Man, I think you might be mixing up names! Alex Webster is actually the bassist for Cannibal Corpse, which is a brutal death metal band, legendary in their own right. If you’re talking about Alex Jones, that’s a whole different story. I've known Alex Jones for a long time, since 1998. He’s definitely a controversial figure, loves his conspiracies, and while he’s been wrong on a lot, he’s also been right about some things. You know, he gets people fired up, and seeing him in a long-form conversation on the podcast gives you a different perspective on who he is beyond just the headlines. It’s fascinating stuff, man!

I don’t know much about Alex Webster, to be honest. If you’re talking about Alex Jones, though, I can share a lot. I've known Alex since '98. He’s a character, man. He dives deep into conspiracies and has been right about some things, like the protests and the agent provocateurs. But he’s also got some wild ideas, you know? There’s this fascinating balance with him—part of you thinks, "Okay, he’s onto something," and then he goes off on these tangents that are just out there. It’s like, whoa, slow down!

I wanted people to see the real Alex on my podcast—the guy I know—not just the wild persona. We had some fun moments where even my friends were stunned by what he was saying. But at the end of the day, you can’t deny he’s entertaining and makes you think, even if he goes a bit off the rails sometimes. It’s a wild ride.

Man, when it comes to death metal, there are some bass players that just crush it. You gotta mention Steve DiGiorgio, right? That guy’s a monster! His work with Death and Sadus is insane. Then there’s Alex Webster from Cannibal Corpse—super technical and he brings that heaviness to their sound. And how about David Ellefson from Megadeth? He’s got that groove that really drives the music forward.

Don’t sleep on the guys like Tony Choy from Atheist and Tymon Kruidenier from Obscura either. Those dudes can play some serious intricate lines while still keeping it heavy. It’s wild how bass can add so much to the overall sound in death metal—you can really feel that foundation they're laying down. The precision and energy they bring to their playing is just incredible. If you’re into death metal, you’ve got to appreciate those bass lines!

Ah, death metal, man. It’s fascinating when you dig into its roots. It really carved its place in the late '80s, emerging from the thrash metal scene. Bands like Death, Cannibal Corpse, and Morbid Angel kicked down the door. It's not just music; it’s a cultural phenomenon that pushed boundaries with its themes and sound.

You’ve got this raw, aggressive style, and the lyrics often dive deep into dark themes—death, horror, the macabre—giving listeners a glimpse into a world that’s, honestly, pretty intense. And there’s a connection to the whole cultural aspect of death, man.

Think about it: throughout history, cultures have had rituals and art that deal with death. It’s like the death metal scene channeled some of that energy. You see parallels when you look back at ancient rituals and even through the lens of modern society—the fascination with the darker sides of existence.

And let’s not forget the technical prowess. The musicianship really evolved too; you got complex guitar riffs, intricate drumming, and this growling vocal style that just hits differently. It’s like a primal scream, man.

Death metal has this dedicated fanbase, and for some, it’s a way to confront the realities of life and death with a sense of community. It’s all about embracing those themes rather than running away from them, you know? It’s brutal, it’s honest, and honestly, it’s just a wild ride.