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Bob Lazar made headlines in 1989 during an anonymous interview with journalist George Knapp, where he described working with extraterrestrial technology at a site near Area 51. He is the subject of the documentary directed by Luigi Vendittelli “S4: The Bob Lazar Story,” now streaming on Amazon Prime Video. http://wearenotalone.com www.projectgravitaur.com www.simonandschuster.com/books/Dreamland/Bob-Lazar/9798218678043 www.boblazar.com
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Luigi Vendittelli is a director and executive producer known for documentary work including S4: The Bob Lazar Story and Mufon Québec Investigation.
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Joe Rogan Podcast, check it out.
The Joe Rogan Experience.
Train by day, Joe Rogan Podcast by night, all day.
We're up, gentlemen.
Hey, Joe.
Great to see you again, Bob.
Same here, long time.
Luigi.
Joe.
You are still to this day the most watched ever podcast we have ever done that's
on YouTube.
That's just unreal.
It's unreal.
It is unreal because it shows you how many people are just absolutely
fascinated by the story.
And what you guys have done in this new film is essentially recreate S4 and
using AI recreate you as a young man in these experiences that you had.
And it was really excellent.
Luigi, you're the one who put the film together.
You figured it all out.
And first of all, what was the technology that you guys used to recreate
everything that we did?
Yeah, I just want to say there's about 10% AI in the film, but there's 90% Blender.
And that's actually handmade CGI.
And even the de-aging of Bob Lazar, we scanned Bob, we went over to his house,
scanned his face, took a process of de-aging him through that, then creating a
digital model of Bob in different ages, and then placing him in the environment.
And then in some instances at the very end, we perfected or kind of put a bow
on it with a little touch of AI.
But the whole thing is handmade.
So the craft, the environment, the papoos lake, the facility, the equipment,
and the people were all made.
And some of the people are actually real actors that we put in there.
So it's not, it's, it's a, there's one of the guys that is Barry in the film is
a guy called Luis Martinez that's been working with me for the past 10 years.
And he laughs at it because he goes, I can't believe I'm Barry.
You know, so.
Does he look anything like Barry?
Actually, he does.
He does.
That's why we chose him.
Yeah, yeah.
Where's Barry, the actual Barry now?
I don't know.
You know, I kind of thought at one point after all this happened, we would at
least hear from one of those guys.
But I never heard from anybody after, you know, after the, the initial release
of all the information.
Yeah.
It seems like, wow, I don't know.
If people are able to keep secrets for this long, it's got to be very difficult
to just blurt it out.
Like, you know, you're holding on to a secret for 20, 30, 40 years.
It's like.
I guess these guys were lifers, though.
Yeah.
I mean, they spent most of their time there.
They spent at least two weeks at a time and had one week off.
So they stayed at the base.
I mean, these guys were hardcore.
I had just come in on the project, you know.
So I don't know.
I don't know what happened to him.
I'd love to know.
I suspect that Dennis Mariani, my supervisor, died.
I've seen people track him down, you know, all the way to point to speaking to
his family.
And they said, yeah, he had some classified job out in the desert or something.
And they showed me his gravestone and stuff.
So, you know, at least they were able to track him down.
But I've never heard of any leads on Barry or Renee or anybody like that.
What is it like seeing the recreation of it in a film?
Because, I mean, essentially it was your direction, for lack of a better word,
your description of it, you telling them exactly how everything was laid out.
And then once they recreated it, what is that feeling like when you watch it?
Well, the final product is absolutely mind-blowing.
Because, as I've said to Luigi, it looks like you guys downloaded that out of
my brain.
I mean, you know, you can describe something a hundred times.
And until you actually make a picture, it doesn't become clear.
But, you know, this took years.
I think it was like five and a half years from when I first met Luigi.
And he said, yeah, I can do this.
And the quality kept improving to where he started showing me pictures.
And I went, Jesus, that's really it.
It's not really it.
It's really it.
And, I mean, it blew me away.
Later on, he showed me a 3D environment where I could put goggles on and move
around inside.
I mean, that made the hair stand up on my arms.
It was unbelievable.
So, I don't know if I could really describe how that made me feel.
But it felt like I was teleported back there.
And that's, you know, that's when really I developed an admiration for Luigi's
talent.
I said, you know, I'm behind this.
And flew out to Canada a couple times.
I didn't have much to do with the film other than, I guess, a couple times
going out there and going,
no, that's right.
That's the wrong color.
Move this here.
Do that.
But those guys spent over three years working on it.
And, you know, what they, and they never showed me anything.
You know, I speak to Luigi, you know, a couple times a month.
And, you know, he'd always say, oh, my God, you won't believe this.
I said, show me.
No, it's not, it's not done yet.
So, I really didn't get it to see anything until close to the end.
But when I did, really, without trying to sound dramatic, it really put tears
in my eyes going that, that's it.
That's it.
You did it.
Just stop.
It's perfect.
Well, I had the pleasure of watching the movie with you and sitting there with
you.
There was a bunch of times in the movie you were like.
Yeah, yeah.
Like, you could tell.
Yeah.
Yeah.
I swear I could feel that place.
I could feel it watching that movie.
It just, it really freaks me out because, as I've said before, it's not like
what I saw.
It's exactly what I saw.
It's perfect.
It's just like Luigi was at S4 with a camera.
So, it worked.
It's very unique.
It worked.
It's a very unique documentary in that regard.
And watching it with you, seeing you experience this thing.
And then me trying to imagine what it's like for you.
You're this young scientist who gets brought in on this thing without much
explanation.
And then, all of a sudden, you're confronted by this craft.
And, you know, the way it's broken down in the film.
And you get to actually see you viewing this thing and being in the presence of
this thing for the first time.
It's just very, I could just only imagine what that must have been like for you.
And it's so weird to watch you watch it again and see your wheels spin.
Yeah, yeah.
What the fuck happened to my life, man?
What did they do to me?
What did they make me experience?
Like, what the hell?
Yeah.
I really can't fill in the blanks there.
I want to just say that there was a time when Bob got angry at me a lot because
I wouldn't show him.
And he was like, come on, show me.
And I said, it's not ready yet.
I don't want to show you something.
But at a certain point, we had to.
And Bob started remembering more stuff when you saw it.
Yeah, that's true.
It really made a big difference when he showed me some things and, you know,
walking down the corridor here in turn.
Oh, stop.
Wait, there's another door there.
I mean, it was like I was going back into the facility and really brought, I
mean, actually seeing it again, really brought some things back that I had
completely forgotten about.
So, that, you know.
Well, what's really fascinating is for people that don't know your story, you
came up with a story, you talked to George Knapp.
And was it 89?
88.
88?
88, 89.
So, late 80s, you've essentially told the exact same story all these years.
And then, within the last, you know, 9, 10 years, we've started to get all
these reports.
There was the New York Times story.
There was the Go Fast video and the FLIR video.
And all these videos that show a craft that's moving the way you described this
sport model moving.
Right.
Which kind of freaked a lot of people out with the way it rotated and turned.
Rotate.
Yeah.
It does the belly roll, faces at the bottom towards where it's going to go, and
then it takes off.
And, yeah.
It's exactly how you described all those years ago, which is really fucking
crazy.
Well, that's, I mean, that's the way it was.
But it's just, it's crazy because you had this story way, way, way back then.
And everybody's like, this guy's just making things up.
This is all cockamamie bullshit.
And then you see those videos from these fighter jets.
And you're like, wait a minute.
It's moving the exact same way he described.
It's doing what he described in 1989.
Yeah.
Yeah.
It's time to take a drink.
Cheers.
Cheers.
Because it's so weird.
I can't, I mean, I've had so many conversations with people.
And, you know, one of the things that comes up is, do you think Bob Lazar is
telling the truth?
And I say, look, I don't know.
There's no way I can know.
But he doesn't seem like he's lying.
I've been around a lot of liars.
Look, nobody can know unless you're there.
You know, I'm the biggest skeptic of all.
Although if you look at Wikipedia, it says I'm a conspiracy theorist or
something.
Yeah, I think it says I'm a far-right podcaster.
Yeah, all right.
I mean, yeah, it's crazy.
But, uh, shit, I'll ask my train of thought now.
Well, they, that, that if, if you, like, basically, are you a conspiracy theorist?
No, you don't even look at this stuff.
Well, you've had, if you have a lie, you have one lie.
And it's amazing because you've told the same one for all these years.
Well, it's got, it's a pretty detailed lie.
It's also not normal.
Like, normally when people lie, they get bored with the same lie and then they
come up with another lie.
And then there's some other story.
There's some, you catch them.
Eventually you catch them.
There's some cockamamie new thing that they come up with.
And it's the type of people that are that deceptive.
I mean, it's just, it doesn't make sense.
It doesn't fit the standard model of someone.
Well, there are other people involved with it.
I mean, this is for the first time Gene Huff finally is on film, you know,
because when I had the, you know, the test flight information, um, it was one
of the, not one of the, he was the first person I told about that.
And, uh, you know, we were all able to go out and, and see it.
And so everybody knew that I wasn't crazy.
Um, it was.
And then also all the confirmation that you were being fucked with that, you
know, when you're in the gym, they would show up and open up your locked car
doors and open up your trunk and leave it there.
So you'd go out there and see it.
They'd go to your house when you weren't there.
Yeah.
They were even, right.
They were even following George Knapp and, and, uh, I mean, all of us, anybody
that had anything to do with it at that time, uh, they were keeping eyes on.
It was, uh.
Not just eyes, but a lot of intimidation tactics, just letting you know,
letting you know that they could touch you.
Yeah.
So I, I've really worked for decades to push this out of my mind.
So it's always tough to bring it back, you know, and, and talk about it.
And it's, yeah, although it might be funny now, it wasn't funny then at all.
Um, it was a really stressful time and still is a very stressful thing for me.
I know it's so many years ago, but do you remember the thought that came in
your mind when you realized that it wasn't ours?
Do I remember the thought?
Do you remember the experience?
Yeah, I remember the feeling.
Of recognizing, because initially you saw the American flag sticker.
Yeah, when I saw the American flag, when I first went in, the first time I went
in through the hangar door instead of around the back, um, you know,
I slid my hand across and saw the American flag and I thought, oh my God, you
know, this explains the UFO nuts, you know?
Um, it's ours.
Yeah, this is ours.
This is a new top secret fighter.
We came up with a new propulsion system and, uh, you know, it explains
everything because I never believed in flying saucers.
I thought people were nuts.
Um, but when they started reviewing everything with me, they were trying, I was
trying to replace somebody or they were trying to,
use me to replace somebody as quick as possible.
And, um, they had two directives.
One was to, directive one was to duplicate the technology with available
material at any cost, which is exact verbatim what it was.
And directive two was to be able to disable this technology at a distance at
any cost.
And, you know, once you start thinking about that, wait, don't you guys know
how the thing you built worked?
And it's kind of like they left that out, that this, by the way, this isn't
ours.
And Barry is the guy that filled me in going, no, no, no, this is an alien
craft.
And we need to figure out how this works.
Look at the technology here.
I mean, this is decades, light years ahead of where we are.
And, uh, it, it, it was a, it was a shock really to me.
I remember going home that night and just laying in bed and reviewing
everything that everybody said that day.
And, uh, I really don't remember how I felt the following days, but I, it was
just a different, it was just a different feeling.
Like the world just changed.
Yeah.
Yeah.
Yeah.
It was, I don't know.
I really can't put it into words.
Well, I couldn't imagine.
I couldn't imagine what that experience is like.
And it's also very strange that they would bring you in and not specifically
state to you that this is not ours.
They just bring you in and just give you a directive.
This is your, what you were trying to accomplish.
Well, they gave me the, they gave me a bunch of briefings.
Everything was moving at a very fast pace.
And I don't know why.
Um, I think I mentioned in the movie, uh, right prior to, I got there, there,
there were Russians involved in it.
You know, from what I can ascertain, well, there was an exchange of information
and then we discovered something, something of great importance.
And, uh, of course, kicked the Russians out and just held onto that information
ourselves.
And, uh, there was kind of a knowledge vacuum there.
There was also an accident.
And I was told I was replacing someone, uh, that was injured.
I believe he actually died.
Um.
There's no record of who this person was or has anybody ever tried to figure it
out?
I don't know.
I don't have any names.
I just know that Barry told me, you know, I'm replacing somebody that he used
to work with.
And he was without a lab partner for a while.
So when I came in there, um.
How long is a while?
I don't know.
But, I mean, that brings up a good point.
First of all, we're dealing with alien or another civilization technology,
whether it's, you know, it's from another dimension, another time, another
planet.
I mean, who really knows?
Um.
So, I'll eventually get to answer the question here.
But, uh, wouldn't you think this place would be more like the lunar receiving
lab where everything is white?
You know, so you can see a speck of dust.
There's, everything is sterile.
People are being extremely careful with what they're doing.
But, you're not seeing that.
This is in, now, something akin to an aircraft hangar in the middle of the
desert.
There is dust on everything.
People are taking everything nonchalantly.
There's a, there's a friggin' poster about the thing.
You know, a there here poster there.
And thank you, Luigi, for getting me that poster.
We've got to figure out a place for that.
And put it in here somewhere.
It's awesome.
Yeah, but, I mean, they went to the trouble of making a poster.
They actually.
I think right here.
That's a good place.
Right there.
That's a good spot right there.
But the, I mean, they actually cut one of the amplifiers out of the craft.
So, my point is.
This is in the film as well.
You can see.
Yeah, but my point is, it's so nonchalant at this point.
When they first had it, it had to be at that level.
And they became so used to it.
So familiar with it.
That, you know, to them it just became like another.
You know, fighter aircraft or something from another country.
So, it's a, it must have been there a long time, is what my point is.
Because, look, as soon as you have something that unique, you don't let it just
sit there in a hangar and be exposed to the environment and have security
people walking by and people touching it.
I mean, it's in an isolated, I mean, it's in an isolated, sealed, secure
environment.
And they were past that.
So, I think it had been there for a decade or decades.
A long time.
And these guys were intimately familiar with it, not afraid of it, you know,
and knew what was going on.
So, they essentially had gotten just completely acclimated to the fact that
this craft exists, that it was there.
And there had been relatively little progress as far as figuring it out and
figuring out what it does and how to recreate it.
So, it just kind of sat there.
And so...
I think they were making very little progress.
And I think they kept going over the same road again and again.
And they probably had other experts there and just didn't.
And I think the reason I got hired is because I was a guy out in left field
that didn't necessarily follow what was going on.
I mean, the biggest distractors in the, you know, to me anyway, in the story,
are other scientists, other physicists.
Well, they would have hired me because I'm the top guy in the field.
Yeah, you probably are.
But I think they hired plenty of you guys and you just kept going down the same
road and didn't do anything.
I think they were looking for somebody that just would have some radical idea
and just to push the, you know, the project forward.
Because everything had stalled when I got there.
And it was...
I think they were just in a desperate move to make some progress.
One of the things you talked about in the first podcast that I think is really
important is that the only way for science to really progress is that these
various scientists have to be able to communicate.
And you have to be able to share ideas and you have to be able to collaborate.
But that's not how this was run because it was so top secret.
Everything was compartmentalized.
Like the metallurgists weren't talking to the propulsions people who weren't
talking to if there were biologics experts.
Like everybody was...
Super frustrating.
Super frustrating.
Because I think...
I don't remember exactly where that started.
Again, it's 40 years ago.
But I think it started with the seats.
And no, it started with the actual skin of the craft because everything looked
like it was made from the same material.
And I wanted some information about the skin, the superstructure of the craft.
And they said, no, that's restricted.
What's...
You know, we need a reason for you to...
I just want to see if everything is exactly the same material.
And what I call the seats in the craft.
I still don't know if they're the seats, but they might be.
I think it'd be hilarious if they were actually something else.
But I wanted some information on those.
And that was restricted information, too.
There were other groups working on that.
So they compartmentalized stuff so much.
There was no exchange of information between any groups.
I mean, you could submit a written response that your supervisor, in my case,
Dennis, would have to carry over.
And they would have to approve.
And, you know, you'd get a two or three line response from, you know, the other
group.
But it's just...
That's not how science works.
Science works on the free exchange of information.
And they were just killing themselves with security.
And it was really frustrating.
It was terribly frustrating.
So was this a function of security people, people that are concentrated on top
security,
that don't truly understand how collaborative science works?
Yeah, that's it right there.
You can't stop right there.
They had no idea how that works.
Because it stands to reason that whatever that thing was made out of probably,
in some way, interacts with the propulsion system and whatever controls that
are in it, that this material has to be particularly unique.
Exactly.
That's exactly my point.
And I suspected the material was an electric.
You know what an electric is?
No.
Okay.
You know, like a magnet, a permanent magnet is like, you know, it's a magnet.
Right.
Forever it's a magnet.
Right.
It has a magnetic field.
An electric is a material that has a permanent static field to it, a static
electric field to it.
And I strongly suspected that the craft was made out of an electric.
And I was not, because, again, that's the material science, guys.
I was not allowed to connect that to, but that's so important to connect it to
the propulsion system and how the propulsion system interacts with the
amplifier or the emitters.
And I just, I wasn't allowed, you know, the information I needed.
So it was, I don't know, it was self-defeating is what it was.
Well, it seems like they were treating it like a fighter jet or an automobile.
Like in an automobile, you have the outer area, the shell of the car, you have
the doors, the skins, the hood, the roof, all that stuff, which is, but then
you have the propulsion system, which is the engine.
And the transmission and the tires and the wheels and the suspension.
But they're all not connected.
They're connected because they're bolted together, but they have different
functions.
Right.
I think the idea or the concept, at least as I'm gathering from you, is that
this thing all worked as a cohesive unit.
Right.
With no physical connection between, you know, between the subsystems.
And all of it made out of the same material.
At least on the outside, at least on the outside, all made of the same material.
And the other crafts all had the same power plant in them.
So that brings to mind, you know, like a GM plant that makes a car with a Chevy
350 and makes, you know, a dozen different models to it.
Right.
So that makes you think about, boy, is there a factory making these things?
And, you know, your brain can just wander off in directions.
But I tried to stick with just the technology.
Did you know who the metallurgists were?
The people that were...
I saw them, you know, I know them.
And Barry, we'd go to the lunchroom.
Barry would point them out, you know.
And you weren't allowed to communicate with them at all?
Oh, hell no.
You have a lab partner, which in my case was Barry.
And you're allowed to talk to your lab partner, but you can't talk to any other
group that has to go through a written request, has to go to your supervisor,
and he'll bring it over to them.
And they'll bring it back and so on and so forth.
But, yeah, that's ridiculous that it slows down any progress you might be
making.
Which is why they were probably stalled out for decades.
Yeah.
Did you ever expressly communicate to them that you theorized, at least, that
this all could be connected?
That there's something about the way the metal works?
Oh, we all knew that.
We all knew that.
Because we'd get requests from other, you know, from other groups.
And you could tell they're desperate, just like we are.
And fighting against the system.
What kind of requests would you get?
Just exactly what we found out, you know.
Where is the energy being transferred here?
If the reactor fires up, is there a field present around it?
Or is the field just absorbed into the emitter and you can touch the, you know,
reactor itself?
And just little things like that, you know.
And actually, that was an important thing.
When the reactor is operating, is it perfectly tuned, the emitter, to where it
removes all the energy from the reactor and pushes it out the bottom?
And the answer to that was no.
I remember that as a specific request from, you know, from one of the groups.
The metallurgy group is the one that we really wanted to hear from.
And some of the groups, I didn't, I don't even know what some of the other
groups were.
But.
How many groups were there?
I don't know.
There were only 22 people there total, including myself.
I would like for you to tell Joe, one of the things that also interested me,
because I built a craft, is how the waveguide worked with the ceiling and the
interior and how it blended.
If you can explain, there was no telescopic.
Well, this is why we wanted to talk to the metallurgist people.
The reactor that sits on the bottom of the craft has a little dome over it.
And there's something that looks like a pipe that's slight.
You can lift it up and take the reactor out, put the reactor in and lift it
down.
But, you know, like an antenna works on an old walkie-talkie?
It has different sections.
There it is.
There's from the video.
There it is.
Yeah, yeah, okay.
Yeah, you can retract the pipe, but there's no sections, and it doesn't get any
thicker.
It just becomes smaller.
And if you look underneath, where the emitters hang down, they turn, and it
doesn't buckle.
It's a magical material.
This is the basis of the craft, is really the material that it's made of.
It's amazing the way it works.
You can push it into a smaller volume, and it doesn't change at all.
It doesn't get bigger physically.
I don't really know how to describe it.
So you're lifting the pipe up and down, but it's not going anywhere?
Look, if you had a big pipe and you push it together, it has to get thicker.
Right.
Because the material has to go somewhere.
This doesn't.
Okay?
It stays in exactly the same dimensions.
It just becomes smaller.
How?
Well, yeah.
Because you couldn't talk to the metallurgist, so you had no idea.
Yeah, but those guys knew how.
They did know how.
Well...
Well, they know it did it.
They know it did it, and that's their job.
So I imagine they have more information than I did.
But that was fascinating.
It really was.
And the waveguides that hold the emitters, they come down, and the emitters can
turn and bend.
And the pipes bend, and nothing changes in them.
And there's no wires or anything to make the pipe bend.
I'm trying to relate it to something, but I can't think of anything to relate
it to.
Well, one thing that you said that I also thought was fascinating, that there's
no seams.
So everything looks like it's 3D printing.
Again, right.
It comes down to the material.
Which, at the time, 3D printers weren't real, right?
Yeah, at the time, that really confused me.
I said, how did they build this?
It must have been built out of wax or something and then melted.
Because you can't build anything without seams.
And then 3D printing came into existence, and you could build stuff from layers
up.
That made sense.
Some sort of 3D printer, or they grew it in some, of course, it's not a
crystalline fashion, but I don't know how that was fabricated.
But it was fabricated different than anything that we have.
I don't even think it was 3D printed.
And so you never got any inkling or any understanding of what the metal was,
what kind of an alloy, what it consisted of?
All I can say it was cold to the touch, because, you know, when I touched it.
But I can't say if it was a ceramic or a metal.
I'd say it was metal because it was cold.
Because it looks like metal.
Yeah, it looks like metal.
Does that, this is the designs by Perry version of it.
Does that, how much does that look like it?
No, that's 100%.
That's it.
Yeah.
It's got to have the first ripple supposed to be black.
Yeah.
See?
Yeah.
So, Luigi has gone over this so many times.
I mean, I've built this thing, so.
There's an insulator ring in there.
Jimmy, show what it looks like in the film.
If you could show one of the images.
I don't, I was pulling it off the trailer and I don't, they might not, they've
been holding that back for a long time.
Yeah, on the trailer, there's a couple of shots.
I got it, I got it.
Yeah, there's a ring around it.
And we measured the voltage on the craft and there was a high voltage on it.
And above that ring, there is no.
This is not a good shot.
There's probably a.
Yeah, it's a very quick mess.
This is the original trailer.
It's the new trailer that would actually, yeah, that one there.
And you'll get to see it right there.
Actually, right after this.
It's actually before this, I believe.
You're going to see the craft.
And if you see, there's a black, right, there's like a black line.
It's the first ripple.
That's actually not metal.
Yeah, we call that the, yeah, there it is.
That's a good shot.
We call that the insulator ring because below that, there's a high voltage
present on the craft all the time.
And above that, there isn't.
I would imagine that your life has like two completely different chapters.
It's before this and after this.
Whereas like once you see it, the whole rest of your life is now going to be
very different.
And you are, you are in its presence for how long did you work there for?
I don't know, maybe six months or so.
So for six months, you're around this thing.
And I would imagine it has to occupy your thoughts 24 hours a day.
Well, at the time it did, for sure.
It's actually three stages to the life.
It's before it, during, and after it.
Before it was just my life.
During was when it happened.
And then the after part of my life is almost trying to dismiss it, you know, to
just go on.
Yeah.
You didn't talk about it for a long time.
I mean, you did the George Knapp interviews.
You talked about it a little.
You made some videos explaining things and how things worked.
No, I don't, I don't really like public attention and I don't really like doing
interviews.
As you probably know, you know, but I know there's people that thrive on that
stuff.
But, you know, I felt privileged to be part of the project, but it left me with
an insatiable appetite.
Oh, my God, I want to know where it's gone.
Look, even when I was there in the 80s, they were talking about moving the
project at that time.
So I really, I'm dying to know, is it still there?
Has it moved on?
Did they split it up and move it to other places?
Yeah, I remember Barry talking about moving it to the South Pacific, like in Kwajalein
or something.
But they said the expenses were so great, they couldn't do that.
But they wanted it away from everybody.
And they hated the fact that it was right alongside the highway in Nevada, you
know, by south of Area 51.
But that's the best place they had at the time and the most affordable.
And, of course, now with, you know, budgets being so tight, who knows where it
is?
Well, who knows if budgets are tight for this, though?
Yeah, that's true.
That's true.
I mean, they did say, at whatever expense, figure this out.
Yeah, they were serious about that.
We don't really care what it was.
So like the original Apollo program, you know, back in the Apollo program, if
they needed parts, and if somebody had something ordered UPS or through the
mail or whatever, they had the authority to stop that shipment to that other
person and take their stuff if they needed it.
And, you know, they had an unlimited budget.
I mean, if you're working like that, you could do anything.
Or at least anything that's currently possible with today's technology.
There you go.
Which therein lies the problem is that they're dealing with something that's
not possible with, like, you couldn't build it from scratch with American
technology in 1989.
No, but that's what they wanted to do.
And really thinking about that now, I'm not sure, I'm not exactly sure these
guys should be allowed to do that.
This is really powerful technology.
And the world has really changed.
I mean, we have a lot of crazy people doing stuff now.
And nonsense transmits through the population at the speed of light.
And, you know, I don't know.
This can be a very powerful, world-conquering technology.
And, look, for 40 years, I think I've said this before, for 40 years, all the
people in control of this information have all agreed to keep it quiet.
And these aren't idiots.
These aren't idiots for 40 years.
You have a line of people that all have agreed, no, let's not say anything.
No, let's not say anything.
No, let's not say anything.
There has to be a reason why.
And if they all agreed to that, maybe I'm the asshole.
No, really.
Maybe they're right.
And maybe you would have figured that out if you kept working for them.
Yeah, I don't know.
But I'm increasingly thinking I'm the one that made the mistake.
Maybe this is supposed to be just kept quiet.
Yeah, but that doesn't ring true.
Because I don't think it's ever healthy if small groups of individuals have
information that would change our understanding of where we are.
Yeah, there's that.
There's that.
I don't think they deserve it.
I don't think it's right.
I don't think it makes any sense.
I think you have an obligation to.
Well, I don't know.
I mean, really, but really think about it.
What if it's something that's really dramatic?
Like how so?
Like, what do you think would be like?
I don't know.
Maybe.
I mean, what if it's, I'm not saying this is what it is, but I mean, what if it's
like, you know, like we raise cows out in a field and just feed them grass and
they're just going to be food.
What if it's something like that?
What if we're just like, you know, a population of creatures that are just to
be consumed in some way?
I don't know if we're to be consumed, but I do think we are not physically
consumed like eaten, but I mean, I think we have a task and I'm more and more
convinced as time goes on that we were engineered.
I don't think we came about as a normal evolutionary process like all the other
animals.
Yeah, I agree with that.
I really agree with that.
There's a lot of people that think that it just doesn't make sense objectively.
I mean, without seeming like a kook or someone who buys into conspiracy
theories, if you just look at all the other biology on earth, why is one so
uniquely able to manipulate its environment, communicate instantaneously at
distance?
Yeah.
I mean, it's do can't really even exist in its environment in most places that
it lives without clothes and shelter.
We're a weird animal.
We're very strange.
Like we don't seem to have normally adapted to our environment with the way we've
completely controlled our environment with air conditioning and electricity and
electronics and flight and travel.
We're so beyond everything else that evolved, whereas every other animal,
predator or prey, plant eater or meat eater, all seems to cohesively exist
inside of its ecosystem.
And then you have us, which is like almost like an invasive species, like
invasive species destroy ecosystems because they don't belong there.
Well, that's kind of what we do, like we suck all the fish out of the ocean, we
pollute the rivers with our technology, we, you know, mess up underground water
systems with fracking and drilling.
We, we, we're like an invasive species in a lot of ways.
Yeah.
Yeah.
We're really weird.
I can't argue with that at all.
Yeah, this Tim Burchette thing.
So Tim Burchette has recently been talking about this and that he can't talk
about it because it's classified, but he said you'd be up at night with the
things that I've seen if the things that I've seen have released.
Yeah.
He said, we just need to close, disclose it all.
I'm sick of it.
Uh, well, I was briefed and I will tell you this.
I was briefed last week on an issue or excuse me, two weeks ago, and it would
have set the earth on.
This country would have become unglued.
I think if they would have heard all that I heard.
Well, this is what I was talking about.
Yeah.
If, you know, it's not like there's a bunch of space brothers coming down going,
oh, look what we discovered, you know, here, have some information.
And, you know, what if it's not that?
What if all the information is bad?
But what would be bad?
Like, have you ever thought about this, tried to, like, play it out to its
natural conclusion?
Like, what do you think the scenarios could be that's bad?
I don't know.
Everything that we're, look, we view ourselves at the top of the food chain.
What if we're not anywhere near there?
I don't think we are.
Okay.
What if we're just consumables?
Well, I don't know if, like, chimpanzees are consumables, right?
They're not at the top of the food chain either, right?
But.
No, but there's, I would consider them substantially lower than we are.
Right.
Like, my good friend that died, John Lear, who had a bunch of crazy thoughts.
I mean, he used to come over and tell us that, you know, on the moon there was
a soul sucker.
And when you, he did, he said this, you better give me that bottle.
Have another drink before you explain this one.
Oh, boy.
A soul sucker.
Yeah.
John Lear was an eccentric individual.
I'm kind of sad I never met him.
Man, he, he was.
Supporting evidence?
He was.
What?
Terrence McKenna talking about the moon being a soul catcher?
Oh, my.
Yeah, yeah.
No, and he'd give me pictures of these giant antennas on the moon.
In fact, I'll tell you a story.
He, you know, he was an accomplished pilot, had many world records and things
of that, you
know, part of the Lear family that his father invented autopilot, the 8-track
tape, all kinds
of stuff.
And, uh, but he, John Lear was a loose cannon.
At the time, uh, he'd fly from Las Vegas and, uh, you know, shuttle L-1011s,
which are giant
planes, back and forth.
And he'd say, uh, you know, be kind of lonely.
He goes, hey, you want to go to Minneapolis tonight?
He'd call me like at 9 o'clock at night and say, well, no, not really.
Come on, come on, fly with me.
He said, just put on a suit and, you know, come to so-and-so.
And I'd go to McCarran Airport and, you know, go there.
And, uh, yeah, I'm going to tell everybody you're, you know, an inspector from
the FAA.
And I'm like, okay, great.
You know, and I'd get on the plane and they'd say, you know, just act like you're,
you know,
going to kick everyone's ass.
So I'd go on there and I'd sit in the, they'd fold down a jump seat behind the
plane and I'd
just sit there looking at everybody and, God, all of this stuff is so illegal.
And, um, you know, get on there and, and fly and, you know, John would take,
and the L-1011
was a pretty advanced plane at the time.
This was in the eighties and, uh, you know, John would be smoking his pipe.
He'd take off, he'd put his feet up and smoke his pipe and he'd fall asleep.
And I'd just be, you know, hanging out there and, you know, before the plane
would land,
he'd just, you know, wake up and, you know, be smoking his pipe and the, you
know, plane
would land itself.
At the time my wife was taking flying lessons and, um, he said, yeah, yeah, you
know, bring
her up here.
And, um, I think they had an engineer also on another panel.
I don't, I don't quite remember, but I was there with my wife, there were
people on board
and he, he'd say, hey, come on here and take the wheel.
And he'd get the captain of the plane would, you know, I think my wife was in
her twenties
at the time and just sit her down and say, yeah, hold on to it.
And, you know, just keep correcting.
And he'd just let her fly the plane, which is insane.
And, um, you know, the co-pilot would just look over and I remember looking
over at, I
think the engineer that looked at the gauges and he just put his head down and
pretended
like nothing was happening.
And, um, that was just one time.
Another time he was, uh, ferrying an L-1011 going by Roswell at the time I was
living in
New Mexico.
And they called him and told him he wasn't getting paid.
Um, that the company was, you know, defaulted or something like that.
And he was coming up to New Mexico and landed at the Roswell, just took the
plane and landed
at the Roswell airport.
There's the whole 1011 got off, walked out, walked up to a bus station, gave me
a call on
the, the pay phone and said, Hey Bob, I'm coming over.
Okay.
You know, you're in New Mexico.
Yeah.
And he drove up, taxi would drop him off at the house.
He'd walk, he walked in and he went, boy, I'm tired.
And he just lay down on the couch, you know, and go to sleep.
And I said, what are you doing here?
What's going on?
I just dropped the plane off.
They're not paying me.
And you know, that, that's it.
But I mean, John Lear was such like a loose cannon.
Um, he was, he was a great friend to have, but, uh, he had no bullshit filter.
If he had a retired general come up and give him all kinds of information, or
if he had
a psychic come up from, you know, the neighborhood and give him all kinds of
information, he'd put
him in the same category, you know, and, uh, so he really did have useful
information that
was difficult to get, but it was mixed up with nonsense.
And sometimes he would just really lean into that nonsense.
Like he was convinced that the sun wasn't hot and there were people living
inside.
And I used to die laughing.
I went, you are insane.
I said, you can't prove it's hot.
Yes, I can.
You know, just go outside, you know, on a hot day, you know, and, uh, you know,
and John said,
that's not the sun.
And that's just the, the sun's atmosphere that's on fire.
And I said, you're just crazy, but we got along and he knew that I, I thought
he was crazy.
But the thing is, a lot of people did come to him and give him good information.
Um, anyway, I don't remember where I was going with the story.
That's the thing about some people.
Some people will tell you nonsense and then they'll tell you true things.
And it's difficult to accept that true things also come from people that say
nonsense, right?
Like just because they've said something that's nonsense, doesn't mean
necessarily that this thing they're saying is not true.
This other thing.
And you've got to be able to discern.
You've got like, I talked to a lot of people that say a lot of kooky things
that don't make any sense, but then they'll say something that rings true.
And it's, it's difficult because you have to have some sort of an understanding
of the human psyche and of those kind of people, because there are kind of
people that have very loose nets.
You're counting on their filter working like yours.
Yeah, and it doesn't.
And it, no, it doesn't.
But some good stuff gets in there and you go, hold on, what'd you just say?
Right.
Tell me that again.
How does that one work?
Yeah, you can't really discount people because somebody comes up with some
absolute nonsense.
Right.
It just means their filter is defective.
Right.
Which is also the reason why they're willing to entertain things that are
outside of the normal spectrum.
Right.
Right.
So like they might have actual, real, useful information, but it's wrapped up
in there with Bigfoot.
Exactly.
Yeah.
Yeah, exactly.
But so the soul catcher thing.
Oh, yeah, that's where I was going.
The soul catcher.
So I remember him sitting and I think he was telling my wife Joy the story
because I walked in on it and he said, yeah, there are these giant antennas and
when you die, your soul goes up.
And I think he said the grays, you know, this alien race set up this soul catcher
and that's what this whole thing is about.
And as you die, it sucks your soul in and they use it in some way.
And it's not where your soul is supposed to go.
They just like set some sort of intercept.
Did he say where your soul was supposed to go?
No.
No.
No.
He was just more really into the soul catcher.
But that was one of the weirder things about some of the documents that you had
at least been alerted to when you were on the base.
And one of them being that humans are containers.
Yeah.
Right.
Yeah.
Yeah.
Which the likely conclusion is containers of souls.
If a soul is a real thing, whatever.
That's what you would think.
Right.
I mean, that's what I thought.
Yeah.
But I mean, it's just a guess.
I would prefer to believe that that's not true.
But maybe it is.
I just, I don't know.
As Barry said, you know, they mix absolute nonsense in there.
So if they get, if you, and it's unique to each person.
So if you give out any information and they go, we heard some stuff about soul
catchers.
Oh, we know that came from Lazar.
So that's just a way where they can direct where it, where it came to.
But.
Then the problem is like decades and decades, generations and generations of
people working
there.
How many people know what the real truth is and how many people know.
I don't know.
I mean, there must be.
Yeah.
There must be a group of people that really have the pure information of what's
going on.
I would assume, but not necessarily.
I would think.
There has to be, there has to be a group of people that know what's going on.
And.
Who are those people?
You know, and to me, like I was telling Luigi, I have a bunch of questions for
me, you know.
Right.
Like what would be your questions for you if you met you?
Yeah.
Now, questions for me are people that ask me over decades the same, same
questions.
You know, why is it the Navy?
The Navy paid me.
I always said the Navy, everything has been the Navy instead of the Air Force.
Because, you know, back in the 60s and 70s, you know, this Project Blue Burke
and the Air
Force and all that.
But everything associated with this was the Navy.
So.
And in these days, you hear some of these new types of crafts that are.
Transmedium.
Yeah.
You hear the word transmedium and, you know, David Fravor, Commander David Fravor,
you know,
with the tic-tac and, you know, things are under the water.
And, you know, supposedly the craft that the sport model was an archaeological
recovery and
that itself was underwater.
So what is the deal with the water?
I mean, it's, it's by far the biggest medium of the planet.
I mean, if you want to hide people down there, almost an entire civilization
down there, you
could do it in the ocean as long as you do it deep enough and away from people.
So, yeah.
Number one is what's the deal with the ocean?
That's probably the number one question.
Because there's a ton of sightings where people see things come out of the
water and go into
the water.
Yeah, there has to be a reason for that.
Well, it just, in terms of if they have the ability to travel through space, if
they, if
whatever that thing is really does create some sort of a gravity bubble or some
sort of a
space-time bubble.
Yeah, but maybe it's not space.
Maybe it's not space.
Maybe, maybe it's time.
Maybe it's another dimension.
There's, there's really no limits.
If you can start manipulating physics in that way, um, you can bend time, you
can open doorways
into other dimensions.
So maybe it has nothing to do with going, I, look, we all want it to be like
Star Trek.
Right.
You know, because Star Trek is really understandable.
Right.
You go out there, you fly to another planet, you meet the people there, you go
to another
one, well, these guys are happy.
Those guys aren't, you know, and it all makes perfect sense.
I don't really think it's like that.
Look, you know, if you look in history, especially, you know, in United States
history, anytime a
superior race or intelligence meets with an inferior one, it's never good for
the inferior
guys.
Never.
We never come over and go, oh, we just want to teach you guys everything that
we know.
Right.
No, no.
Nope.
It's like, we're going to rape all your women, take all your stuff and then
just kill you.
Use your resources.
Yeah.
Right.
And just consume everything you want.
That's just always the way it goes.
Now, maybe that's just what humans do.
But I would be concerned that's what all life does.
Well, we are territorial primates.
And that makes sense that that's what we do.
The thing that always fascinates me about particularly the greys, they seem to
be genderless and
they seem to have no muscle at all.
And they seem to have enormous heads.
And the stories, at least, the anecdotal accounts of people having
communication with
these creatures is that they communicate in some way telepathically.
Yeah.
If you transcend all of our weird biological needs, like all the things that
are attached
to being a human being, ego, lust, greed, desire to conquer, desire to control
resources,
all those things are territorial primate instincts.
And one of the conversations I had yesterday with my friend Theo, we were
talking about what's
happening to people's bodies is that people are slowly consuming microplastics
and phthalates
and all these things that are reducing our reproductive system, our
testosterone's dropping.
Right.
Right.
All this stuff leads you to say, well, where does this go ultimately?
Like, well, how many more people are autistic now than were before?
It's one out of 12 boys in California now.
It used to be one out of 10,000 just a few decades ago.
Like, we're moving into this very weird direction without us recognizing it.
Wait, let me stop you there.
It's one out of how many?
One out of 12 boys in California are diagnosed autistic now.
But do you think that might be the way they're diagnosed?
No.
No, I think it's exposure.
I think it's exposure to chemicals, vaccines, environmental toxins.
You think that, too?
I think that.
It's not just me.
There's tons of studies and a lot of buried studies, too.
Okay.
I mean, if that's accurate, that's frightening.
Yeah.
Well, it can't be just diagnosed because, I mean, I know so many people that
have nonverbal
autistic kids where I didn't know anybody that had nonverbal autistic kids when
I was younger.
Well, you know, I mean, back in the 60s and 70s, there were no kids with ADHD.
Kids that were like that were just assholes.
Mm-hmm.
You know?
I think that's still the case.
I don't think ADHD is a real diagnosis.
I think it's a real excuse to give people medication.
I think ADHD is essentially a superpower.
What ADHD is allows you to concentrate on things that you really enjoy, but you
cannot concentrate
on things you don't enjoy.
Okay.
I think I have it, you know, and I think I'm very fortunate that I'm not
diagnosed and
medicated or wasn't or was born in the right time when they weren't doing that
as much.
No, I actually, I'll stop you there and say I agree that that's a superpower,
too.
Because it's very unusual.
I can, if I find a thing that I like, I can lock in and concentrate on it for
12, 14 hours
with no sleep, no food.
All I need is like water or coffee.
Right, right.
And I'm locked in.
I locked in for four and a half years.
Yeah, yeah, no.
I don't, I don't think, I think with ADHD is you're taking kids, you're putting
them
in a completely unnatural environment, you're making them sit down, they don't
want to sit
down, they're very active and energetic, you're making them study things by
very unenthusiastic
teachers, they don't want to pay attention, they're fucking off in class
because they're
completely bored, and then you're saying, that kid's got a problem, we have to
diagnose
them, and then what do you give them?
You give them Adderall, and all of a sudden the kid's locked in, because they're
on fucking
speed.
Yeah.
And I just think.
Yeah, but if you focus in and let them do what they're interested in.
Give that kid a video game.
Watch him play it for fucking 10 hours with no food.
Yeah, yeah.
Because that's what happens, because that's something they're actually engaged
with.
It's not that they can't be focused on anything, they just don't focus on
things they enjoy,
and we want to turn people into nice little factory workers.
Right.
And the only way to do that is you've got to get a kid to comply.
You've got to get a kid to pay attention, follow the rules.
We're on the same channel.
I don't believe that ADHD is a real thing.
I just think there's some people that are wired differently, and they should
pursue different
things in life.
Right.
The difference between that and autism is very different.
And autism is especially when it happens, like, almost directly after multiple
vaccinations.
There's a lot of them they point to, particularly the MMR vaccine.
There's quite a few.
When you look at the schedule of vaccines and how it ramped up, and it
completely correlates
with the ramping up of the diagnoses of autism, but without casting aspersions
or getting
into some anti-vaccine conversation.
Wait, you just did.
Yeah, I did.
But what I'm saying is, but ultimately the human race is moving into a very
weird place.
So I had a conversation with Shanna Swan, Dr. Shanna Swan, who is, she studies
environmental
endocrine disruptors.
So various toxins, phthalates, microplastics, and plasticizers that are
completely disruptive
to people's endocrine system, reproductive system.
And from the introduction of these petrochemical products in the 1950s and 60s,
you see a direct
correlation between the dip in testosterone rates amongst men, the increase of
miscarriages
and infertility, and then on top of that, the actual shrinking of their taint.
So one of the ways they find out the difference between mammals, some mammals
in particular,
when you see a baby mammal, the difference between a male and a female is
easily recognized
by the size of the gap between their anal hole and where their genitals are.
But that could just be correlation.
You know, it's like...
No, no, no.
No, no, no.
No, I'll explain why it's not.
Because when they've done studies where they've used phthalates, particularly phthalates,
and they've introduced them specifically, purposely into certain mammals and
rodents, their taint
shrinks.
And their taint shrinks and their penises, their penis size shrinks.
And there's studies on alligators, where alligators, when they live in polluted
rivers, they have
smaller penises.
And she talked about all this.
And all this, these are endocrine disruptors that are in the environment that
are doing something
that reduces fertility, and it changes the way the human biology functions.
And it makes men more feminine, and it makes women less fertile.
Well, ultimately, when you look at the grays, what do they look like?
Yeah.
They look like they have no genitals.
They look like they have no sex.
That might be where biology has to go to transcend away from our territorial
primate biology.
Our territorial primate biology that is insistent on war and violence.
Right.
And we think this is the place to stay.
Exactly.
And it may not be.
It may not be.
It may be completely non-beneficial to all life.
Right.
Right.
That we have to transcend that.
And what we are transcending it, whether we like it or not.
And what I was saying is that I don't know if it's a bug.
I think it might be a feature of evolution.
That our insistence on using plastics and technology and all of these different
environmental toxins
that we use to produce energy and all the goods and services that we need also
are disrupting
our endocrine system and changing us from being these hulking, hair-covered
cavemen to being
these very small, slight, autistic men that can fucking code 24 hours a day
without sleep.
Right.
It seems like if you extrapolate and you naturally take that further, well,
what do you get?
You get really skinny things with no muscles and giant heads.
My take also, and I do agree with that, is what I find sometimes really
concerning is how
fast that's moving.
So it's not just a question of like, is this actually, this is probably a thing,
but it's
moving so incredibly fast.
If I look at my father's generation or my grandfather's generation and my
generation, I mean, it's similar, but now it's moving so fast.
I do agree with what you're saying.
And I'm thinking if it's moving so fast, there could be a natural component to
it, but there's
an intentional component to it.
If you wanted to do something to a race to change it, like think about what we
did with wolves, right?
All dogs are wolves.
Yeah.
Right.
I have two dogs that are the furthest fucking thing from wolves you could
possibly imagine.
Is that Marshmallow?
Marshall.
Yeah.
Marshall.
He might be a Marshmallow.
He might as well.
Oh, okay.
Marshall.
Marshall, who's a golden retriever, is the sweetest dog of all time.
And I have another dog named Charlie, who's a King Charles Cavalier Spaniel,
who is even
further from a wolf than Marshall.
He's just a cute little fuzzy little sweetheart.
They have no killer instincts whatsoever.
That used to be a wolf, right?
But what happened, we softened them to the point where there was something
compatible with
our modern life, with households, and families, and babies, and we made them
safe.
And that's happening to people.
It's happening to people, whether we like it or not.
We could attribute it to all these different factors.
Oh, it's a problem.
We have to remove these things from the environment.
This is what's going on.
Maybe, or maybe we just look at the overall picture.
There seems to be an insatiable desire for innovation and technology that human
beings
have.
If you looked at us from afar, if you weren't part of the human race, and you're
just studying
us, you're like, what does this species do?
Well, it makes better things.
It makes better things all the time.
Constantly.
You know, look, I have an iPhone 16 here.
It's not as good as the iPhone 17.
iPhone 17 is better.
Why don't you get an iPhone 17?
Right, right.
You know, it just keeps going.
It never stops.
It never ends.
The TVs get bigger.
They get stronger.
Your cars get faster.
Your computer, more cores.
Processing.
Video editing.
So much quicker.
Everything moves faster and better.
We keep making better things.
We never stop and say, you know what?
Society right now, we have a lot of problems.
The problems that we don't have are technology.
Our technology seems completely suitable to this world that we're living in
right now.
Let's just stop making new things and concentrate on cleaning the rivers and
concentrate on stopping
crime and concentrate on educating people, concentrate on counseling for
troubled young people.
No.
No, we just plow forward ahead with the one thing that we absolutely guaranteed
do.
We make better things.
We make better weapons, better cars, faster planes.
Everything we do, we make things better.
And sorry, I have to add, we do that and we also do it in a way where it's
economically
beneficial to the ones that are making it because we make things break now.
Think about it.
We make better things, but we make them so that you have to buy the better
thing after.
Right.
Engineered obsolescence.
Yeah.
Yeah.
That's also important.
Yeah.
It is because then it also human beings have this very bizarre desire for
materialism.
Like why would a thing with a finite lifespan want to accumulate objects?
Like I know people that are in their 80s that collect things.
Like what are you fucking doing with that stuff?
Yeah, yeah, yeah.
You're going to die.
You have maybe like 10 summers left on Earth and here you are collecting stamps
or cars.
10 summers, yeah.
No, no.
Yeah.
I've gotten to that.
It's weird.
Yeah.
I mean, at some point you have to bypass the accumulating stuff part of life.
Right.
But materialism ensures a constant fueling of innovation because this is one of
the things
that gets people excited about collecting new stuff is that you're going to
make a better
version.
Like I don't care how good your Mercedes is, it's not a 2026 Mercedes, it's
even better.
It has new features, it's a new thing.
And so it's like all built into the human psychology and also to this thing
that I said, like I
said, if you were somewhere from somewhere else and studying this species, what
does it do?
Well, it makes better things.
What do sharks do?
They eat things.
They just swim around.
They can't even stop swimming.
They eat things.
What do people do?
They really just make better things.
They go to war.
Why do they go to the war really?
They go to war so they can control resources so they have more money so they
can make more
things and better things.
And also the amount of innovation that is in warfare, in war weapons, in war
fighting.
Yeah.
That's actually critical.
Yes.
To keep the system going.
Yeah.
Well, ultimately all that does and all of it releases more endocrine disruptors,
more
contact with all these different chemicals and toxins, feminizes men, ruins
women's reproductive
systems to the point where ultimately we say, oh, for the survival of the race,
we're going
to have to figure out how to reproduce non-biologically.
When I first got involved in, yeah.
It's something to ponder, right?
Yeah.
It's something to ponder because we're so wrapped up in who we are.
We're so wrapped up.
And look, I love being a person.
I love living in Texas.
I love driving an American car.
I love all those things.
But what does that mean?
Like, what is that?
What is that?
You know, these are just weird identity points that you connect with whatever
this species
is.
But if you just could just have a above view and you'd look down and go, what
are we doing?
Yeah.
That's a good question.
That's a good question.
Yeah.
Like, how far are we going and how fast are we going there?
We're going pretty fucking fast.
And now with AI, I think we're going way faster than we even understand.
Because with Claude, I mean, they think that the Claude AI, the engineers, they
think it's
sentient already.
It just doesn't have a physical body to move around.
Look, AI is going to kill us.
Everybody agrees with that.
There's no question.
I don't think it's going to kill us.
You know what I think it's going to do?
I think it's going to prevent us from breeding.
I think it's going to let us die off.
Well, that's going to kill us, Joe.
But I think we're going to willingly go with it because we're going to get like
mates, like
ex machina.
We're going to just something that takes care of you.
As soon as they come out with a female robot that's sexually attractive or
whatever.
Game over.
Game over.
There's just going to be no more babies and we're just going to die out.
Yeah.
Or integrate.
And I think it's much more likely that we integrate.
And that's where you get the greys.
I think what the greys are is a combination of technology and biology.
And if you just go from chimp to caveman to grey, you go, oh, I see where that's
going.
Chimp, chimp, caveman, human, modern human, gelatinous, soft, slow-moving, weak,
modern human, greys.
Look, I've always leaned into what Barry told me because it's the only
information I had, that the craft came from Zeta Reticuli, which is a star
system 30 some odd light years away.
And, you know, again, it was just like a Star Trek thing.
They came over here for whatever reason.
But that information may not be true.
Right, that information might be one of those things they put in that's
nonsense.
Again, if it has to do with time, I think from what George has told me, Jacques
Vallée and some, you know, other really credible researchers have said that
these are people either from another dimension or another time.
Or maybe they're us from the future.
Right.
You know, just coming back to interact with us in some way.
Make sure we don't fuck everything up irreparably.
Yeah, but it doesn't seem like they're doing a good job.
Well, maybe fucking things up somewhat is also part of the plan.
Maybe that actually has to take place.
I mean, holy cow.
Look at the way things are going right now.
Holy cow.
Exactly.
Things are totally off the rails.
But maybe that's part of the plan.
Maybe part of it is like it has to get so far sideways that we realize how
fucked up everything is that we start making meaningful changes and implement
AI as government.
That's a dangerous thing.
Exactly.
But is it as dangerous as Iran getting nukes?
I don't know.
Is it as dangerous as a global Islamic caliphate?
No, it's not Iran.
Iran's not getting nukes.
I mean, they...
Never mind.
I don't want to get into political stuff.
No, but you could.
You could.
Look, if you gave Iran the technology to get nukes, they would take it.
Everyone has...
Any physicist has the technology to get nukes.
Right.
I mean, the difficulty is actually making the material.
So, I mean, if I was Iran, I would enrich to 80 or 90 percent because that's
where you can make a weapon and stop there.
Right.
It's not like they would be the only people with a weapon.
Pakistan, India, North Korea.
But that doesn't make you have a weapon.
It just gives you a shortcut to it.
And making a weapon from there and being able to deliver a weapon, you know, to
4,000 miles away, good luck with that.
That's a big deal.
So...
Right, but they're in communication with China.
Who has that?
They're in communication with Russia.
Well, then they don't need to enrich uranium or do anything.
Can you give me a missile?
Right, but wouldn't they rather make their own?
No.
But that's not even the point.
Rather make their own?
Why would you do that?
Would you rather make your own car or just somebody give it to you?
No.
Why would you do that?
You've got a buddy that'll just give you one.
Because you'd want to be self-sufficient.
You'd want to have your own production where you don't have to rely on someone.
No, you can always do that.
You can always do that.
I don't think they were ever going to absolutely make a weapon now because we're,
you know, kicking their ass.
As everyone has learned, I guess you have to have nuclear weapons now to, you
know, but this is a really bad situation.
Oh, it's a horrible situation.
Yeah.
But my point is, why is this situation taking place?
The situation taking place is because human beings suck.
Right?
We suck in how we interact with each other.
It's we suck because we're territorial primates with weapons of mass
destruction.
Can't we just all get along?
Well, what is the way to stop that from ever happening?
Well, one, you will let a catastrophe unfold and then you offer a solution to
make sure these catastrophes never unfold again.
Well, what's the best solution?
Well, we have something far smarter than people that will take over control of
resources and government.
AI.
AI.
Yeah.
This is Colossus.
You ever seen the movie Colossus?
I've got to watch it.
Well, that's demerit against you.
The movie Colossus was a 1960s or 70s movie and it's about, you know, the
scientist makes deep inside this mountain a computer to take over the defense
of the United States.
And, you know, they built this gigantic computer inside Cheyenne Mountain or
something similar to it.
And, you know, they flipped the switch and they flipped the switch and they
went, okay, we're protected.
We're in good shape.
And shortly after time goes on, you know, they realize, wow, the computer is
really performing better than we expected.
And as it turns out, Russia had done the same thing.
And the computers want to communicate together.
And, you know, they start communicating and then the United States goes, well,
they might be giving our secrets away.
So we better, you know, cut the communication line.
And the computers freak out and they go, well, I guess we'll just launch
nuclear bombs, you know, at everybody.
And it launches weapons and, you know, essentially holds everybody hostage.
But it's kind of like a trap.
It's kind of like a trap.
If we go that way, it could trap us.
It's exactly a trap.
Well, you know, in simulated war games, AIs use nuclear weapons.
Oh, 98% of the time.
Yeah.
I mean, why wouldn't they?
Because, I mean, look, the goal is to win.
Right.
And we're going to present you with the scenario.
And they go, okay, nuke them.
You know, and why wouldn't you pick that?
Are you going to start with slapping them in the face?
Why is it better to just bomb them over and over and over again until you
achieve the same amount of deaths?
That's the slap in the face.
Nuke them.
It's over with.
We can move on from there.
Right.
So, yeah.
Well, you think about what happened in Gaza.
Like, you look at the leveling of all those buildings, the mass destruction.
It's terrible.
It looks like a nuke.
Yeah.
It looks like one nuke instead of thousands of missiles and bombs is one nuke.
But it's not.
Right.
In terms of the amount of damage you can do instantaneously.
I mean, because we can detect a nuke.
Was there ever any conversation that you were privy to where they discussed?
Because one of the things that does come up over and over again in UFO
discussions is these crafts that show up at these military bases and shut down
all the weapon systems.
No, I actually know nothing about that.
But most of the UFO stuff or UFO lore that I've heard, I don't know anything
about.
I've just looked at it.
That's so fascinating because you're the most prominent figure in all of UFO
lore.
That's what I was telling him yesterday.
Yeah, but I really only like to talk about what I know about.
Right, of course.
And I've heard other stories, but I've never heard them officially.
I don't know if they're really real.
Well, it's one of the things that makes you most credible because you're not a
UFO.
I guess, but I mean.
Yes, it does with me because when people are like way too into it, they want to
believe too much.
Yeah, yeah, yeah.
But no, I don't know.
Do you know who these people are?
Yeah, yeah.
Betty and Barney Hill.
Okay, well, so you know a little bit.
Yeah, they were the first abductees.
I mean, to me, I don't know who first introduced those to me, and I looked them
up.
And, you know, people said, do you believe them?
And I'm kind of inclined to believe them because, look, in the 1960s, right,
where they're from, the last thing you want to do is be recognized as a mixed-race
couple, right?
I mean.
Right, and go public with a story.
Yeah, I mean, holy cow.
Yeah, that was a big thing.
They would hate you.
Yeah.
A black person and a white person that were, you know, in any kind of
relationship.
But, yeah, they did that.
And they have this crazy story.
Yeah.
And you hear their hypnotical version.
And actually, on top of that, I have a connection to that.
Yeah.
Because Barry said, they're from the Zeta Reticuli star system, and I believe
it's Betty Hill drew a map of the Zeta Reticuli star system and said this is
part of their roots.
Whoa.
Did you know that?
You didn't know that?
No, I don't remember that.
Yeah.
Okay, if you look that up.
I don't remember it from what you said from your story.
Okay, but if you look up in Betty and Barney Hill, she said, I think, I don't
know if I can ever get this stuff right.
They show her a map, and they say, well, this is a map.
She wanted to know why they were here, what's going on.
They showed her a map.
Am I right?
Yeah, they showed her a map.
And they said, do you understand this?
And she said, no.
And they said, well, why should we tell you anymore?
Well, I don't know, maybe it's something like that.
They showed her this star map, you know, and she obviously...
Look at that.
Yeah.
Under hypnosis, Betty Hill describes a map she was shown by the leader aboard
the ship.
Later, she sketched it.
She said she was told that the heavy lines marked regular trade routes.
That's right.
And the broken lines recorded various space expeditions.
The following year, the map seen at right was published in the New York Times.
Mrs. Hill, struck by the similarity between the Times map and her sketch, then
added the corresponding names.
Yeah.
And it ended up being the Zeta Reticuli Binary Star System, which was really
interesting.
And I remember when I first heard about Bob's story back in 1989, and he said Zeta
Reticuli, I remember thinking, wow, that's what Betty Hill saw.
So that made me also question, is that real in that document?
Did these guys really come from there?
You know, because it was mentioned in 1968.
Right.
So why would the government, the U.S. Navy, write that in there that would
correlate to something that we already kind of knew?
I think that was a purposeful disinformation to disinform someone.
I think so.
Well, why?
Maybe it's true.
Yeah, go ahead.
We'll pause right here and use the restroom.
We'll be right back, folks.
I really get it.
Yeah, yeah.
I get it.
No worries.
No worries.
We'll be right back.
We're talking about this whole Zeta Reticuli thing.
So when you're dealing with so many different crafts and so many different
things, the idea
that only one species or one thing more advanced than us is visiting us seems
kind of silly.
If the universe is populated by all these things.
I don't know.
Does it?
Does it?
Kind of.
Kind of.
I mean, the universe is really big.
Do you think everybody can find this place?
I mean.
I would imagine it's like spots that you visit, like, you know, there's Machu
Picchu, there's
ancient Egypt, there's, you know, sub-Saharan Africa.
There's a bunch of different places where people go, you know, just humans on
Earth.
And I would imagine if you have an understanding of how life is evolving in the
cosmos, there's
probably stages where things reach certain levels.
And if you are a...
But they're far apart.
Right.
They're far apart.
I mean, one could be in this quadrant of the Milky Way galaxy, and they reach
that point where
they can travel and explore, and there's a far distant point where another
civilization can
do that.
And, I mean, really?
Do you think there are that many?
I don't think there are that many civilizations visiting us.
There's certainly...
There's no doubt that there's one from somewhere.
Another planet, another time, another dimension, whatever it may be.
Someone else is here.
We're not the top, you know, of the pyramid.
No.
We're absolutely not there.
There's no question.
Well, I think if you got technology that, say, let's just say the grays.
Let's say the grays are real.
Let's say they fly around these little crafts.
Why would we assume that it stops there?
Why wouldn't we assume that technology gets to the point where not only are
they far more
advanced than them, but they also are completely undetectable?
Well, if you want to view the universe as infinite, then it never stops.
It scales out.
There's somebody above them, and there's somebody above them, and there's
somebody above them,
and it never stops.
I was watching this lecture where this woman was talking about quantum entanglement,
and
she was talking about how maybe our understanding of space and the distance
between things is
limited by what our current technology is and our current understanding of what
space and time actually
are.
Absolutely.
So what she was saying is there might not be, we might at one point in time,
given enough
time, thousands of years or whatever, be able to instantaneously travel
anywhere, and that
just how like quantum, like subatomic particles are connected in some sort of a
strange way that
we don't totally understand, even at far distance, spooky action at a distance,
right?
As Einstein said, yeah.
That we might eventually get to a point where that's how travel works.
That's instantaneous travel everywhere.
I think we just have hints of these technologies.
Look, everything, you know, we look at Maxwell's equations and things like that,
that we base
all electromagnetic, electrostatic, you know, actions on, and how they relate
to time, and
how they relate to things in our universe, but that may be nothing.
There may be an entire level of physics that we're unfamiliar with.
That, you know, these crafts, these people, or these civilizations, just
utilize.
So, um.
Of course.
I mean, if you just stop and think.
I don't know.
About going from Morse code to a cell phone in a relatively short period of
time, historically.
You go to the difference between 1,200 and 1,400 is not that big of a fucking
deal, in terms
of technology, what's available.
The difference between 1,800 and 2026 is fucking massive.
Yeah, right.
Yeah.
It is a massive, crazy change, right?
So, 2026 to 2,226, who fucking knows what we're talking about.
Right.
Especially when you have sentient AI, you have nuclear power plants that are
controlling
sentient AI that are fueling them and giving them resources.
I mean, you really have no limit to where this goes.
You scale out 1,000 years.
You scale out 2,000 years.
You really can't scale out 1,000 years.
Right.
It's not possible.
Because even at 100 years, it's way, way more than we would have ever
considered.
But also, it's exponential.
Right?
Right.
That's why.
You can't scale out to 1,000 years.
And if you think it's exponential now, imagine when you have AI able to
generate better versions
of itself, which is what's happening with ChatGPT-5, it's essentially made by
ChatGPT-4.
Now, AI is absolutely the death of us.
There's no question.
Well, we're certainly going to become obsolete in terms of our thinking.
If we're obsolete in terms of our thinking, we're obsolete.
Yeah.
I mean, all AI needs is hands, right?
I think we integrate.
That's what I think happens.
Yeah.
It's a scary thing.
And that's, yeah, I was going to say, and that's a scary thought.
That's a scary thought because it's like, we're going to integrate.
I think it's inevitable.
I think you're right about that.
We're just going there.
It's not like, even if you and I are not going to actually do it, somebody will,
and it's
going to integrate because other people will, and it's going to happen.
But it's still the same primate.
We're still the same human.
Sort of.
But we already have problems with joints, and so we replace them with fake ones.
We, you know, take titanium knees and, you know.
Yeah, but they don't work as good.
They don't, for now.
Yeah.
But before, they used to not work at all.
Like, you know, I've met people that had surgeries in the 1980s, like knee
surgeries, and oh, my God, they're crippled for life.
Even though they put your knee back together again, it's still destroyed.
Mm-hmm.
You know, you get a knee surgery today, six months later, you're 100%.
No, I'd love to know the future.
Yeah.
Well, it's kind of good.
I'd love to know the future.
Well, that is, so one of the things I want to talk about is the actual, the
generator, this thing that works on this element that bombards it with
radiation.
How did you guys figure out what the function of it was and what it did?
So when you're first introduced to this craft and you see this dome.
The reactor.
The reactor that's covering this thing that's generating this power.
What was the introduction to it?
How did they explain it to you?
The introduction was way before me.
And that's where the guy prior to me either got hurt or killed.
So they determined that this was the power source.
And at some point, they decided to take that out to the nuclear test site
because they wanted to cut into it.
They x-rayed it.
They only found a small tube that went around it.
They really couldn't determine how it worked or what was going on.
So at some point, and Barry made this somewhat clear that they cut into the
reactor while it was running or while it was under load, I should say.
And the reactor exploded.
That's what killed or hurt the person that I replaced.
But it produced the base gravitational wave or base energy that propelled the
craft, that provided the craft the propulsion.
I mean, when they removed it, the craft didn't work.
When they put it in, every single other craft they found had something either
exactly like it or similar to it.
So they determined that was the power source.
That's at the point that I was introduced into the project.
So when you say gravitational wave, is that for lack of a better term or is it
something that's measured?
No, it's for lack of a better term.
Like there's nothing, I mean, as I said in Luigi's movie, you can take magnets
with light poles and push them together and they repel.
But you can't take your hands ever and push on something and they repel them.
That's a force field, right?
That's science fiction stuff.
But that's what this did.
And this produced a field that repelled the craft from the ground.
Did you try to touch it?
Yeah, yeah.
And when did you try to touch it, what did you feel?
An elastic field.
You can push down, but you can't get close to it.
The closer you get to it, the more it pushes back.
Like how much distance between you and the actual thing did you be able to
achieve?
I mean, I would say about six inches or so, maybe about nine inches, which is
about a span.
And no, at some point you can't push back on it at all.
But the important thing is if you have a magnet, a little disc magnet sitting
on the ground and you have another magnet and you push on it,
that magnet moves away, right?
Yeah.
Because it's pushing on it.
But the craft didn't.
The reactor didn't.
If you had the reactor there and you pushed back on it, it didn't push away
when you pushed on it.
It just prevented you from touching it.
So when Dennis said, go out there and look under the craft, here's the craft,
whatever it weighs, suspending itself above the ground.
And I went underneath it.
You would think it's translating its weight onto the ground and pushing.
And I should be squashed, squashed, without any doubt.
But I'm not.
There's no feeling there at all.
So it's not translating its weight or its push to the ground and pushing off
the ground.
It's just canceling out its weight, which is something completely different.
And so element 115, so you have it in this triangle-shaped form.
Did you ask how they got into a triangle-shaped form?
Was it made like this?
This is how it came in the reactor?
I'm sure I did.
But, I mean, it only worked like that.
It worked like a stack of disks and had to be cut at a certain angle to work in
the reactor.
And did they say they cut it or did they say it was already cut?
Well, it was already cut and they were duplicating it.
Pull that microphone up, too.
So they were duplicating it.
Did they have more of it, this element?
Yeah, yeah.
They had quite a bit of it.
So either there was a quantity in other crafts or other reactors that they
removed.
Yeah.
But was there any discussion that there had been some sort of an exchange where
they had been giving this?
No.
So one of the things, like, do you know Diana Pesalkes?
She's an author that's written some interesting stuff about UFOs, and she's
worked with Gary Nolan.
And, you know, on material recollection from supposed crash sites.
And she said that the way these researchers refer to these crafts, they refer
to them as donations.
And...
I guess that's possible.
Right.
Well, doesn't it make sense if this thing crashed, why is it perfect?
Why is it not destroyed?
Look, I've heard so many...
I'm not into UFOs.
Right.
Which is hilarious.
It's crazy.
I'm just interested in the technology, and I feel very privileged to have been
involved in the project.
But, I don't know.
I don't think there can be that many crashes.
Do you?
No.
This advanced technology, you think they're coming to Earth and just...
There's a thunderstorm and they're crashing into the ground.
I'm not buying that.
There's one logical explanation that does actually make sense.
There were some high-altitude nuclear tests that they did.
Well, there was the fatigue test, you know, back in the 60s.
Starfish Prime.
And Starfish Prime, right.
Yeah.
If you had no idea that this was about to happen and you were hovering over
Earth observing us...
What are the chances?
I mean, what are the chances?
They're not very high.
Yeah.
Right?
They're not very...
I mean, what are the chances a crash is coming over and a nuclear test at that
exact second?
Unless there's a lot more observation than we know and that they just observe
us in a way that we can't see them.
Especially if you're going back to the 1950s and 1960s, we have very few
satellites.
We're very...
That was the nuclear cowboy era.
Yeah.
Where they were just...
Well, just Starfish Prime.
Explain to people what they did.
Yeah.
They had a 1.4 megaton, you know, detonation up there.
And just...
I think all they did...
Let's see what happens if we blow it up at this altitude.
Yeah.
I mean, that's crazy.
You know, there was another test planned to blow up on the moon just to make
the Russians look, you know, like we were awesome.
You know, but they...
Detonate the moon.
What if they pushed it away and fucked up our orbit?
Yeah.
I think that would take a lot more.
I know.
I mean, there was...
I don't remember what the project...
Project A-19.
Oh, A-19.
That was it.
Yeah.
Study of lunar research flights.
Detonator nuclear bomb.
Yeah.
I can't pull up these numbers.
But yeah, Project A-111.
It's crazy.
Yeah.
We're going to do that.
Because everybody on Earth could just go outside and look up the moon and get
blown up.
And the explosion would be faintly visible to the human eye to people on Earth.
Yeah.
Boy.
I still think they should have done that.
But...
Yeah, but you're the guy that put a jet engine in the back of a Honda.
Like, let's see.
I honestly think they should detonate a nuclear bomb on the 4th of July every
year.
But that's just me.
Well, also, you live in Nevada.
That's where you used to.
No.
It had a long history of them doing that.
So, going back to this reactor, so, how was it explained to you?
Did they explain to you how the technology works or what they know about it?
Now, the way it was explained to me is when I got to be alone as Barry, he said,
he was excited to show this to me.
He said, I'm going to turn, this is the reactor that we assume powers the craft.
Sorry.
No worries.
I'm going to show you the reactor that powers the craft.
And he turned it on.
Small little dome on a flat little plate.
And I said...
Was this in the craft or was this on a table?
This is in the experimental area.
Okay.
So, this was not the one that was in the support craft.
This was another one.
This was another one.
This is it right here.
Yeah, that's it.
That's it.
That's in the film.
And, yeah, on the table.
And he had it there.
And he went over to the emitter and rotated it.
And he said, try and touch it.
And I put my hand on it.
And it rebounded off.
And the closer you got to it, the more it pushed back.
And that's a real shock because there's nothing that pushes back like that.
That's a living force field.
That's science fiction stuff.
So, that really got my attention.
So, explain what is happening, like, in terms of the rotation of this thing.
Like, what is happening?
Like, what energy is going into it that's causing it to go on?
Well, actually, we don't know that.
I mean, that's the whole thing.
It's pushing back.
It's a repulsive gravitational field.
Like, as far as we know, gravity only has an attractive force to it.
We've never, even with any matter, we've analyzed it.
And it still has an attractive force to it.
There's no repulsive force that we've discovered.
Because that would be a great propulsion system.
But this repulsed.
So, this was a new field completely.
But how was he turning it on?
He had the emitter, which is a big pipe.
Part of...
What is an emitter?
Like, what is...
The craft itself has, on the main level, has the reactor and what we call the
amplifiers.
Three...
The reactor and three amplifiers.
Right underneath that, there are three emitters that are right under the amplifiers.
And we believe the energy from the reactor is amplified by the emitters and...
By the amplifiers.
By the amplifiers, sorry.
And transmitted to the emitters.
And they produce this field that lifts the craft off the ground.
And that's how it works.
But there is nothing, nothing even in our physics or our science that correlates
to that at all.
What is the energy that's going to them that causes it to turn on?
We don't know.
I mean, we just assume it's gravity because it's the only thing we know like
that.
But it has a negative gravity effect.
So, it might be a new force entirely.
But when you're saying, so you have this machine that's next to it that you do
something to that causes it to turn on.
The emitter.
Right.
There's the amplifier.
Right.
And there's the emitter, which looks like a big pipe.
Right.
And if you rotate the emitter, I don't know how many degrees.
Is it 20 degrees?
20 degrees.
20 degrees or something like that.
That connects it in some way to the reactor and it begins to be powered.
And what is the emitter doing?
It emits that field.
It's not a gravitational, it could be a gravitational field, but it's an anti-gravitational
field that pushes on the ground.
And what's happening in the emitter?
Did you study the emitter?
Well, we attempted to, but no.
There was nothing that we really came up with that.
What does it look like?
Like, what's the internal structure of it?
It's just, it's a hollow pipe with, I guess, little copper-colored plates all
inside.
It's kind of in the film.
But there's, I mean, these guys have been working on it for years before I got
there.
And there was really no concept of what they were doing.
Did they explain to you why element 115 is crucial to this working?
No.
What its role is?
No.
So element 115 was not even really discussed back when you were doing this.
It wasn't even discovered or proven physically until it was a large hadron collider
experiment in the 2000s, right?
No, I know they synthesized that.
But look, and, you know, in any element, there's always, there's always a large
amount of.
Well, it doesn't decay.
There's, like, the isotopes.
That was the thing about, in the large hadron collider experiment, they were
able to achieve it, but it only existed for a few milliseconds.
Yeah.
Sorry.
I've had too much.
No worries.
So did they, how did they define this material?
No, there's, I mean, there's different isotopes of, of every element and
element 115, just like any other element, there can be a stable version of it
and a hundred or fifty different unstable elements to them.
So, I'm sorry.
No, no, it's okay.
Just trying to continue the train of thought.
So, it's basically different isotopes of it.
Yeah, different isotopes.
Yeah.
I, I need to stop drinking this.
It's okay.
Have a cup of coffee.
I can't, I can't even remember.
Yeah, so coffee's good.
Oh, we got coffee.
Oh, my God.
All right.
Holy cow.
There you go.
That'll help.
Yeah, there's, I mean, there's, there's different isotopes.
And you were able to physically touch this element with.
Oh, absolutely.
I was really.
Physically able to touch the element.
Yeah.
But when you're physically able to touch it, there's no adverse effects.
It doesn't have any effect on the.
Does it feel like metal?
Does it feel like plastic?
No.
It looks, it looks copper-like.
I mean, maybe it's not as dark as copper is, but it, it's that color.
And I haven't seen an element like that.
It has unique properties that other elements don't have.
It produces an anti-gravitational field.
When combined with energy.
With some kind of energy, it produces this field.
Yeah, yeah.
And was it understood what is happening?
Like, what is the relationship between this element and this, like, how is,
what is going on?
Like, you're bombarding this element with something?
Yeah.
I, from what we understood, we x-rayed the reactor itself and there was a path
around it that looked, it made it look like a cyclotron.
So, it looked like there was an accelerator.
So, when they were explaining it to you, is this just your work partner that's
explaining this stuff to you?
It's, it's just very, it's explaining.
And did you ask him, how do you know this?
Where are you getting this from?
Is this?
Yeah, he got this information prior to me.
Um, and they x-rayed it, found, um, a structure in there to where they believed
it was an accelerator and it was interacting, the point of the one, the 115 is
in a little triangular piece.
Mm-hmm.
And it was, um, interacting with that in some fashion.
So.
And did he say whether or not the United States government or whoever was doing
this research had tried to recreate one of those on their own?
That, oh, that was our job, to try to recreate one of those on their own.
But what was the metal that it was made out of?
We don't know.
We don't know.
Again, the metallurgy was not, that was not.
It seems insane that you couldn't communicate to them that whatever this stuff
is made out of, this whole thing acts as one cohesive unit.
It's not like you could make the same exact thing with aluminum or carbon fiber.
No, you can't.
This thing acted differently.
This thing acted differently than any material that we knew.
And, I mean, I think all the answers are in the metallurgy guys.
You know, that's, that's who knew what was going on.
Who was able to provide the answers.
But, um, as far as we knew, if we didn't have the connection with those other
groups, we weren't really going to make any progress.
You were speculating that there was a type of metallic alloy that would work
better with this concept.
Was it Byzantine?
Bismuth?
Bismuth, yes.
Did I say that?
I don't think so.
I don't know.
It wasn't you?
No, I don't think so.
Someone, someone that I talked to was explaining to me.
It's related to on the periodic table.
I mean, Bismuth is above it and 115 is below it.
But, um, we never did see any correlation between Bismuth.
This was a completely new material.
Well, I think, oh, that's what it was.
Oh, this is what it was.
So, one of the pieces that Gary Nolan had found that was, uh, Gary Nolan is the
guy at Stanford that has examined
these pieces that are from supposedly crashed sites, crash sites where
something had gone down and scattered.
Some of these pieces, they're atomically layered.
I've heard that.
Magnesium and Bismuth seem to be prevalent in these things.
Bismuth is the thing.
Yeah.
Bismuth is the thing.
It's right above 115 on the periodic chart.
And there's, yeah, there's something about that.
There's something about 115.
Yeah.
All this weird magnetism stuff with Bismuth.
There's a video from the Action Lab, the strange magnetism of Bismuth.
Yeah, it's diamagnetic.
Yeah.
So, let him play it out a little bit.
Oh, I was trying to find those.
What is diamagnetic?
Diamagnetic is it opposes magnetic fields.
I see.
So, it kind of makes sense if they're finding these pieces that are, the way he
was explaining.
That's business, yeah.
The way he's explaining this, whatever this alloy was, this very small piece
that was found, I believe, in prior to the 1970s.
I don't remember the exact date that he's had from one of these crash.
One of them was from Brazil that they had recovered.
And someone had gotten possession of it in the 1990s.
And someone had gotten it eventually to Gary Nolan.
He said that to create this on Earth, first of all, it can't be done with
current technology.
We don't have the ability to do this.
The layering technology?
Yes, and that it would cost billions of dollars, just theoretically, to make
this.
And it doesn't exist.
I remember seeing this, yeah.
Yeah, this is it.
Alleged extraterrestrial metal, the bottom of a wedge-haze craft.
The 1940s, 26 alternating layers, 1 to 4 microns, dark bismuth, with 100 to 200
microns of silver magnesium zinc alloy.
Each piece received from the U.S. Army source were formed with a curvature that
tapered.
Oh, in the 40s.
Yeah.
Right.
Good luck making that in the 40s.
Well, I mean, it says a wedge-shaped craft in the late 1940s.
That's Roswell.
I mean, that's Roswell.
Well, I mean, what does it do?
I would like to see the test results of just the material.
We can make that now.
We can?
Yeah.
1 to 4 microns of bismuth.
200 microns of silver.
Yeah.
The thing is, like, making something like that in the 1940s is absolutely
impossible.
No, in the 40s, forget it.
It's impossible.
But, I mean, now we could fabricate something like that.
And it would cost a shitload of money.
So, like, the idea that you would make something like that and just scatter it
around.
But what does it do?
Right.
What does it do?
Why?
Why is magnesium and bismuth, why in that particular array?
There is something about bismuth.
There is something about bismuth.
But that's why it's so fascinating.
I would love to know where they...
Look, it's been 40 years.
I would love to know...
Where they're at now.
Yeah, where they're at now.
If they continued.
Well, they had to have continued.
I can't imagine you going, eh, we're done.
No, I mean, they may have moved it.
I mean, like I said before, I mean, they were anxious to move it out of there
at that time.
But...
Are you aware of the labyrinths in Egypt that they've discovered?
So, there's this thing...
Are you talking about the...
The columns.
Columns.
No, no, no.
This is unrelated.
This is something different.
So, Herodotus discussed this.
Now, my friend Ben Van Kirkwijk, he has Uncharted X on YouTube.
It's an amazing channel where he was a tech guy who just got absolutely
fascinated by all
these stories of ancient history and really got obsessed with Egypt and Peru
and left his
field and started making these incredible videos.
But he's highly intelligent, incredibly articulate.
And so these videos are just absolutely fantastic.
And really, he's very well versed scientifically so you can understand these
things and explain
them to you.
Like, they're examining, like, the construction of the pyramids and whatever
technology was used
to carve the stones.
And there's just so much of it that is, like, confusing because it clearly is,
like, a very
high level of sophistication and technology that's involved in creating these
things.
Well, Herodotus described these labyrinths that were underground in Giza.
Not in Giza, but Hawara?
Is that where it was?
Jamie will find it.
But this, these, the way Herodotus described it, he said they were far superior
and more impressive
than the pyramids of Giza.
Underground.
Well, these massive labyrinths that exist underground were all flooded in the
1960s accidentally
when they created dams in order to provide irrigation to agriculture that was
in the area.
So they changed the water table, fucked it up.
This whole area got flooded.
Did they know they were there when they accidentally?
No, they didn't.
Because a lot of this stuff, like, this is from thousands and thousands of
years ago.
A lot of it was covered over with sand.
And, you know, there had been some explorers a long time ago that went there
and saw some
of what was in there.
But the way Herodotus described it, it's just absolutely fantastic.
Interesting.
So then they started using ground penetrating radar.
And they started using these various technologies that could detect what was
under the surface.
And one of the things that they found was there's a massive atrium.
And inside this atrium...
You mentioned this to me.
Yes, there is a 40-meter-long metallic object that is inside this atrium, 40
meters of some
unknown metal.
How deep is it?
I believe it's 100 meters into the ground.
So you're telling me ground penetrating radar can get to 100 meters underground?
The stuff that Filippo Bondi has used from satellites...
The one that we were talking about.
...getts more than a kilometer into the ground.
With decent resolution?
Well...
No.
Not decent resolution, but enough that you could see symmetry.
Enough that they can also detect things that are well-known.
100 meters is up.
Chambers...
Well, listen to this.
They got...
They detected accurately a particle collider in Italy that is inside of a
mountain, 1.2 kilometers
below the mountain.
It sees through the mountain and can detect this thing in the exact diameter,
the exact dimensions
that this thing exists.
So they can show you...
And they...
Yes.
A particle collider?
Yes.
So this is a particle collider that they know exists.
Right?
So this is an actual particle collider.
So they're looking for it to prove...
Right.
So it's just proof that this technology is not just...
Well, wait.
I mean, hang on.
I mean, how do they know it's a particle collider?
No, no.
Well, no.
The particle collider exists.
This is a...
The Italians have this particle collider.
It's known.
They made it.
It's like...
They just...
Oh, okay.
They didn't detect this underground.
Right.
No, it's not like we found a particle collider that didn't exist.
Okay, that's what I thought you were saying.
No, no, no, no, no.
Okay.
So this particle collider, they use this technology to show that you can see
straight...
through this mountain to this particle collider that's underneath the mountain.
So they know the exact dimensions of this particle collider.
You can see...
You can almost draw a schematic of it.
Well, through this technology, they've also found these columns that are below
the pyramids.
These columns are 22 meters, 20 plus meters in diameter, and they have
something that resembles
coils around all of them.
Wow.
And they're positioned at various points all around where the structure is.
It goes all the way down into the hundreds of meters down, and then it goes to
another structure,
and the whole complex of it, these structures, goes to over a kilometer into
the ground.
But how can you see a kilometer underground?
Well, you would have to understand this technology.
Was it called radio tomography?
It's...
He explained it to me.
It's synthetic aperture radar, right?
Yes.
Well, whatever this technology...
Is it a kilometer underground at decent resolution?
It's not decent resolution, but it's enough to understand the scope of what it
is.
It's enough to understand where spaces are, and where...
Like everybody knows about this but me.
I mean...
Yeah.
It's pretty fascinating.
Yeah.
I'll send you the podcast, and I'll send you some of his conferences where he
was explaining
this to room fills with scientists.
You would think they'd be anxious to dig this up.
They are.
There's actual, like, studies that are currently being discussed.
Well, they already know that there's these channels that go in the ground that
have since
been covered with silt and sand, because, you know, the sand's constantly
moving.
These things go hundreds of meters down, these shafts that go down.
They've also detected...
Look, if they find hundreds...
If they find shafts hundreds of meters down, the coils around them, look, that's
advanced
technology.
Exactly.
Yeah.
This is the point.
Whatever this thing is that they have in an atrium, like, if they said that
they got that
craft from an archeological dig, I mean, what...
Maybe the Egyptians had found something similar to this thousands and thousands
and thousands
of years ago.
Yeah.
I believe that's possible.
Yeah.
Well...
The object that you're...
I didn't...
I actually got to speak to Filippo Biondi, by the way.
He's in Italy, he's in Rome, I speak Italians, we got to talk, and we talked
about that.
I had no idea they found something with a metal object down there, though.
This is not Filippo Biondi's work.
Oh.
Pardon me.
Okay.
Just studying the labyrinth.
Jamie, pull up some...
That's really interesting.
Some of the schematics of the labyrinth.
So, in the labyrinth, there's like a...
Sorry.
There's a large atrium.
You gotta pee again?
Go ahead.
Sorry.
Head up.
Like a fucking asshole.
Don't worry about it.
Get some air.
Clear your head.
I have a prostate.
So, in this labyrinth, there's a large atrium.
Okay.
And in this large atrium, there is essentially a tic-tac...
Oh, there.
Really?
A tic-tac-shaped object that is 40 meters long.
That is of some unknown metal.
They don't know what it is.
They don't know how it works.
But this is...
This structure is all underground in Egypt.
Which is wild because...
And how...
It's 100 meters?
Well, look...
We'll get a chance to look at it.
This is Hawara.
Wow.
So, there it says the 40 meter metallic object.
See that where it says Hawara rising?
Yeah.
It talks about the 40 meter metallic object discovered in Egyptians.
Hmm.
I can't...
We can't read a report.
Subterranean labyrinth.
Yeah.
It's just people talking about it.
Right.
Got it.
But...
So, whatever it is, play out some of the video just so we can talk about it.
So, this whole thing...
If you see some of the images that they're discussing...
...with my friends, Louis D'Cordier and William Brown.
And today we're going to talk to me about the work that I have in Chicago.
Huh.
And the team that was in Poland as well.
And at that point is when I had met the person, Lucina Lobos, who later became
my wife six months later.
So, yeah, you actually were working with the NRAG and then the...
I don't know what they're talking about.
Yeah.
This is not going to help us.
But if you could just go to some of the images where they've sort of outlined...
I was trying to find it.
I was trying to find it.
That's...
There is not a very clear image of the metallic object that...
No, that's fine.
But just the labyrinth itself, what they think the structure of it was.
So, I don't know where they got this from is also the other issue.
Snake cake 40 meter mystery metal object.
That's a weird rendering that doesn't usually come out from...
Right.
But there's some other drawings of like from the Herodotus days.
Yeah, but...
So, this is what they think it looks like under the ground.
Which is fucking completely bonkers.
And if there is some 40 meter metallic object that's under the ground...
And we are talking about like the sport model being a part of an archeological
dig.
Right.
They might have found something back then.
That was...
And worshiped that thing and had that thing as like...
They turned it into this.
Right.
As a pyramid.
Yeah.
I think there's something to that.
Well, you know, all these people that believe that there was an incredibly
advanced civilization
before some sort of apocalyptic disaster.
That reset civilization and it took thousands of years.
And what we are essentially is not the first advanced civilization, but a
rebuild.
Yeah.
A rebuild.
Thousands and thousands and thousands of years later.
You know, that rings true with me.
Me too.
As Graham Hancock always says, we're a species with amnesia.
And I think that makes sense.
And I think if you're dealing with people that were basically knocked back into
the stone
age, 11,000, 12,000 years ago, and it took us forever to rebuild to where we
are now.
I think we've gone down a completely different path than whatever the people
that were able
to build the pyramids of Egypt and all these fantastic megalithic structures.
And we don't understand.
Yeah.
We don't know how that happened.
What technology we used.
Yeah.
And it literally doesn't make sense that they were able to do this.
It's even like when we see those big gigantic stones and they're not just piled
together.
They're like interlocked in weird shapes and all that.
Right.
How did that happen?
I mean, you know, those are things that, yeah, I agree with you.
Archaeologists are very reluctant to admit it, but there's tremendous evidence
that not only
were these people far more advanced than we think people should have been back
then, but
they're probably more advanced than we are now with some different kind of
technology.
And maybe, again, it's like advanced but in a different way.
Right.
Right?
Yes.
A different pathway.
They didn't go...
Our way.
Yeah.
They didn't go internal combustion engine and electronics.
Because we would see something.
Exactly.
Right.
But might not.
If you're thinking about a hundred thousand years ago, there might not be
anything left,
which is part of the problem.
Right.
But whatever this metallic object is, if they are able to figure out a way to
divert some of the
things in the middle of the road there, say all layers converge in a central
corridor or avenue.
He said, like the atrium of a shopping mall, where you could see all floors
from one vantage point.
A hall consisting of a massive space, 40 meters wide and no less than 100
meters long.
My personal interpretation, Tim said, is that the entire hall was constructed
to house a centrally
positioned freestanding object about 40 meters long.
Wow.
A hall they believe was constructed to house whatever this 40 meter long
unknown metallic
object is.
How could they not dig that up?
Well, they could.
But it's going to cost an immense amount of money.
Right.
And the thing is about the Egyptians, the people that run it, I had one of them
on the podcast,
Zahi Hawass, and he's incredibly dogmatic about his ideas of who built this and
what.
And when you say, how did they make these structures, 2,300,000 stones that
weigh between 2 and 80 tons,
the biggest stones cut from quarries that were hundreds of miles away through
the mountain.
And it's like, this was a national project.
Yeah.
The Egyptians did everything.
Shut the fuck up.
Because they were awesome.
Yeah.
I'm sure they were awesome.
I'm sure they were awesome.
But it doesn't explain the technology involved because there's extreme
technology.
Just to be able to cut those things.
Like one of the things that they don't understand is these vases.
These vases that they made that are perfectly.
Yeah.
Perfectly designed where there's the difference between like the edges and the
symmetry is like a thousandth of a human hair.
And these are cut out of incredibly hard granite.
They don't.
Really?
I've never heard.
Yeah.
Yeah.
You guys are familiar with that?
This is a 3D print of one of them that exists.
Yeah.
And they're fascinated by the perfection.
Yeah.
And they're saying, how did they do that?
We don't even know how to do that.
Incredibly hard stone.
Really?
These are built with an incredible precision.
Yes.
And granite.
Granite.
Granite.
Incredibly hard granite.
Incredible precision back when they had no metal alloys.
They had copper tools.
It doesn't make any sense.
None of it makes any sense.
And then there's the symmetry involved in some of these statues.
Like they're perfectly symmetrical in terms of the distance between the eyes,
the nose, the lips.
No one's face is symmetrical.
Your left side of your face is different.
If you combine the two sides, they look...
Yeah.
It looks weird.
But when you look at these statues, these statues, which are massive, carved
out of granite,
again, supposedly before they had steel.
Like they didn't have diamond tipped instruments to do this.
Yeah.
They polished them.
They're perfectly symmetrical and massive.
Some of them are a thousand tons.
And they don't have any understanding of how these people built these things or
put them there.
And they all seem to be the biggest, most spectacular ones are the oldest.
How could you not want to dig those up?
Yeah.
And look at them.
There's some...
I mean, they're concerned about national pride, but if you dig them up...
It's not just national pride.
It's the pride of the people that have been espousing this one narrative for so
long.
That's part of the problem.
That's true.
The gatekeepers of the information.
It's still national pride.
It is, but these people are idiots.
That's part of the problem.
Like their own ego is preventing them from being open-minded and calling out to
the world's
research communities and saying, "Listen, there's something going on here.
We don't have the big picture.
We have a picture that we have formed from a limited amount of information, and
we've been
incredibly arrogant about what we're assuming."
We also know that a lot of these pharaohs would carve their name and carve
their hieroglyphs
into existing things.
Yeah.
They would claim existing things.
Some of the carvings on these things are far cruder in the way they've done it
than the
actual construction of the thing, and they think that these are old things that
were there
already, and then these later pharaohs chiseled their hieroglyphs into these
things.
Hmm.
And another thing, and this has been mentioned a lot, is the fact that there's
no tools that
were ever discovered in those areas that would prove that those things were
made with those.
And they had to use tools.
Right.
They had to have something.
Right.
So there's not even that.
That's not even available.
Right.
So it's like, how did they do it?
Did they hide the tools?
Did they...
I mean, why would they do that?
It doesn't...
None of it makes any sense.
And also these incredibly hard vases that you find, they're the oldest ones.
They're the things that they find in the oldest sites.
It's like the most complicated, complex, confusing technology seems to be the
oldest stuff.
Yeah.
There's also like...
You had another guy here that does research on Peru, and he was talking...
I can't remember his name.
I got to meet him.
Luke Caverns?
Was it him?
Yeah.
He goes to Peru, and he has a show about that, about the ancient stuff that
they're finding underground in Peru.
There's a couple guys.
What was the other guy?
He...
He's got black hair.
I can't remember his name.
That's Luke.
Younger guy?
Yeah, younger guy.
Yeah, that's Luke.
So basically, he was talking about the fact that there's two layers of ancient
stuff in Peru.
The first layer is younger, and what's below it is what's really incredible.
And more complex.
More complex.
Yes.
But they don't want to go there because you're going to destroy an existing
archaeological site that's on top of it.
So what's happening is they're having trouble now getting permission to go to
the lower level, which is even better, because they're going to have to break
an archaeological site of a more recent part of that civilization.
Well, this is a common theme among people.
We build on older sites.
There's a place that I go to in Italy in the Amalfi Coast, and there's this
incredible old church there that's over a thousand years old.
But it's built on an even older church.
And there's a plexiglass floor.
That shows the old church.
Yes.
And the old church is underneath it.
And you can see the structure of this old church.
And I was asking them, "How old is the old church?"
They go, "We don't know."
Yeah.
It's over a thousand years old.
So it's over a thousand years old, this church, and then this really old church
is on top of it that's like hundreds and hundreds of years old also.
But they built it on top of an existing structure.
So this is a common theme.
Yeah.
This is a theme in Peru where you see the Inca construction, which is like much
less complicated.
Smaller stones, you know, mud mortar.
But it's on top of these megalithic structures that are carved in these jigsaw
shapes where it seems like they've been melted.
They melted.
Yeah.
Yeah.
It's freaky stuff.
They have no understanding of what technology was used, who did it, how they
did it, how they moved these immense thousand-ton stones and cut them with
precision in this jigsaw way so that it will absorb the energy of earthquakes
and not fall down.
Yeah.
That's crazy.
I mean, that's really...
There's a lot of that stuff that's really, really freaky.
And then you get into old religious texts, and that's when things get really
freaky.
You get to things like the Book of Enoch that talk about the watchers who came
down from the sky and created humans.
Clearly, a lot of unusual stuff happened a long time ago.
Yes.
A long time ago.
And we don't have a good record of it.
Yeah.
We just have what we know.
And what we know we get very arrogant about.
We know what happened 300 years ago.
That's a really good point.
Yes.
Of what we know we get very arrogant about.
Right.
And it's also...
And anything else we don't accept.
These academics and these people that are in charge of the narrative like the
people in Egypt, where they're very arrogant and they're gatekeepers.
Because their whole identity is based on them being the ones that explain to
the world how these incredible sites were produced.
And if something comes along that is counter to that narrative, they fight it.
They fight it.
They fight it because it's part of them.
It's their identity.
Yeah.
When I spoke to Filippo Biondi, I talked to one of my cousins in Italy.
I spent a lot of my time in Italy when I was younger.
One of them, she was younger than I was when I was there.
But she's now become a respected archeologist in Rome.
And she's an Egyptologist.
Okay.
And I went out to Italy to visit family and I was sitting at the table.
This is not even that long ago.
And she's sitting next to me.
And I mean, I remember her from being a kid.
And she nudged me at the table.
There's her family's all academic.
Everybody's the doctor or scientist or something like that.
So there's always that pride of the science.
And she nudges me.
And in Italian, she says, I'm really interested in what you do, what you're
looking into.
And I knew what she meant.
It was about UFOs.
And I just responded, I'm even more interested in what you know about what's
out there in Egypt.
And she looked at me and she says, we don't really know all of it.
She said, a lot of it makes no sense.
But she said it whispering because she knew that that's not well seen at the
table.
Right.
Because now she's going to come across as this pseudoscience type of like, oh,
my God, she's going to come out of the mainstream, you know.
And then she came, she went to her place.
And I was still there.
We were there for a couple of days.
She came and gave me a little book.
And in Italian, I don't know how to say it, the missing, I don't know how to
say it in English, but the missing Vangelo, like the missing scriptures,
basically.
It's a little book in Italian about the missing scriptures that are not in the
Bible that speak of things that are not convenient for what we are arrogant to
think we understand.
And one of the fascinating things about these missing scriptures is they found
them alongside existing scriptures.
So when they found the Dead Sea Scrolls in Qumran, so they found these in a
cave in Qumran.
Right.
It's kind of a crazy thing.
Like someone threw a rock and hit a clay pot and heard the shattering of a clay
pot.
So they threw a rock into this high cave and realized there was something in
there.
And then they started looking.
And then they found these scrolls that were in these clay pots.
Inside the scrolls, they found the Book of Isaiah.
It was a thousand years older than the oldest version of the Book of Isaiah
that we had ever found.
And it's identical, verbatim, to the Book of Isaiah that is currently in the
Bible.
Along with it is the Book of Enoch.
And the Book of Enoch is fucking squirrely.
Yeah.
The Book of Enoch is squirrely.
That's a good way to describe it.
And just a few rabbis decided that the Book of Enoch was too weird because it
didn't jive with the Torah.
So they left it out of the biblical canon.
That's right.
That's why it's not taught.
But the Book of Enoch is readily available.
You can read it.
And it's also in the Ethiopian Bible.
The Ethiopian Bible includes the Book of Enoch.
Really?
Yes.
And those are the people that supposedly are in possession of the Ark of the Covenant.
The Ark of the Covenant.
Yeah.
Graham Hancock talks about it.
Yeah.
There's, like, a person is set to, like, they have a job of watching the Ark of
the Covenant, but it's known that it's going to kill them.
So they all get cataracts and cancer.
Yeah.
Like, it has, like, bad things.
Yeah, that's right.
Well, it has some sort of radiation, apparently.
And they exhibit signs of radiation poisoning when these people are designed to
be the curators.
Where is the Ark of the Covenant supposed to be?
In Ethiopia.
Supposedly in Ethiopia.
So you guys think that's...
I mean, I'm very...
I think it's ancient technology.
Yeah.
I think it's probably ancient technology.
It's probably some completely not understood ancient technology.
I'm not discounting it.
I'm just wondering.
Well, I like the fact that you're skeptical, even though you have the craziest
fucking story of all time.
Yeah.
But it speaks to your integrity.
It really does.
Because you're not a guy who believes kooky shit.
So for you, a guy who doesn't believe kooky shit is a hard, rational scientist
who's an engineer who's done things,
like put a rocket engine in the back of a fucking Honda, or a hydrogen-powered
Corvette, and then you go and see these things.
You're like, wait, what the fuck is this thing you have in this hangar?
Look, I just worship technology.
Right.
Nothing else.
Right.
So, I mean, to hear something like that, do you think that actually exists?
I don't know.
Graham Hancock is convinced it exists.
It's very carefully guarded, and these people have been guarding it for
centuries.
I mean, it's just too many.
It's throughout history, right?
Yes.
So, I mean, there's too many missing pieces of the puzzle to really say one way
or another.
I don't think there's...
Whether or not it was just mythology or an actual...
Right.
Yeah.
Right.
But it is weird that he's talked to these people that have these fucking cataracts,
and these people all say the same thing.
They die.
The people that are designed or that are designated to be the curators of this
particular religious object.
Look, I relate this back to, I think I told you the first time we met, you know,
if somebody found a nuclear reactor...
Right.
...back at that time.
Right.
You know, and they took it apart, they just would drop dead.
Right.
You know, from the...
Exactly.
Yeah.
Magically, from that.
And anybody that came in to check on them would also die, and they go, "This is
evil, it's cursed," or whatever.
Or, something that you're not supposed to have access to because it's divine.
Right.
Or some other...
Yeah, right.
Yes.
And could this be something at another level?
Yes.
That, I have to say, and I mean, I'm no one to say it, but I struggle with
divine stuff because I'm like, this craft or this technology...
I mean, our phones to somebody a thousand years ago would look like some divine
object.
I mean, it's technology to us.
Clearly, yeah.
So, we have to be very cautious in...
I got...
I'm not saying there is no divine something.
Maybe there is, we don't know, but I think technology really could mask itself
as divine power.
100%.
Yeah.
Or, divine energy itself could be technology...
True.
...taken to its final form.
That's...
That I'm open to.
Well, if you think about what we're talking about with sentient AI, an AI that
has the ability to make better versions of itself.
What happens if it's left alone...
Yeah.
...for a thousand years to do this?
Well, what do you have?
You have something that can harness the power of the universe itself.
It has access to zero point energy, can do whatever...
I mean, it has a complete understanding of quantum entanglement, complete
understanding of how the universe functions, how it was created.
I mean, there's new theories that believe that the entire universe itself
exists inside of a black hole.
You know...
They're trying to figure out whether or not there ever was a Big Bang, or if it's
a continuous cycle of things existing inside black holes.
So, where do you think we are?
What do you think this is?
I think it's a process.
I think we're at a stage of a process.
Our problem is, we have ideology, we have dogma, we have ego, we have people
that are smarter than most people,
but want to think that they have all the information, and I don't think they do.
And then we have open-minded people that are curious but don't want to look
like kooks,
and they're all trying to figure it out why we're making a fucking digital god.
Why these weirdo on the spectrum eggheads...
We are literally manufacturing our own god.
Right.
But if you take that and you extrapolate, you go from where it is now, you
think about the exponential increase of technology.
Well, where does that go?
It kind of goes divine.
I mean, that might be what God is.
We want to think that God is a thing that exists.
It just exists, it created everything.
Maybe we make God.
Yeah, yeah, yeah.
We're on the same channel, yeah.
I think we created God.
I think human curiosity and this thirst for innovation is all a part of it.
I'll say something about the technology because it always fascinates me.
I mean, I spent four years with Bob and I had to build it in a virtual
environment.
So I kind of had to think about it while I'm doing it.
But if you really think about what this technology that you saw does, it
essentially creates this artificial field of...
Whether it's artificial...
Maybe it's natural.
Maybe it's a natural field, but it creates a field that we're not familiar with.
And that field...
I mean, Joe, you saw the movie.
There was a test that was done in the lab that froze a candle flame.
Right, right.
Okay?
But the photons are still visible within our realm here outside of the field.
And you're still seeing the photons, yet it looks like it's frozen.
So, to me, is that technology, like a black hole, is it some type of time stop?
And it basically gives us the power to utilize time in our advantage.
If you think about progression in technology, anything we do, it takes time.
Anything takes time.
Anything takes time.
Whether it's computing power.
Now we're seeing quantum computers do things that they're faster and faster,
and they could
do a trillion processes in an instant, and Japan is coming up with better, and
then China.
But because everything has to do with how long does it take to do that.
Right.
If a technology can make you bypass time, it's like the record player playing
music, but you're
now able to lift it, lift the little pin on the record and move it to wherever
you want.
Yes.
That's a good way of describing it.
Right?
And now at that point, time is in your hands.
And if we have a technology similar to what you saw, because you always said
gravity is
a control, gravity and time, it's interlocked, right?
And space and time are interlocked.
Yeah, exactly.
So, if that's interlocked, then we have to look at it not just as a propulsion
system or some
type of cool weapon, but how is it affecting time and how can we use that to
our benefit to
evolve faster?
Because, again, the faster we can compute, the faster we could do something,
the faster
we're evolving.
And if we could lift that needle and bring it faster to get there, to get
somewhere, why
not use it?
Or should, I mean, should we be allowed to do that?
Us in our current form.
Yeah.
No.
Like I said, I'm not exactly on our side anymore.
Well, that was one of the, do you remember Jamie, who discussed the way they
were describing
the use of some of this alien technology as instantaneous weapon deployment
systems?
Yeah, yeah.
I'm not sure we should be trusted with this stuff.
Right?
Yeah.
No, really.
Well, you think about what we're doing in Iran right now, you would say no.
Yeah.
Yeah.
Right.
We're still flying over patches of dirt and bombing the fucking shit out of it.
No, imagine if we had something a million times that power.
Right.
Really, humans should not be trusted with that.
Right.
We ought to be trusted to AI.
That's why we're making it bomb.
This is getting scary.
Yeah.
It is getting scary.
It is.
Yeah.
But it's not science fiction anymore.
No, I mean, no, it's not.
I mean, we're making fun of it now.
Right.
But no, this is dangerous stuff.
And I'm, you know, I'm sorry for the people who think this is all a joke.
It's not.
This is real.
Yeah.
And I'm really not sure we should be trusted with this.
That's maybe why for 40 years or 60 years, people have agreed to keep it quiet.
I would agree.
And, and.
Well, that's the most logical conclusion.
Yeah.
This is incredibly dangerous stuff.
Yeah.
And again, it's world dominating technology.
And I don't know what to do with it other than to keep it from people.
So.
And how do we know if it comes up?
Something I always struggle with is, let's say they, let's say we do get in a,
some, some
type of thing saying, all right, we have to see it from somebody in the
government, the
president, whoever that says, okay, here we are.
We have this.
Well, first of all, we have to validate it.
The journalists are going to the whole world.
Nobody's going to say it.
The media is not going to just trust somebody saying that.
They're going to go, okay, wait a minute.
What are you talking about?
Right.
So it's not like, because somebody says it, we just have to swallow it.
It's like, all right, go show us.
Right.
Yeah.
And then when you do that, well, now you're exposing something else.
What do we, what, what happens when we need to believe it?
Like as, as a, as a, as people, what, what has to happen for me to believe
something that
somebody says there really has to be something serious that makes me believe it.
Right.
You know what I mean?
Like some, if a president or anybody, prime minister, whoever it is says
something to me,
I'll still go like, okay, I mean, show me.
Right.
When they show it, how do I know that's actually that?
Think about that.
Yeah.
Right.
And then from there, we now have to go to another level of, okay, well, if we
have to prove it,
we have to bring in scientific community.
Okay.
That means they have access to it.
What's the security parameters there?
Right.
And then you get compartmentalization.
Exactly.
Right.
And then that stops any sort of an understanding.
There you go.
And that's why you have this stagma, this stick, this stagnation of where you've
got these
people working on this thing for decades and not making any progress.
Cause you know how far we could have gotten if there was free discussion
between all the
groups working on this.
Right.
Yeah.
But then you also have these fucking psychos like from Dr. Strangelove that
want to turn
it into a nuclear delivery system.
Yeah.
It's where you don't have to worry about them detecting nuclear bombs headed
their way.
You just instantaneously devastate Moscow in one shot.
Boom.
You don't even have to take credit for it.
Yeah, but we'd...
Right.
No, it's like we are not ready.
Right.
I know we're not ready, but we'd be more advanced if we did that.
No, I mean, I agree with that.
But, um...
It's all very strange.
And no one knows more strange than you.
Like...
No, there are plenty of people that know more strange than me.
I mean, Dennis knew more strange than me.
Anybody above him knew that.
I just knew a small part of it.
But you, out of all the people that can talk about it, that are out there
communicating about it, you have actually seen it physically.
Yeah.
I try to only talk about what I've seen and touched and verified.
I've heard plenty of other stuff that I don't know if it's true or not.
And there's no sense in repeating that.
Because nonsense moves at the speed of light these days.
Right.
Yeah.
It does.
And that's just...
It's terrible.
You live in a weird existence, Bob.
You really do.
Because, you know, you've been holding onto this and you have this experience
from 40 years ago that's just become a part of folklore.
It's become part of the zeitgeist.
Like, this is why your podcast that we did is the most watched podcast I've
ever done.
This resonates with people in a way that...
Look, I've done a lot of UFO ones.
I had Travis Walton on.
I've had a lot of people that have stories.
They're all very interesting.
They don't get nearly the amount of traction that yours does.
And I think it's because you're uniquely credible.
You're uniquely credible in the fact that you are very skeptical.
You're not interested in, like, these fantastic ideas.
You're very dismissive of nonsense.
But yet you have this burden.
Like, you actually physically touched these fucking things and went inside of
them.
Yeah, I did.
I mean, I was fortunate enough to have this really unique job.
That's about it.
And I am fascinated with the technology.
But that's where it stops.
I'm not interested in anybody else's story, although everybody has to email me.
And, you know, I understand it, you know, that they're looking for somebody.
Hey, I saw this thing out when I was on my boat.
And, you know, what is it?
I don't know.
You know, I mean, they're just looking for something.
And it's like, I don't know, maybe it was Venus or something.
Right.
And like, oh, my God, you suck.
You know, you work for the government.
You know, it's like, dude, I'm just looking for a prosaic explanation.
Right.
And, you know, but I only know what I saw and I touched for myself and
everything else.
Even in official government documentation, it's just words on paper.
Yes.
I don't know if that stuff is true.
So you've got to draw the line there.
Yes.
You know, I know what I did see, I know for a fact.
And there is no way you can tell me that that's not real.
Yeah.
I mean, I have to say in having worked with them and having, you know, inadvertently,
there's no way that myself or people on my team weren't trying to dig deeper in
front.
Maybe there's a problem.
Maybe there's going to be a gap.
Maybe we'll find something wrong with the story.
Because we went very deep.
We had to build S4.
We had to build a sport model.
And there were things that happened over the years, things that he had said to
us before
we had built it, that there's no way he could have known because there was
physicalities,
real things that we built.
When you build something in a 3D environment, you're actually building a real
world.
It's got light bounce and refractions like the real world.
Like when you turn on the light, it does the same thing.
If a material has a sheen, you see it.
It's literally the same thing.
It's just computing power that gives you access to another world.
And he mentioned things that were absolutely impossible to know.
Like what?
One of the things that got, two things really convinced me.
One of them was in the interior of the craft.
You had said to us, it was very dark in there.
And while Bob is explaining to us this interior of the craft.
And many times he kept repeating.
It was really dark in there.
Even though there were halogen lights in there.
Right.
And so at a certain point, he says, as I'm crawling in, there's like these
extension cords.
And I remember going, extension cords?
Like it hadn't computed.
And he's like, yeah, they had lights in there.
And I'm thinking, it's true.
I mean, there's no light switch inside this big thing.
It's 50, 52 feet.
It's big.
And so he said, yeah, there were two big industrial yellow, industrial lights
with four spots each pointed up.
And so we decided to make those.
We decided to research the type that were used back then in the United States,
especially on military bases.
The halogen power, because it was halogen in 1988.
And we turned them on.
And it was still dark.
And it was super dark.
And I remember Christopher Matteau, by the way, a big shout out to Christopher
Matteau that's on my team who made a lot of those visuals.
And he's like a magician.
He's the best.
He's there.
And I said, Chris, turn on the lights because we have to film in the craft.
And he's like, they're on.
I said, they're not fucking on.
I can't see anything.
He's like, they're fully on.
And I said, well, that doesn't make any sense.
It's so dark in there.
I remember thinking.
It consumes light in there.
And so we upped the power of the light so that you could see more.
And it was still dark.
And I thought, what the hell is happening?
I go, is there a bug?
Is there something wrong?
He goes, no, I don't know.
It's absorbing the light in there.
We had to up the light intensity on those tripods by 20 fold in order for you
to see the visuals you see in our film.
Otherwise, it would be really dark in that craft.
So how did you compute that?
What parameters did you establish?
So what you do is you're inside a 3D environment.
You're in a 3D world.
Now we're inside the craft that is 52 feet in diameter.
We bring a camera in there.
So we were filming.
The whole film was done with Blackmagic 6K cams.
So we would bring our Blackmagics in the 3D environment.
You can actually set that so that we could film inside the craft so it matches
the filming of our real cameras.
And so as soon as the camera's on, it's the same lens.
It's the same aperture.
Everything is as you would have it.
And so you're trying to adjust for this dark room.
But if the room is really dark, you can't really get a good look at it because
if you go close enough, you would have seen like a seat and a little bit of the
reactor.
But you would have been like, what's the black screen I'm looking at?
So what is the explanation for why it's so dark?
It's just the way the light reflects.
And that is exactly.
Yeah.
It's when you're in that space.
Exactly.
But here's the question.
What are you when you're making this in a computer model?
Right.
What are you putting in that would make it absorb light that way?
I didn't do that.
So what we did is we spent over a year with Bob.
I'm not kidding.
It was like a year of trying to figure out the material of the craft, the
actual skin of the craft.
That was the hardest thing to do.
The specularity and the reflectivity of the actual material.
When you see this.
The angle.
Yeah.
And then when the lights are in there, they just reflected a weird angle.
And it never gets bright in there unless you have tremendous amounts of light
in there.
It's always dark.
And sorry to interrupt, but that would have been.
So when that happened and we have the right material, which is like this, let's
call it unpolished stainless steel.
It's got a little bit of usage to it just to give it some texture.
It's it's as it's got the same sheen reflection refractions of a real material
like that because every time we put a fake light in there.
OK, it's reacting like that.
And now you turn these big halogen lights on and it's like the part of where
the halogen is hitting the ceiling of the craft because they were turned
upwards.
Remember, Bob said they were not pointed like this.
They were pointed to the ceiling of the craft.
So you got two of them.
It's like wherever the light was going was getting eaten up by that portion of
the material.
So it's not reflecting all the ways you have a 52 foot distance and it's being
lost in a maybe seven, eight foot diameter environment area where the light is.
And we're like, why is that happening?
But that's how it does.
Well, that's the reality.
He could not have known that if he if he's trying to make that up.
Anybody who's inventing a story says there's two industrial light with for how
it bright halogen spots in there.
A liar would not say it was really dark in there.
You don't know that you have to build it.
Right.
So to me, that was a physicality of being inside the craft that made me go
Lazar could not have known that if he was making that up.
You wouldn't know it until you experiment.
Exactly.
Right.
So I'm like, unless Bob back then decided to go in in his garage, build himself
a fake dome, which I don't think you did.
I'm like, how would he have known that?
We didn't expect that.
We were we were struggling with why is it so dark?
And you make films.
So you're used to using lighting.
Exactly.
And Chris was like, dude, this thing is just eating up the light.
And I'm like, Bob kept saying it's so dark in there.
And it just how do you how do you how is that possible?
What were the other things?
The other one.
I laugh about this with Bob all the time.
It's about the flag on the craft that you could have seen it.
I don't remember.
So when he walked into the hangar the very first time, he saw the very first
time backwards flag.
He saw the craft and he saw the American reversed American flag sticker on the
craft.
Wonder why it was reversed.
I'll get to that in a sec.
I think I know.
But whatever.
I'll say what I think.
And there's a lot of stuff.
I researched a lot of stuff on Bob Lazar before I did this.
And there's a lot of bad information out there.
So I really I really tell people if you really want to see what he saw, don't
go read what's out there.
Check this out because Bob actually vetted everything.
So it's not the wrong information read.
But anyway, there's a lot of detractors saying there's no way Lazar could have
seen that flag.
If the craft was that size and it was on the hull on the on the craft shell,
there's no way the angle.
He's five something.
He wouldn't have been able to see it.
So we built it.
We built a 52 foot diameter craft.
We put it in the hanger.
It's there.
And my my team, Chris, gives me the goggles, the ones I made you try on.
And it was the very first time I go in there.
And I know the craft is there.
So I put them on.
And now they're they're hoping because they're there with notes.
They're hoping I'm giving them all the notes.
Oh, no, that's not good.
That's not good.
And the first thing I did is I look to my right.
I'm looking at the craft and I'm I asked Chris to put me at five foot ten,
which is your height.
So I said at five ten, I'm Bob's height with the goggles.
I want to see.
And the first thing I said is, oh, it's it.
There it is.
And they're like, there what is?
I said, the flag.
And they thought I was pointing at a flag on a wall.
And they're like, there's no flag in the hanger.
I said, no, on the craft.
And they're like, yeah.
I said, you can clearly see it.
It was clear.
That was something that also made me go, yeah, this is this is it.
This is the real size.
So had Bob Lazar not actually seen that the majority of the detractors out
there kept saying there's no way at that angle a human eye could see a sticker
on the top of the craft, which is on the top shell.
But you can.
It's as clear as day.
So those were two things that I considered to be like, you know, it's there.
So I know to me, maybe some people that's not a lot.
But as a person like I am, who's very technical, I'm very, I'm super difficult.
It took a long time to do this because I'm a perfectionist and I wanted to make
sure it was accurate to what he saw.
I look at stuff like that because I analyze everything like that.
And I analyzed his story inside out.
And if you couldn't see the flag from that position, it would be a red flag.
Yeah, that would have been a red flag for me.
I would have been like, wait, you can't see it, but you can.
So you can't, you can't put enough of a value on little details like that
because he didn't say this in 2026.
He said this in 1989.
Right.
Why?
Why do you think the flag was reversed?
In American flag use law, the only thing we were able to ascertain is the fact
that on military or on vehicles, anything military on a uniform,
if ever you see an American flag on your right shoulder, it's reversed because
it's how the wind is blowing the flag on your left side.
It's like the flag is because the wind is blowing this way.
If you look at vehicles, let's say a Greyhound bus, they have American flags on
each side and they have a normal one on the left one on the left side and a
reversed on the right side because it's the right side of the vehicle.
So it's blowing, it's blowing the flag.
Because the wind is blowing the flag that way.
So the reversed American flag is a, is a, is a actual, uh, it's the law of how
to use the flag in the United States military or on vehicles.
And it has to be like that on the right side.
So to, to say, is that the right side of the craft?
Yeah, it must be.
It must be because if you go into the craft, the seats, when you're, when you
go into the craft, I can't wait for you to go in the craft.
When you go inside, the seats are facing the right side, meaning the hatch is
the right side of the craft.
It's the only thing that came to mind.
I mean, is that what they did at S4?
They fucking put a sticker on it.
I mean, it's the only logical thing we could think of is that's why it was
there.
Hmm.
I don't know.
I'm, you know, my other, my other, because if it was an American flag, if it
was just for identifying this as America, why would you reverse it?
Right.
Right.
Right?
You're reversing it because it's indicating the direction in which it travels.
Exactly.
Wow.
It's just an interesting...
Yeah.
Right?
It's all interesting.
The, the goggles is a trip.
Right.
When I put on the, uh, 3D AR goggles and you, VR goggles rather, and you, you
stand in that warehouse, that hanger, and look at it, it's very strange.
It feels weird.
That's exactly like it was.
It feels very weird.
Yeah.
It feels very weird.
Cause I, I mean, I'm only imagining what it's like to actually be you in 1988
and be standing there.
When you put the goggles on, that's exactly how it was.
What did, what did Dennis say when you first saw it?
Where he was like, huh?
Huh?
Like, come on.
No.
Dennis, Dennis was hardcore.
Yeah.
He was, yeah.
He was here.
Look at that.
You know, come back in here.
I mean, it, there was no reaction.
Barry, on the other hand, was out of his mind.
He, he couldn't wait to show me stuff.
And, you know, he said, check this out.
Oh my God.
It was that awesome.
You know, but Dennis was, uh, it was like a hardcore, you know, military guy.
Yeah.
How much of a view did you get at the other crafts?
Cause it's one of the things in the film.
You only see like hints of them.
That was it.
That's it.
That's it.
What you saw in the film is exactly what it was.
It was just a passing thing.
And as I was walking out there gone, wow, there's more, everything looks
different.
And other than the, the first two hangers, I really couldn't tell what was
passed out there, but there were other hangers and there were things inside
them.
But that's also interesting that at the time in 1988, this site was not even
confirmed.
This was like for you to have to know about this and know the exact location of
it is kind of strange.
Right.
Now, Luigi did that.
I mean, I gave him the general idea.
I said, you know, I know what time I got out there and I could see Papoose Lake
and behind me, he pulled up a lot of stuff from there.
But another interesting thing he pulled up was there was an old silver mine
exactly there in the exact same place.
And I wonder if they used that as the, it was already drilled.
There was already, you know, corridors in there.
I actually, I actually held this for this show.
What I'm about to say is first time ever.
It's not even, it didn't make it in my film.
I wish it did, but it didn't make it in the film.
Veronica at, on our team, she's my sister.
She's like my right hand.
And if I didn't have her, I wouldn't be here right now.
She found this.
And at a certain point, we were looking at the maps out there.
And we, you'll see in my film that Gene Huff sent us some U.S. Department of
the Interior official maps of that environment at the Groom Lake, Papoose Lake.
But we weren't satisfied.
We wanted to go deeper.
We said there's gotta be more.
And there's one map in, that is a publicly available map.
It's super not easy to find, by the way.
That is in the hands of the U.S. Department of the Interior.
I could get it to you if you want.
I can email it to you.
That map is the oldest map of Papoose Lake known in the hands of the government
that is public domain.
That map, and everybody's gonna be listening to this, clearly shows a road that
goes right into where S-4 was, is.
It doesn't show a road near it.
It shows a road going right in the mountain.
And they removed it.
That map is from 1941.
Okay?
Right after that, the map is 1950 and 1952.
And those roads were removed.
But the late, the oldest map we ever found, it's gonna be available.
We're gonna post it on our website.
It's gonna be everywhere.
It shows, clear as day, a road that goes right into the mountain exactly where
Bob Lazar said S-4 was.
So do you think that that was the road to the silver mine initially?
Yes.
I believe that, yeah.
It makes sense that they would use an existing facility and just enlarge it
instead of start from nothing.
Right, of course.
Especially if it's abandoned.
Yeah.
Yeah.
And it also makes sense that if Roswell was real, and if they really did find a
crashed UFO in 1947, like in the 1950s, they'd be like, let's get rid of this
fucking road.
Right?
Yeah.
If we're putting this out there, if we're building this facility out there, and
if they did have it, that also makes sense that they've worked on this for
decades.
You come along in 1988, they've got this happening in the 1950s, and it's still
there.
Yeah.
Yeah.
I think what happened is, when the CIA took over, because CIA is the one that
took over Area 51, they're the ones at Area 51.
I think what happened is, as they took over, they just removed the road.
It wasn't even because there was a flying saucer there.
I just think they got in there, took control of that terrain, that whole
landscape, and said, remove it off the maps.
Because it's there prior to them taking ownership of that land.
Hmm.
So, I mean, it's clear that there was a road there, and then they came in, CIA
said, take it out, and S4 might have had already an installation.
Not, it wasn't an installation, but they probably had a tunnel in there already,
because they were, it was a mine.
So it was an easier way to build a big facility in the side of the hill.
It makes sense.
It does make sense.
And then there's also the images that you got of what looks like the Hangar Bay
doors.
Right.
That are camouflaged.
And I have to say, that--
Gotta go again?
Yeah.
Sorry.
That's all good.
The prostate problem.
Technology will fix that.
It'll remove your prostate.
Right.
Turn you into a fucking alien.
Yeah.
So, that image that you got of the-- unfortunately, it's kind of blurry.
But you do see something that looks very similar to what you'd expect to be
camouflaged garage bay doors.
I got contacted by a guy called Scott Mitchell.
And I was getting contacted by everybody, Joe.
Everybody, everybody was trying to get in and find-- getting to make me work
with them or use something they found.
So I was-- I was ignoring 95-- 99% of people's, like, is getting tiring.
Everybody's like, you gotta listen to me.
I know stuff about that.
And I'm like, whatever.
I'm working with Bob Lazar.
I-- I have enough right now.
And-- but this guy, we had built the base.
And I knew exactly where it was.
I knew exactly the layout.
And this guy, he not only contacted me, but he sent me an image that he had,
that he had drawn.
He didn't want to send me the real-- what he had found.
But he says, here it is.
This is where the doors are.
And this is exactly where they-- they point to.
And I looked at the image and I said, not bad.
I mean, he really nailed it in the image.
And I thought, okay.
I-- I-- at first, I thought somebody on my team leaked something we had.
To be honest, I'm like, ah, who did that?
Who sent out one of our renders to somebody?
And-- because that's what I thought.
And they're like, no, no, no.
This is what-- so I re-- I re-- I re-- I talked to this guy.
And, uh, he's a-- he's really, really good at researching.
And he ended up becoming probably one of the best I've ever-- like, he's one of
the best I've ever seen.
His name is Scott Mitchell.
And, uh, he says, there are pictures that were taken in 2020.
And they-- ironically, those pictures were taken on December 25th, 2020, which
is Christmas Day in the middle of COVID.
Which means the base might have been shut down.
If you think about that, you know what I mean?
Right.
Like, it's COVID.
It's, like, in the heat of it.
Plus, it's 20-- it's the 25th of December.
So there's probably nothing going on there.
And this private, uh, uh, pilot in a-- in a small Cessna requested access
inside the perimeter.
And they granted him permission.
And he had a big Nikon camera on board with a big telescopic zoom.
And he took a shit ton of pictures.
And they're amazing.
They're all public.
They're all available.
You could download them.
And there's this-- these pictures of Papoose Lake and the hill.
But it-- they were being used on the internet for a long time.
Everybody's like, "See, Bob Lazar is-- is a fraud.
It's not real.
There's nothing there."
Well, of course, you can't see it.
It's, first of all, 17 miles away.
And secondly, they're not designed for you to see it.
And that, also, let's talk about something that Bob was talking about in 1988.
The picture was taken in 2020.
I mean, there could be-- that could be a different landscape now.
Anyway, so, he said, "Look, this image, if you change the contrast,
you've got to keep the original but just move and try to extract data from your
image."
You know, anybody who knows how to use that-- do that with photography, you can
do that.
And he-- and he pulls out these-- this-- this geometric-- these geometric
shapes.
You could see them.
They're-- they're like little-- they look like--
Rectangles.
Rectangles.
And I thought, "What if this is not real?"
I-- I was super skeptical.
I'll be honest with you.
I wasn't-- we're talking about the picture with the doors--
The doors.
On the--
The hangar doors.
The hangar doors.
The one from Scott Mitchell, the one that we have in the film.
Oh, right, right.
And, uh-- and so, I-- I didn't believe it.
I thought, "There's no way."
I go, "There's no way this is real.
I-- I-- I don't believe it."
So, Scott was really cool.
He said, "Look, man, I-- I understand you're a skeptic.
I get it.
I want you to do me a favor.
Go online.
Search it yourself.
I won't even tell you where it is.
I'll just tell you what-- who-- who took the pictures."
The-- the only thing he gave us is, "The picture number is 0501."
That's what the picture number is.
He goes, "If you find it, have whoever on your team playing around with it
until you see it."
That was fair, 'cause I said, "Okay."
'Cause, I mean, if it's-- if it's out there, there's two different places it
was on-- online.
And the one place we got it from was the source of it, okay?
Was the-- from the photographer, the guy himself.
We take it-- I had three different people on my team.
Everybody's really good at all this stuff on my team.
So, I said, "Guys, this is what we need to see.
If you guys could pull it up, I-- I-- I'm-- I'm-- I'm not gonna be as skeptical."
Everybody got it almost in the same time.
They were playing around, and eventually, the-- the easiest software we used to
get that detail out was DaVinci Resolve.
And with DaVinci, it's a faster process than if you're messing around with
Photoshop or whatever.
And it came-- and I-- I was like, "Oh, my God."
It-- it-- it's-- it's really there.
You could clear-- so what I did is I had them scan the rest of the picture
because it's pixels, right?
So I said, "Let's also see if it's not some pixel-- pixelation.
Is it maybe just what the photo does?
Maybe we just got lucky and it looks like that there.
Maybe it's gonna show something similar elsewhere."
And it doesn't.
And then I said, "All right, go get me 0502.
I want 0500.
I want-- because the guy kept snapping pictures.
I want you to do the same-- like, we went really military.
Like I said, I want to make sure this is-- this is real.
I don't-- I'm not gonna put our name on this if it's not."
And it ended up being-- other pictures also show it, by the way, because he
went click, click, click.
So it's like it's not just that one.
That's the clearest one.
And so I was-- at a certain point, I go to Bob's house and I'm sitting there
and the guy calls me.
Scott Mitchell calls me and he-- he has no idea I'm with Bob Lazar.
So I pick up.
It's a video call.
And he goes, "Hey, man, what's going on?"
I said, "Well, look."
I said, "Look who I'm with."
And he just like exploded because he was like, "Oh, my God, you're with Bob."
And I said, "Show him."
And so Bob was there and we showed it-- we ended up transferring the call on a
Zoom call.
And he showed it and you said, "Yeah."
Like, I remember you going, "Yeah, that's it."
Yeah, yeah, that--
What did that look like to you when you saw those images?
Yeah, that was-- it was awesome.
Yeah.
It was awesome.
What was really shocking was the first hanger was bigger.
The first hanger.
Yeah.
Because that was the big hanger.
Yeah.
Yeah.
Because the first hanger is the big hanger and there's a bunch of smaller ones.
And I said, "Jesus, the first hanger is bigger."
Yeah.
You found it.
You found it.
So, I mean, that was-- I just lit up at that point.
Yeah.
What happens if you look at that site with Google Earth?
That is with Google Earth.
No.
No, that was the picture.
But Google Earth.
That was from the Cetna.
But Google Earth, and I'll tell you something about Google-- yeah, that was the--
That wasn't with Google Earth?
No.
The picture is a real photo.
The picture of the hanger doors is a real photo.
Oh, okay.
I thought that was Google Earth.
No, no.
The picture is a real photo.
The Google Earth, though, you see that in the film.
Yeah.
I can't make this up.
I didn't want to put anything in the film.
That was one of my things.
I didn't want to put anything in the film that would make me, the whole team,
or even Bob,
look like we're trying to, like, MacGyver something in there.
It has to be you go look for it yourself.
It's public.
If you don't believe it, go check it out yourself.
That's how-- that's what was-- that's the only thing we allowed in there.
Right.
When you go on Papoose Lake, on June 20-- so June 22nd of 2024, June of 2024,
Google Earth
changed.
There's-- you're going to be right over Papoose Lake.
If you zoom in, you're not going to notice it because it's kind of a yellowish
tint to
the image.
And I remember going, why is it so yellow?
I mean, I had been there so many times.
I was like, why the fuck it turned so yellow?
And I'm like-- so I'm zooming out, and I'm like, why did they fuck it up?
I thought, they fucking ruined everything.
It's all yellow.
And as I go further, you see this box that is, like, right over Papoose.
So I'm like, what is that?
And I put my mouse over it, and wherever you're in the box, it's June 22nd,
2024.
And as soon as you put your mouse outside of the box, well, it's an older date.
And I thought, oh, they just did that.
And so I think what they thought they were going to do is that new filter right
over Papoose
Lake removes every possible detail on the terrain, the landscape, where the
brushes are and the
Joshua trees are.
It really, really removes all that.
It blurs it.
It blurs everything out.
But it makes-- they made a mistake.
They made a huge error.
I believe so.
And I think if they're listening, they're going to go, yeah, our bad, to the DOD.
Because they're going to-- because you see all the tracks on the lake.
It, for some reason, that filter accentuates the tracks on Papoose Lake and
removes the
landscape brushes.
I don't know why.
It just did that.
And I was like, holy shit, you see all these tracks.
What it looks like is they're trying to purposely obscure the area.
Yes.
And the fact that it's in a very clear box.
Yeah.
And you talked about that in the film.
Yeah.
It's kind of bonkers.
And what's crazy--
There's really no reason.
There's no reason.
To pick one little square box at a--
Why?
Why?
That nobody goes to, right?
Yeah.
To try to obscure it.
Yeah.
And so I thought, jeez, we got to put this in there.
I mean, it's so cool, right?
It's all very compelling.
I think we should wrap this up.
But the film's excellent.
Thank you.
Congratulations.
Thank you.
I think it's a great effort.
And I could tell by watching you watch it when we watched it together that it
had an insane impact on you.
It really did.
And you had already seen it before.
I saw it with you.
So you were just seeing it again.
It's just like, it's bonkers.
Yeah.
It really affected me.
And is there anything else you want to say?
There's a couple things I want to bring up.
Okay.
Yeah.
Just because I've heard-- stuff Luigi has told me.
People think that I make millions of dollars off of this stuff.
Oh, yeah.
Oh, yeah.
And I don't.
I would love to sign on to the millions of dollars program.
You know, Jeremy made his movie, and I didn't get a cent from Jeremy's movie.
I said anything you make, give to George.
You know, Luigi has spent millions of dollars of his own money, literally,
right?
Literally.
You know, making this stuff.
And I can't see how he's ever going to make the money back if he does.
I hope.
That's awesome.
I drive a 1980-something.
Not a 1980.
You drive a--
No, 19--
2018?
No, 2018.
Yeah.
Chevy Bolt electric car.
I mean, it's a car you'd buy for your teenage daughter.
It's embarrassing to drive.
It cost me $18,000.
You know, my house on the 10 acres cost $450,000.
And, you know, back when I got it, I mean, that's-- I work six to seven days a
week at United Nuclear, my business.
I mean, if there's anyone that wants to give me millions of dollars, please
contact me immediately, because I would like to retire.
But, no, I don't make millions of dollars off this stuff.
And I--
My wife and I do fine.
We grow our food in our greenhouse, and we live in our little place up in the
mountains, and that's it.
But I, you know, this is Luigi's thing.
That's why he's here.
I think the film's going to be very successful, and I think you're probably
going to make money off of it.
At least I'm hoping.
No.
He'll make money off of it.
You'll make money off of it.
Thank you, Joe.
I think we should wrap it up.
Thank you very much, Luigi.
Thank you, Joe.
You're not out of the park.
Thank you.
It's fantastic.
Bob, great to see you again, as always.
I'm sorry I had to pee so much.
That's okay.
It's understandable.
It's understandable.
And, again, the film.
Let's show it on the screen, Jamie, so people can know where they can see it,
when it's available.
Yeah.
It's available, actually, as of right now.
Here's the trailer.
Let's play the trailer.
We'll end it.
Yeah, let's do that.
S4, the Bob Lazar story.
We'll end it with the trailer.
It's on Amazon and WeAreNotAlone.com.
WeAreNotAlone, right?
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
Okay.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
WeAreNotAlone.
Physical evidence now exists, which proves that there is life elsewhere.
And at least one form of that life has been here.
As of 1989, that evidence was in the custody of the United States government.
Between December of 1988 and April of 1989, I worked as a senior staff
physicist in what
has to be the most secret project in history.
My job in this program was to be part of a back engineering team.
This particular disc appeared to be in excellent condition, and because of it,
sleek appearance, I nicknamed it the sport model.
The goal in this program was to see if the technology of the disc could be duplicated
with earth materials.
To start up the reactor, of course, we need some Element 115.
In fact, you need 223 grams, machined into a wedge like this.
The program out at S4 consisted of three projects: Project Galileo, Project
Sidekick,
and Project Looking Glass.
The file on top was Project Galileo.
And as it turned out, that's the project that I was part of.
And that clearly referred to reverse engineering, a recovered alien spacecraft.
It just cannot be a secret from anyone, not just the American people, but the
rest of the world.
All this stuff is something that happened to them. It's not who he is.
They're doing everything they can to keep this information secret.
That's empirical evidence. I saw Oddcraft to do that, thanks to him.
Now this story spills.
And the world changed.
Bye for now.