak out i was like thank you i went down and ran and
they i was around the side
of the building so i was a good block away before they spotted me and then they
all came charging
after me i made it to the hotel it's like some beetle shit so i know it was
weird like it was it
was like beetle mania you know and it just you don't expect that and it was a
lot to deal with
for for me i just kind of freaked me out um you know but you get i've said the
same quote a million
times but like if you woke up on mars it would take you a minute to get used to
the gravity but you
do you know you adjust right you know and i adjusted but at first i was like i
was a mess you
know yeah i didn't know what to do about it so were you did they have you on
medication before
all of this happened oh yeah yeah what kind of were you on i don't remember now
i mean it's
such a long time ago i was talking to a friend this morning because her son is
uh taking uh lamictal
and what is lamictal it's like a drug for anxiety or depression i don't
remember now but i used to have
to take it and it didn't work for me there's a different formulation for the
chewable one that they
gave to kids than the swallowable one that they gave to adults and the chewable
one only came in
like two milligrams and i had an ever increasing dosage you know like 10 20 40
100 milligrams so
did it like stop working is that why they kept increasing your dosage well they
just generally
do to get you on a drug they start you small and then ramp you up more yeah so
but because the only
formulation that worked for me weirdly enough was the chewable one which comes
in like two milligram
package uh pills um i had to take the chewable kind because there's sometimes
the formulations are
different you know in the different kinds of ways they package up drugs and so
something in the other
version didn't work for me so i had to keep taking the chewable one so at one
point i was taking like
25 of them you get 50 milligrams and it's like 25 these little can you imagine
taking like 50 or 25
different flintstones vitamins every morning and you just like jesus christ all
the liquid in your mouth
just gets sucked out and it becomes this paste you're trying to choose these
pills like that's sort
of the slightly sweet orange flavor of chewable pills you know like i just i
she reminded me of this
morning and i just thought oh my god i forgot all about that like every morning
taking like 25 of these
pills and chewing them up and the just the paste in my mouth for the just this
horrible it's on top of
everything else that's going on you have this experience every morning this
trauma-inducing
paste in your mouth experience you know i called it happy paste you know just
but it was just
so fucking gross on top of everything else and you you must have had to have
cases of that stuff if
you're eating so much every morning yeah it was weird so how'd you bring it in
like a suitcase everywhere
because if you're taking 25 pills every morning is that what you're taking yeah
they're real little so you
can get a bunch of them but yeah it took like four pill bottles each dosage you
know to get you through
i mean eventually they took me off and it wasn't the right medication and it
was impossible trying to
fucking chew up all this shit the chewer why would the chewable ones work and
the other ones didn't work
i don't know it's you know sometimes the way you know there can be slight
differences between generic
versions and regular versions of drugs where like just the formulation's a
little different i don't know
but the the chewable form of it worked and the other one didn't and wow it that
was a long time
for you what did the chewable stuff do for you i don't remember what it was for
i guess it's for
anxiety or depression and you know like when something alleviates anxiety what
is the feeling
the what what how does it alleviate it what does it do for you well sometimes
for me with especially
when it first came on when i was like 20 uh the dissociation was like uh being
on acid you know when
you get higher on acid and everything looks a little different just a little
weird feeling
that's what it was like i spent like between 20 and 22 on a like a year and a
half two year acid
trip at one point when i was young which was really shattering way before my
career um but for me like
i didn't talk about this in my career until like 2007 we were making saturday
nights and sunday mornings
because even though i was kind of a mess saturday nights was like the bottom of
the bottom for me and
i really felt like i was falling apart but the sunday mornings was kind of
about getting my
life together after that and it wasn't fixed but i felt like i was not sliding
down the drain anymore
and that felt like a time where it was safe to talk about mental illness you
know kind of like i don't
it's not my mission in life i don't i'm not a role model for anybody but you
know i just had avoided
talking about it because i didn't want to be a public spectacle um while a lot
of was going on in my life
uh and that's what i was writing about i just didn't say it you know but i don't
know it's like
mental illness is a weird thing it's not like you know diseases most of the
things that happen in your
life you're gonna get cured of it you know it's it's a problem it has a cure
and then you it sucks
and then you go back to normal you know right or you know i guess or you die
but some most of the
time we expect to go back to normal but it's closer to a handicap mental
illness doesn't go
away it's just like you learn well you get the right medication it feels but
then you get a handle
on how to live with being a little different and you get it's just something
you carry around with
you and you've got to learn how to carry that weight just because that's your
life and it's different you
know it's a good crucible for things in some ways i mean you do get some
determination which is
as it turns out a pretty necessary part of this kind of job um you know i went
through two years
of feeling like i was on acid other things aren't as scary to me anymore you
know like quite honestly
you know stage fright's just not an issue right you know so you know it's just
like that but it
doesn't seem like stage fright was the issue anyway no it wasn't but i mean it's
not the general public
stuff was the issue more more fame the pressure the criticism the craziness but
maybe that's why
stage fright wasn't an issue by the time it came around because i had been
through other stuff like
i mean in my first band the as an adult you know so i was like 25 26 maybe for
the first three gigs
i woke up each morning i remember this like our first one was at a street fair
in berkeley the solano
stroll second one was at a club called the omni the third one was at a club
called the hill
our first three gigs as a band i woke up each day of those gigs uh with
complete and utter laryngitis
i didn't feel anxious i didn't feel like anything was wrong but i couldn't make
a sound
like each day i was like just just like some kind of hysterical laryngitis like
i just lost my voice
completely for the first nowhere out of nowhere and i didn't feel nervous i was
excited about playing
gigs but on some part you're like flipping out i played all three of those gigs
i uh someone suggested
that ginger is really good when you lose your voice because that just burns the
out of your vocal cords and clears anything off them so i i got those big
ginger roots you know and
i've taken on stage with a knife and i would shave the skin off the ginger root
cut off a little piece
like a stick of gum size piece put it in my mouth and chew and swallow the
ginger juice like because
that comes out of it which burns your vocal cords clean of anything and allow
you to talk and sing it
works for about a minute or two and then you got to swallow some more or get it
and you don't want
to swallow that that root so you got to throw that and shave the audience what
was going on yeah because
it was too obvious i'm standing on stage with a huge root on a stool next to me
and with a knife
a big knife a big sharp knife or a paring knife of some kind and i'm shaving
and like chewing pieces of
gum like it went away after the third gig but the first three complete laryngitis
do you think it was
psychosomatic absolutely wow isn't that crazy that your brain can trick your
vocal cords into seizing
up because your brain is like somewhere there's a somewhere there's an
understanding that if this
motherfucker can't sing we don't have to go through this oh this is what we're
going to do we're just
going to send some crazy vibes down those vocal cords and paralyze the out of
them
like little do they know but it's not that we can't we're not going to have to
do this it's that
we're now going to send him on stage with a knife and some ginger root you know
like he's going to be
singing all the songs and i'm already like an idiot i'm so nervous about not
playing piano and singing
i'm standing up in front of everybody because i came to rehearsal one day i was
the piano player and
singer in my band you know and i came to rehearsal one day and there's this
other guy there and he's
playing piano and he's really really good and they're like hey this is dan he's
our dan eisenberg i'm
like oh nice to meet you like he's our piano player i'm like i'm our piano
player like you're our singer
that was it i was like booted out and you know granted he was way better to me
but then i had to
learn to stand up so my way of getting around that was like i got a trench coat
i looked like you know
like i thought prince was cool he had a trench coat i could get a trench coat
and i'll stand on stage in
the trench coat and i'll be cool in my trench coat it would have worked better
if i wasn't as it turned
out also shaving ginger with a knife and chewing you know like cooking it's
like a cooking show but with a
trench coat on yeah it's asinine wow this is the stuff we go through you know
like you want i'm
gonna play i don't care my voice is gone i can't talk i'm gonna find a way uh
chewing ginger okay
that's gonna do it it's not pleasant but i will do it wow you know did you
eventually figure out like
what's the best way to handle the anxiety and the the weirdness and the the
what was the best way for
you well you know that year where i spent or a year or two where i spent like
on the acid you learn some
tools during that like one of them is just learning to breathe like breathing
exercises kind of well i
mean you know terror is a self-perpetuating thing you know because your your
heart rate speeds up that
makes you more agitated and more scared if you slow your breathing down your
heart rate cannot increase
like if you keep yourself and you force yourself to breathe in and breathe out
and breathe in your heart rate
is going to slow down and that will take some of the edge off that you know it
does you know i had
to learn to do that that year because for a while after that i would wake up in
the morning and think
it was happening again and i'd start to panic and that's going to cause it to
happen but you just
got to like you know white knuckle it i still wake up a lot at like 6 a.m like
right as the dawn is
coming up i wake up and have a moment of like oh god not this but now it's like
reflexive to just stop
it but back then i had to make myself breathe you know like so you know so by
the time i got to the
stage fright thing i wasn't really feeling stage fright but also i think i felt
like i was in the right
place you know like i could express anything i wanted up there there's nothing
wrong any new melody
anything i wanted to sing any feeling i wanted to put into it it was all art is
all creativity and
there's nothing wrong about any of it i mean you don't want to sing off key all
day long but right
but basically you could just express yourself and that was all by doing it that's
what you're there for
you're there to express yourself anyway so anything you do is just a part of
that i felt pretty confident
in that and like this was whatever i did was the right thing to do because that's
what we were doing
anyways by doing it i make it the right thing to do so is it safe to say that
like
the anxiety and the mental issues and all that stuff it almost became tolerable
because the art was so
satisfying i think it made it a lot better especially finding songs finding the
the whole idea of
songwriting for one thing gave me a place to put all that stuff that didn't fix
the rest of the day
but i'd never had any place to put it before i wrote a song and now it's like
whoa on top of
people would ask me is is it cathartic to play music and i don't think it is it's
not that it doesn't
process it and get it all out of you but if you have to choose between a day
where you just feel shitty
shitty and a day where you feel shitty but you write a song take the song yeah
accomplish something that
day and that's what we're supposed to be you know life is supposed to be about
accomplishing things
making things doing things so take the day where you do something and then you
know what try and do it
again tomorrow because that it is better it doesn't fix it it's not replacing
the difficulty but at least
what you know is that i can have difficulty and i'm not a waste of space on the
earth i'm not falling
apart i'm not i'm not nothing i actually made a song so in in my difficulty of
whatever yesterday was
well i made something beautiful yeah you know and that's that's a powerful
thing it means that like
while you were going through all that you didn't just put your head in your
hands and lay there
you you went ahead and made something and you can you can take that with you
for the rest of your days
that song goes along with you the sense of accomplishment all the feelings of
like
because i think that's the hardest thing about mental illness is you know it's
not what everybody's
going through you know it's harder than it needs to be and there are people who
are going through
stuff i mean as i know now they have their own difficulties but it just seemed
like it was harder
and there are times where you just want to go i don't want to carry this today
you know i'll just
sit here but a big part of it is not to just sit there is to do something is
that also exacerbated
by a heavy tour schedule because like when you do i would imagine there's days
that you just need to
slow down and take breaks and when you're out there bang bang bang show after
show after show
i would imagine there's very little of that time where you get to sit by
yourself in a movie theater and
just chill well you know like in anything in the arts there's a lot of sitting
around you know there's
always going to be time you know when you're not on stage yeah there's a lot of
it but you know it's
coming that night yeah but there's something to that right where if you have a
bunch of shows in a row
like even if you have the whole day off that that show is looming yeah but i
didn't dread it it was the
good part of the day you know it was the best part of the day it was the one
part of the day where i knew
i was where i was supposed to be i wasn't struggling with what to do i i i had
a i even have a set list you
know so i i know a path through the next two hours that wasn't the problem
except you know i wasn't
my voice is kind of weird it can do a lot of great but it's uh it's not
particularly durable and i sing
really hard um so it was not the best at recovering and early on a big part of
it was learning you know
there are limitations to how many days in a row i can do without paying for it
like even if you just
do one three in a row for me i'll be paying for it and recovering from it for
the rest of the tour
two on one off two on one off works we mostly do that every once in a while we'll
put an extra day
off in there but like we had to learn it took years to learn it that you couldn't
you couldn't be too
flexible about that it might seem like you could only play this one thing if
you play three in a row just
do it that one time but i'd be recovering the rest of the tour from that and so
we had to learn that
because losing my voice dealing with a lot of uh uh getting nodes in my vocal
cords because you have to take
the only thing that really fixes nodes is one silence and two steroids you know
like not anabolic but
systemic cortisone prednisone you know stuff like that that's heavy it is it's
not great that's why
that's why when i scraped my knee up that one time on tour it eventually got
really infected uh because
and also why it stayed infected where because they give me all the antibiotics
for it and the antibiotics
kick the out of the infection but you also have that prednisone in there which
keeps bringing it back
and you're keeping it alive so it would come back over prednisone kept the
infection well you know
steroids just kind of basically make things grow faster that's why you heal
faster you rebuild muscle
tissue faster aren't they just anti-inflammatories those kind of steroids no
but that's not what
anti-inflammatories do they they help your body heal quicker by like reproducing
itself quicker cell
growth i think it's i think gets like instigated reducing inflammation that's
why things like ibuprofen
are called non-steroidal anti-inflammatories right because answer but they the
way that steroids work
and why they work so much better i think than like advil is because they create
cell growth that goes
faster which is why like if you have a virus steroid side effects may increase
the risk of staph
infections there it is new research suggests that long-term use of powerful
immune systems suppressing
steroids such as prednisone hydrocortisone and dexamethasone may increase risk
of life-threatening
staph blood infections by a factor of six holy yeah so like when i got the
infection the antibiotics
were kicking its ass but the steroids were kind of also it's like the opposite
it's like pouring
gasoline on it you know and so like it was never quite going away and you know
would keep coming
back which that stuff's also yeah that should make you a little crazy too you
know prednisone can make
you a little like antsy and crazy which is since i was already a little antsy
and crazy oh no i mean
it's a great drug for fixing your vocal cords did they have to give you iv
antibiotics for your knee
uh little bits like not iv but they give you a shot of it and then they'd give
you the antibiotics to
take home with you because my knee turned into a balloon i've had staph before
yeah yeah it's rough
it's amazing how much those antibiotics wreck you though yeah like you're so
tired well they're turning
everything off they're killing all the cell growth to stop the the one thing
from growing more yeah
and you know that's that's why it's the same thing like uh it fucks with your
immune system
because it shuts all that stuff down that's why it's your you know some people
are more of a risk
for the covet thing too because you know if you're on that kind of uh autoimmune
suppressors exactly
yeah a buddy of mine hurt his wrist and they put him on what the way he was
describing it was he said
it was essentially like a low level um chemotherapy he's like just whatever
this was they were doing
for his wrist was because he just had constant wrist pain uh severely exacerbated
uh the covet symptoms
he got coveted while he was on this stuff that was wrecking his immune system
to try to deal with
this autoimmune issue that he has in his wrists and then the covet just swamped
him because he was
his body was like in severe compromised state already that's the one thing they
say that the biggest
people who are still at risk from for getting coveted after being vaccinated
are people who had
autoimmune disorders or on medications for things like that because and obese
people still it's still a
factor well i imagine so because your body's having a harder time taking care
of itself and it's
inflammation again you're dealing with that's a big factor of obesity is you're
dealing with inflammation
everywhere yeah it's um when you hear about people that are taking different
medications to deal with
anxiety or depression the the frustrating thing for many of my friends that
have been on these kind of
medications is trying to find the right one and trying to get it dialed in and
then dealing with all the
stuff that's happening while you're trying to dial it in and a lot of side
effects for that medication
yeah well a lot of them were medications that weren't you know we don't really
know that's the
other thing that's kind of it can really kill your your hope when you're
dealing with mental illness
is that we don't understand how it works the way we understand how other parts
of the body work
we don't understand the brain and a lot of these medications they realize they
work for mental
things because they were medications for something else and then it just
happened to have this effect
so it's good but it has a bunch of side effects it was originally designed for
something else we don't
know exactly how to tune it in yeah you know uh i mean just the fact that like
people who are add
and really hyper uh you give them uh speed basically right and it makes them
calm down i know what the
fuck i mean it's wild that it works that way i mean because i i had that
problem and when they gave me
that i was like this is the worst thing i don't want to be more up and then
they gave it to me and i
was like oh i get it i can think clearly okay that's wild it's wild that it
works but it does it's like
you know those drugs because your brain we just don't understand the brain that
well lately did you
ever try uh meditating or like breathing exercises or exercise did you ever try
any of those things to
deal with yeah i think exercise is really good um uh the breathing also
obviously really helped
meditation i had a lot of problems with because i felt like uh it almost felt
like i was relaxing all
the barriers and structures i had in there to keep this under control
everything i had to hold it
together when i would relax into the medication i mean to the meditation it
felt like it was like
i it's something it was just a way i don't know if it's actually what it does
or just a way i was
conceiving of it in my mind i was picturing like i was letting stuff loose it's
so crazy how many really
creative people struggle struggle with mental illness and it's almost more than
don't i i imagine it has
something to do with you you spend a lot of years keeping things to yourself
not communicating with
other people as well as other people do you got a lot of stuff pent up and when
you find a way to
express it you dive into that you know and creativity and art is like one way
also a lot of us don't deal
with authority very well you know and then now you find a lifestyle that
provides independence you know
like i haven't had a boss for a really long time isn't that nice i mean it's
really nice you know like
i've been running an independent shop for you know 30 years now and like who'd
have thought i'd be able
to grow up and you know run my own company basically which is the best for
everybody if you could figure
out a way to do that just be your own boss my god your life would be so much
different the the pressure
and the weight of like a shitty boss who's you know like dominant over their
employers employees rather
and you know and cracks the whip and yells at everybody in the company meeting
you know all that
shit you're dealing with someone looking over your shoulder while you're doing
your work like oh
fuck the pressure of that it's got to be crazy but i mean look you're running a
a big thing here you
know and and you've got a lot of people working for you and you know being a
boss means what are all
people that are running around here those security guys are cool as they're
just hanging out
oh they're security yeah oh i mean because part of being a boss is taking care
of everybody
dude this is the most preposterous skeleton crew ever for something that
reaches millions of people
it's the most ridiculous setup but that's the way it works so good because it
stays intimate because
like i said i've been to other podcasts that become big and they decide that
they're now a hollywood
production and i met people i'm like what do you do oh i'm the executive
producer you're the executive
producer of what a conversation we need an executive producer are you talking
about so you've got directors
executive producers you got camera directors you got people who are sound guys
you got all these people
you have you have people that are assistants you have people that are pas you
have people that are on
this set that are they're they're getting they're interns so they're getting
college credits to be on the
set and they're taking notes and talking and and then occasionally there's
problems because you know
some pa said something stupid to an intern and now you have to have hr you know
you have hr you have human
resources at your podcast like oh my god what have you done what the have you
done you've you've created
an office now you have a corporation like you you used to have just a
conversation where it was you and
your buddy and there was some youtube video and you had a couple of cameras
running and now because
it became successful you changed what the whole thing is and now you got people
breathing down your neck
you got a bunch of people telling you what to do like oh i've been doing this
thing you know i got
you know about a month into the quarantine i started i went to my girlfriend
and i said i i'm really
worried that i'll just wake up a year from now i don't want to have done
anything you know i want
to do that i'm going to start i'm going to learn to cook everything you know so
i just started like
i've always liked cooking but i started really researching it and trying to
like make all kinds
of for her and for our few friends that we were seeing you know and then it
seemed kind of cool
after a while to be doing this so i started making little videos and just like
putting them up on our
instagram stories and now i'm like sort of filming them myself what kind of
stuff do you cook
i mean all kinds of i did crawfish new orleans crawfish bread a few weeks ago i
did a fish bread
yeah it's like this thing you can only get at the jazz fest where it's like you
kind of make this loaf
from like a bread that's got stuffed cheese and crawfish and spices in it i
think it's i've always wanted
it because it's my favorite thing from jazz fest but i i never knew how to make
it and i'm still it's
still a work in progress but like uh red sauce meat sauce like uh my italian
has gotten really good
um what else have i done i've done about 20 30 of them now i've been putting
them up on instagram tv
and and it's catching on with all these people who are like i mean i have a
bunch of friends who are
chefs who are really good cooks i'm not but i've been really trying you know
and then i've been
trying to show people how to cook stuff that you know some of it's as simple as
just look maybe you
don't know how to make grilled cheese grilled cheese is great i'm gonna show
you it's really simple
and some of it is complicated like a 12-hour meat sauce you know like but you
know i as i was doing
this it's unbeknownst to me it started all these people started getting
interested and my friend who
works on american idol now she's a producer for it she lives here but she flies
out there for that
she's my piano player's wife and she's like yeah man all these people on the
set they all obsessed with
your cooking videos and three of them come to me and said like what about a tv
show we should we should
get out of a cooking show and then you know talked to my manager mark and a
bunch of people came to him
and said we want to put together a show for adam like a cooking show and my
thought was like look
i really like what i'm doing i like the cooking i like filming it myself and
editing myself it's
hard i had to learn how to do it look at you that's crawfish bread i'm trying
to make and what
are you using using a starter is this like a sourdough bread like no i used i
tried it the first time
using my pizza dough recipe and that was good but it's the wrong texture this
one i i got i found a recipe
for like a like a cheesy bread that looked like chewier and i thought that
would be a better recipe and it's
still not the right it's still not right but bread's not my i'm not really a
baker i've just been trying
to you should get together with tom papa do you know tom papa tom papa the
comic no i don't know
hilarious comedian amazing baker really this sourdough bread is off the charts
and he's been obsessed with it
for years and years and years he's been working on cultivating the perfect sourdough
bread and
figuring out how to do it he's got a his starters like 30 years old or some i
forget how old it is
you know they start yeah yeah and he he brings over fresh we used to when we
lived in la i would give
him elk meat and he would give me fresh bread we would make a trade-off you
know and uh his bread is
off the charts man it's so good and it looks good too like he's got the
presentation down show show this
motherfucker some tom papa bread i figured it would have been higher up bro it's
so good oh my god we
would eat it on the podcast just put some butter on it oh sensational
sensational and he just is a master
at bread maybe you could like talk to him and he'll give you some tips on how
to make the bread better
and that's what i need he's really he's got this show called getting baked with
tom prop top that's the
flour i use i love that flour it's really good what kind of flour is it it's
king arthur's
all-purpose flour and they just make it better it's good flour so
is this just him talking it's part one he's got a look there's oh yeah look at
that come on give me
a picture of that bread that's a beautiful piece of bread goddamn perfection
and it tastes as good as
it looks when you slice it open he had a show with the food network but they
canceled it but you know
what that's better anyway he really should be doing it there's me eating his
bread he really should be
doing it a hundred percent on uh youtube i mean that's that's really where it
prolongs just something
like that where nobody tells you what to do just just do it well that was the
thing because everyone's
talking about getting cooking shot i'm like i don't think you understand they
say well you would love
it i'm like why would i love it i love cooking i don't love going on tv shows
and i don't know that
i love having a tv show that's a whole different thing from cooking having a tv
show greasy producer
that's like adam we're going to do this again but this time i you know i just i'm
not feeling you're
having a good time i want you to smile i want you to smile and i want your best
friend is in the
this room okay this camera is your best friend and when you treat and you'd be
like what the
have i done what have i done people think having a tv show sounds like fun
because they like the idea
of being on tv right but i i got enough well i'm like a little more fame it's
like it does really
well it'd be great it's like a band where it could be magic or it could be hell
you know it could be
the lead singer and the guitar player hate each other and they only do the gig
and then they talk
about each other afterwards or it could be like a brotherhood where they love
each other and it's great
and that's how tv shows are that's how any cooperative effort when you get a
group of
people together are it's like you can get lucky and you can get really unlucky
and sometimes some
really successful shows are really unlucky collaborations where the people are
good at what
they do but the stress of working with these cocksuckers they fucking hate the
other people
and i know people that work on television shows and they'll have a drink
afterwards and go
fuck man my executive producer is such a twat i can't handle this dude all he
wants to do is blah
blah blah blah blah and you're like oh i thought you were on tv i thought
everything was great
it's not it's not great it's it's a cooperative effort the beautiful thing
about doing a cooking
show on your own with just a camera and youtube is it's just you it's purity of
vision and expression
there's just singularity one guy your thoughts and what you're trying to do and
you could figure it out
and you could say you know i used to do it like this i don't like doing it like
that anymore
i've realized i i like myself more when i prepare this way or when i do that or
when i approach it that
way you'll find it you'll find it but it's nice too but if you've got some
fucking network you know
we've gone the gun over the metrics adam and it seems like whenever you do this
people tune out
it's like every show it's 13 minutes in they're tuning out so what do we got to
do to keep those
people tuning in for another 13 because daddy wants to buy a new house what can
we do adam i'm looking
at a lamborghini i like to get a lamborghini and i can't get a lamborghini if
this is not successful
so what do we do adam i have a maserati i want to pay my lease how do i make
this show better so i make
more money and put my kids through college i want to bribe usc so i can get my
children into that
school i need more money to pay off people you're dealing with so many
different people and so many
different issues and to do something creative it's it's so hard to do it with a
lot of other people's
input yeah that's the nice thing about our creative thing is it's me and six of
my best friends
and a producer and it's all there it's not like i mean i've worked on movie
stuff that you got
it's like a lot of levels of people and a lot more money and it's a it's a huge
hassle the executive
levels like you're saying that is the biggest problem it's like yeah all these
people who have
to justify their job you know it's not creative no generally speaking they're
that's not what they do
what they do is try to maximize profit they try to maximize profit and you know
and sometimes it gets
in the way of creativity because they're like i don't you know think the way
you're doing it's like i
just don't think this is the best way for our image and our brand what what are
you saying what is this
and i'm sure you had to deal with that with music right i mean you guys yeah we
didn't have to listen
to it right i mean that's you have that kind of record company pressure a
little bit but you know we
had a huge bidding war at the beginning like pretty much every record company
in the world offered us a
contract from the beginning at the beginning before we were how did you get
signed like well we had a lot of
demos and we had been making them for a while and they were really our guernemar
guitar players was
a really good engineer and he had a little studio and so when we made demos we
had like you know you're
supposed to get a two song demo or a three song demo we had a 15 song demo oh
wow which is i mean
on the one hand we're just huge rubes and people that got it at first were
laughing at us until they
listened because you know it's the whole first album it's like right we had a
lot of songs you know and
and uh so when it got out when we finally got a manager and a lawyer and that
got out the rec
companies got these demos it was like they came to see us there were two
weekends in like 91 or 92
january of 92 maybe where we played these shows on two consecutive weekends and
between the two weekends
every rec company in the world came to see us play the only people that didn't
offer us deals were like
people in the same company so like you know columbia and epic were both part of
sony so only columbia
offers deal but other than that we got a shitload of offers and there were
millions of dollars on the
table and we signed with geffen and we took home i think three thousand dollars
each because they gave
us complete creative control in the contract and a higher royalty so which was
doesn't matter unless it
pays off but you know it did and that was back in the day when people actually
bought albums yeah
which is why you know we did really well and we had higher higher royalty back
then um we just and
we didn't owe any money because we only took home like you know i took home
three thousand dollars
i bought a 1970 carmen guia and drove it did you really yeah i bought a convertible
red 1970 carmen
guia and drove it down to l.a to make the record exactly i still have it it's
my only it's a car i
have and i'll never get rid of it it's your only car you drive that because i
live well not much i
mean i did when i lived in l.a but i mean i live in new york now so i don't
need a car and so when
you drive around new york you drive this carmen i don't drive around new york
you walk and take subway
right no my my guia i actually two my friends and i bought a winery a few years
ago and so we were
partners in elise winery and so my uh the guy who runs my whole winery the he's
uh he's got in his
garage in napa so i can when i go up there i haven't driven it up i haven't
been up there since
he took it from me uh right before the pandemic started so i haven't been back
there to drive my
car around but it's in his garage pretty much i mean there's definitely some
been some things
repaired over the years but it's you know it's pretty much the original shit
and it's uh repaired
but not upgraded it's basically there's a better stereo in there now and i don't
think the wheel's
not original the steering wheel's not original uh definitely some of the
mirrors i mean it's not
it's not it looks cherry it's beautiful and it is cherry red but uh actually i
find somewhere but
it's a it's a great little car it was just when i was a kid i always loved
those carmen geas they
look like the bathtub porsches kind of which is what they're based on you know
and uh i just i love the
roadster the whole idea you know the sports car didn't really do it for me as
much as the roads i
love the idea of driving around a little convertible yeah and i always wanted
one of those and when i got my
record deal i took my 3000 and spent 2000 on a carmen gear barely ran back then
drove it down to la
made the record you know it was my car for a while i did at one point buy a boxster
when they came out
with boxters i'd never owned a new car in my life and so i wanted one that was
like that and that was
great too that was a great little car um boxers a beautiful little car yeah it
was great brilliant
car too like mid-engine and yeah and not like it doesn't go 3 000 miles an hour
it's not a real sports car
but it's it was like an upgraded version of my gear yeah it could the problem
with porsche they have
a real situation where their 911 is essentially a a poor design in comparison
to the boxster the
boxster and the cayman are a better design in terms of like weight distribution
because it's a mid-engine
car yeah where the engine is right behind the driver and then the axles behind
the engine so the the
the balance of weight is beautiful and it was a great car yeah but porsche hamstrings
them
they keep them lower horsepower they keep them they they don't have the same uh
suspension setup it's
just they don't they don't it's particularly horsepower they don't let it
eclipse the 911.
no i mean it's not it's nowhere near as fast as my i had friends who had the
other kinds of porsches and
not that i was trying but like it was clear the difference in their cars yeah
but not anymore
there's now they have a cayman gt4 and then um they also do uh there's
companies that like aftermarket
companies they take it and they build it up i'll show you my car i want to see
it i love those
those uh carmen gears were like a funky 1970s sort of lost car like oh that's
gorgeous man
wow that's so pretty it's like two three pictures of it right around it right
there
that's really pretty man yeah i love that thing wow that's a really good color
too for that car with
the chrome and everything can i send this to jamie yeah i'll airdrop it to you
jamie
i'll take it see it all right here you go buddy
you got it yeah that was my first record advance so i'm never going to sell it
because like
no that's dope it's historical yeah it's special for me that way and it's
always it's also
like it was the car i dreamed about having as a kid and why don't people just
about karma gears really
i just really loved that and i love that uh i love that corvair monza the
unsafe at any speed car
that's a pretty car man yeah they're just kind of beautiful cars it represents
the time in which
it was created too it's like you look at it and you instantaneously know like
oh that's like late 60s
early 70s yeah yeah yeah it's got a little bit of a vibe and i i just i love it
got a lot of a vibe
yeah yeah i love those a lot man um you were there you were in the the middle
of your rock star
life when napster hit yeah what was that like well i mean i guess in a way when
i look at it overall i
shouldn't be surprised because if there's one thing that we've never really
valued as a culture i mean just
humanity has never really valued the arts it's like i mean we do we understand
that a painting is going
to be worth seven million dollars or something but in general it's just like
something we want to be
entertained with you know and we'll spend money on new tires or a vcr but if we
can get away with it we
don't want to spend money on records you know or you know that's the kind of
thing where if we could get
away with taking it we would and you know it partially this is the fault of the
record companies
at the time because you know if you're going to tell me that a record is worth
a certain amount of
money and then you're going to tell me that a cd is worth the same amount of
money and i'm going to
take both of those home with me now you're going to tell me that a group of
ones and zeros that equals
that cd is worth the same amount of money as the cd i'm going to call a little
you know what i mean when
they went to putting out digital music and itunes came around and let them sell
it on the store there
you know it should have been five dollars for a record not 15. but they didn't
want to cripple the
physical record sales is that what the idea behind it was i think part of it
was but it was short-sighted
and they also were like well if people aren't going to buy these anymore we don't
want to sell things
for five dollars they just panicked they got to make they got to get the money
where they could get it
but you know people weren't stealing records before that it's entirely possible
that if you'd
said okay now we're doing digital and it's a five dollar it's five dollars for
a record because
there isn't anything you get the music and you get all the art but it's not
costing us anything
we don't have to get trucks we don't have to build physical which is true it
used to the hardest thing
about being an independent record company because i had a couple independent
rec companies was pressing
up the cds and then getting trucks to take them to mom and pop cd stores where
you'd get three in there
and if you were lucky enough to have the guys who own the store love you they'd
play it in the store and then
someone would buy them but then they're gone because they only had three and
you got to get
more out there because now they don't have it at all that was distribution was
the hardest thing and
that's gone with all sudden you just got to load it up it's easy they should
have made it a five dollar
thing and been like okay now you're getting something that has no body to it we're
not going to make you
pay fifteen dollars for that you know and and they should have done that and
they didn't because they
they they panicked and so after a while when people people felt a little
insulted by being told that
now they should buy the same thing that was a that they used to take home with
them they should buy it
for the same amount of money now that it doesn't exist at all and you know and
so when napster came
around and everyone could suddenly just steal it i think they were like well
these guys and i don't
think they were saying you to the artists really i think they were mostly
saying you to the record
companies but when the artists protest they said you to the artists too that's
the part that really
bothered me about napster not that they were taking stuff but that when someone
like uh lars ulrich you
know from uh metallica came out and stood up and said what everybody already
knew was true you're just
stealing from art you're just stealing from us and people were like you you
know yeah but let's see the
thing is it's it's the comparison between that and a vcr and tires is not valid
because you can't just
duplicate a vcr and tires instantaneously on a computer but you could duplicate
these these
recordings once they were a digital form you could just duplicate it over and
over again and send them
to people there's no issue whatsoever doing that and people always felt like it's
not costing you any
money because someone had to buy it originally it's costing you if i won't buy
it and then i download it
instead but maybe i was never going to buy it in the first place maybe i'm just
downloading it but
what we what you know for sure you know what i'm saying like this is this weird
justification that
people have how you just on a physical thing that they're stealing it's not
like there's a warehouse
they go to and you have boxes of cds and they go oh you got so many cds i'll
just take these cds
they're like there was one that got sold but it's but that's because it's
easier that way well it's a new
thing well also the truth is like completely gray area once you've made a once
you buy a book you could
copy the book and press it up yourself and sell it because but you're buying
something that's the thing
about art is it can be kind of ephemeral you're buying something that just sort
of exists as an idea
but that's you know the difference is once you could print up a book yourself
and sell it but
the author deserves probably to get the money more than you do because it was
his thoughts that went into
it and the thing about the music and the books because it's happened to books
too is that it just
it was easy to duplicate yeah but you are stealing because we know that within
a year uh record sales
had dropped well not a year probably within about three years record sales had
dropped by 50 percent
now they don't exist you know like but that's because now we have spotify but
for a while it dropped so
much the industry had been making all this money and then it was gone like
right but let's look at it that way
it dropped and then it doesn't exist right now it doesn't exist at all so wasn't
it just a harbinger
of things to come oh yeah i mean it it's it wasn't necessarily stealing as much
as it was an
introduction to a completely new way of distributing music and the fact that it
was digital they had to
find new ways in order to profit because this thing of like buying physical
copies it's not valid anymore
like some people still do it because they love vinyl and some people do it
because they it's they're
nostalgic and they like to have cds but the reality is most people are just
getting digital right but
we're not really well that's part of what happened is the same thing that
caused the problem in the
beginning was the record companies who were being so greedy made it very easy
to feel like it was okay
to take it because i i don't disagree with that because you were getting ripped
off as a consumer
right if you want to tell me that something is the same amount of money when it
doesn't exist as when
it does you you right but also what happened eventually was when they came up
with spotify
the record companies went to spotify and said pay us a lump sum and and we'll
give you all of our music
and that's not trickling down to us in any way like it only does if you own the
music right right but
i mean you have to make music even so you're still getting kind of screwed very
people few people own
their own music front things record companies are never giving that up and you
can get it now kind
of reverting to you in a shorter amount of years but that was nothing that was
available back then
when did that change well because record companies have lost a lot of their
power before you because
you needed a record company before for one right it was too expensive to make a
record and it was too
expensive to distribute it so you needed the record company now you can make a
record on your computer at home and you can
distribute it by uploading it onto bandcamp it doesn't cost you anything so you
don't really
need a record company as much you can have one and they'll do a lot of good
things for you sometimes
like we did this record with a record company but we only that was your choice
right we signed one
album deals now and we do it when we're done with the record we go to the
record company say we have
something we will let you work with us you can do some of the distribution you
can help us with some
promo and there's there's some valid reasons to do it uh and we're getting it
all back in a few years but
you didn't have any leverage back then do you remember that courtney love
article that she
wrote i think it was in spin magazine where she sort of laid out all the
financial problems with
record deals yeah there were a lot did you ever see that i remember the idea of
it but i don't remember
the article at all i think you know people were like there's no way she wrote
this it was a ghost
writer because it was really well well written could be could be but it you saw
it and you get to the end
of it and you're like jesus christ this is how it works like it's really kind
of crazy yeah it was
terrible and then when you hear today what they're doing is apparently they
make these deals with
bands when they first sign them yeah well you they have everything they take a
piece of your touring
which doesn't make any sense it's crazy they take a piece of your merchandise
which doesn't make any
sense they take a piece of you they take everything everything you do i
remember the first time a
rare company came to us with one of those offers what did they say well they
were like yeah we're gonna
do a new deal we're gonna give you a bunch of money up so sulfur in the air
well it was just kind
of like let me get this straight you are gonna give me a piece of the part of
our industry that is
completely disappearing and worthless now and in exchange you'd like me to give
you
several pieces of the only things that still make money no what how did they
phrase it this is what i
want to know like how do they make that sound good well they would offer a lot
of money up front
you know but it's all recoupable that's the thing about money up front it's all
recoupable you know
you don't really get any other money until they get that money back right and
they want to take that
money back out of the small percentage in your deal not out of the overall that
was the other thing
about record companies that was so insulting like we're gonna it's gonna cost
this much to make the
record and you'll start making money again when it's recouped not recouped out
of money period
like if it cost two hundred thousand dollars to make a record or something back
then whatever it
was uh you weren't recouped when the record made two hundred thousand dollars
you were only recouping
out of your 15 percent of that two hundred thousand dollars so however many it
takes to six times that
or whatever it takes to you know recoup out of your 15 percent then you'd start
making more they had so
many ways of you that it was just like is a little insulting um jesus christ
and but there were a lot of
things when the internet came along and changed all that a lot of things got
crazy in the rec companies
because they panicked at the fact that the internet all of a sudden instead of
being this really wild
thing that connected everyone in the world for free basically which is what it
really does which you
should be able to make a positive use of something that does that i mean it
really is quite the tool
as we've realized in in years since then but all they could see was that it was
like this drain that was
slowly sucking all their money away so they that was you know like they saw napster
and what napster
was doing and they associated the whole internet with that like i remember like
a year or two after
that it all happened we were doing a record it might have been saturday nights
and sunday mornings
i don't think it was hard candy so it was a few years later and abc comes along
and they are they want
us to be on good morning america they love the record and they want to feature
our singles playing
on the front page of abc.com which was a big website then uh for a week and a
half leading up to the
release they're gonna basically put our videos and everything on the front page
of abc.com playing for
anybody what an advertisement that's like way better than it's great you know
uh universal's response was
okay well how much are you going to pay us to let us use the video and they're
like nothing
and they said well then you can't use it so we lost all that promo it happened
like just just about
like this is a few years ago when we released some wonder wonderland our last
record so it's like 2014
we were playing festivals in europe we're touring we're playing pink pop in holland
it's the biggest
festival in holland it's one of the oldest festivals in europe and it's the
sixth time we've played it we've
at that point us and pearl jam have played that festival more than any other
band at that point so
they come to us before the show like early that afternoon they told us that
uh the national radio station whatever like the bbc in holland and the national
tv station would
like to broadcast our entire set live so national tv you're set on radio and
television when you play
okay that's pretty cool too right yeah we just need you to sign this thing get
the rec company to
approve it and sign this thing so same question what are they going to pay us
we're like what you're
kidding right later on that that guy that one of the lawyers came back and
called our tour marriage
he goes like look just don't next time don't tell me just do it it's fine i can't
it's corporate rules
i can't do it it comes down from the top i cannot say yes but it's crazy not to
do it wow but that's the
kind of they got so panicked about the internet there's no you want to know why
the rec company's a
fucking shambles because they couldn't think any more complicated than napster
bad internet bad
so we should just like we're losing money we should get everyone to pay us
something
every time otherwise we're going to die but now they make like similar slimy
deals
with artists that they were doing before but now they figured out a way to weasel
through streaming
right oh yeah but what i don't understand is what are they offering i mean i i
guess
promotion money to make it because maybe you don't have any money maybe you
need to be in a studio
because you got a band and you can't do it on your home on your computer god
but that seems like
studios promotion is a big thing getting you on the radio can it's still
something to get on the radio it
it does have some meaning to get you playlisted the radio yeah it still has
some the fucking radio is
still a real thing yeah it's still something you know how much is it how many
people are listening
to the radio well don't forget this about streaming is that a lot of people on
their way to work and
stuff it doesn't have to be terrestrial radio it could be satellite radio like
you know but think
about this here's the problem with look you want spotify uh you can get
anything you want you can
hear anything you want to hear right but you don't the only bad thing about
getting anything you want is
there's no way to know you want something you haven't heard yet you know what i
mean there's no way you
have to be it's the problem with it you have to be introduced to new stuff and
so like i can go on
spotify today and listen to any record i want and i do but i i can't use it it's
not going to necessarily
show me new music so i can't get anything new so if i got a new song and i'm a
new band
somebody's got to play me somewhere record company can get you on playlists
probably
i don't know if it's worth the trade-off and they can get you on the radio help
you promote that
that might get people to go to you on spotify and get you streams because if
you're new
you can't get people to request you until they know you exist and so there are
some you need to
break that ground somehow that's hard to do you know i could see some value in
that
i don't know that it balances out against the deals they're offering most
people like
we don't have those same deals because like you're not getting my record with
all that crap you're
not getting you're not getting butter miracle by offering me by wanting a piece
of my touring and my
merch you're never getting it for in a million years and you're also not
getting it if you want to keep
my record in perpetuity because fuck you i'll put it out myself and you're not
getting it you know if
you want like to give me a 20 or 15 royalty anymore not a chance you can have
20 maybe you know what
i mean i'll take 80 now but i don't know that every band can force them to make
that deal i just don't
understand their position in the food chain they're one of i'm looking at it
objectively from the outside
i'm like are they a promotional organization kind of like it seems like like a
radio show or a podcast
has far more promotional power if there was a podcast that's dedicated to
breaking music like a podcast
on a streaming service like spotify that has deals to distribute stuff and says
you know we're just
going to play the coolest shit like you decide hey it's me adam i got a great
show and
i'm gonna do this i'm gonna break great songs and like that would be so much
more valuable than any
other form of promotion and if you could attach it to an internet internet
entity like some sort of a
instagram page that they had set up with a lot of followers or people knew they
could go there and
cool music would be broke there i mean you would you'd cut them completely out
of this food chain because
i don't understand the position where they could get a 360 degree deal that the
360 deal is like so bonkers
to me that you would live touring and how much and someone told me they get 50
oh i don't know
i mean i'm sure every it's the it's the art of the deal there right if that's
the wild west still and
it was back then don't forget like crazy though 50 of live touring is so if
that's true someone said
that i'm sure they've gotten that from some people bonkers yeah but i mean don't
forget that at a
certain level live touring it takes a lot of people to get into the profit in
live touring mostly you're
losing money but not only that but if you have a manager or an agent all right
the manager or the
agent they don't get that much they don't get 50 no no but they're not giving
you money to tour too
50 well in the early days they'd pay you money i don't know i can't believe i'm
defend i'm not
trying to defend them i can't stand most record companies i will say this since
we've been independent
working with that company's pretty much a pleasure because we can we get the
right situation where we can
get them to do what we want them to do without getting ripped off and they do
some great work right
my experiences since becoming independent with record companies have been
nothing but positive
they've done great jobs for us but the other in the old days but don't forget
like like music for
me as a fan okay is way better than it's ever been before because it's so easy
for bands to make music
and so inexpensive that they can all do it and that means there's way more
bands making way more
great music bands can stay together for longer so they actually get really
really good as a fan
it's an amazing time but you still have way more music than you ever have
before and if i'm one of
those individual bands i've got to find a way to rise up out of the masses and
get anyone to notice me
now the question is how do you do that how do you get anyone to notice that you
exist you want to go on
tour it's expensive to go on tour and you're not going to break even
necessarily even until you get up to
breaking even just on the money you're spending and the money you're making you
can sell merch and
make money too but like theater size it could be a couple thousand people
before you break even so
how do you tour for a while when you can't possibly draw that kind of people
right it's it's cost money
that's one of the reasons i think people can turn to record companies they need
money to tour
if they have a band and they can't they found they can't do it in their home
they need money to go to
the studio there can be reasons they don't necessarily understand the business
and the record
companies do yeah and they got better lawyers yeah so you can get i mean they're
still i'm sure
it also probably makes you feel like you're attached to something big yeah like
hey universal did this
yeah i felt like when i got that deal i felt like i was on top of the world
yeah all that stuff that had
been pent up inside me all those years that finally got released when i was
making writing songs still no
one was hearing those songs and like the knowledge that people would that i'd
at least get a shot
you know i was on geffen my label mates and it was a little i mean geffen was
different from any place
else for sure but it was a little bit like the viper room it was like i knew
all those guys the posies
uh maria mckee nirvana you know like we sonic youth i met them all right in the
beginning like we got
to know everybody and it was cool that it was it was really an incredible
feeling you know the deal
itself was probably shitty in some other ways good in some ways because we
argued for it but in order
to get those royalties we gave up all a lot of money more than most people
thought was smart you
know we had a lot of money on the table and if we'd never been successful maybe
we would have regretted
never keeping any of that who argued for you to do that was that your idea was
it yeah i mean i
i don't think our lawyer was against it either or our managers i think we all
were pretty excited about
the band they had a lot of faith in us there was a reason everybody wanted to
sign us we had
good songs and a lot of them and that's like the gold standard for a band like
it's one thing to
have a sound that's cool but you don't know if that's going to mean anything in
a couple years
but songs that's reproducible if you've got good songs and not just one you
probably write good
songs next time too and that's that that's part that seems like some real value
you know so i had a lot
of faith in us and i wanted a career in this i didn't want i wasn't there for
like a payoff i wanted
something to do for the rest of my life how long was it after you signed before
things got really weird
um like before you really popped oh we blew let's see we got signed in like
sometime in
uh mid 92 and i think we blew up in the record came out in the fall of 93 and
we blew up
in the spring of 94 we didn't feel it yet but it was start we played saturday
night live in january
of 94 and we weren't even in the top 200 i'm not sure why they put us on they
liked the band
but the record jumped 40 spots a week for five or six weeks after we played
around here on on uh
saturday night live the record literally i mean jumped 40 plus spots every week
for five weeks and
landed us at like 13 for a couple weeks then six for three weeks and then we
were two for two years
wow never one but uh two for a long we were one on our next record but uh the
first record never got
to number one it was people kept jumping us bonnie rate jumped us the lion king
jumped us the lion king
that was a huge record you know and asa bass jumped us the last one was the
lion king we just we had
been at two for so long bonnie rate came up went back down asa bass came up
went back down and we were
like we're going to be number ones because we're still selling like 40 000
records a week for like a
year it just went on forever crazy and then we were like we had a really good
week with something and
it seemed like it was going to go up again and then the lion king came out and
it was just like
nah we're never gonna see number one that must have been must have felt like a
real genius move
though to get royalties to get less money up front and then to get royalties
like god damn that adam
when that second or third check came in the one that was like the big one was
like told you
bitches fuck especially the publishing check because that mostly went to me the
record we still split
everything evenly in the band um for the other stuff you know like just the
general record royalties
we split evenly and even the publishing i mean i give a third of every song my
songs are divided up
music is third lyrics is a third and then whoever plays on it in the band gets
a third we split
between us you know so you know but still that publishing check was that was a
that was a big
thing what did it feel like to all of a sudden be rich uh i i wasn't sure what
to do um i i remember
like i bought i just bought a lot of cds and i bought a lot of uh things that
went on shelves i bought cds i
bought dvds or not then it was like uh vhs and uh uh what's the laser discs and
then uh i bought a few
pieces of art i bought some paintings you know my guy is one of my best friends
now felipe molina who
did the album cover for somewhere under wonderland our last record and painted
a different painting for
every song in there um i bought a couple of his pieces i was wandering through
uh like soho we were on
tour and i i kept looking this i went to this gallery i never really wandered
through art galleries and i
kept seeing these paintings by this guy and i loved them i spent a bunch of
time in there one day and
then i went off we played a show like at the beacon or something and i i went
back down there the next
day and i looked at these paintings again and like the third day i went down
there i was like i went away
that night and i thought well i could actually buy a painting i mean it was a
couple thousand dollars it
wasn't really really expensive or anything like that but it's more money than i'd
ever spent on
anything other than my car you know and i i bought a few of his paintings and i
sent them to my place
in california i was like i'd never owned anything like that and so it's cool i
mean honestly i didn't
know what to do with it i i uh had an indie record company too over the years
uh spent a lot of money
on making records uh lost a lot of money making records made some great records
why did you decide to
start an indie record company i had a lot of friends who i thought were really
good and i
just didn't think they had good i thought record companies were really bad
situations and
i thought they pushed them to do things that weren't really great for their
band musically and i
thought i could make really cool records with these guys they're great but
nobody realizes
publicity publicity what about you know publicizing them and well we tried that's
what i mean we made
great records and we didn't like like i said the hardest part was distribution
it was really hard to
sell the records i think the bands got great reviews critics loved them uh you
know we did okay but we
never really it felt it's why i like doing the festival now because i never
feel like i failed and i felt like
i failed a lot with the indie record company because we never made big
successes of any of the bands
and we tried really hard and spent a lot of money of them become marginal
successes well some of them
were already i mean uh you know gigolo ants for a band from boston that i
really loved hilarious they're
great i know yeah a-u-n-t-s oh yeah it's a sid barrett song the guy that was
the uh the original lead
singer of pink floyd oh okay so he had a song called that's the guy that went
crazy right yeah yeah yeah
so it's based on one of his songs but they're an incredible band they're a
fantastic band
and i you know they were some of my best friends i lived with the lead singer
for a long time have you
ever thought about doing that again now like the way we were talking about like
if you promoted something
like that you did it through a podcast and you had a social media page like a
facebook page or an
instagram page or both like that seems like now that's a viable strategy to
introduce people to
bands and those bands could actually probably take off if they're really great
bands like you could
actually get eyes on them and ears on them that's what i feel like i do do now
because i've without
the record company part of it like we run an independent festival that we spent
a year we spend a
year or you know six or eight months each time talking about every band that's
going to play the
festival all 30 bands or whatever it is and we for each band when we release
the announcement we we
do a whole page about them we write essays we put the uh videos up and put the
music on there we
introduce you to each of them week by week we make the festivals entirely free
so anyone can come
and you never have to pay so make it as easy as possible to introduce you to
all these bands
we play them on our podcast we talk about it we film at my house every band
like the festival might be
that weekend but starting like tuesday of that week we film acoustic sessions
at my house in the living
room with every band and put them up on our page on the underwater sunshine
website oh that's really
cool that's very cool so i mean i feel like i'm doing all that stuff so you do
these in your house
in new york the festival's at a club but the filming is at my house yeah we
have this area i call it the
garden um when i first got my place you know outdoor space is really expensive
in new york it costs so much
money to get just a balcony right man i bought this empty loft you know 20
years ago almost uh and it
had a lot of windows didn't have any outdoor space for a place half that size
it was like a million
dollars more to have a little balcony so what i did instead was i i put astroturf
down at one end of
the loft and then put a bunch of garden furniture and it feels like you're
outdoors and it's really cool
so i got a piano in the middle of the astroturf so we have the bands come and
play we call it the
garden it's just like this astroturf with beach furniture around it that's fine
and the band set
up there and they play there let me see what that looks like there might be a
picture we're uh
if you film it look on underwater sunshine.com there's all kinds of uh they're
called the garden
sessions and so i mean i do all that and i don't feel like i fail anybody like
the bands we're taking
out on this tour frank turner's coming for the end of the tour but i'm taking
two of underwater sunshine
bands out two of the guys matt susich and sean barna both of whose records i
sung on too i do
a lot of that i sing on a lot of records but mostly just with my friends
is this it here yeah that's like that's my living room that's a band called
scout
that's lara from scout and you can see a couple of felipe's paintings are in
the background
this clock of mine is up there i wish you could show the lawn it's really cool
if you get a
a more distant shot because there you can see the green dude this has a hundred
views that's crazy
i know well it's hard to promote stuff that's what it looks like that's bonkers
a hundred views
you know i i don't have a you know i do what i can it's i'm not wildly
successful at the the podcast or
this you know but we play people's music they're really good that is kind of
cool you have a set up
there with the astroturf it's hilarious and paintings behind you yeah so it
looks it's like
all the press i've done for this record except for this i've done sitting right
there i just put a
chair there and we got some cameras and i've done every interview on zoom
except for your interview
and uh we even filmed for the today show uh and uh kimmel right there um
because we couldn't really go
there so we just did that i just love that you're so dedicated to music that
just it's just like 24 7
this is just i'm a music geek i i can tell i mean how do you find new music i
look i mean i spend a lot
of time looking like look we you know i've got about six seven well maybe ten
of us now all together who
work on the festival and we're all like some of us are musicians some of them
are journalists some of
them are bloggers uh just people who really love working music um you know my
partner barbara rapaport
barbara garrett now i met her when we were doing the outlaw roadshow our first
festival here in austin
during um south by southwest and she started doing that with us and then her
and i started underwater
sunshine years later she lives in san antonio now but she's from down here and
it was a lot based on kind
of we would come down here and we would put this big festival on in the middle
of south by southwest
we put on free shows with all these bands like 30 bands at the show like on
many different stages
over a couple days um and we used to do what we do we did the rusty spur for a
few years i don't know
if it's still there even it was up on what street is it like seventh street or
eighth street i can't
remember but uh yeah i mean i just kind of loved also it's nice to have peers
again you know like when
i was coming up in the clubs i had a lot of friends who played music and then
when you get out there
unless you're going to hang out at the mtv awards you don't know a lot of
people anymore right um but
then with the festivals i got all these friends who play music i sing on lots
of records but they're
mostly just my friends records and they're really good and i'm like i'm really
proud of them and like
we're taking matt and sean out on tour this summer um they're going to flip-flop
each night who plays
first they'll they'll both get to play um i kind of feel like i do all the
stuff i used to do with the
record company and i never fail anybody which is nice because i really felt it
also it cost me a
lot of money how much do you think you you blew an indie record company i had
two different ones but
i'd say several million probably over the years just cost money to do that
stuff you know you're
supporting bands on the road and and how'd you get out of it at some point i
just stopped the second
company i you know i it just after a few years i just kind of just didn't want
to do it anymore
yeah so i just started doing the festivals and i really like that you know like
they're like
we're still helping out the bands we're doing what we can do you know and like
maybe it'll take
off you know it's right even me though it's hard for people to discover it
maybe if this record's
really successful everyone will check out underwater sunshine we packed the
house at all the festivals
completely but you know they're small clubs i'm gonna try and expand it this
year what size clubs are
doing well rockwood i don't know rockwood has three stages i don't know it's
you know probably a few
hundred people a few thousand over the course of the two nights come in and out
but we're spreading
out to like two or three clubs this year at the same time make it like a little
mini festival in the
clubs there and uh we're also going to like do our show in new york with some
of those bands opening and
frank turner's going to play it this year which will give a little more
exposure well it's cool the
intimate shows like that are cool anyway man do you see a really good band in
150 seat room is amazing
and and you get like it's almost like an amusement park because there's three
stages going at once
with staggered start times and you can just run to the ones you want to see you
see but meet a bunch of
different people go between the clubs they're free so you don't have to worry
about paying each time and
it's just we also do the only thing we the only way the bands we don't pay
either because they're free
shows what we do do is we buy i think we did 400 we bought 400 worth of merch
from every band so it
enables us to give them 400 and then we set the merch up it stands at the show
and we give it away free
to the fans so people can get their music their cds their t-shirts for free and
enables us to pay the
bands money um and it's just like make it as easy as possible to like expose
people to these things
well it's also the spirit in which you're doing this is so pure right this is a
completely non-profit
venture you're not trying to make money you're just trying to distribute great
music i love it man i just
love hearing that you do it this way it's really cool you know we wanted to
start like expand because
we've been doing all this music stuff for a while and the last time we did it
which is now like october
two years ago i guess it was 2019 last time we did the festival and we had
expanded to a place with
three stages instead of two it was really successful but kate quigley came and
she was hanging out for
the whole thing and she was like man you should add some comedy to this because
we went out one night
and watched an open mic with her and she got up at it when you were telling
about the open mic earlier
i was really thinking about that but uh it's funny kate and i we met because we
matched on a dating
site years ago but never met each other but we sort of corresponded a little
bit so but uh i hadn't
talked to her in a long time and i guess she wrote to me again later and i was
like i'm just going to
introduce her to my girlfriend i introduced her to my girlfriend my girlfriend
her best is the best
way to be safe about things just right any any hot girl introduce them to your
girlfriend so that
they're like they become best friends with your girlfriend you never make a
mistake ever
and uh and and your and your girlfriend has cool friends right you get to hang
out with people like
i always liked kate from i thought she was funny and now i get to be her friend
because there's
nothing to worry about she's best friends with my girlfriend you know so like i
can be her friend
from now on it's awesome you know um but yeah we she was talking about how cool
it would be to bring
comedy into it too i thought that would be a great thing i got to figure out
how to do it a different
kind of animal it is it is and you bring a completely different kind of mental
illness into your little
party there too well you do it at a different club i'm not sure i'd mix them up
on stages in the same
different club yeah because you want to be able to just run them like get
people lined up don't get
involved stay out just leave that to other people that are used to dealing with
these fucking
maniacs you you understand music right and i know you know comedians it's not
the same thing as
understanding it i hear you i don't want to do a music festival i would do i
would think about doing
a comedy festival because i they're my people and i get them but i would not
wish that upon anyone else to
handle comedians we'll put you in charge uh-uh no no seriously it's great it's
your comedy festival
with my name yeah no they do have several of them out here right they got moon
tower um what else
they have out here there was another there's more than one comedy festival out
here right
south by southwest i think it was i know but i'm just saying yeah sort of i
mean they have comedy
added but moon tower is basically just comedy right that whole thing is by the
way just for people who
don't who've never spent much time in austin that whole moon tower thing the
whole concept behind
putting these towers around town that light up the town at night and that all
look like different
little moons that's a crazy thing to do that's fantastic i have not seen it oh
yeah i mean that's
i just thought it was a name i didn't know they did that no they had an idea in
like the 50s or 40s
it was a long time ago to build these big towers with these big lights on top
of them so there was
almost like instead of just being one moon to light up a town there was a shitload
of them like an
alternative to street lights in a way really like dazed and confused they're
going to the moon tower
i have no idea he's climbing up it and there's like i think i've i've seen
there's five of them i think
yeah most of them are gone they're only yeah it's very big towers like i don't
get it it is the coolest
idea ever so it lights up whole neighborhoods at night so it's like you're not
just in a dark shitty
neighborhood like oh that makes sense so it's a little safer too probably yeah
i mean that was kind
of the idea to like really light up a town at night and i don't think they have
many like you said
there's five left maybe i think there could be a couple more than five but i
remember looking this
up when i first 1890s first put up in the 1890s so when did the is moon tower a
comedy festival or is
it just it is that too yeah and then that's the main one that pops up moon
tower comedy festival
okay it's probably because they go to the moon tower in dazed and confused in
linklater's movie
roywood jr powerful roywood jr interesting i mean it's a really cool thing for
like
this is a great college towns are the greatest thing on earth and this is a
really good one you
know i mean well this is a little bit more than a college town you know it's
like it's a live music
town it's like it's got that whole sixth street has got this vibe to it that's
so different the
downtown area is so different it's a great it's really special it really is i
mean i grew up in
a college town i've always loved them it was my favorite thing when we do just
like the tertiary
tours like in those towns as opposed to just the big cities like we do the the
big cities in the
summertime and then we used to do like in the fall in the spring we would do
the college towns more
and it was such a i mean i just growing up in berkeley i've loved that kind of
place bloomington
you know athens georgia especially austin um but it was always really cool but
this one like
because it turned into such a music town too it's just a it's a blast yeah it's
an awesome town it's a
great sized place this is what i always tell people it's like it's only a
million people and then there's
a million outside of it and that's not that much it's but it's good enough like
it's plenty of room for
great restaurants yeah great comedy clubs great music you know you go down
sixth street like you'll
hear great bands playing you're all these people you never even heard of them
before you hear all this
live music and people are walking around there's a vibe there's an energy to
this town that's just
different yeah it's it's you know when you get those towns that support music
it's usually a pretty uh
temporary and then it cycles out of it because if you have that area where
musicians can live and play
there's usually some warehouses and they can get rehearsal spaces you know san
francisco used to
be that way yeah you know but then they become cool places to live and then
people move into those
areas and they want to live in those kind of warehouses and then it gets upscale
and right eventually
it fucks up bands can't afford it and then someplace else becomes that area you
know but austin's managed to
stay you know like they keep austin weird it's managed to stay nice and weird
for a long time now
you know yeah strange too because it's the capital yeah people are worried now
because of like the
google and tech companies and apples putting a campus here and oracle and they're
like oh my god we're
gonna bring in the silicon people well that could do it too because if you get
too upscale it becomes hard
to afford you know like just the rehearsal spaces empty cheap places to rehearse
that'll kill the music
it did it in the bay area in some ways like you just got every every warehouse
turned into condos
yeah yeah and the real estate here has gone bonkers yeah it's very crazy it's
hard for people to find
affordable places to live in austin they're all moving outside the outside area
but that's kind of normal
right the normal expansion and spread yeah but it's still it's still tolerable
and manageable
yeah it still works it's a good town that's managed to keep itself as that kind
of a cool town for
i mean a long time yeah it's also has the ethic of having small independent
businesses uh cherished
as opposed to like chains you know it's like there's a lot of like particularly
restaurants a lot of like
independent individual places that are cherished you know there's like a vibe
to that here and they get
supported people go yes people line up for there's there's food here that
people can't get because
it's just gone by the time you get through the line yeah and they've managed to
keep that sort of vibe
alive for a long time yeah the barbecue vibe here is insane it's so strong yeah
it is it's good too
where have you gone in town i don't know i haven't been here in years have you
been to terry black's
i had it last night i had a delivery from it last night it was really good i
think it was black's last
night um i was trying to get it from uh styles uh styles switch i haven't eaten
there yet but they
they were out of they called me back which is something you don't get in your
we're out of
everything except for turkey wow okay well i'm not gonna i don't want that i
want some i want ribs
yeah turkey like come on man i'm trying not trying to be healthy here i'm doing
with this turkey there
was one what's the name of that place it was on way in the east side they had a
big poster up that
said don't need no teeth to eat my beef oh yeah i've seen that yeah i remember
the place was that
was really good um yeah you get that terry black's brisket you could chew with
your fingers it just
slices right through that's one of the things i was working on this year was
how to make
like decent brisket house barbeque that's what it is yeah no teeth to eat my
beef but i'm that place
was great i love the sign too yeah i mean you know uh barbecue is a weird thing
because it moves around
the united states you know almost all came from the south but you know
depending on the area what was
going on like oakland where i grew up is big barbecue because everyone came out
to the shipyards to work
from the south and world war ii and so all this the whole community uh black
people from the south
ended up also because the south can be not a great place to live at times if
you're black in the
50s and 40s you know came out to uh california ended up in oakland so had great
barbecue there
growing up adam curry do you know who he is the original podfather he's the mtvvj
oh yeah yeah yeah
yeah he's out here now he lives out here but he's he's literally the original
podcaster he's the pod
father and he explained to me why austin has this long history of barbecue and
it has to do with germans
that germans smoke meat like outright smoking right smoking and then they sort
of adapted it to like
brisket and ribs and and texas barbecue and it all became like this the central
texas barbecue became
like a scene like it's a very specific way of barbecuing yeah like the stuff in
it was more like
i think i feel like the oakland barbecue is closer to what i've had in mississippi
what kind of barbecue
is that like what what is the style it's the sauce is a little sweeter um and
uh it's got a nice bark
on it uh there's just this place in oakland that i really love called uh everton
jones it was actually
it's a little shack at the bottom of university in berkeley and then they
actually opened a full-on
restaurant in uh in oakland in jack london square like i i want to say a few
years ago but it must
be 20 years ago now but the shack was where i grew up going and i still order
barbecue sauce from them
get it shipped there i love their sauce i get it shipped to new york to when i
because even if i get
barbecue from one place i i generally don't love the sauce so i keep my everton
jones sauce but also that
was one of the things i tried to do cooking this year was like make a nice smoker
how am i gonna no not the
sauce but the meat how am i i gotta learn to make a good barbecue brisket in my
oven i gotta figure
this out maybe it's just a really low temperature for a long time if i get up
early in the morning i
i rub it all with salt and brown sugar the night before did you figure it out
kind of it's it's
really good you don't have a patio no because remember i didn't get the outdoor
space so so i can't
get a smoker um but you know i figured out ways to do it like just really low
heat like 200 degrees
and just start it at noon it'll be ready by about six keep it covered for the
first two or three hours
then take the the foil off let it get some air uh for the next two or three
sometimes i'll i'll uh
sear it all first before i put it in um yeah it turns out pretty good i mean i
did it i wanted to
make i used my beef brisket recipe on a pork shoulder i had a little while ago
and just cooked
that and i spent the next like three weeks eating pork sandwiches that were
fucking incredible um
they were just thin sliced pork some of the best barbecue i've ever had is out
of van nuys
van nuys california dr hoggly woggly's tyler texas barbecue damn good place oh
my god it's fantastic
that's the closest i've come to what that's what everton jones tastes like tyler
that place is like
you don't understand why it's there the neighborhood doesn't make any sense
where it's at but it's been there
forever yeah i think they've been there since the 70s it was there the whole
time i i moved there and it
i my a and r guy took me there while i was making the record in like 92 and we
would always make the
trek out there there's nowhere else to get good barbecue i don't care what they
say uh the other
there's nowhere else to get good barbecue in la or there wasn't then but doc dr
hoggly woggle's that
shit is fantastic fantastic and the people there are cool as fuck and it's just
it's there's no
pretentiousness to it yeah they've got like shitty wood panel on the walls and
dumb paintings and
nobody gives a about it's all about the food yeah they bring that brisket out
there and you're like
oh my god there it is yeah dr hoggly woggle's in van nuys i i i mean like that
that's indicative of
like how weird it is like you look at the signs like the graffitis on the billboards
and everything
and that's the inside like right there scroll back up where you were right
there bam that's what it looks
like inside i mean it's just like so unpretentious just booths and wood paneling
and look look at that
stupid fucking rodeo sign nobody gives a shit about it no they're not even
looking the ribs and the
brisket there heaven are off the hook everything's great there the chicken's
great there everything's
great there their sauce is great too that is great that is the closest look at
that look that's what
everton jones is like it tastes just like hoggy woggies which is like southern
mississippi barbecue
brisket just melts in your mouth oh my god it's sensational absolutely i knew
exactly what you're
going to say the moment you said van nuys i was like yes yeah l.a can have a
lot of places that look
just like great restaurants right but the it that aren't as good but that place
that is the
shit man that place is so good it's the shit and it's like a hidden spot it's
like you go there like
what is happening here why are you here what is this like you wish it was in
town but no it's better
stay out here yeah stay right in this weird little neighborhood of van nuys
next to a barber shop and
shit you know it's just it's cool we would trek out there i when i lived i i
bought this i had too
many people living to me with me at that cottage too many friends and came out
half of new orleans
came out and lived with me you know all my friends from new orleans came out
and lived with me in that
cottage and eventually i bought a house in beverly hills i bought a big old
mansion so that all of us could
live there because there's like 10 of us living at my house and i bought this
big place but we would
we would take treks out someone would just get us go to hoggly wogglies to
bring it all back or we'd
go out there together but we would bring like dinner back for everyone yeah
yeah they they have
great to go yeah yeah that's the big trays of brisket and meat this place is
now i'm hungry yeah
adam i really enjoyed talking to you man joe thank you man i appreciate this it
was very cool
i really enjoyed it like i said a bit of fan forever so it means a lot that you
came in here
and did this and so your album it's available now you gave me a physical copy
thank you very much for
that um can people get it digital it's available everywhere yeah it'll be it'll
be digital the only
way you can get it there's no cd so we made vinyl and it's on it's digital
everywhere and uh oh i forgot
to tell you one we're gonna go on tour uh we're gonna leave we're gonna go on
tour in august in america
august september october um how can anybody find out about that countingcrows.com
they'll put all
the tour dates and when will they be announced today this is me doing it i'm
not sure the exact
we're not going to go on sale for a few weeks but i think the dates will be up
today
on the website and uh this is the first i've told anybody about it oh yes so we
are that's exciting
breaking news right here uh we are coming to austin yes when well we're playing
the moody amphitheater and i
don't i could look up i have it on my phone somewhere i took a picture of the
schedule
breaking news
great minds man great
here it is so austin where are the hell are you austin still in texas right
here moody amphitheater at
waterloo
wednesday september 15th beautiful okay
shit why i might not be how i might not be here
where are you going you're going on tour i'm not sure i might be here
i might be elk hunting yeah see i'm here i think well you can come anywhere you
want there's plenty of
places okay well i would love it to see you here what do you hunt with when you
hunt elk bow and arrow
you're hunting bow hunting yes no shit yeah wow yeah i'm just curious yeah that's
what i do
i've never hunted with a bow and arrow mostly because i would miss and if i hit
it
yeah it's a chase it i practice yeah a lot yeah a lot yeah it's uh it's uh an
obsession it's not a
like a thing you just go and do it's a thing that i practice all year round i i'm
a big archery fanatic
wow i have like a 3d range in my backyard with a giant rubber elk 85 yards that
i shoot
yeah i shoot all the time constantly wow yeah and it's one of the things i do
every year to acquire
meat and go and uh bow hunt i did some of that with my when i was in england uh
because i was on my own
so i would i would uh you know spend days just hunting rabbits and then i kind
of liked cooking
for myself after after doing that oh yeah man cooking something that you've
actually went out and
harvested yourself is is something special pheasant a lot of pheasant and and
rabbit rabbit different i
mean obviously very different pheasant's a shotgun thing and rabbits i've only
uh pheasant hunted once
with uh anthony bourdain and he got one he got one and i missed it i missed one
it's a different kind
of thing than aiming at something you know this is a movie yeah yeah it's like
it's like yeah i'm not
adept with shotguns i need to learn how to like i think there's like there's
got to be something to it
yeah some technique that i'm missing you got to lead it you think about it as a
cone like you're throwing
a net from something it's a different it definitely the one of the reasons i
think i got into it is
because since you missed the first hundred times you lose all sympathy for the
bird you hate it so much
after you've missed it 50 times it's like you know you i don't have any
sympathy for you right because
you've been with me for an hour now and uh you know all right man well let's
wrap this up thank you
very much for being here and uh i appreciate it and butter miracle out now yep
everybody can get it
go get it support live music and your music festival is when again underwater
sunshine is going to be in
october we'll finish up the tour in new york and then just the festival right
after that bye everybody
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